1946. Dick Tracy vs. Cueball [ GORDON DOUGLAS ]

Club Cinema 7

Título: Dick Tracy VS Cueball. Cine Negro / Crimen / Espionaje. Año: 1946. País: Estados Unidos. Dirección: Gordon Douglas.  Guión: Dane Lussier,Robert Kent. Historia: Luci Ward. Cómic Original: Chester Gould. Dirección de fotografía: George E. Diskant. Montaje: Philip Martin. Director de Arte: Lucius O. Croxton, Albert S. D’Agostino. Set: Darrell Silvera, Shelby Willis. Música: Phil Ohman, Paul Sawtell. Sonido: Roy Granville, Robert H. Guhl Efectos Especiales: Russell A. Cully. Productor: Herman Schlom. Productor Ejecutivo: Sid Rogell. Produccion: RKO Radio Pictures. Intérpretes: Morgan Conway,Anne Jeffreys, Lyle Latell, Rita Corday, Ian Keith, Dick Wessel, Douglas Walton. Sinopsis: Un ladrón se apodera de unos valiosos diamantes, pero es asesinado por Cueball, un ex presidiario, quien continúa matando a todo aquel que considera peligroso para su propósito de vender las joyas. Dick Tracy permite que su novia se haga pasar por la presunta compradora, pero su plan fracasa cuando Cueball la secuestra.  SÍGUEME EN: Web: https://www.clubcinema7.com/ Twitter: https://twitter.com/clubcinema07 Instagram: https://www.instagram.com/clubcinema07/?hl=es-la Facebook: https://www.facebook.com/clubcinema07/ Cursos y Talleres : https://espacionuevoapolo.com/

Transcript

00:00:00THE END

00:01:30All right, men, come aboard.

00:01:43Come on, shake it up, shake it up.

00:01:45Rig up forward hole number one and two and number five ab.

00:01:48The witches are under steam, so get a move on.

00:01:50The witches are under steam.

00:01:52The witches are under steam.

00:01:53The witches are under steam.

00:01:54The witches are under steam.

00:01:55The witches are under steam.

00:01:56The witches are under steam.

00:01:57The witches are under steam.

00:01:58The witches are under steam.

00:01:59The witches are under steam.

00:02:00The witches are under steam.

00:02:01The witches are under steam.

00:02:02The witches are under steam.

00:02:03The witches are under steam.

00:02:04The witches are under steam.

00:02:05The witches are under steam.

00:02:36Thank you, Mr. Evans.

00:02:46Who is it?

00:02:48The person, Mr. Evans.

00:02:52Just a minute, please.

00:03:02Give me that diamonds.

00:03:03What, I? Give me a...

00:03:05Hurry up.

00:03:12Try anything like that again and I'll have to hurt you.

00:03:14I didn't come here to do that.

00:03:16All I want is the diamonds. Give them to me.

00:03:18Let's go.

00:03:19Let's go.

00:03:20Let's go.

00:03:21Let's go.

00:03:30Police headquarters.

00:03:31Yeah?

00:03:33Mm-hmm.

00:03:35Where?

00:03:36No, Dick Tracy isn't here. If I stay on the wire, I'll call his home.

00:03:42What's so important?

00:03:44Harbor detail reporting murder.

00:03:53Say, what goes on? You certainly aren't busy, Junior.

00:03:55I got things to do.

00:03:58Holy smoke!

00:03:59What's the matter?

00:04:00Somebody left the receiver off the door.

00:04:02I detect Tessa's fine hand in that little maneuver.

00:04:04Probably wanted to make sure that you wouldn't be called out tonight.

00:04:07Yeah.

00:04:08That's about it.

00:04:10What the devil.

00:04:14Hello?

00:04:15Yes.

00:04:16Tracy speaking.

00:04:19What?

00:04:21Yes.

00:04:22Yes.

00:04:23Pier 30.

00:04:24Got it.

00:04:25We'll be right there.

00:04:26What is it, Dick?

00:04:27They've just reported a murder on the SS Palomar.

00:04:29She docked about an hour ago.

00:04:30Get your hat, Pat.

00:04:31What?

00:04:32Oh, Chief.

00:04:33Please explain to Tess.

00:04:34Tell her I'll see you later.

00:04:35Okay, Dick.

00:04:37A most effective entrance, my dear.

00:04:39I congratulate you on your sense of the dramatic.

00:04:43Friends, if I may have your attention.

00:04:46Skip it, Mr. Flinthart.

00:04:47Dick's gone.

00:04:48Gone?

00:04:50But that's impossible.

00:04:51I haven't...

00:04:52It was a homicide case, Tess.

00:04:53Junior found the receiver off the hook.

00:04:55Oh, Junior.

00:05:03How about it, Mr. Tracy?

00:05:04Anything you want to tell us?

00:05:05Later, boys.

00:05:08Hey, Dick, Mr. Tracy.

00:05:15Is this the way everything was when you entered?

00:05:17Yes, sir.

00:05:21Well, it's quite obviously death by strangulation.

00:05:25Strangulation, huh?

00:05:26What about this?

00:05:29Probably the victims.

00:05:31Have it checked the fingerprints.

00:05:33He was undoubtedly trying to defend himself.

00:05:36Did Mr. Rabbit ever seem worried or afraid of anything?

00:05:39Why, no.

00:05:40He was always in a good mood.

00:05:42I...

00:05:43I believe he represented a custom jeweler.

00:05:45So I see from these papers.

00:05:49Captain Mason.

00:05:50You mentioned Mr. Rabbit's telling about his search for rare jewels.

00:05:53Yes.

00:05:54Did he ever happen to mention any that he was bringing with him on this trip?

00:05:56Why, no.

00:05:57Excuse me, sir.

00:05:58But Mr. Rabbit did have a package checked in the safe.

00:06:01I gave it to him shortly before we docked.

00:06:03Pat, get Jules Sparkle's home address and meet me in the car.

00:06:06Okay.

00:06:16Can you get yourself a few pictures now, boys?

00:06:18No, it's all right.

00:06:19Thanks very much, sir.

00:06:20Tracy?

00:06:21I called Sparkle's house and...

00:06:25I called Sparkle's house?

00:06:26All I wanted was his address.

00:06:28I wanted to surprise him.

00:06:29But Tracy, the dame who answered the phone, I think it was Mrs. Sparkle.

00:06:32Said he was at his office in the Colburn building.

00:06:34Did you say who you were?

00:06:35No.

00:06:36You think I'm dumb?

00:06:37Well, we won't go into that.

00:06:39Come on, let's get going.

00:06:51Well, I...

00:06:56Oh, I was expecting someone else.

00:06:58Are you Jules Sparkle?

00:06:59Yes.

00:07:00I'm Dick Tracy, Homicide Squad.

00:07:02Homicide Squad?

00:07:03Uh-huh.

00:07:06My secretary, Miss Clyde.

00:07:07How do you do?

00:07:08Mr. Patton.

00:07:09Hello, Miss Clyde.

00:07:10How do you do?

00:07:11Mr. Sparkle, I've just come from the SS Palomar.

00:07:13Your representative, Lester Abbott, was found in his state room and murdered.

00:07:17Abbott murdered?

00:07:18Uh-huh.

00:07:19I can't believe it.

00:07:21He seemed so impossible.

00:07:23Abbott was not only a loyal employee, he was an old friend.

00:07:27How long had he worked for you?

00:07:28About 15 years.

00:07:30But I'd known him long before that.

00:07:34Oh, so sorry.

00:07:35I didn't mean to intrude.

00:07:36I heard voices.

00:07:38I thought Mr. Abbott was here.

00:07:40Another one of your employees?

00:07:42Yes.

00:07:43Our lapidary, Simon Little.

00:07:44Lapidary?

00:07:45A lapidary's a diamond cutter.

00:07:47Sure, what else could he be?

00:07:48You and your staff keep very unusual hours.

00:07:51Well, tonight it was quite necessary.

00:07:53We were all interested in the arrival of some diamonds.

00:07:56And I thought it would be more expedient to meet Mr. Abbott here rather than at the boat.

00:08:01I see.

00:08:02What was the value of the diamonds he was bringing back?

00:08:04The collection was insured for $300,000.

00:08:07I'd like a complete list of your employees.

00:08:11But Mr. Tracy, all of my people have been with me for years.

00:08:14I trust them implicitly.

00:08:15I realize that.

00:08:16But whoever killed Abbott knew about the diamonds, knew the boat he was on, knew his cabin number.

00:08:22Therefore, it is quite possible that someone in your firm may have supplied the necessary information.

00:08:27Very well.

00:08:28Mona, will you prepare a list, please?

00:08:30Certainly. I'll have it ready for you tomorrow, Mr. Tracy.

00:08:32I want it tonight.

00:08:33Well, it'll take quite a while.

00:08:34I can wait.

00:08:35All right, well.

00:08:36Mr. Little, you may leave now, if you like.

00:08:38Pardon me.

00:08:39Would you rather I stay, Mr. Sparkle?

00:08:40It won't be necessary.

00:08:41I can tell Mr. Tracy anything else he might want to know about Mr. Abbott and the diamonds.

00:08:45Yes, sir.

00:08:46Pat?

00:08:47Yeah?

00:08:48Do you mind running down to the count for those papers?

00:08:49Papers?

00:08:50Yeah, you know, those caches I made of Abbott's statement.

00:08:52Oh, those papers.

00:08:53Sure, I'll get them for you right away.

00:08:54Good night, Mr. Sparkle.

00:08:55Good night, Simon.

00:08:56Oh, thank you.

00:09:15Good night.

00:09:22Good night.

00:09:25Good night.

00:09:45Good evening, sir.

00:10:12Good evening, Rudolph.

00:10:15You're very late, Mr. Little.

00:10:17Yes, much later than I expected.

00:10:19Is Mr. Priceless here?

00:10:21No, he telephoned to say that he was unavoidably detained and couldn't come tonight.

00:10:26Detained, purposely detained, leaving me to take the consequences.

00:10:30Mr. Little, Q-ball is here.

00:10:34Here?

00:10:36Where is he?

00:10:38Downstairs, sir.

00:10:40Oh, I see.

00:10:42Very well, Rudolph.

00:10:42I'll have some more work for you next week.

00:10:45Thank you, sir.

00:10:47Good night.

00:10:48Good night, sir.

00:11:05Q-ball.

00:11:06Q-ball.

00:11:10Hello, Simon.

00:11:11Why, you...

00:11:12You fool.

00:11:13You big, stupid, blundering fool.

00:11:15Shut up.

00:11:16You killed him.

00:11:17You murdered Abbott.

00:11:18Why did you kill him?

00:11:19Why?

00:11:20Why?

00:11:20Because he was going to plug me.

00:11:22Now, look.

00:11:23You and Priceless told me to meet you here to collect my ten grand.

00:11:27Okay.

00:11:28I got the diamonds.

00:11:29Where's my dough?

00:11:30Keep the diamonds.

00:11:31Go to the chair with them.

00:11:32I won't touch them.

00:11:33Oh, yes, you will.

00:11:34There's blood on those stones.

00:11:36Nobody but you and me knows how it got there.

00:11:40Why did I have to get mixed up in a thing like this?

00:11:43The police can't blame me.

00:11:44Priceless came to me.

00:11:45I didn't go to him.

00:11:46He needed me.

00:11:47He needed me to recut the stones so they wouldn't be recognized.

00:11:50That's it.

00:11:51It was just a business deal.

00:11:52I didn't know they'd be stolen diamonds or that there'd be a murder.

00:11:56You rat.

00:11:58You're in this up to your ears just as much as I am.

00:12:01No, I...

00:12:02There must be something I can do.

00:12:04There's something you're going to do.

00:12:05That's pay me off.

00:12:06I'm staying right here till I get my dough.

00:12:10Yeah.

00:12:11Come to think of it, this joint would make a nice little hideout.

00:12:14Oh, no.

00:12:15You can't stay here.

00:12:16Who's going to stop me?

00:12:17Oh, please, Cuba.

00:12:17The police.

00:12:18Dick Tracy.

00:12:19Dick Tracy?

00:12:20What about Tracy?

00:12:20He's on the case, checking every one of Mr. Sparkle's employees.

00:12:23He might even come here.

00:12:25Yeah.

00:12:27Maybe you're right.

00:12:29Okay, I'll blow.

00:12:31But I'll get in touch with you.

00:12:32We're priceless tomorrow for my ten grand.

00:12:35Now get me out of here.

00:12:35Oh, yes.

00:12:36Gladly.

00:12:36Anything only.

00:12:37Just get out.

00:12:39Careful.

00:12:40This way.

00:12:42This leads to the storage room.

00:12:44To the street.

00:12:45Don't forget, pal.

00:12:46You better get to dough.

00:12:48Because one more killing ain't going to make much difference.

00:12:55Don't bother.

00:13:09Don't bother.

00:13:24Thanks for bringing me home, Mr. Tracy.

00:13:26Good night.

00:13:27Good night, Miss Clyde.

00:13:39Good night.

00:14:09Good night.

00:14:39Let me hear.

00:14:43Evening, paper.

00:14:47Late news.

00:14:48Paper here.

00:14:48Evening, paper.

00:14:51Paper here.

00:14:52Late news.

00:14:54emer anything, leave, mister.

00:15:00Late news.

00:15:02Hey, Mr. Late news.

00:15:04Paper here.

00:15:05Paper.

00:15:07Paper here. Late news.

00:15:13Evening, Paper. Latest news.

00:15:18Paper. Late news.

00:15:25Sorry, the shop's closed.

00:15:26I don't want to see the shop.

00:15:27I want to take a look at that note you picked up.

00:15:29Note?

00:15:30I'm from police headquarters.

00:15:33Oh, yes. Come in.

00:15:38I'm, uh, Percival Priceless, dealer in...

00:15:40A note of it, please.

00:15:41Oh, yes, the note.

00:15:43I, uh, haven't read it myself yet.

00:15:45I'll read it to you.

00:15:49Sorry I wasn't able to keep an appointment.

00:15:51We'll drop by tomorrow, MC.

00:15:53I'm afraid it's not as romantic as it sounds.

00:15:56One of my customers, uh, Miss Mona Clyde,

00:15:58asked me to be on the lookout for some, uh, some candlesticks.

00:16:02I located some this morning and called her.

00:16:04She said she'd be in this evening.

00:16:07Uh, these are the ones. Excuse me.

00:16:09Beautiful, aren't they?

00:16:11At least a hundred years old.

00:16:13If, uh, if you were expecting Miss Clyde, why didn't you let her in?

00:16:17Well, she should have been here at least two hours ago.

00:16:19I'd given her up.

00:16:20But you were still here.

00:16:21Yes, in my office, going over some accounts.

00:16:23I, uh, I thought I heard a noise out here and came out to investigate.

00:16:27That's when I saw the paper under the door.

00:16:29She must have thought it was too late.

00:16:31Oh, I see.

00:16:35Mind if I go in here?

00:16:36No, not at all. Please do.

00:16:38Thank you very much, Mr. Priceless.

00:17:05I'd rather like to know why my place has suddenly become of such interest to the police.

00:17:09Oh, it's just a routine check-up.

00:17:11Sorry to have bothered you.

00:17:13Good night.

00:17:14Good night.

00:17:35Waiter.

00:17:36Waiter.

00:17:37Give me another drink.

00:17:38Quiet, you.

00:17:39You'll get it.

00:17:40Hey, bud.

00:17:41Yeah, where'll it be?

00:17:42Filthy Flora's still on this joint.

00:17:43Yeah.

00:17:44Wanna see her?

00:17:45Stop pressing that buzzer.

00:17:46I heard you the first time.

00:17:47I ain't deep.

00:17:48Oh.

00:17:49Oh.

00:17:50Oh.

00:17:51Oh.

00:17:52Oh.

00:17:53Oh.

00:17:54Oh.

00:17:55Oh.

00:17:56Oh.

00:17:57Oh.

00:17:58Oh.

00:17:59Oh.

00:18:00Oh.

00:18:01Oh.

00:18:02Oh.

00:18:03Oh.

00:18:04Oh.

00:18:05Oh.

00:18:06Oh.

00:18:07Oh.

00:18:08Oh.

00:18:09Oh.

00:18:10Oh.

00:18:11Oh.

00:18:12Oh.

00:18:13Oh.

00:18:14Oh.

00:18:15I can't even count on them one piece.

00:18:19Ladies got no privacy on this joint.

00:18:21Oh, I'm coming.

00:18:25I'm coming.

00:18:26Take your time.

00:18:27I'm coming.

00:18:36Shut up, you.

00:18:37You've been playing that same song for an hour.

00:18:39He wants me to.

00:18:40I don't care what he wants.

00:18:41Sway it again.

00:18:42Sway it again.

00:18:43Oh, of course he'll play it again. Lovely number, ain't it, dearie?

00:18:47Well, play it.

00:18:51Hello, Kathy.

00:18:52Hiya, Flora.

00:18:54Why, cue ball.

00:18:56Hiya, Flora.

00:18:57Fine. Give me a drink, Max.

00:18:59Okay.

00:19:01I thought they put you away for ten years.

00:19:03They did?

00:19:04Ten years. Time sure applies, don't it?

00:19:07Not where I was at, don't you?

00:19:09That'll cost you.

00:19:11Same old Flora.

00:19:13What do you want of me?

00:19:15I want a place to live.

00:19:17You ain't the only one, dearie. Things have changed since you went away.

00:19:19Why, I've got a waiting list for everything in the joint, even the closets.

00:19:22I've got to have a place. I've got to have a place.

00:19:25I've got to have a place.

00:19:27I've got to have a place.

00:19:29I've got to have a place.

00:19:31I thought you just got out of jail. How'd you get in trouble so soon?

00:19:33I ain't trouble.

00:19:35I just want a place where I can meet somebody.

00:19:37Well, there's a room I reserve for special customers.

00:19:41I'll pay you for it. I'll pay you good.

00:19:43You're darn right you'll pay me good. Come on.

00:19:47Drink up, girls. Drink up.

00:19:49Go on in, Cuba.

00:19:51Come on.

00:19:53Come on.

00:19:55Come on.

00:19:57Come on.

00:19:59Come on.

00:20:01Come on.

00:20:03Come on.

00:20:05Come on.

00:20:06Get that chair out of the way.

00:20:24Lift it up.

00:20:28Come on.

00:20:32What does that lead to?

00:20:33To a little room.

00:20:34That's where I kept Fang Face Martin hidden for weeks, and the cops are looking for him.

00:20:38Thanks, Flora.

00:20:40That looks perfect.

00:20:41And since we're such good friends, dearie, I'm going to make you a special rate for this room.

00:20:45Five hundred bucks a night.

00:20:47Five hundred bucks? Were you a dirty old bag out of?

00:20:49Never mind the compliments. Payable in advance.

00:20:52Flora.

00:20:53You know I can't pay that kind of dough.

00:20:55Not now.

00:20:56I just got out.

00:20:57Yeah, you just got out.

00:20:59You just got off a boat, too, didn't you, dearie?

00:21:03Three hundred grand.

00:21:05What a dirty, cheap double-crossing.

00:21:07I thought you had something to do with it.

00:21:08Yeah, I thought you could afford five hundred bucks.

00:21:11You'll get your dough, Flora.

00:21:13And so will I.

00:21:15They ain't gonna collect three hundred grand and pay me off with peanuts.

00:21:30Hi, Doc.

00:21:31Hello, Dick.

00:21:32Happened?

00:21:33Mm-hmm.

00:21:34Find anything that will help us, Doc?

00:21:36Not yet.

00:21:41What happened to you?

00:21:42I, um...

00:21:44I don't know.

00:21:45You don't know?

00:21:46Well, you see, I was standing in front of Simon Little's place, and boom!

00:21:50Something hit me.

00:21:51And the next thing I know, I'm lying there on the street with a cop standing over me,

00:21:55trying to arrest me for vagrancy.

00:21:57Vagrancy?

00:21:58Yeah!

00:21:59And I argued with the guy for 20 minutes.

00:22:00You sure it wasn't Simon Little who hit you?

00:22:02Oh, no.

00:22:03Not unless he dropped a basket of bricks, and that's what it felt like.

00:22:06Say, Dick.

00:22:07Let's take a look at this.

00:22:09It might be important to us.

00:22:11I hope so.

00:22:13I, uh...

00:22:14found it embedded in Abbott's neck.

00:22:18Right over the...

00:22:20parotid gland.

00:22:22There you are.

00:22:26Looks like a piece of leather.

00:22:27That's right.

00:22:28I'd say that Abbott was strangled with a leather belt or a strap of some kind.

00:22:33I think you're right, Doc.

00:22:34At least now we've got something to work on.

00:22:36Yeah.

00:22:37Say, do you need me any more tonight?

00:22:40No, that's all.

00:22:41Thanks.

00:22:42Good.

00:22:43Now I can go home and get to bed early for a change.

00:22:45And, uh, you can put the silent one to bed early, too.

00:22:51Pat.

00:22:52Yeah?

00:22:53Do you know an antique dealer by the name of Persico Priceless?

00:22:56No.

00:22:57Has he something to do with this case?

00:22:58Yes, I think so.

00:23:00Do you know anything about antiques?

00:23:01Well, a little.

00:23:02I know an old gal singer.

00:23:03She works up at Spider's Web.

00:23:04She's about, uh, about five foot six...

00:23:05No, no, no.

00:23:06That's not what I mean.

00:23:07Oh.

00:23:10Well, that's all we can do tonight.

00:23:12Yeah, I guess so.

00:23:13See you in the morning.

00:23:14Right.

00:23:16Say, I wonder if Vitamin Flintheart knows anything about antiques.

00:23:19Well, he ought to.

00:23:21He's old enough.

00:23:23Have him come in to see me tomorrow.

00:23:24I'll have a little job for him.

00:23:25Okay.

00:23:26Good night, Doc.

00:23:27Good night.

00:23:28Night, Pat.

00:23:29Night.

00:23:30Good night.

00:23:33Higbee.

00:23:34Bring that Victorian vase, please.

00:23:38Do you mean this one, sir?

00:23:40Yes.

00:23:41Oh, very good.

00:23:42This is a very rare piece.

00:23:44I believe Mr. Priceless found it in an old New England farmhouse.

00:23:47Perhaps this is the one you had in mind, sir.

00:23:49No, no, no.

00:23:51I'm afraid not.

00:23:53Not only is its authenticity questionable, but it lacks that purity of line which is so essential to my requirements.

00:23:59Just precisely what are your requirements, sir?

00:24:02I've shown you several examples.

00:24:04I am furnishing my mausoleum.

00:24:06It is essential that every line be in the purest Grecian harmony.

00:24:11I could not enjoy my perennial solitude in the knowledge that there was something imperfect in my surroundings.

00:24:17Excuse me.

00:24:18Ah, good afternoon, Miss Clyde.

00:24:19Good afternoon.

00:24:20We have your, uh, candlesticks in the office.

00:24:21Will you step this way, please?

00:24:22Surely.

00:24:23Higbee, take care of the gentleman, will you, please?

00:24:24Oh, yes, Mr. Priceless.

00:24:25Now the...

00:24:26Perhaps we have something else you'll find...

00:24:30You are saying?

00:24:31Perhaps we have something else you'll find appealing.

00:24:33Oh, yes, yes, sir.

00:24:34Oh, uh, by George.

00:24:35Now, now, that's interesting.

00:24:36What is?

00:24:37That vase up there.

00:24:38Unless my eyes are playing me tricks, it's a rare and beautiful example of urge.

00:24:40It's a rare and beautiful example of urge.

00:24:41You are saying?

00:24:42Oh, yes, sir.

00:24:43Oh, yes, sir.

00:24:44By George.

00:24:45Now, now, that's interesting.

00:24:46What is?

00:24:47Uh, that vase up there.

00:24:48Huh.

00:24:49Unless my eyes are playing me tricks, it's a rare and beautiful example of early Grecian workmanship.

00:25:02I say, that's a good-looking suit you have.

00:25:05Who's your tailor?

00:25:06My tailor?

00:25:07Oh, he has a little shop that's just around the corner.

00:25:10It's little, but it's often...

00:25:11Who has?

00:25:12My tailor.

00:25:13That has nothing to do with antiques, has it?

00:25:16No.

00:25:17How your mind wanders.

00:25:19Here, fetch down the vase, ma'am.

00:25:21Fetch it down.

00:25:22There's only one other like it in existence.

00:25:25It belongs to my old friend, Lady Casserole.

00:25:28Upper Norton on Tyne, Woodsley's Hollow Oakfield by sea in southeastern Nottinghamshire,

00:25:33in merry old England.

00:25:36Fetch it down, fella.

00:25:37Fetch it down.

00:25:38Yes, sir.

00:25:39Yes, sir.

00:25:40You don't seem very pleased to see me.

00:25:42Oh, of course I am.

00:25:43But why?

00:25:44Why did you have to come here last night?

00:25:47Dick Tracy was at Sparkle's office and I wanted to warn you.

00:25:50Fine warning you gave me.

00:25:51You let Tracy ride to my door.

00:25:53He came here?

00:25:54Yes, he followed you.

00:25:55You should have known he would.

00:25:57Did he find out anything?

00:25:59I'm not sure.

00:26:00I don't think so.

00:26:01Well, then stop worrying.

00:26:03We've got other troubles.

00:26:04Cuball won't give up the diamonds until he gets his 10,000.

00:26:07And Simon Little wants to pull out of the deal.

00:26:10Simon wants to pull out?

00:26:11Excellent.

00:26:12Excellent.

00:26:13Well, that's hardly something to worry about, my dear.

00:26:16We've split only two ways now.

00:26:18But who'll cut the stones for us?

00:26:20Why have other contacts?

00:26:22How life continually disappoints us.

00:26:24This is not the invaluable object I presumed, but a mediocre copy.

00:26:28Are you sure, sir?

00:26:29Quite positive.

00:26:30Return it to the obscurity it deserves.

00:26:33Yes, sir.

00:26:34I am a recognized antiquary, fully capable of differentiating between the inspired original and a clumsy part of it.

00:26:43Good afternoon, Miss Clyde.

00:26:44Good afternoon.

00:26:45And I'll have the candlesticks delivered.

00:26:47Oh, thank you very much.

00:26:52Then suddenly a very, very exciting thing happened.

00:26:55Just as I was trying to overhear what they were saying in there, the door opened and Miss Clyde came out.

00:27:01With the candlesticks?

00:27:02No.

00:27:03No.

00:27:04Priceless said he would send them to her.

00:27:06Then the wench left.

00:27:07Yes, sir?

00:27:08Steve, get hold of Patton and tell him I want to see him right away.

00:27:13Right, Chief.

00:27:14Thanks, Spider-Man.

00:27:15You've been a big help.

00:27:16Oh, it was nothing, oh boy, nothing.

00:27:18Ah.

00:27:19I made a little purchase while there.

00:27:22A garter.

00:27:23A garter?

00:27:24Mm-hmm.

00:27:25It has quite a history, old boy.

00:27:27Mm.

00:27:28Quite a history.

00:27:31Uh, what a pity.

00:27:34Why do the young have all the youth?

00:27:37Shoelaces, pencil, chewing gum. Shoelaces, pencil, chewing gum. Shoelaces, Mr. No, thank you.

00:27:47But listen, I got to.

00:27:48I told you, I know one thing. Will you please get out of my way?

00:27:49But I got razor blades, too. Needles, cue ball, chewing gum. What did you say?

00:27:58Cue ball. He'll be waiting for you tonight at the roofing dagger.

00:28:00What time, when?

00:28:01Now, right away in Flora's private office. Bless you, sir. A dollar.

00:28:15Come on, Pat. Let's go.

00:28:16Come on, Pat. Let's go.

00:28:17Come on, Pat. Let's go.

00:28:30I'm going in, Pat. You cover the back way. Stop anyone. They'll try to get out of here.

00:28:47I'm going in, Pat. You cover the back way. Stop anyone. They'll try to get out of here.

00:29:17Right in that office up there. Thanks.

00:29:47All right. Quit stalling. Let's have the dough.

00:30:02Well, you see, cue ball, we...

00:30:04Don't try to hold out on me. The price has gone up.

00:30:07But cue ball, we...

00:30:08It's doubled. I want 20 grand. It's little enough for getting 300,000 bucks worth of ice.

00:30:14I got you dirty chiselers where I want you. Now you're going to pay.

00:30:23Hello, Flora.

00:30:25Hi, Mr. Tracy. I ain't seen you for a long time.

00:30:28That's because you've been such a good girl. Sit down, Flora.

00:30:33I ain't done nothing wrong, dearie. Honest, I ain't.

00:30:35Relax. This is purely your social call.

00:30:38Oh, that's nice.

00:30:41Yes, yes. I know you've asked for more money, but all I could raise was $5,000.

00:30:46Before I give it to you, I want to see the diamonds.

00:30:49You're not getting those stones. Not for a measly five grand you...

00:30:52Who's out there? Shut up.

00:31:04So, you dirty stupid. You called the cops, huh?

00:31:16No. What do you mean?

00:31:17No, play dumb. You know Tracy's here.

00:31:19Tracy? No, I didn't call the protectors.

00:31:21He ain't gonna help you.

00:31:23No, no, wait a minute, cue ball. Cue ball. I'll give you the money. Cue ball.

00:31:28Here, I'll give you the money. Take the money. Cue ball.

00:31:32No!

00:31:41Open up in there.

00:31:53You all right, Pat? Yeah.

00:31:55That's a lucky thing for me. I got hit on the head.

00:31:57Come on, let's go.

00:32:02What are you trying to do?

00:32:03What are you trying to do?

00:32:04What are you trying to do?

00:32:05Go.

00:32:24Give it up, Pat. You'll get him?

00:32:28It's a good thing those socks on the head will make you dizzy.

00:32:37Well, I can see this is putting out.

00:32:44Are you okay?

00:32:45Certainly, just another bump on the head.

00:32:47No use chasing them now.

00:32:49I'd better put on a gentle alarm.

00:32:52That's fine. Radio's broken.

00:32:54Stay here. I'll have the phone headquarters.

00:32:55Okay. All right, stand aside. Stand aside. Let me hear.

00:32:58Are you hurt?

00:32:59No, no.

00:33:01Oh, you're new on the force, aren't you?

00:33:02Yeah.

00:33:03You sure you're all right?

00:33:04Just a little dizzy.

00:33:06Dizzy, eh? So that's it.

00:33:08You're drunk.

00:33:09Drunk? No, I'm not drunk.

00:33:10And stealing a police car, too.

00:33:12No, no, you don't understand.

00:33:13Have you got your driver's license?

00:33:15No, I don't have a driver's license.

00:33:16No driver's license.

00:33:16No, no driver's license. You, you...

00:33:18Oh, I'm getting tough with an officer, too.

00:33:21No, look, this is Dick Tracy's car.

00:33:22Oh, it is, is it?

00:33:23And I suppose you're going to tell me you're Pat Patton.

00:33:25No, of course not.

00:33:26Then who are you?

00:33:27Pat Patton.

00:33:28Get out of the car.

00:33:30No.

00:33:31Are you going to get out of the car, or do I have to use...

00:33:33Oh, no, no, not again.

00:33:36Say, you haven't seen Pat Patton, have you?

00:33:38He was supposed to.

00:33:40Never mind, he just came in.

00:33:41Bye.

00:33:43Where have you been?

00:33:44If I told you, you wouldn't believe me.

00:33:45Then don't tell me.

00:33:46I'll tell you anyhow.

00:33:47I was over at the...

00:33:49Tracy?

00:33:50Yes?

00:33:51I've got that report from the coroner.

00:33:52The markings on Price's throat are identical to those found on Abbott.

00:33:55Same markings, eh?

00:33:56Yes.

00:33:56Good, thanks.

00:33:57That's the best lead we've had so far.

00:33:59You mean the same guy's responsible for both murders?

00:34:01Mm-hmm.

00:34:03Price's had $2,000 in his clothes when we found him.

00:34:06He was probably at the Dripping Dagger dickering for those diamonds.

00:34:09Sure adds up.

00:34:10Most likely, Filthy Flora was hiding our mystery man since the Abbott killing.

00:34:14Which means she ought to know a thing or two.

00:34:16Come on, we're going to have a little talk with Filthy Flora at the Dripping Dagger.

00:34:19Oh, every time I get near that joint, I feel like I need a bottle of DDT.

00:34:25I'm not down there.

00:34:27We've got to be up here someplace.

00:34:31I don't know if I have to tear this race apart.

00:34:33Go be there.

00:34:35Stop it.

00:34:47I don't know if he's so crazy.

00:34:48Just go!

00:35:01Oh.

00:35:02Oh, my God.

00:35:32Oh, hello.

00:35:34I didn't expect you back so soon.

00:35:36No, I guess you didn't.

00:35:38Did you think I'm going out, Flora?

00:35:39Yeah, just going out for a walk.

00:35:41I wanted a breath of fresh air.

00:35:44Maybe you better put off that walk until a little bit later.

00:35:46I got something I want to talk over with you.

00:35:48You mean about the red cue ball?

00:35:50Oh, that can wait till next week.

00:35:52No, it ain't the red.

00:35:55Oh, just a social call, eh?

00:35:57Paying your old sidekick, Flora, a friendly visit.

00:35:59Sure, sure.

00:36:01That's it.

00:36:02Just a friendly visit.

00:36:04Well, that's nice of you, dearie.

00:36:07Let's sit down and have a drink for old time's sake.

00:36:09This one will be on the house.

00:36:10Okay, Flora.

00:36:16Looks like you was trying to find something here.

00:36:18Yeah, yeah.

00:36:19I couldn't find my scarf.

00:36:21I wanted to wear it, and I went out for a walk.

00:36:23You didn't happen to look under the wash basin for it, did you?

00:36:27Wash basin?

00:36:29Why, what would my scarf be doing under there?

00:36:31I ain't talking about your scarf.

00:36:34I'm talking about my diamonds.

00:36:36They were under there until you got your hooks on them.

00:36:37Now, hand them over.

00:36:39I haven't got your diamonds, cue ball.

00:36:42Honest, I ain't.

00:36:42Are you a lying old fang?

00:36:45Now, are you going to give me them diamonds?

00:36:46You don't have to take them.

00:36:47Just try and take them.

00:36:51Just try and take them.

00:36:53Now, wait a minute, Flora.

00:36:54Maybe we could talk this over.

00:36:56There's enough there for both of us.

00:36:58We could split 50-50.

00:37:00No!

00:37:01No!

00:37:02No!

00:37:03No!

00:37:04No!

00:37:06No!

00:37:07No!

00:37:09No!

00:37:10No!

00:37:17You must be around where she lives, huh?

00:37:28I'll go around to the back.

00:37:29You wait here.

00:37:30Right.

00:37:47No!

00:37:48No!

00:38:05No!

00:38:05Percival Price's antique dealer found murdered.

00:38:08And then, as night fell, the killer struck again,

00:38:11leaving filthy Flora's body, cold and lifeless,

00:38:14in the office of her waterfront cafe known as the Tripping Dagger.

00:38:18According to Dick Tracy, head of the Homicide Squad,

00:38:21the markings on the throat of each of the victims

00:38:23indi...

00:38:24Indi...

00:38:25Indicates?

00:38:27Thanks.

00:38:27You're welcome.

00:38:28Indicates that the...

00:38:29That the same criminal is responsible for each of the murders.

00:38:36Oh, gee.

00:38:38Just when it's getting good.

00:38:39Yeah.

00:38:40See what is.

00:38:41Okay.

00:38:42But don't read any more till I get back.

00:38:45Right.

00:38:51Well, good morning, Butch.

00:38:52Morning, Miss Trueheart.

00:38:53Are you ready to go to the Rodeo?

00:38:54Remember, we have to leave early if we want to get good seats.

00:38:57I remember, all right.

00:38:58I'll go home and get ready and be right back.

00:39:00That's a good boy.

00:39:04Hello, Junior.

00:39:06Hiya, Tess.

00:39:07Boy, what a story they got on filthy Flora's murder.

00:39:09Having Mr. Tracy in the business is enough crime for one family without you reading about

00:39:13it in newspapers.

00:39:15Aw, gee, Tess.

00:39:17Well, good morning, Tess.

00:39:18How are you?

00:39:19Fine, thank you, darling.

00:39:20I was just having a little discussion with Junior over his reading matter.

00:39:23It was about the murders, Dick.

00:39:25I see what you mean.

00:39:26Better have this before you leave for the Rodeo.

00:39:29But I gotta keep up with what's going on.

00:39:30You'd do a lot better to keep up with your schoolwork.

00:39:33Aw.

00:39:33Tess is right, Junior.

00:39:34Say, how would you like a lifetime job showing Junior what to read?

00:39:39Why, Dick Tracy proposing so early in the morning.

00:39:42Why don't you marry him so he can stop proposing?

00:39:44Just a minute, young fella.

00:39:46I can speak for myself.

00:39:48Bang, bang, bang, bang, bang!

00:39:50All right, everybody.

00:39:52Reach for the ceiling.

00:39:53Put him up.

00:39:54What?

00:39:54You heard what the man said.

00:39:55Put him up.

00:39:56Nobody move.

00:39:58Don't try any of your tricks.

00:40:00What is this?

00:40:01Oh, I think she's Jesse James.

00:40:02No, sir.

00:40:04Today I'm Buffalo Bill.

00:40:07You don't have to put your hands up, Junior,

00:40:09because you're drinking a glass of milk.

00:40:11Thanks.

00:40:12You're welcome.

00:40:13And now I'm gonna shoot you, Dick Tracy,

00:40:16because you're an Indian.

00:40:20Butch, let me see that hat.

00:40:22Save your breath, partner.

00:40:24You can't talk your way out of this one.

00:40:26Butch.

00:40:27Don't move, red skin, or you'll bite at us.

00:40:30Butch, will you please let me see that hat?

00:40:31You just want me to take off my hat

00:40:33so you can scalp me.

00:40:34Butch, will you please?

00:40:35It's for you, as men.

00:40:37The varmints are gonna attack.

00:40:39Bam, bam.

00:40:40Bang, bang, bang.

00:40:42Bang, bang.

00:40:43Bang, bang, bang.

00:40:45Butch, I'm not an Indian.

00:40:47For goodness sakes, Dick,

00:40:48why is Butch's hat so important all of a sudden?

00:40:50I don't want the hat.

00:40:51It's that hat band I've got to see.

00:40:53Hat band?

00:40:53Why didn't you say so?

00:40:54A lot of the kids got those bands.

00:40:56They have.

00:40:56Where'd they get them?

00:40:57Send away for them.

00:40:58Here, I'll show you.

00:40:59It's advertised in this magazine.

00:41:03Let's see.

00:41:04Here it is.

00:41:05There.

00:41:15Desert City Operator

00:41:18to Dick Tracy.

00:41:21Box 520 Desert City is

00:41:29Post Office

00:41:31Address

00:41:34Rocky Mountain Penitentiary.

00:41:39Rocky Mountain Prison.

00:41:40Know anybody up there, Chief?

00:41:41Why the warden is an old friend of mine.

00:41:43Take a wire.

00:41:44Yes, sir.

00:41:47Listen to this.

00:41:48Prisoner you referred to

00:41:49was released six weeks ago

00:41:50after serving ten years.

00:41:52He is Harry Lake,

00:41:53alias Bernie Burns,

00:41:54alias Frisco Joe,

00:41:55alias Q-Ball.

00:41:56Description is as follows.

00:41:58Hey, I didn't read the description.

00:41:59I'll take care of the description.

00:42:01Broadcast room.

00:42:02You look them up in the files.

00:42:03Right.

00:42:05Tracy speaking.

00:42:06The killer in the Diamond case

00:42:08has just been identified.

00:42:09Broadcast this description immediately.

00:42:11The killer in the Diamond case

00:42:41are you so happy about it?

00:42:42Why not?

00:42:43I think it's very funny.

00:42:44You should be able to take it, Chief.

00:42:46We've been kidded by the press before.

00:42:47But they're giving the public the impression

00:42:49that Q-Ball is in plain sight

00:42:50and we can't even see him.

00:42:52Why don't they draw a picture

00:42:53showing how we scour the city?

00:42:55How we took the dripping dagger apart

00:42:57board by board.

00:42:58How we've kept a constant watch

00:42:59on that antique shop

00:43:00and Mona Clyde's apartment.

00:43:02No, we don't want that publicized.

00:43:04Well, I can't say

00:43:05that I enjoy this kind of publicity.

00:43:07Why haven't you picked up Mona Clyde?

00:43:08Because I believe she'll lead us

00:43:09to the Diamonds

00:43:10and the Diamonds will lead us to Q-Ball.

00:43:11Dick, I don't care what you do

00:43:12or how you do it

00:43:13but we've got to get some action.

00:43:15I've got a plan that may work

00:43:16if I can find the right policewoman.

00:43:18Okay, find her.

00:43:19But let's have some action.

00:43:20Bye, Chief.

00:43:22Yes, sir.

00:43:23You can send in those ladies now.

00:43:25Okay, girls.

00:43:26You may go in now.

00:43:27Thanks.

00:43:27It appears that the great Tracy

00:43:36is about to become inundated

00:43:37by an avalanche

00:43:38of feminine pulchritude.

00:43:40Oh, I'd hardly say

00:43:41they were his type.

00:43:42It's official business, I'm sure.

00:43:43Miss Roberts,

00:43:44you've been with the police force

00:43:45for six months, right?

00:43:46Yes, sir.

00:43:47Well, this job calls

00:43:48for a veteran.

00:43:49Miss Leeds, will you stay?

00:43:50You other ladies may leave.

00:43:52And thanks very much

00:43:52for your trouble.

00:43:53No trouble at all, Mr. Tracy.

00:44:02Four went in,

00:44:03three came out.

00:44:06It is a situation

00:44:07which I am compelled to remark

00:44:08is replete with

00:44:09the most devastating possibilities

00:44:11and open to the most provocative

00:44:13of interpretations.

00:44:14Now, don't let your imagination

00:44:16run away with you, vitamin.

00:44:17I still say I can always trust Dick.

00:44:20Most fortunate of creatures.

00:44:21The hand that made you fair

00:44:24hath made you good.

00:44:27If we're to be successful,

00:44:29you must give the impression

00:44:30of being a real blueblood.

00:44:32High society.

00:44:33Think you could handle it?

00:44:34I doubt it.

00:44:36This Brooklyn accent

00:44:37might be a tip-off.

00:44:38Don't you think

00:44:39you could disguise it?

00:44:40I don't think so.

00:44:42That sort of puts me

00:44:43in a spot.

00:44:44I don't wish to stir

00:44:45the green-eyed monster

00:44:47of devouring jealousy,

00:44:49but don't you think

00:44:49it sounds suspiciously quiet

00:44:51to get you there?

00:44:52Oh, you.

00:45:00Thank you, Miss Lees.

00:45:01It was a pleasure.

00:45:03Hello, you two.

00:45:04Have you been waiting long?

00:45:05Quite.

00:45:05May we go in now?

00:45:07By all means.

00:45:08I can see that police work

00:45:11might be very interesting.

00:45:13Now, Tess,

00:45:14those were police women.

00:45:15Police women?

00:45:16A man is confronted

00:45:17by jeopardy on all sides.

00:45:19I was looking for one

00:45:20capable of impersonating

00:45:21a society girl.

00:45:22Did you find her?

00:45:23Well, no.

00:45:24She's got to be just right

00:45:25or my whole plan

00:45:26will blow sky high.

00:45:27You're not being very flattering,

00:45:28Mr. Tracy.

00:45:29Huh?

00:45:29A gentleman

00:45:30would at least say

00:45:31that I look the part.

00:45:32Of course you do.

00:45:34You're not getting

00:45:35any ideas, are you?

00:45:36Oh, but I'm sure

00:45:37that I could play

00:45:37the part for you, Dick.

00:45:38No, absolutely no.

00:45:39It's too dangerous.

00:45:41Pardon the intrusion,

00:45:42old fellow.

00:45:43But I must say

00:45:44that Miss Trueheart

00:45:44embodies the quintessence

00:45:45of social grace.

00:45:47Oh, Dick,

00:45:47you've got to let me do it.

00:45:48But I'm afraid

00:45:49the whole thing...

00:45:50Tut!

00:45:51I will school

00:45:52the little lady

00:45:53in social deportment.

00:45:55First,

00:45:56the correct form.

00:46:00But,

00:46:01of all the vital graces,

00:46:03that of making

00:46:03a good first impression

00:46:05is the most important.

00:46:08Ah!

00:46:09How do you do?

00:46:10How do you do?

00:46:11I am so happy

00:46:12to see you.

00:46:13Oh, happy to see you, too.

00:46:14I've heard so much

00:46:15about you.

00:46:15Oh, you have?

00:46:16I'm sure you're

00:46:17one of the most charming

00:46:18and scintillating men

00:46:18I've ever met.

00:46:20Oh, that's nice.

00:46:20I wish I could say

00:46:21the same.

00:46:22Say,

00:46:23is vitamin going

00:46:24to play your society, gal?

00:46:25None of your ribaldry, sir.

00:46:27You are speaking

00:46:28of the man I love.

00:46:30No, Pat.

00:46:30Vitamin isn't.

00:46:31I am.

00:46:32Right, Dick?

00:46:33Right.

00:46:35Now, these pieces

00:46:36are rather unusual.

00:46:38No, I'm...

00:46:39I'm sorry, Mr. Sparkle.

00:46:40I'm afraid

00:46:41these won't do either.

00:46:42I hope you haven't found

00:46:44me too hard to please,

00:46:45but I do want

00:46:46something individual.

00:46:47I flew in from Bermuda

00:46:48to have this necklace

00:46:49made up,

00:46:50and, well,

00:46:51I want it

00:46:51for a special occasion.

00:46:53Oh, I see.

00:46:54Perhaps this is

00:46:54what you have in mind.

00:46:56No, I'm afraid not.

00:46:59Well, Miss Belmont,

00:46:59you can't find diamonds

00:47:00such as you want

00:47:01overnight.

00:47:02And even if I could

00:47:03locate them,

00:47:03they would be

00:47:04very expensive.

00:47:05Well, what good

00:47:06is Father's money

00:47:06if I can't spend it?

00:47:08Very well, Miss Belmont.

00:47:09We'll try to help

00:47:10you spend it.

00:47:11I'll contact

00:47:12the other dealers immediately.

00:47:13Possibly they may

00:47:14have something you like.

00:47:15I'd appreciate it

00:47:16very much,

00:47:16Mr. Sparkle.

00:47:17Glad to do it.

00:47:19Would you mind

00:47:19giving your address

00:47:20to Miss Clyde

00:47:20so that I can get

00:47:21in touch with you later?

00:47:22Of course not.

00:47:24Suite 412,

00:47:26Carlton Arms.

00:47:27Thank you,

00:47:27Miss Belmont.

00:47:28You'll hear from me.

00:47:29You've been very kind,

00:47:30Mr. Sparkle.

00:47:31Oh, and you too,

00:47:32Miss Clyde.

00:47:33Thanks so very much,

00:47:34both of you.

00:47:35Goodbye.

00:47:35Good day.

00:47:37Chosy, isn't she?

00:47:39She can afford to be.

00:47:40I think I'll run upstairs

00:47:41and see what Emil Camber

00:47:43has in his private collection.

00:47:44And you might ask

00:47:45Simon Little

00:47:46if he has any ideas.

00:47:48Yes, sir.

00:48:05What time have you

00:48:06two got here?

00:48:07Did you bring the dough?

00:48:07Q-ball.

00:48:08Let me handle this.

00:48:09Simon tells me

00:48:10you expect $20,000 now.

00:48:12He told you right.

00:48:13$20,000.

00:48:15You haven't got a brain

00:48:15in your head,

00:48:16you big ox.

00:48:17I don't like

00:48:17that kind of talk.

00:48:18Don't make him angry.

00:48:19Oh, he'll listen

00:48:20and like it.

00:48:22If you wanted

00:48:23the $20,000 so much,

00:48:25why did you kill Priceless?

00:48:26He was the only one

00:48:27who could pay it to you.

00:48:28I had to kill him.

00:48:30I'd kill anybody

00:48:31that'd get you in my way.

00:48:32You get in your own way.

00:48:35Now, every cop

00:48:36in the country

00:48:36is looking for you.

00:48:37You've not only messed up

00:48:38everything for yourself,

00:48:39but for us, too.

00:48:41I told you

00:48:41I don't like that kind of talk.

00:48:42Oh, shut up.

00:48:43Go ahead.

00:48:44Kill me.

00:48:44Kill Simon.

00:48:45Then you won't get a dime.

00:48:46Nothing.

00:48:47Nothing but the chair, perhaps.

00:48:48Don't talk like that

00:48:49or else...

00:48:49Oh, getting scared, huh?

00:48:51The police are closing in

00:48:52and you're getting scared.

00:48:53They won't catch me.

00:48:55I'll get away.

00:48:56They ain't caught me yet,

00:48:57have they?

00:48:58I'll take that $20,000

00:48:59and blow...

00:48:59Get it through your skull.

00:49:00There is no $20,000.

00:49:01Nothing like it.

00:49:01There isn't even $10,000 now.

00:49:03Nothing but what Simon

00:49:04and I can dig up for you.

00:49:05I've got $1,700

00:49:07in the bank.

00:49:08And I've got $2,400.

00:49:10That's $4,100

00:49:11you can have

00:49:11for the diamonds, Q-Ball.

00:49:13$4,100, that's all.

00:49:15$4,100 bucks

00:49:16for these rocks?

00:49:17Yes.

00:49:18I've got a chance

00:49:18to get them off our hands

00:49:19for about $7,000.

00:49:21Then we'll all be clear.

00:49:22There'll be no evidence.

00:49:22There's a rich heiress.

00:49:23She'll buy them.

00:49:24But she knows they're stolen

00:49:25and that's all she'll pay.

00:49:26Nobody else will touch them.

00:49:28If you two are double-crossing me.

00:49:30If double-crossing you

00:49:31after you kill priceless.

00:49:34Keep your diamonds.

00:49:35You can go to your grave with them.

00:49:37Come on, let's get out of here.

00:49:38I've heard enough.

00:49:38Now, wait a minute.

00:49:40I ain't gonna be left

00:49:41holding the bag.

00:49:43Give me the dough.

00:49:43Give me the $4,100 bucks.

00:49:44Well, you have got some brains after all.

00:49:47I'm on the cracks.

00:49:47Give me the dough.

00:49:48You'll get it tonight, later.

00:49:50Yeah, well, you ain't getting

00:49:51these rocks until I do.

00:49:53Okay, wait here.

00:49:55I'll wait.

00:49:56Come on.

00:50:09I never thought you'd get away with it.

00:50:11I didn't either,

00:50:12but that's what makes life interesting,

00:50:13Simon, taking chances.

00:50:23Hello, Carlton Arms.

00:50:24I'd like to talk to Miss Belmont, please.

00:50:31If that's Mona, Tess,

00:50:32don't be nervous.

00:50:33Who's nervous?

00:50:35Hello?

00:50:37This is Blythe Belmont speaking.

00:50:40This is Mona Clyde.

00:50:42I've come across

00:50:43some very unusual diamonds,

00:50:44Miss Belmont.

00:50:45The owner is a very prominent man

00:50:49who is financially embarrassed.

00:50:51He insists the sale

00:50:52be as secretive as possible,

00:50:53so I took the liberty

00:50:55of making an appointment

00:50:56with him at my apartment tonight.

00:50:58In an hour.

00:51:00In an hour?

00:51:01Very well.

00:51:02What's the address, please?

00:51:04Second floor, apartment 12.

00:51:08I've got it.

00:51:09Yes.

00:51:10I'll see you in an hour.

00:51:12Come on, Pat.

00:51:13We'll go right over there.

00:51:14Hey, wait a minute.

00:51:16Don't you want to know

00:51:17where you're going?

00:51:18That's Mona's address.

00:51:18We know it by heart.

00:51:19Oh, you do?

00:51:21Don't leave until the last minute, Tess,

00:51:22just in case she calls again.

00:51:24If there are any changes in plans,

00:51:25call headquarters immediately.

00:51:26Right.

00:51:27See you in an hour.

00:51:28Yes, dear.

00:51:29This is one date I know

00:51:30that you'll keep.

00:51:32But I tell you, Miss Clyde,

00:51:34I don't like it.

00:51:35What if something should go wrong?

00:51:36What can go wrong?

00:51:37Now go ahead.

00:51:38Get your $1,700.

00:51:39Here's my $2,400.

00:51:40Yes, but that $1,700

00:51:41is all the money

00:51:42I have in the world.

00:51:43You're the weakest,

00:51:44most sniveling excuse

00:51:45for a human being

00:51:45I've ever seen.

00:51:46You've no right.

00:51:47You've no right.

00:51:47We pay $4,100 for diamonds

00:51:49we can sell

00:51:50for over $100,000.

00:51:51And you say I've no right.

00:51:52Now get your money

00:51:53and stop crying.

00:51:55All right.

00:51:57But I've always been

00:51:59so careful of my money.

00:52:03I didn't even trust the banks.

00:52:06No.

00:52:07And now you're going

00:52:08to be a rich man.

00:52:09I hope you're right.

00:52:13I'll go over to my apartment

00:52:15and meet the Belmont woman.

00:52:16Here.

00:52:17Take the money downstairs

00:52:18and get the diamonds

00:52:19from Cuball.

00:52:20Now don't forget

00:52:20you're the financially

00:52:21embarrassed gentleman

00:52:22who owns the diamonds.

00:52:24Try to act like one

00:52:25when you get up to my place.

00:52:27conceit näahi na ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö ö

00:52:57Good evening. Would you get me a cab, please?

00:53:01Yes, Miss Belmont. Taxi?

00:53:07What to?

00:53:09319 East 4th Street.

00:53:12319 East 4th Street, driver.

00:53:27219 East 4th Street, driver.

00:53:36Come in.

00:53:47But how could I have the diamonds?

00:53:49When I got to my workshop, Cuball wasn't there. He's gone.

00:53:52You're lying.

00:53:54I'm not. I looked everywhere. I waited.

00:53:58And what about Miss Belmont? Where's she?

00:54:01She isn't here yet.

00:54:02Oh, you're the one who's lying.

00:54:05There never was such a person.

00:54:06You've tried to trick me so you can get the diamonds for yourself.

00:54:10You're insane. What about my call to Miss Belmont?

00:54:12How do I really know who you were talking to?

00:54:14Oh, no. You can't fool me.

00:54:17I'm going.

00:54:19Mr. Tracy.

00:54:20Hello, Mr. Little.

00:54:21Well, where's Miss Belmont?

00:54:25I don't know who you're talking about.

00:54:27Miss Clyde, I was at Miss Belmont's suite this afternoon when you made the appointment with her.

00:54:31Now, where is she?

00:54:33I don't know.

00:54:34She left her hotel more than 10 minutes ago.

00:54:36Did you give her instructions to meet you somewhere else?

00:54:38No, I didn't. I haven't spoken to her since this afternoon.

00:54:43Pat.

00:54:44Yeah? Check with headquarters and see if they've heard from Tess.

00:54:46Right.

00:54:51I don't know.

00:54:52This isn't where I told you to take me.

00:54:53You want the diamonds, don't you?

00:54:54Where's Mona Clyde?

00:54:55Plans have been changed. She's meeting you here. Come on.

00:54:57Upstairs.

00:54:58This isn't where I told you to take me.

00:55:01You want the diamonds, don't you?

00:55:03Where's Mona Clive?

00:55:04The plans have been changed.

00:55:05She's meeting you here.

00:55:06Come on.

00:55:10Upstairs.

00:55:28Come on.

00:55:45But you know what the instructions were.

00:55:47Miss Belmont was supposed to meet us here.

00:55:50Just a minute.

00:55:51Do you have an extension?

00:55:53Why, yes, in the bedroom.

00:55:54All right, answer that.

00:55:55Play it straight, no tricks.

00:55:58Come on.

00:56:01Hello?

00:56:02Yes.

00:56:04Simon Little?

00:56:06Just a moment.

00:56:09Hello?

00:56:10Mr. Little?

00:56:11Oh, yes, Rudolph.

00:56:12The ball is here.

00:56:13What?

00:56:14He has a girl with him.

00:56:16He's back there.

00:56:17There seems to be something wrong.

00:56:19Not his cue ball.

00:56:20He's got tests.

00:56:21Come on.

00:56:22Right.

00:56:24Get those two down to headquarters.

00:56:25Right, Mr. Tracy.

00:56:26All right, get your coat on, lady.

00:56:28I tell you, I refuse to discuss the diamonds unless Miss Clyde is here.

00:56:31Too bad, sister.

00:56:32Double-crossing Clyde damn ain't gonna be here.

00:56:35Then I'm leaving.

00:56:36What's the matter?

00:56:37Ain't I good enough for you to do business with?

00:56:40I got the diamonds.

00:56:41Mona Clyde hasn't.

00:56:42Now, give me the dough.

00:56:43Don't be silly.

00:56:44I wouldn't carry that much money around with me.

00:56:46Stop stalling.

00:56:47You want the diamonds, don't you?

00:56:48Well, there they are.

00:56:49I told you I haven't...

00:56:50Don't give me that.

00:56:51You was ready to give Mona Clyde cash.

00:56:53No.

00:56:54I was just going to looking for diamonds.

00:56:55You're a liar.

00:56:56You got the dough right here in your purse.

00:56:58No, you're wrong.

00:56:59I tell you...

00:57:03Dick Tracy.

00:57:04So that's it.

00:57:05This is a plant.

00:57:21Who are you?

00:57:34Pat, take care of Tess.

00:57:35Okay.

00:58:04Congratulations.

00:58:06Yes.

00:58:07Please.

00:58:08Thanks, I'm with you.

00:58:30Please come on.

01:01:31And this time I'm inclined to agree with you.

01:01:32And this time, Dick Tracy, I shall deliver my oration without interruptions.

01:01:37Friends, Romans, countrymen.

01:01:41It's hit.

01:01:49Will crime never cease?

01:01:51Dick.

01:01:53Dick.

01:01:54Sorry, honey.

01:01:55Save me some cake.

01:01:57Oh, no, not again.

01:01:59Oh, no, not again.

01:01:59Oh, no.

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