- 2 months ago
After the Divorce the Heiress Takes It All Dramabox
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🎥
Short filmTranscript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Stars
00:163 years ago, I was the most sought after screenwriter. Three years later, I fell in love with Drake, giving my identity a secret for the sake of his pride. I thought we were happy until...
00:38Hi!
00:46Where the hell have you been? I told you that Stephanie was coming to help set up for my brother's birthday, and instead of helping us, he'd just disappear.
00:54What, did you bail so you could go and laze around or something?
00:57You know, people say that the only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What? A maid? I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:20But the risk is way too high.
01:22Dad...
01:24Please.
01:26Okay.
01:28And I'm sure you don't want him to know the real reason why I'm investing.
01:36Think about it, Dorothy.
01:38Since you got married, has he ever even touched you?
01:40How often does he actually come home?
01:42He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:48We're all here to celebrate Drake's birthday.
01:50I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake, instead of being my late brother's widow.
01:58Ellie!
02:00Whatever happened between me and Drake is all in the past.
02:04Besides, I'm carrying Nick's baby.
02:10It's the perfect time.
02:14Oh my God! Oh my God!
02:16Dorothy just pushed Stephanie into the pool!
02:18What?
02:20Oh my God!
02:25Quick, save Stephanie!
02:26She's carrying Nick's baby!
02:31Quick, get in there!
02:45He chose Stephanie over me.
02:50My baby!
02:52My baby is gone!
02:54Why would you do this to me?
02:58How dare you!
02:59You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:03Are you happy now that Stephanie's baby's gone?
03:05I didn't do it.
03:06I know you don't want me here.
03:08I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:16You didn't do it.
03:17You know me, I would never do that to Stephanie.
03:20Just apologize to Stephanie.
03:23I'm not going to apologize for something I didn't do.
03:25Apologize to Stephanie right now or I will divorce you.
03:35Divorce?
03:36If you apologize right now, then I'm willing to give you another chance.
03:45It's been three years, Drake.
03:48I gave up everything to be your wife.
03:50I've always kept to the shadows, Dorothy.
03:53I already have a life.
03:54And right now I just want to focus on being on my marriage or Drake.
04:01I thought you would always be by my side, but I was wrong.
04:05The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:10Since you got married, has he ever even touched you?
04:13He doesn't even want to look at you.
04:18Fine.
04:20Let's get a divorce.
04:29There's nothing left in my heart.
04:31Drake's nothing without me.
04:32Ah!
04:35My ring!
04:37My ring is gone!
04:39Well, you must have taken it.
04:41Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:45You're probably seeing someone else.
04:47Dorothy.
04:49Yes?
04:50We were married for three years.
04:51Were you seeing someone else?
04:53Of course she was.
04:54Probably been cheating on you for a really long time.
04:57Couldn't wait for the divorce.
04:59So what if I was, huh?
05:00And what about you?
05:02Still hung up on your so-called sister-in-law?
05:05What gives you the right to talk about me?
05:08I only look after Stephanie because she's my brother's widow.
05:12Yeah.
05:13But you actually seeing someone else?
05:14Who is he?
05:15Fake talk!
05:17Don't bring me down to your level.
05:19I'm not like you.
05:21Since your sister-in-law lost her ring,
05:26why don't you take...
05:30this one?
05:33This one.
05:36You've been waiting for this for a long time, haven't you?
05:43Bye.
05:50And so I left.
05:53This is ridiculous!
05:56We, the Bennett family, are one of the four major production companies in the world.
06:01I let him marry my daughter and even invest it in his business.
06:05How dare that Drake do this to my daughter!
06:07Look, it's actually good from Dad.
06:13Now we know who he really is and he has no idea who I am.
06:17Still, you're my daughter.
06:19I can't let him do this to you.
06:21If it weren't for you, I would not have considered investing in his company.
06:25We're gonna pull our investment immediately.
06:26Yes.
06:27It's time to cut him off.
06:29He doesn't deserve you.
06:31I'm over Drake.
06:33If we withdraw the plans now,
06:35it's going to hurt the family business.
06:38He's not worth it.
06:40Honey,
06:42why don't you just take a vacation?
06:45Just put all this aside and take some time out for yourself.
06:49Yeah.
06:52No.
06:53I've wasted too much time with Drake over the three years.
07:00You know, now I want to focus on something that actually matters.
07:05You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:11Universal, Paramount, every major studio wants this.
07:18Liar's Game, your story on the big screen.
07:21If you're in, I'd be happy to be the one headlining it.
07:24Oh.
07:25So that's why they're making it.
07:26Because of you.
07:28I'm sorry, Christopher Santoro.
07:30See?
07:31They're not funding the film.
07:33They're funding you.
07:34Wrong.
07:36They're funding the story.
07:38It's more than good.
07:40It's phenomenal.
07:42Christopher is right.
07:44I'm taking my life back.
07:45I'm going to adapt to myself.
07:46You are?
07:47Yes.
07:48I will.
07:49Good for you.
07:50I won't tell anyone I'm asking you.
07:52Congratulations to Aria Wong for winning the best director.
07:57This is my close friend from college.
07:59Aria, I need your help.
08:00I want to adapt the Liar's Game myself.
08:01And I want you to direct it.
08:02Of course.
08:03I want to adapt the Liar's Game myself.
08:04And I want you to direct it.
08:05Of course.
08:07Okay.
08:08There's just one thing.
08:22I...
08:23Do you have two categories?
08:25They would get to match the Liar's Game?
08:27No, thank you.
08:29I'm sorry.
08:30Give me a be like, I will figure it out.
08:32So I am going to talk to a스� suisse?
08:33See.
08:33I want to keep my identity as the writer a secret.
08:37I don't want anyone to know,
08:39especially not the team.
08:41SQ.
08:42Are you sure?
08:43But why keep it a secret?
08:44I just want people to focus on the story itself.
08:48Got it.
08:49Your secret's safe with me.
08:51Hey.
08:52Oh my god.
08:56Jeff, it's a bit weird.
08:59Ever since news got out about our movie,
09:02my phone has not stopped ringing.
09:04Really?
09:11It's Stephanie.
09:16Yeah, just take it.
09:21Hello?
09:22Hello, Miss Wong.
09:23I've heard Liar's Game is being made into a movie.
09:25I'm interested in playing the lead.
09:27Can we arrange an audition?
09:29I'll speak to the writer and I'll let you know.
09:34Thank you, Miss Wong.
09:37What do you think?
09:40Anyone can audition, right?
09:42As long as they write for the role.
09:45What happened between me and Stephanie is not important here, so...
09:49Okay.
09:51I'll call her back and let her know.
09:53Mm-hmm.
09:54Mm-hmm.
10:03What about me?
10:07Can I be your hero?
10:08Oh, you mean, uh...
10:09A film, right?
10:10I've...
10:11I've never considered anyone else.
10:12I have to take this.
10:13Hi?
10:14You know, I'm not just talking about the film, Dorothy.
10:15It's okay.
10:16I can wait.
10:17I've waited this long.
10:18Well, well, well, well.
10:19Look who it is.
10:20Well, well, well, well.
10:21Look who it is.
10:22Why are you here?
10:23Why are you here?
10:24Why are you here?
10:25Why are you here?
10:26Why are you here?
10:27Why are you here?
10:28I have to take this.
10:29I have to take this.
10:30Hi.
10:32You know, I'm not just talking about the film, Dorothy.
10:34It's okay.
10:36I can wait.
10:38I've waited this long.
10:40Well, well, well.
10:41Look who it is.
10:42Why are you here?
10:43Oh, I see.
10:44You're the production assistant.
10:45Well, do your job.
10:46Get me a water.
10:47Stephanie.
10:48Get your own water.
10:49I'm not your PA.
10:50Look.
10:51It's my first day on set, and I want to buy you.
10:52It's my first day on set, and I want to buy you.
10:55coffee for the crew.
10:56Why don't you be a doll, and mark down everyone's order?
11:01Well, I'm not your system.
11:02Well, I'm not my assistant.
11:03Well, do your job.
11:05Get me a water.
11:06Stephanie.
11:07Get your own water.
11:08I'm not your PA.
11:09Look.
11:10It's my first day on set, and I want to buy coffee for the crew.
11:12Why don't you be a doll and mark down everyone's order?
11:16Are you deaf?
11:17I'm not a PA.
11:18Here's your tip.
11:20Go on.
11:22Show some respect, Stephanie.
11:24Stephanie, do you know who she is?
11:30What were you doing?
11:31Oh no, she can't know I'm asking you.
11:37I want to keep my identity as the writer a secret.
11:40I don't need anyone to know, especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:54Isn't that right?
11:59Well, actually, she's...
12:03She's...
12:04Just a PA.
12:05You're right.
12:08So why don't you show me a lower PA, your acting skills?
12:12Maybe I'll be impressed even by who the coffee's myself.
12:16Watch this.
12:22I loved you once.
12:25Or so I thought.
12:28But now I see that it was all just a lie.
12:31A beautiful...
12:34Painful lie.
12:36You took everything from me!
12:44My dreams!
12:45My future!
12:50See?
12:51There's no soul.
12:53That's not acting, it's just...
12:55reciting lines.
12:58Why don't you show her how it's done?
12:59What?
12:59What?
13:01Go on.
13:05Go on.
13:05I loved you once.
13:28I loved you.
13:28I loved you.
13:29So I thought.
13:33But now I can see.
13:34It was all a lie.
13:37A beautiful, painful lie.
13:42You took everything from me.
13:45My heart.
13:49My dreams.
13:51My future.
13:54And for what?
13:55For your own personal gains.
14:10How is that possible?
14:11Dorothy, that was perfect.
14:15The role is yours if you want it.
14:17No!
14:19This role is mine!
14:22I'm the one with the investment.
14:23Without me, there's no funding for this movie.
14:25Your investment?
14:26Do you even know who she is?
14:30Who is she?
14:36Who is she?
14:37As you know, no one but a PA.
14:40Dorothy, this movie is important to Stephanie.
14:44I mean, why are you here?
14:44You're not a real actress.
14:46What are you doing?
14:46You're trying to ruin her career.
14:47You're trying to get back at me by ruining her career.
14:49I'm not ruining anything.
14:52If she can't handle the role,
14:53that's on her, not me.
14:56You can't blame this on anyone else.
14:58You embarrassed her in front of everyone.
15:00I mean, I know what you're doing.
15:01You're the one pulling all the strings here.
15:03You're trying to make her fail so you can take her place.
15:06She's using this whole thing to get to you, Drake.
15:09She's been jealous from the start.
15:10Trying to ruin my chances to get back to you.
15:13Okay, no.
15:13I don't want to fight anymore.
15:14Well, let's just take a look at the script
15:16and maybe we can work something out.
15:19And you were just so damn selfish!
15:21You already care about yourself!
15:24Just give Stephanie her role back!
15:26You know what?
15:29I didn't want to do this.
15:31But I will.
15:33I'll take the role.
15:34I'll play the lead.
15:39I'll play the lead.
15:41No way!
15:41You can't be serious!
15:42She's not even a real actress!
15:43Dorothy's performance was far stronger than yours.
15:48Everyone in the room can see it.
15:53I'm so glad you've agreed to do the role.
15:57Right, it's settled then.
15:59The lead roles go to Christopher and Dorothy.
16:01I will double my investment if you give Stephanie a role.
16:08I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:18I can always count on you.
16:20Right?
16:25I will double my investment if you give a role to Stephanie.
16:28You two are just such...
16:33Okay, look.
16:35If the money's on the table, there's no reason to turn it down.
16:38Let's just give her a part.
16:40We have nothing to lose.
16:41I guess that'll be fine.
16:45I'll talk to SQ.
16:51Your father's production company is already the biggest investor in your movie.
16:55So why take Drake's money?
16:56You don't...
16:58You still have feelings for Drake.
17:00No!
17:02He's an asshole!
17:04Come on.
17:06I've got an idea.
17:09Why don't we just give her a character?
17:11That'll make her miserable.
17:15Wow, Mr. Santaro.
17:17I feel bad now.
17:23I only wish you didn't have feelings for Drake anymore.
17:29How did she land herself the role?
17:31She's practically a nobody.
17:32No fan base, no real experience.
17:35Just one good scene.
17:37Doesn't make sense.
17:38Find out everything you can about Dorothy.
17:43I want all the dirt.
17:51Director, there must be a mistake.
17:54I'm only a side character and not even in the main scene.
17:57You wanted a role, we gave you a role.
18:00I came in with an investment.
18:03Well, you're more than welcome to take it back and leave the set.
18:09Even a small role in SQ's film is going to do great things for your career.
18:12Now is not the time for you to be messing around.
18:16Fine.
18:18I'm sorry.
18:23Two take one.
18:25Action.
18:27Lily, you're my best friend.
18:28How could you do this to me?
18:29I'm sorry but this is a-
18:30What the hell are you doing?
18:35It's part of the scene!
18:40Okay, take it again from the slap.
18:43Action!
18:48Cut!
18:49Stephanie, why aren't you saying your lines?
18:52You have to keep going in the scene.
18:55I think you've had enough for today.
18:57We'll just try again tomorrow.
19:00Did you see her face? Absolute gold.
19:10I mean, she got what she wanted.
19:12She asked for a role and that's what we gave her, so...
19:15Seriously, her performance is all over the place.
19:18Maybe we should just cut down on her screen time.
19:22We all know the film's better without her slowing us down.
19:26You're right.
19:28I'm not gonna let anyone ruin your story.
19:35So if you can just give me something that's a bit more...
19:38Tell me about her job.
19:41What's going on with my scenes? Why have so many of them been cut?
19:51It's a collective decision.
19:53Fuck that! Let me talk to the writer.
19:57The writer is SQ and as you know, they never show their face, so their decision is final.
20:05I'll see you on set in five.
20:07Now it all makes sense.
20:26Now it all makes sense.
20:28That's the head of the production company.
20:31No wonder she got the role.
20:33Let's see how John's wife feels about that.
20:37Everyone, I have an announcement to make.
20:47Today will be Stephanie's last day on set.
20:51You really think I don't see through your little games?
20:58Somebody will be walking out that door today.
21:01But it won't be me.
21:03You really think you can get away with this?
21:06Sleeping your way up?
21:08John's wife is on her way.
21:12Let's see how you talk your way out of this one.
21:14Slut.
21:20That's enough!
21:22So were you the one who was stalking and secretly taking photos?
21:28What?
21:29Scared the truth is going to come out?
21:31Someone had to expose her for who she really is.
21:34So you admit it.
21:36You did it.
21:37Damn right I did.
21:38And I'd do it again if I had to.
21:40You don't know who you just crossed.
21:42Oh I know.
21:43Just some rich old bastard throwing a tantrum.
21:45I sent those photos to your wife too.
21:47And now your mistress is about to be exposed.
21:49Yeah.
21:50Security.
21:51Stephanie is banned from the studio.
21:52Make sure she never sets foot here again.
21:53You can't just do that.
21:54Oh this is insane.
21:55Well I have rights.
21:56I was only telling you the truth.
21:57She is a mistress.
21:58A loose woman.
21:59A lady of the night.
22:00Is it true that Dorothy is John's sugar baby?
22:01No.
22:02No.
22:03No.
22:04No.
22:05No.
22:06No.
22:07No.
22:08No.
22:09No.
22:10No.
22:11No.
22:12No.
22:13No.
22:14No.
22:15No.
22:16No.
22:17No.
22:18No.
22:19No.
22:20No.
22:21Let's go and he is on sugar baby.
22:22Well otherwise why would he be banned from the movie?
22:26That's unbelievable.
22:29And he humiliated me.
22:30Had me being dragged off the set like a criminal.
22:32You should have seen it.
22:34I am not going to let her ruin her reputation like this.
22:37I mean that whole mess is making us look like fools.
22:41Dorothy's always been trouble.
22:44I mean first she goes off with a married man and now this I don't know how you put up
22:49there for three years. You should have got a divorce earlier. Stephanie, are you 100%
22:56sure that Dorothy is John's sugar baby? It's the only explanation. She's clearly nothing
23:02but a slut. Oh! Drake, Stephanie is your sister-in-law. Now you need to take care of her and forget
23:11about Dorothy. Can't you see she's the one behind all of this? She was sleeping her way
23:17to the top. Killing Stephanie's unborn child. And John dragging her off the set. You should
23:24be sticking up for Stephanie. I'm not going to let her do this to you.
23:31Do you think you can just walk away from what you did like nothing happened? I didn't walk
23:50away from anything. You did. You chose Stephanie over me. Remember this one? She's my sister-in-law.
23:56I'm so sick of hearing this. You have feelings for her and I'm just tired of it. You're out
24:03of your mind if you think I'm going to let you get away with this. You do what you want
24:07to do. But for now, get out! Why? We were married for three years. And we never-
24:19Oh, your dear. Fuck, you might let go of me! Hey!
24:31No wonder you want me to go. I-
24:34Just look at yourself. You're not half the man Christopher is. Get out. Or I will call
24:42the cops. Just go! Are you okay? Dorothy? Yeah? Remember, safety first. The lifeguard's
25:05right there if you need him. Okay. Anything you need, let the AD know. Okay. Okay.
25:11Got it. Got it. Yeah?
25:21Here's a coffee for you. Thank you. It's still early before the shoot. Take your time.
25:41All right.
25:46So we're hoping he's going to shoot you on the right track. Stay off the team and watch it if
25:53you take a blast off. We need you. This will get you made up on the right box. We need the
25:58help.
26:01Beep. Beep. Beep. Beep! Beep. Beep. Beep. Beep. Beep. Beep. Beep. Beep Hoop Regolenwudivor is
26:05Something's wrong.
26:24That's not acting.
26:26She's in trouble.
26:32Where's the lifeguard?
26:35Where's the lifeguard?
26:59Where the fuck is the lifeguard?
27:01Where the fuck is the lifeguard?
27:06Come on, Dorothy.
27:11Why did you do that?
27:37I'll do anything for you, Dorothy.
27:41Christopher risked everything without hesitation.
27:46How could I have been so blind?
28:11I wasn't expecting that.
28:20Where were you? Dorothy could have drowned!
28:22I'm sorry. I had a stomachache. I had to look at the back.
28:25Make sure it doesn't happen again.
28:27Do you think that I should call Dorothy just to make sure she's okay?
28:36Are you still hung up on her?
28:40It's not like that. I'm just trying to be helpful.
28:42Don't you remember, Drake?
28:45She's the one who had me kicked out of the movie.
28:48She's the one who killed my baby!
28:51Not just my baby, but Nick's baby!
28:53I know I'm just her sister-in-law.
28:56Whatever happened between us is in the past.
28:58But I have no one now.
29:00No husband.
29:02No baby.
29:05What I have left is you.
29:09Haven't you seen through Dorothy yet?
29:11She's nothing but a slut sleeping away to the top.
29:13You don't know that.
29:16You know I'm right!
29:18What else would John come onto the set and stand up for her?
29:21Not just John, but Christopher too!
29:23She's sleeping around with anyone she can find!
29:25She's a whore!
29:26Shut up!
29:36You want war?
29:38I'll give you war.
29:43Do it.
29:45And make sure Dorothy feels every bit of it.
29:52Breaking news!
29:53Unknown actress seduces Hollywood heart drop.
29:56Rising star or opportunist?
29:59Actress Dorothy's shocking affair with Christopher.
30:02Christopher's new flame for a heartless gold digger.
30:05Dorothy! Liar!
30:07A bitch!
30:10This is getting out of hand.
30:12Maybe we should just reveal her real identity.
30:15Let everyone know she's not just some random actress.
30:22No!
30:23Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:27There's someone behind this.
30:29And whoever they are, I'll make them hang.
30:38Fuck off.
30:42This can't be right.
30:47I die in the second scene!
30:53This must be Dorothy and John forcing SQ to cut me out.
30:57They won't get away with this.
30:58They won't get away with this.
31:04Trey, can you believe this?
31:06They've completely written me out of the script.
31:09Do you remember when Nick was lying in that hospital bed?
31:12You promised him you'd look after me.
31:14I've already lost my husband and my baby.
31:17I can't lose my career too.
31:18Don't worry.
31:19I'll get you your character back.
31:21I'll get you your character back.
31:25There's a tape of a documentary that apparently SQ has always wanted.
31:41So, we win this bid and we gift it to them.
31:46Should be able to get you your rollback.
31:50Up next, a rare gem.
31:53The original film documentary chronicling the creative journey of none other than herself, legendary screenwriter Margaret Lane.
32:01Margaret Lane.
32:0250,000.
32:05What's she doing here?
32:08I don't know.
32:10I'm not gonna let her win this.
32:1260,000.
32:1770,000.
32:20100,000.
32:24This is my grandmother's documentary.
32:26It's her legacy.
32:28She's the one who inspired me to become a screenwriter.
32:32I can't let it fall into the wrong hands.
32:36500,000.
32:46500,000.
32:50Trying to get you your rollback.
32:52Don't worry.
32:53I've got it covered.
32:55Ladies and gentlemen.
32:56We are down to the final bid.
32:58Standing at a whopping 500,000.
33:02500,000 going once.
33:05500,000 going twice.
33:08Sold.
33:10To the lady in the blue dress.
33:11I can't believe this.
33:21You have no right to take that film reel with you.
33:28You have no right to take that film reel with you.
33:33What's going on?
33:34What's going on?
33:40Ladies and gentlemen.
33:42I've just been informed.
33:44Miss Dorothy is in fact not an invited guest.
33:47Therefore, as per our rules,
33:50this documentary reel will not be released to Miss Dorothy.
33:54This is ridiculous. I was invited.
33:56Well, in that case...
33:59May I see your invitation?
34:05I did have it. I swear.
34:07I'm sorry, Miss Dorothy.
34:08If you do not have the invitation at hand,
34:11the documentary reel has to go to the second highest bidder.
34:14This is the protocol.
34:16I'm sorry.
34:17I'm sorry.
34:35I'm sorry.
34:37These are the rules.
34:39The documentary reel will go to the honorable couple.
35:00Stephanie, wait.
35:02Just sell it to me.
35:04Name your price.
35:06I'll pay you anything you want.
35:07It's really important to me, please.
35:09Why are you doing this?
35:11Are you just trying to get my attention by going after something that Stephanie wants?
35:15No, you don't understand.
35:17Just let me buy this.
35:20Whatever it takes.
35:22Dorothy.
35:24You think this is about money?
35:26Please.
35:27This isn't something you can just buy.
35:29Dorothy.
35:31What the hell did you do?
35:33Why do you always have to go against her like that?
35:34This reel is important to Stephanie.
35:36She can use this to help her career.
35:38Her career?
35:40Is this about your role being cut from the pen?
35:42Is that why you're doing this?
35:48I'm the writer.
35:50I can fix this.
35:52Can you write the story and bring your character back?
35:54Just...
35:56Just let me have the real place.
35:58You're the writer.
36:00Are you telling me that you're SQ?
36:05You!
36:06The writer SQ!
36:07Can you give us a break?
36:09Look.
36:10This reel is important to Stephanie.
36:12End it.
36:13Don't make this harder than it has to be.
36:17You've been with Dorothy for so long, and you don't even know her!
36:20Oh, and you do!
36:22A hell of a lot more than you!
36:23Who the fuck do you think you are?
36:24Both of you, calm down!
36:25The end!
36:26The end!
36:27The end!
36:28The end!
36:29The end!
36:30The end!
36:31The end!
36:33The end!
36:35The end!
36:37The end!
36:39Scratched!
36:40All over!
36:41It's ruined!
36:42Not even fit to be a gift any more!
36:44I can fix this!
36:45Stephanie, I know someone who can restore it.
36:46Just sell it to me, please!
36:47Just name your price!
36:48Even if I had no use for it, I'd never give it to you!
37:19I want to be a writer like you, Grandma!
37:25I want to make movies like you do!
37:28This reel has more than pictures and sound on it.
37:33Really?
37:35An entire world I've captured.
37:37But it's just one way of seeing things.
37:40The magic is creating it yourself.
37:44Someday you will.
37:45You will.
37:56Dorothy.
37:58I need you to go apologise to Stephanie and give her her role back.
38:02Apologise?
38:03To her?
38:05She destroyed the reel.
38:06And she wouldn't have done that if you hadn't pushed her.
38:13So go apologise or I'm pulling my funding.
38:16Look, Dorothy.
38:18Let's be real here.
38:20Without Stephanie, who's going to invest?
38:24Even the production company will call out if they hear that she's not involved anymore.
38:27Her name carries weight.
38:29Let's not pretend that your reputation is exactly stellar right now.
38:33Christopher's fans hate you.
38:35Stephanie's fans hate you.
38:36Even if you actually make this film,
38:38No one's going to support you.
38:40You will be buried.
38:41If you apologise to Stephanie now,
38:46I can help you.
38:49I can control the press.
38:51I can control the narrative.
38:52I can actually give you a chance.
38:54What's so funny?
38:57What's so funny?
39:01What's so funny?
39:03Pull your funding?
39:05Do it.
39:06You'll see it does nothing for the movie.
39:08Okay.
39:10So what if I tell the production head to pull his funding too?
39:13Didn't I tell you that I know Mr. Bennett?
39:14No.
39:17Go ahead.
39:18Quiet.
39:19You want me to call?
39:20Uh-huh.
39:22Fine.
39:27Hi, Mr. Bennett.
39:28It's Drake.
39:29Drake Mossbutcher.
39:30Yeah, I'm pulling my funding from Liar's Game,
39:32and I suggest that you do the same thing.
39:33I've seen it, and it's a sinking ship.
39:37You pulling out?
39:38Great!
39:39I'll take full control of the investment.
39:41Not a problem.
39:44No.
39:49So you slept with him?
39:53That's why he's supporting you, isn't it?
39:58Is this how you see me?
39:59The type of woman who would use her body to get what she wants?
40:01What other explanation do you have?
40:04You know nothing about Dorothy.
40:09Apologize to Stephanie, cut ties with Mr. Bennett, and end this.
40:12Dorothy, come back to me.
40:14Whatever he's offering you will match.
40:15I'll double it.
40:17You must be out of your fucking mind.
40:20What makes you think I would ever go back to that living hell?
40:23Living hell?
40:24You heard me!
40:26Being married to you was a fucking nightmare.
40:29You made me believe you loved me.
40:33And then you had me waiting in vain for three years, Drake.
40:37You said you'd always protect me, but then when I need you the most,
40:41you just turned your back on me.
40:44You chose your sister-in-law over your wife.
40:47I've had enough, Drake.
40:50You were my prison.
40:53So just go back to your precious Stephanie.
41:00Let's just go.
41:01Why are you hurt?
41:11Are you okay?
41:19What are you-
41:20Steph, what are you doing?
41:21Well you want me, don't you?
41:22Just kiss me, I'm all yours.
41:24Steph!
41:25You're Nick's wife.
41:26I've always thought of you like a sister.
41:28Sister?
41:30Funny.
41:31Don't you remember when you came to me the night Nick and I got married?
41:34Don't you remember what you said?
41:38Remember this?
41:39Yeah. Why not marry Stephanie?
41:42God.
41:43You were practically begging me not to marry Nick.
41:45No, I shouldn't have said that. I shouldn't have said that.
41:46I don't need to see that.
41:50What's that?
41:52Oh, it's nothing.
41:53No, what is that?
41:54Please.
41:57You lied about this.
42:01You lied about this.
42:05You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:10It's a glitch.
42:12A glitch.
42:14Sorry, do you actually expect me to believe that?
42:17What's this?
42:19Buying pills off the black market kit?
42:21It's a glitch.
42:22It's a glitch.
42:23Time I hit your pregnancy.
42:25It's you.
42:26First time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:31Please no, you have to believe me.
42:33I didn't...
42:34I just thought of you like a sister.
42:36I've always taken care of you.
42:37I even thought that I loved you once, but that was before you were Nick's wife.
42:43You've changed.
42:47You've changed.
42:48You're not the person I thought you were.
42:53I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
42:58I guess there's no need to look after you anymore, huh?
43:02But what does that mean?
43:04You're just going to throw me away?
43:06I'm going to throw you away?
43:08But this is my house.
43:11Oh no, back. I hope you'll be gone.
43:14But you can't just walk away from me like that.
43:16I've said everything that I need to say.
43:18Now I'm going to go find the person that I actually care about.
43:25Dorothy, this is all your fault.
43:28Let's take this bitch down.
43:46Dorothy, please.
43:51No.
43:53I was wrong.
43:54I misunderstood everything about you and about us.
44:03Can you please just hear me out?
44:05You think you can just come here and apologise?
44:08After everything?
44:10I didn't mean to hurt you.
44:13Look, I understand what I did, but it was just because it was definitely an anyone.
44:17Can you please just forgive me?
44:19I don't need your apology, Drake.
44:21You let me down.
44:23You abandoned me.
44:25And I needed you the most.
44:28You used me.
44:30Manipulated me.
44:31And now you beg for my forgiveness?
44:34Oh God, please just don't show me out.
44:36I can fix this.
44:38I can fix it.
44:39I can do anything, Dorothy, please.
44:41No.
44:43You were never the person I thought you were.
44:47And I'm not either.
44:49I've moved on.
44:52I don't need you.
44:57Not like I used to.
44:59Just stay back.
45:01After everything.
45:02Yeah, that's it.
45:13I just have better than this.
45:15I just have better than this.
45:16I just have better than this.
45:36I did it.
45:37Before you all celebrate this movie, there's something you should know.
45:48Dorothy is nothing but a homewrecker.
45:51What's going on?
45:52A glorified mistress who's been playing the part of a wonderful actress
45:56when all she's really done is ruin lives.
46:01Mr. Dorothy, we're being involved with a married man.
46:04What's your response to Stephanie's claim?
46:07This is ridiculous.
46:11Let's talk about how she got here, shall we?
46:15She didn't get here off her talent.
46:17Oh no, she got here by clinging to powerful men.
46:21No real experience, no skill, just a man's name and a man's money.
46:27Security, get her out of here.
46:29Wait, if she has something to say, let's hear it.
46:33Dorothy, it's a trap.
46:35I'm not afraid of the truth.
46:36Let's see what she's got.
46:42What's going on?
46:44So tell us, Dorothy.
46:45How did you get here?
46:48Did you use your relationship with John Bennett to land the part?
46:51A homework, are you saying?
47:09Is there something wrong with me appearing with my own dad?
47:12Dorothy, you're the one who sent me this photo, right?
47:15How about you take another one?
47:16This time, of my lovely family of three.
47:20Dorothy, Dorothy, Dorothy.
47:21Are you really John Bennett's daughter?
47:23Yes.
47:24I bet you never asked my last name.
47:26It's Bennett, by the way.
47:29So, Dorothy is the producer's daughter.
47:33Dorothy, so did you use your father to get the part?
47:36Ah, so it's just nepotism, then.
47:43Well, even if she didn't fuck her way to the top, she still only got here through her connections.
47:48Whether you like it or not, my performance speaks for itself.
47:51And everyone here saw it.
47:53She was actually really good.
47:54Yeah, she handled the movies.
47:55Oh, are you saying that everyone here is wrong?
47:58You think you're so clever, don't you?
48:02Fine.
48:02You can act a little bit.
48:04But let's be real.
48:06You didn't land this role on your own.
48:07You just snapped your bony little fingers and let daddy give you a role.
48:11How else would a nobody like you have landed yourself the lead otherwise?
48:15Dorothy isn't just a nobody.
48:20She wrote Liar's Game.
48:23She is SQ.
48:24Dorothy is SQ.
48:30How can that be possible?
48:32Liar's Game is a masterpiece.
48:33There's no way you could have written it.
48:35You don't have to believe me.
48:37Just let the credit speak for itself.
48:42How can this be true?
48:45Oh, please don't make it up here.
48:49Dorothy Bennett, you're the daughter of the producer and the famous writer SQ.
48:53Why did you keep your identity a secret so long?
48:58Why did you keep your identity a secret so long?
49:01Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker.
49:04I'm arresting you on suspicion of defamation.
49:06No, no, no.
49:07I didn't do anything wrong.
49:08This was all Stephanie's idea.
49:09I didn't do anything.
49:10This whole time, she was actually telling the truth.
49:21Dorothy's SQ.
49:24She cheated.
49:24That's why she always had a book in her hand.
49:30Always writing something on her laptop, always lost in her thoughts.
49:36Didn't even see her.
49:40Guess I was blind all along.
49:43I don't deserve her.
49:44I think...
49:49I've missed this place.
50:06Don't you remember?
50:08Of course I do.
50:09We saw so many films here.
50:12We would just stay in our seats and talk about life and everything.
50:19But you just made me feel like I could face more about anything, really.
50:26God, I used to be so nervous back then.
50:29About everything.
50:31About the future.
50:32But you just made me feel like I could face more about anything, really.
50:39No.
50:41Someone had to be there to make sure you didn't overthink everything.
50:44I remember you used to unpick every little detail like it was a life or death situation.
50:53You know, Dorothy.
50:57Life's not been the same without you.
50:58Even when we parted ways, I...
51:03I always knew that we would find each other again.
51:10I don't care what we've been through.
51:12I don't care what's happened.
51:14All I know...
51:16is that I need you now.
51:21More than ever.
51:28And the award for Best Adapted Screenplay goes to...
51:40Dorothy Bennett with Liar's Game!
51:45Wow.
51:47Best screenplay.
51:49What, shall I start calling you Your Majesty?
51:51I think that's the greatest idea.
51:54Why don't I start now?
51:56You deserve this.
51:57Your Majesty.
52:00Every bit of it.
52:02Now...
52:04Since you won,
52:05I think this calls for a reward.
52:08Oh, yeah?
52:11And what would that be?
52:15Me.
52:15Me.
52:34Oh, yeah?
52:34Bye-bye.
52:34All right.
52:36You guys were saying to me,
52:36I don't care about it.
52:36We're out of it.
52:36See you later on...
52:37Honey.
52:37Oh, we're out of it.
52:37Oh, yeah.
52:39I don't care.
52:40I don't care if I were ora.
52:40You're out of it.
52:41I don't care.
52:41I don't care if you're armed.
52:42You're out on it.
52:43You do not care if you're fromcriptions.
52:43You're out of it.
52:43You're out of it.
52:44You're out of it.
52:44You're out of it.
52:44You
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