S Line Ep 1 English Sub

jxflus139733

5 months ago

Transcript

00:00You

00:30You

01:00You

01:30You

01:33You

01:36You

01:42You

01:44You

01:45I

01:50You

01:53You

01:55You

01:56You

01:58You're the one who's in the middle of the house.

02:00You're the one who's in the middle of the house.

02:28I don't want to see any of the things that I can't see.

02:42Eat it.

02:43No, I don't want to see anything.

02:48I can't see any of the things that I can't see.

02:51One more question.

02:52Is it true?

02:54No, it's not true.

02:56It's so important, but it's the manager and the manager.

03:01I knew what I wanted to do when I was able to see the lines of what I wanted to do.

03:06What did I want to do?

03:09I knew what I wanted to see the lines of the lines of the lines of the line.

03:13I was so tempted to die, but I was also a kid.

03:27I was so tempted to die, and I was a kid that was a kid.

03:36No!

03:44The black line of the dark line

03:47will have more meaning to start.

03:59When I saw the dark line of the truth,

04:01I realized that the truth of the dark line

04:03was the first time.

04:06I used to open my eyes and open my eyes.

04:27I want to keep my eyes on my own.

04:36I don't know.

05:06I was completely alone.

05:13I decided.

05:18If I could live here,

05:21if I could live here,

05:24if I could live here.

05:25If I could live here,

05:28if I could live here,

05:31if I could live here,

05:34and how I could live here.

05:50There you go.

06:01I was a couple of days ago.

06:03I was here to buy some chicken.

06:08I had a few days ago.

06:11I was here to buy some chicken.

06:13I was going to buy some chicken.

06:17When I was eating,

06:19I was eating chicken.

06:20I didn't eat chicken.

06:21I was trying to buy some chicken.

06:23Do you like the chicken?

06:25When I was born, I didn't eat it when I was born, but I didn't eat it when I was born, so I didn't eat it.

06:39I'm going to put it in front of you, so I'm going to eat it.

06:55I'm sorry.

07:05I'm sorry?

08:39안녕, 이따가.

08:46형 설마 또 제 차 긁었어요?

08:50야.

08:51무슨 날이야?

08:55네가 왜 이 시간이 등장하냐?

08:57그러게요.

08:58뭐 한다고.

08:59간만에 삼촌 노래 좀 해보려고 했더니만.

09:02역시 사람을 안 하던 짓으로 하면 안 돼.

09:04아, 그 고등학생 조카?

09:06요새 고딩은 상전인데?

09:08나 상전이지.

09:10근데 어쩌냐?

09:11나밖에 없는데.

09:12그럼 한 형사님 결혼하면 어떡해요?

09:14결혼?

09:15나 결혼 시에 올 거지.

09:21나 결혼 시에 올 거지.

09:31나 결혼 시에 올 거지.

09:32나 결혼 시에 올 거야?

09:33나 결혼 시에 올 거야?

09:38나 결혼 시에 올 거야?

09:40나 결혼 시에 올 거야?

09:42나 결혼 시에 올 거야?

09:43I'm going to work on my job.

09:48Why?

09:50What do you think about it?

09:54It's a sexual addiction.

09:57It's a shame.

09:59It's a shame.

10:03Sorry.

10:13It's a shame.

10:14It's a shame.

10:15It's a shame.

10:17It's a shame.

10:18It's a shame.

10:19It's a shame.

10:21Sona.

10:22Sona야.

10:23내가 나대지 말라고 했지?

10:26Sona야.

10:27왜 이렇게 멀리가 있는 거야?

10:30Sona야.

10:31나 좋아.

10:32이리 와.

10:33이리 와.

10:34땅이 나대라.

10:35이리 와.

10:36병신아.

10:38Sona야 괜찮아?

10:39Sona 아빠?

10:40Sona 세어봐.

10:41Sona 세어봐.

10:42Sona.

10:47Sona야.

10:48갖고 오라는 돈은 안 갖고 오면서.

10:50왜 싱구질이야.

10:53네가 있지.

11:00야 잡아.

11:03아이고 Sona야.

11:05Sona야 너 더 나 자야 돼.

11:07일어나.

11:08아이씨.

11:09일어나.

11:12야.

11:13니네 삼촌 경찰이라네.

11:15뻔하잖아.

11:16그리고 내 전화랑 문자는 왜 씹어?

11:19아이씨.

11:20아이씨.

11:21아이씨.

11:22야 무겁네.

11:23아이씨.

11:24야 무겁네 씨.

11:43부서?

11:45I don't know if I'm going to go.

11:48I'm going to go here.

11:51Okay?

12:07Hey, you're coming here?

12:09Yeah.

12:10I'm a young man who lives in the house.

12:12I'm a young man who lives in the house.

12:14I'm a young man who lives in the house.

12:18I've been in the cafe, so I've been a manager.

12:20What's your name?

12:22There's no one, and my two are two of them.

12:25I live in the house.

12:27A?

12:29I'll check it out.

12:40I'll check out the house.

12:42The house is clean.

12:44My house is clean.

12:54The house is clean.

12:59You guys have a young man who lives in the house?

13:10Oh?

13:16This is delicious.

13:17It's a famous house?

13:19No.

13:21It's a famous house.

13:27Check.

13:29Yes.

13:30I don't like you.

13:33I don't like you.

13:36I don't like you.

13:37You're actually a driver's license.

13:40You're in the evening,

13:42you're going to get a helmet.

13:44What?

13:46You're at this store store.

13:48You might not know what's wrong.

13:50Oh.

13:52I know that this guy's task is actually nothing.

13:56For money,

13:57there's no missing from any 흔적.

13:59No.

14:00No.

14:01Any other types of police?

14:03No.

14:04Exactly.

14:05I mean, it's not good?

14:06No.

14:07Right?

14:08How about the hotel's shop?

14:10Not right.

14:11I was viendo in the studio.

14:14I was looking for a couple of things like that.

14:16I was looking for one year.

14:21I'll kill you.

14:24Let's see.

14:26Okay.

14:26Hello, everyone.

14:55NPR 뉴스 안주영입니다.

14:587월 25일 화요일 뉴스 전해드리겠습니다.

15:01오늘 오후 신호동 빌라 당체에서 소사식 살인사건이 발생했습니다.

15:0620대 여성 한 명이 숨졌고 최근 신호동 인근에서만 세 번째 살인사건이 일어났지만

15:11아직 범인을 특정할 만한 단서가 나오지 않아 경찰들도 수사에 난항을 겪고 있습니다.

15:17때문에 인근 주민들까지도 모두 불안에 떨고 있는데요.

15:21박성원 기자의 보도입니다.

15:22오늘 날 신호동 한 빌라에서 혼자 사는 20대 여성이 목돌려 숨진 채 발견됐습니다.

15:30경찰은 강제 침입 흔적이 다분한 것으로 무발적인 강도살해 사건으로 보고 수사에 착수했습니다.

15:38최근에도 신호동 근처에서 혼자 사는 30대 여성이 살해된 것으로 보고

15:43수백 개의 S라인을 가진 사람도 있기 힘들지만

15:46단 한 개의 S라인을 가진 사람도 눈에 띄지 않는 건 아니다.

15:55더군다나 살인사건 한 장에서

15:57뭔가를 엿대리려고 하는 사람이라면

16:00지름이

16:05구멍스

16:05이

16:15어느새

16:20현실화

16:21ejerc

16:24What do you mean?

16:25You can't hear any noise.

16:27But it's time to go to bed and night.

16:31You can't hear anything.

16:33I don't know.

16:54Oh, my God.

17:24네, 긴급신고 112입니다.

17:31맞은편집에 헤르스 남자가.

17:37네, 듣고 있습니다. 말씀하세요.

17:41여보세요?

17:54여보세요?

17:55여보세요?

17:56여보세요?

17:57여보세요?

17:58여보세요?

17:59여보세요?

18:00여보세요?

18:01여보세요?

18:02여보세요?

18:03여보세요?

18:04여보세요?

18:05여보세요?

18:06여보세요?

18:07여보세요?

18:08여보세요?

18:09여보세요?

18:10여보세요?

18:11여보세요?

18:12여보세요?

18:13여보세요?

18:14Today's video is simple and isn't out?

18:16It's amazing, isn't out or is out of town.

18:19It's easy to see.

18:29Now we are talking about a lot of people's härplaces in town.

18:32Some of the mountains where there's some nubbeta who's poner of something like this,

18:36they're asking for a part of the people who are taking this.

18:40Then they're asking for what to do.

18:41You're going to be able to get a lot of money.

18:44This is not going on, isn't it?

18:56What's that?

18:58What's that?

19:00What's that?

19:41아, 그럼 제발, 너 학교 안 갔어?

19:52삼촌, 나 돈 좀 줘.

20:11일단 이걸로 쓰고 있어. 나 일 더 뽑아다 줄게.

20:21얼마 더 줄 수 있는데?

20:33야, 너 얼굴 왜 이래?

20:44맞고 다니냐?

20:46뭔 상관인데, 얼마 더 줄 수 있냐?

20:49돈이 왜 필요한데?

21:01돈이 왜 이래?

21:17돈이 왜 이래?

21:23형.

21:33어, 왜?

21:34그 어제 신고전화 하나가 들어왔었는데,

21:36헬멧 얘기를 하면서 신고를 했었대요.

21:38아니, 배달원이 용의자일 수도 있다는 거 사나간 적 없잖아요.

21:42신고일치가 어딘데?

21:43잠시만요.

21:45신우동이고요.

21:46완성빌라 나동?

21:49어, 근데 여기 형 집 아니에요?

21:51나동?

21:53방주경찰사 한지옥 형사입니다.

22:18아내 계십니까?

22:21S라인 이렇게 많은 사람을 가까이에서 본 건 처음이다.

22:28안녕하세요.

22:42아, 이거 소용없어요.

22:44안 나올걸요?

22:45동네에서 히키코너리로 유명한데,

22:47쓰레기 버려주는 사람들도 일테니깐요.

22:50하..

22:52하..

22:53하..

22:54하..

22:55하..

22:56하..

22:57하..

22:58하..

22:59하..

23:00하..

23:01아..

23:02잠깐이면 됩니다.

23:03어제 경찰로 신고하셨죠?

23:04목격하신 게 있으시면 말씀을 해주세요.

23:08인근에서 발생한 살인사건의 중요한 증거가 될 수 있습니다.

23:12하..

23:13하..

23:14하..

23:15하..

23:16하..

23:17하..

23:18하..

23:19하..

23:20하..

23:21하..

23:22하..

23:23하..

23:24하..

23:25하..

23:26하..

23:27하..

23:28하..

23:29하..

23:30하..

23:31하..

23:32하..

23:33하..

23:34하..

23:35하..

23:36하..

23:37하..

23:38하..

23:39하..

23:40하..

23:41하..

23:42하..

23:43하..

23:44I think that he's a helmet on my plane.

23:48He thinks that she's dangerous so she's a man.

23:51A woman?

23:53She's a woman of the house,

23:55204号.

23:59She has to be a lot of cases,

24:02but she's a woman.

24:07But...

24:10You're a student?

24:12You're a school?

24:16Oh, these are the bitches.

24:26But I don't know how to do this?

28:09It's not going to come out.

28:11It's famous in the city of Hikikomori,

28:13but there are people who have to do it.

28:17303 of them,

28:19and they all have to kill each other.

28:23That's right.

28:25That's right.

28:27That's right.

28:31We can't do anything else.

28:39You're welcome.

28:45You're welcome.

28:50Yes.

28:53You're welcome.

28:55I'll go to the house.

28:58Yes?

29:09You're welcome.

29:19Hello!

29:20How are you?

29:21Yes, our patients are suddenly there now.

29:23We're coming around and hearing a touch.

29:24So, we're all going to the house.

29:27So, you're going to be surprised at some time.

29:30I'll take it.

29:31I'll do it.

29:32I'll do it.

29:49Wait.

29:50Charlie...

29:52Why don't you go here with the fine sheet?

29:59Oh, my feet are gone.

30:00Hey, but...

30:01O, see, aku where you can go?

30:05Oh, my feet are a град, get here at night...

30:08Hurry, hurry,ければ...

30:12Alright, the police is gone.

31:52Oh, this is what it is.

32:20Ah, I'm going.

32:27What is your weird?

32:29What is your weird?

32:30Did you get in?

32:31What is your weird?

32:34What is your weird?

32:37What is it?

32:38Aunt.

32:39Aunt.

32:40Aunt.

32:41Aunt.

32:43What is it?

32:46What is it?

32:48I don't know.

33:18I don't know.

33:48I don't know.

34:18I don't know.

34:48I don't know.

35:18I don't know.

35:48I don't know.

36:18I don't know.

36:48I don't know.

37:18I don't know.

37:20I don't know.

37:22I don't know.

37:24I don't know.

37:28I don't know.

37:30I don't know.

37:38I don't know.

37:40I don't know.

37:48I don't know.

37:50I don't know.

37:52I don't know.

37:54I don't know.

37:56I don't know.

38:02I don't know.

38:04I don't know.

38:06I don't know.

38:08I don't know.

38:18I don't know.

38:20I don't know.

38:22I don't know.

38:24I don't know.

38:34I don't know.

38:36I don't know.

38:38I don't know.

38:48I don't know.

38:50I don't know.

38:52I don't know.

38:54I don't know.

38:56I don't know.

38:58I don't know.

39:00I don't know.

39:02I don't know.

39:04I don't know.

39:06I don't know.

39:08What are you doing?

39:38I'm sorry.

39:49Yeah.

39:51You're not alone.

40:05If you're not alone, you're dead.

40:21Oh yes, yes.

40:22What did you do?

40:24Elmer's birth was a pretty good one.

40:27That's very good, obviously.

40:32Oh!

40:33Uh-oh!

40:34Ah!

40:35Ah!

40:36Uh!

40:37Ah!

40:38No!

40:39Ah!

40:40Ah!

40:41Ah!

40:42Uh!

40:43Ah!

40:44Ah!

40:45Ah!

40:46Ah!

40:47Ah!

40:48Ah!

40:49Ah!

40:50I don't know what the hell is going on.

42:20I'm gone.

42:50No, you're not going to go to the hospital?

42:56The only one who died in the past, who is it?

43:03I'll tell you later. I'll come back to the police.

43:07What happened?

43:10What happened?

43:11What happened?

43:12Why don't you contact me?

43:19The sun glasses...

43:26Do you know each other?

43:37Why?

43:38Don't you pay attention to me?

43:41Are you a ATM?

43:44Don't you try new to us?

43:50Are you better?

43:52What do you think about the end?

43:54You don't need the end to be able to let your wife in the park

43:58miami too

43:59You speak this way

44:02You say you're a mess of what?

44:04A mess of my problem when trouble I have

44:06Security? To look for what problem can I help you?

44:08What is solving your right?

44:10You're parasing me as a follow-up man

44:11You're friendly at me with me

44:12Let's go to an office!

44:14He was like, he's also going to fall out.

44:18I'm going to take you out of him, you idiot.

44:20What, you idiot?

44:21This guy is really...

44:28That's it.

44:31But...

44:34Your sister...

44:36Why was she outside?

44:38You're a kid, how are you?

44:41He was a kid.

44:44She was young when she was a kid, she died.

44:47I didn't know?

45:08When I first saw S-Line, I thought I'd be able to save a person.

45:15But now I'm going to do what to do now.

45:38Transcription by CastingWords

46:08CastingWords

46:38CastingWords

47:08I'm disgusted.

47:10What?

47:11Why did you kill me?

47:13I don't understand why I killed you.

47:15I'm going to have you still?

47:17Of course.

47:18Did you eat anything wrong?

47:19I'm going to be wrong.

47:21Why am I wrong?

47:23Sonah, I'm going to kill you.

47:28I'm going to kill you.

47:38You don't pray for church.

47:40It hurts.

47:45How can we know?

47:47I'm as deceived as you are denied.

47:52We're connected to the light.

47:57Like a sign in the sky, so clear there's no need to seek.

48:14I follow the line that takes me to the land of the truth.

48:22Can you believe this?

48:25That everyone gets read for reasons.

48:28There's nowhere else to hide the past.

48:31Late.

48:32I think we just gotta say.

48:38Between the lines.

48:40What is real?

48:41What is not?

48:43How are you so sure?

48:45Still insecure by myself?

48:52How can we know?

48:54It's a never, ever ending lullaby.

48:59We're tangled with the lies.

49:08Denying.

49:10Yeah, we're tangled with the lies.

49:17The end is yellowyyy you've emerged.

49:20Never deliver the lies.

49:21What's real?

49:22How are you Mill Mountain?

49:23Where you?

49:24Yeah.

49:25What is real?

49:26What a random girl does.

49:27How far and what broken the habitualinaعger is?

49:28I had no procrastination to think.

49:29Until then, we're in theofficial format.

49:30Today.

49:31The end is the map of theعة Fenway.

49:33I'm a mansionist.

49:34IWatch severalертв�� Dublin's app.

49:35What is real?

49:36A humble nature.

49:37αν uma unseen zenya's attitude in the city.

49:39For over 400 000 Transparency,

49:41It's not happier people and at work local하세요.

49:42It's not back where em are created.

49:43If you just double或者 stroke,

49:44kaufen which runs away through here,

49:47You

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