- 5 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:30¡Abrr!
00:01:30¡Abrr!
00:01:31¡Abrr!
00:01:33It was really great.
00:02:03You're fantastic.
00:02:08Here's my address.
00:02:10So long.
00:02:33Here's my address.
00:02:41Darling.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:51You look great.
00:02:53Thanks.
00:02:54Bye, Criella.
00:02:55Ciao.
00:02:56Try to have a nice trip.
00:02:57I'll try.
00:02:58Good luck.
00:02:59I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:09It really is beautiful.
00:03:32Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:43I feel strange all of a sudden.
00:03:46I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:03Hey, my God!
00:04:04Hey, my God!
00:04:05Hey, my God!
00:04:06Hey, my God!
00:04:07Hey, my God!
00:04:08Hey, my God!
00:04:09Hey, my God!
00:04:10Hey, my God!
00:04:11Hey, my God!
00:04:12Hi!
00:04:13Hi!
00:04:36Hey, Criella!
00:04:37Ah!
00:04:38Ciao!
00:04:39Hi!
00:04:40How's it going?
00:04:41Any news?
00:04:42No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:05:11I know.
00:05:12I know!
00:05:13Hey, I know.
00:05:14What about this?
00:05:17How many cries are mine that have been small?
00:05:19Oh!
00:05:21No, no.
00:05:35Good luck.
00:05:36I'll see you next time.
00:06:06I thought you'd never get here.
00:06:31It seemed like an eternity.
00:06:36Now that's more like it.
00:06:42Where are you taking me tonight?
00:07:06Come on.
00:07:12Come on.
00:07:16Come on.
00:07:18Come on.
00:07:22Come on.
00:07:24Come on.
00:07:28Come on.
00:07:30Come on.
00:07:32Come on.
00:07:34Come on.
00:07:40Will you play the same number, madame?
00:07:42Sure.
00:07:44Come on.
00:07:46Come on.
00:07:48Come on.
00:07:50Number 13.
00:07:52Right.
00:07:54Come on.
00:07:56Come on.
00:07:58Come on.
00:08:00Come on.
00:08:02Come on.
00:08:04Let's please, ladies and gentlemen.
00:08:34Uh, hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry, never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay, here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:17Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée, that's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:38You know, a simple islander.
00:10:41Oh, come on.
00:10:43That's only in fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:19Yeah.
00:12:23Listen, Criella, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37Uh, I, I feel uncomfortable.
00:12:50Well, there's no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05You know.
00:14:06I'm coming.
00:14:07I want to think I'm very well.
00:14:08You know, love.
00:14:09You know, love.
00:14:10You know, love.
00:14:11Oh!
00:14:41The light is not the best, but...
00:14:46We shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that, uh...
00:15:17You don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:31I was joking.
00:15:32Get away.
00:15:33What a warped for you to do.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:41Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:15:59You hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:11I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:20It appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aw.
00:16:25Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Uh, is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:09All right.
00:18:15See you later.
00:18:16Bye.
00:18:24Bye.
00:18:43Hi.
00:18:45Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Wait, good morning.
00:19:04Good morning.
00:19:12No thanks.
00:19:13Hey.
00:19:14Hey, let me take a picture.
00:19:17Ah, that's it.
00:19:24That's it.
00:19:39Well.
00:19:40However you relate to me you visit.
00:19:42Every day I just love you more,
00:19:44These are yourências or your true love or your mind.
00:19:47I hope gewoonにな Does your effort smile,
00:19:49COVERY up your thoughts
00:19:50or YOU Pet online or your way of caring wife
00:19:52Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol
00:20:11or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:15I won't be long.
00:20:22Come on, Consuelo.
00:20:26Here we go.
00:20:43Here are some models.
00:20:45Who's that woman there?
00:20:47A very well-known American writer.
00:20:49Joanne Sullivan?
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:21:05Joanne?
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:12Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:18How are you?
00:21:19Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:25What are you doing here?
00:21:26I'm taking pictures for a magazine.
00:21:28Oh, fantastic. Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:01America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:19Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:23I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine and I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49If you could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:55Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first step's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:49I don't think Criela thinks it's such a good idea.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all to add.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22It's very at home here in this setting.
00:24:44Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:24:59Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:49I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:15But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:36I trust Creole completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I love you, Andy.
00:27:16I love you more than anything else in the world.
00:27:22Me, too.
00:27:31I love you, too.
00:27:34God.
00:27:39It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:48It'll pass.
00:27:52It's okay.
00:28:11It's okay.
00:28:11It's okay.
00:28:12I love you.
00:28:14Oh, my God.
00:28:44Oh, my God.
00:29:14Oh, my God.
00:29:44Oh, my God.
00:30:14Oh, my God.
00:30:15Stop it.
00:30:16Stop it.
00:30:17Leave me alone.
00:30:18Put me down.
00:30:19Stop it.
00:30:20Let me go.
00:30:21Let me go.
00:30:22Vamos.
00:30:23Well, it's a good thing you came.
00:30:35I guess I should say thanks.
00:30:38You don't have to.
00:30:40Thanks, anyway.
00:30:43You know, you shouldn't go around by yourself.
00:30:48It's asked him for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:58It's your life.
00:30:59Do what you want.
00:31:04What are you doing?
00:31:18Offering you a little hospitality.
00:31:21Here.
00:31:22Have a drink.
00:31:30Here.
00:31:31Here.
00:31:32Here.
00:31:33Here.
00:31:34Here.
00:31:35Here.
00:31:36Here.
00:31:37Here.
00:31:38Here.
00:31:39Here.
00:31:40Here.
00:31:41Here.
00:31:42Here.
00:31:43Here.
00:31:44Here.
00:31:45Here.
00:31:46Here.
00:31:47Here.
00:31:48Here.
00:31:49Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:53Here.
00:31:54Here.
00:31:55Here.
00:31:56Here.
00:31:57Here.
00:31:58Here.
00:31:59Here.
00:32:00Here.
00:32:01Here.
00:32:02Here.
00:32:03Here.
00:32:04Here.
00:32:05Here.
00:32:06Here.
00:32:07Here.
00:32:08Here.
00:32:09Grilla!
00:32:16Grilla!
00:32:21Grilla!
00:32:23Grilla!
00:32:39Have you seen Criola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right. Thanks, Maxwell.
00:32:53Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:27Andy.
00:33:33Yeah?
00:33:35I gotta tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why? Something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:05I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:15I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:22Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient. Just a little longer.
00:34:39We'll be happy again.
00:34:41And then, I'll be able to give you what you need so badly.
00:34:52I don't want to put them down there.
00:35:00You don't need them, but of course not.
00:35:02Number five.
00:35:12Two minutes.
00:35:21Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo. Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:21I'm...
00:36:22Care for a drink?
00:36:41No, not for me.
00:36:42How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:10I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:25Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40I want to.
00:37:50The broken hearts.
00:37:51The...
00:37:52The broken hearts.
00:37:53I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:18You want to make love with me again?
00:38:21Yes, sir.
00:38:23Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:43Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep Consuelo.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it is.
00:39:05Bye.
00:39:06Hey, I'm always lying.
00:39:08It's not true.
00:39:12I'm going to stay around and talk about it.
00:39:13Goodbye.
00:39:14Have a good one.
00:39:15Bye.
00:39:16Bye.
00:39:16Bye.
00:39:17Bye.
00:39:18Bye.
00:39:19Bye.
00:39:20Bye.
00:39:21Bye.
00:39:22Bye.
00:39:23Bye.
00:39:24Bye.
00:39:25Bye.
00:39:26Bye.
00:39:27Bye.
00:39:28Bye.
00:39:29Bye.
00:39:30Bye.
00:39:31Bye.
00:39:32Bye.
00:39:33Bye.
00:39:35Bye.
00:39:58Bye.
00:40:03Bye.
00:40:03Bye.
00:40:03Bye.
00:40:03Bye.
00:40:03It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound, Joanne.
00:40:17Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:41:02I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:14It's a model a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine.
00:41:57If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:07Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris?
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:04Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:29I'm not leaving this island without you.
00:43:33Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:45I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criollo will soon come back.
00:45:14Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Thunder.
00:45:25Hmm?
00:45:29Huh?
00:45:29Uh.
00:45:30Mm.
00:45:31Mm.
00:45:32Mm.
00:45:33Mm.
00:45:34Mm.
00:45:36Mm.
00:45:37Mm.
00:45:38Mm.
00:45:39Everything.
00:45:39Mm.
00:45:41Mm.
00:45:42Mm.
00:45:43Mm.
00:45:44Mm.
00:45:48Mm.
00:45:49Mm.
00:45:50Mm!
00:45:50Mm.
00:45:51Mm.
00:45:52Mm.
00:45:54have you seen Leon sorry to disturb I want a word with him I'll leave you two together wait
00:46:18what do you want iris iris you got her you don't want iris iris is free to do what she wants adios
00:46:48so
00:46:55so
00:47:00so
00:47:33No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget them.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:21It's already happened other times.
00:48:23I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:33Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:36Oh, my God.
00:49:06Get out of here and stop bothering the customers.
00:49:21So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:27Playing with fire.
00:49:28One can be burned in the end.
00:49:33I blame myself.
00:49:34My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess.
00:49:43I proposed it to her.
00:49:45I must be an asshole.
00:49:48But now she's gone for good.
00:49:51She did it because she knew you liked it.
00:49:53Not for herself.
00:49:54She's not the kind of woman who sleeps around a lot.
00:49:59Are you serious?
00:50:00Yes, I am.
00:50:02Whatever she became was to please you.
00:50:05She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:12And look what happened.
00:50:13Fate set a trap for her.
00:50:15Oh, God.
00:50:17Now I'm the one who went and trapped her.
00:50:20Yep.
00:50:21Now you're trapped.
00:50:22It started as a game, that's all.
00:50:26It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:43Thanks.
00:50:44Hey, you've forgotten?
00:50:45We met one night in Santo Domingo.
00:50:48I'm married to Creole.
00:50:49Oh, yes.
00:50:50Now I remember you.
00:50:52Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:56She already knows.
00:50:57But you mean to say you...
00:50:59You've seen her?
00:51:01Yes.
00:51:02Not briefly.
00:51:03Yeah, but where?
00:51:04You haven't said.
00:51:06I have to know immediately.
00:51:15Surely you can guess.
00:51:16She's on Leon's boat.
00:51:24Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:26I have to.
00:51:28I have to.
00:51:40I have to.
00:51:51I have to.
00:51:51You're hurting me.
00:52:02You're hurting me.
00:52:21Where can I find Leon?
00:52:25Leon's gone fishing, senor.
00:52:27In his boat.
00:52:29Thanks.
00:52:51– You're hurting me. – No, no, no!
00:52:59No, no!
00:53:07You're hurting me.
00:53:11You're hurting me.
00:53:15I was hurting you.
00:53:17Put it in the pail.
00:53:43You know how to cook it?
00:53:50You'll have to learn.
00:54:13Hey, what are you doing here?
00:54:19Criola!
00:54:22Criola!
00:54:25Criola!
00:54:27What do you want?
00:54:29I've come to get her.
00:54:31Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola!
00:55:00With a bastard like that!
00:55:02I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished!
00:55:08You don't know what you're saying.
00:55:09You're coming back.
00:55:10No!
00:55:11Yes!
00:55:12No!
00:55:13It can't be finished, goddammit!
00:55:15Leave me alone!
00:55:17It's finished!
00:55:19With Leon, I'm alive.
00:55:20He satisfies me.
00:55:21No!
00:55:22No!
00:55:23I don't want you.
00:55:24I'm terribly sorry, Andy.
00:55:28Really.
00:55:29It's ridiculous.
00:55:30Ridiculous.
00:55:31Ridiculous.
00:55:32My life is meaningless without you.
00:55:37My life is meaningless without you.
00:55:40My life is meaningless without you.
00:56:02I'm sorry.
00:56:03I didn't mean to disturb you, but I just wanted something to drink.
00:56:09No problem.
00:56:10Really.
00:56:11I don't mind having a break.
00:56:14Why don't you stick around?
00:56:16You might even keep us company if you like.
00:56:22Thanks.
00:56:23But not tonight.
00:56:24Maybe some other time.
00:56:26I'm not in the best of moods.
00:56:33You all have to drink.
00:56:37Ohat, I invented this.
00:56:40I call it gin balling.
00:56:42It's a very silly game.
00:56:44Hmm?
00:56:45For what?
00:56:46Serves to calm the nerves.
00:56:48Try it.
00:56:49Okay?
00:56:50Hmm.
00:56:55Okay.
00:56:57Tell Mother everything...
00:56:59I'm all ears.
00:57:01Look.
00:57:03I have no intention of fighting with you. You're a kind, sweet patient.
00:57:08Okay, get to the point. The question is, will she tire of that dope?
00:57:12That's what you want to know. Is that it?
00:57:15She's bound to tire of it. She always does.
00:57:22This place plays tricks on one sometimes.
00:57:27Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:32I surely don't need to prove it, do I?
00:57:35You're up against an example. And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness. God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:56Yeah. It's blinded Eve in Creole.
00:58:00She used to hate dirt. The invention of squalor made her sick for days.
00:58:05Mm-hmm. A Puritan.
00:58:07It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:24Oh, yes, you can.
00:58:26Please.
00:58:28Right. Let's not say any more.
00:58:30You want to sit here all night?
00:58:32I...
00:58:33That's not gonna do any good.
00:58:47Hey, what's the matter? You've suddenly developed morals?
00:59:03I'm as immoral as you are.
00:59:06But there is such a thing as the right moment.
00:59:11Mm-hmm.
00:59:12Night. It's way past my bedtime.
00:59:15Is it ready? Is it cooked?
00:59:38There's a time for love and a time for food.
00:59:47Now we eat.
00:59:49Oh, my God.
00:59:54Ooh...
00:59:59Oh, my God.
01:00:29Oh, my God.
01:00:59Oh, my God.
01:01:29Oh, my God.
01:01:59Y cuando llegaste, me miraste, me dijiste loco, que estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, my God.
01:02:15Oh, my God.
01:02:45Oh, my God.
01:02:47Oh, my God.
01:02:51Oh, my God.
01:02:52Oh, my God.
01:02:53Oh, my God.
01:02:55Oh, my God.
01:02:56How is this possible?
01:02:57Go away from here.
01:02:59It's useless.
01:03:01Oh, my God.
01:03:03Oh, my God.
01:03:05Oh, my God.
01:03:07Oh, my God.
01:03:09Oh, my God.
01:03:11Oh, my God.
01:03:13Oh, my God.
01:03:15Oh, my God.
01:03:16Oh, my God.
01:03:18Oh, my God.
01:03:23Oh, my God.
01:03:37Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:57And we are here getting drunk.
01:04:02If only we had any guts, we'd do something about it.
01:04:32Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:00I'm not mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:20What do I do?
01:05:21Keep it?
01:05:24Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:37I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:36No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now, leave me alone.
01:06:47I have worked.
01:06:50You win.
01:06:51Okay.
01:06:51You win.
01:07:05You win.
01:07:15You win.
01:07:17You win.
01:07:18You win.
01:07:19Oh, my God.
01:07:49I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:17He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Let me in on it.
01:08:48Oh, my God.
01:09:18Oh, my God.
01:09:48Oh, my God.
01:10:18There's nothing caught in the propeller.
01:10:20I'm going down to have a look.
01:10:22Come on.
01:10:24Let's go.
01:10:26Come on.
01:10:28Let's go.
01:10:30Come on.
01:10:32Come on.
01:10:34Let's go.
01:10:36Come on.
01:10:38Let's go.
01:10:40Come on.
01:10:42Come on.
01:10:46Let's go.
01:10:48Come on.
01:10:50Come on.
01:10:52Let's go.
01:10:54Come on.
01:10:56Come on.
01:10:58Come on.
01:11:00Come on.
01:11:02Come on.
01:11:04Come on.
01:11:06Come on.
01:11:08Come on.
01:11:10Come on.
01:11:12Come on.
01:11:14Come on.
01:11:16Come on.
01:11:18Come on.
01:11:19Come on.
01:11:20Come on.
01:11:21Come on.
01:11:22Come on.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Criella were very upset.
01:11:30They left.
01:11:31Criella?
01:11:32What the hell's going on?
01:11:35Nothing.
01:11:47Iris!
01:12:02Stop it.
01:12:28You've got no call.
01:12:29What are you trying to do to me?
01:12:32Leon.
01:12:33Just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:46Surely even you can comprehend that.
01:12:48You must have been in love at least once in your lonely life.
01:12:51So much it made a fool of you, Leon.
01:12:54No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:02But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:06They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:09I don't think they meant to kill Leon really.
01:13:11It's an ugly story.
01:13:12I never thought he would go that far.
01:13:13You're wrong about Andy.
01:13:14He loves you more than anything else in the world.
01:13:15He'd do anything to get you back.
01:13:16Anything at all.
01:13:17He's changed, you know.
01:13:18You think so.
01:13:19You see, my dear, it's my duty to try and open your eyes.
01:13:22You see, my dear, it's my duty to try and open your eyes.
01:13:23I don't think they meant to kill Leon really.
01:13:25I don't think they meant to kill Leon really.
01:13:26It's an ugly story.
01:13:27I never thought he would go that far.
01:13:29You're wrong about Andy.
01:13:32He loves you more than anything else in the world.
01:13:35He'd do anything to get your back, anything at all.
01:13:37He's changed, you know.
01:13:40You think so.
01:13:43You see, my dear, it's my duty to try and open your eyes.
01:13:48But my eyes are wide open.
01:13:51Thanks.
01:13:52Joanne.
01:13:54Don't you understand?
01:13:57I love Leon.
01:13:59And I won't leave him.
01:14:01You think you love him, but you don't really.
01:14:04You're still hurt and angry with poor Andy.
01:14:08Because he threw you into the arms of that wretched animal Leon.
01:14:12You're punishing him with this affair.
01:14:15But you're punishing yourself at the same time.
01:14:17What do you suppose it'll be like in two or three years?
01:14:20Still happy?
01:14:21Sounds like a banal line from one of your books.
01:14:25Yes, it is banal.
01:14:28But the truth often is.
01:14:30I honestly think it's time you took stock of your life, Criola,
01:14:34and faced up to it.
01:14:36The truth may hurt you, so you need courage.
01:14:48Hello, Andy.
01:14:55We thought...
01:14:57that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:10Come here.
01:15:12You were right, Jack.
01:15:25There's magic everywhere here.
01:15:27Kiss me.
01:15:30It's in the very air.
01:15:31Can't you feel it?
01:15:33I know that if we stay here long, something wonderful will happen to us.
01:15:38Right.
01:15:39They say these islands cast a spell on lovers.
01:15:42Well, it's best because, Jack makes it come.
01:15:43What do you think we can help him in this element?
01:15:48We're going to help you!
01:15:51What's going on here?
01:15:52Have you ever got started?
01:15:53We've got...
01:15:55What do, Vietnam?
01:15:57What do you think?
01:15:58Have you ever watched the nothing that happened?
01:15:59When did we see the city coming back?
01:16:00Well, I think our house has stopped.
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