- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Dianna,ote a Tragico di Napoli 3,2,2,2,6,6...
00:01:35Questo si si fa al primo posto.
00:01:43Shit.
00:01:45Woah.
00:01:46Camp on my wallet.
00:01:51The real ISI case?
00:01:53No, the real ISI case.
00:01:55Is it somewhere?
00:01:57Maybe it's in a club.
00:02:00Please don't forget to subscribe the bell.
00:02:02More than $7.00, there's nothing.
00:02:04¡Nos encontramos 100%!
00:02:05¡Quiero dejarlo!
00:02:06¿Será verlo aquÃ!
00:02:07¡Venga!
00:02:10¿Que piensas?
00:02:11¿Que piensas?
00:02:13¡Para una vez!
00:02:14¡No! ¡Nos encontramos!
00:02:15¡No ha cacciado niente!
00:02:17¡No hay nada!
00:02:18¡No hay nada!
00:02:20Just give her a minute!
00:02:21¿Estaba sitting aqu�
00:02:22¡Un momento!
00:02:23¡No hay nunca!
00:02:24¡No hay nada!
00:02:24¡No hay nada!
00:02:26¡No hay nada!
00:02:27¡No hay nada!
00:02:28¡Mamma mÃa!
00:02:30Where did you have it last?
00:02:34The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie, I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:52This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:28It's nice.
00:03:42Yes, I have a credit card.
00:03:46Numbers on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:18Yes, I'll hold.
00:04:22You love how they ask, as if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17She sounds very supportive.
00:05:22You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jen, can I...
00:06:51Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:06:57I love you.
00:07:13I love you too.
00:07:27Do you feel alright?
00:07:28Do you feel okay?
00:07:29Yeah.
00:07:30Are you sure?
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Do you feel alright?
00:07:34Do you feel okay?
00:07:35Yeah.
00:07:36Are you sure?
00:07:37Mm-hmm.
00:07:38Do you feel okay?
00:07:39Yeah.
00:07:40Do you feel okay?
00:07:41Yeah.
00:07:42Do you feel okay?
00:07:43Mm-hmm.
00:07:47Mm-hmm.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26my book. What kind of stories? Stories that you've prepared. Or I can ask them a list of stories that
00:10:33Dad told me about. Go ahead and ask from your father's list. God rest his soul. Let's start
00:10:38with the war. We went into an air raid shelter. My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb and the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair. He was all alone. That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England, miles from Germany, from Russia, from Italy,
00:11:13from any front lines. And this man, he had blood in his hair.
00:11:22Good night.
00:11:25Good night.
00:11:26Cappuccino?
00:11:27Good night.
00:11:29Good night today.
00:11:46I, um, was terrible.
00:11:49Is it?
00:11:56We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:10Feels now as if I'm the only one who remembers that.
00:12:12It's as vivid to me as if it happened yesterday.
00:12:16Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:24Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:42Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:27I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:26My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm, mm, mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:56No, it's not funny.
00:14:59Um, what's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:25And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47That's it.
00:15:47Stop making me feel like a stalker.
00:15:48Fuck.
00:15:55Oh, hey, have you got 50 cents?
00:16:06You can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:25What brought you out of here today?
00:16:36Barry.
00:16:36Ha!
00:16:37Barry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:55Yes.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights, a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island, because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin
00:18:11twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:19Sorry, anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily
00:18:30pushing a hundred.
00:18:32A hundred?
00:18:32Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles
00:18:37a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:19:02I, you, I, you, I never left.
00:19:21I, I, I I, you, I.
00:19:26Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:54Who is that?
00:19:58Vittoria Colonna.
00:20:00Ah, the woman who lived here.
00:20:03You read that in your guy book this morning, didn't you Jane? Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:16Who thought Michelangelo was gay?
00:20:18Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:23But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:35Okay.
00:20:36Okay.
00:20:37Okay.
00:20:38I'm impressed.
00:20:40Are you hungry?
00:20:41I'm impressed.
00:20:43Are you hungry?
00:20:47Why, you gonna take me out?
00:20:48Yeah.
00:20:49All right then.
00:20:50Okay.
00:20:51Okay.
00:20:52Okay.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastors would be dinner with me.
00:20:56Can I say them in the back to me?
00:20:57Now the woman himself goes to sleep, thank you.
00:20:58I'm impressed.
00:21:00Are you hungry?
00:21:01Are you gonna take me out?
00:21:02Yeah.
00:21:03All right then.
00:21:04I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:23Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh. Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:39I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now...
00:22:06I don't know.
00:22:08What don't you know?
00:22:11You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:33All tangled up.
00:22:34Don't laugh.
00:22:35Okay.
00:22:36Awful as it was, it made you stronger.
00:22:44These days people whine about all sorts of things.
00:22:47And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars, every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:01We...
00:23:02We helped each other during that time.
00:23:04We had to laugh.
00:23:05We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:12Would you get it out of my face?
00:23:18That is like...
00:23:19It's like a window in time.
00:23:22The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:34Bonding over Granny, huh?
00:23:36Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43Signori?
00:23:52I got pregnant so we got married.
00:24:00I lost the baby.
00:24:01I lost the baby.
00:24:05I'm sorry.
00:24:28I didn't go back after that to the States.
00:24:31I lost the baby.
00:24:36Did you, uh...
00:24:38Did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:48It's like this Asian proverb says that
00:24:53anyone you're destined to meet, like your soulmate
00:24:56or your family or, you know, someone you bump into on the street.
00:25:02We're all connected by this red string.
00:25:08It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:13I'm sitting, waiting in the airport bar for my flight.
00:25:26And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure.
00:25:31And how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:38I don't know if it's that interesting.
00:25:48That's the whole point, isn't it?
00:25:51Keeping it interesting for yourself.
00:25:54Maybe.
00:25:56Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, huh?
00:26:15Make it great.
00:26:16Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:36What do you mean?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh my God.
00:26:42Oh my gosh.
00:26:43Oh no.
00:26:44What?
00:26:45What do you mean?
00:26:50Stronzo!
00:26:52Hey!
00:26:53Hey!
00:26:54It's the carabinerie!
00:26:55It's the police!
00:26:56No!
00:26:57No!
00:26:58No!
00:27:04We can't go back!
00:27:05We can't go back!
00:27:06We can't go back!
00:27:07We can't go back!
00:27:08We can't go back!
00:27:09We can't go back!
00:27:10We can't go back!
00:27:11We can't go back!
00:27:12We can't go back!
00:27:13We can't go back!
00:27:14We can't go back!
00:27:15We can't go back!
00:27:16Oh my God!
00:27:17Oh my God!
00:27:19There we are!
00:27:23Here you go.
00:27:24Here you go.
00:27:25Here you go.
00:27:27Here you go.
00:27:28Did it make you feel better if I said I said the only one thing up?
00:27:30Yes.
00:27:31It's true.
00:27:32Yes, it's true.
00:27:33I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:03Oh, my gosh.
00:28:14What about my nose?
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:33For cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:57Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:19Why?
00:29:20So they can park in a handicapped spot.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35God.
00:29:48Oh, yes.
00:29:50Yes.
00:29:52Yes.
00:30:53I've got so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:23I couldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:30Jane.
00:31:31Jane.
00:31:32Jane.
00:31:33Got some pastries.
00:31:35Still asleep?
00:31:36Jane.
00:31:37Jane.
00:31:38Jane.
00:31:39Got some pastries.
00:31:42Still asleep?
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47Jane.
00:31:48Jane.
00:31:49Jane.
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:02Jane.
00:32:03Jane.
00:32:04Jane.
00:32:05Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:11Jane.
00:32:12Jane.
00:32:13Jane.
00:32:14Jane.
00:32:15Jane.
00:32:16Jane.
00:32:17Jane.
00:32:18Jane.
00:32:19Jane.
00:32:20Jane.
00:32:21Jane.
00:32:22Jane.
00:32:23Jane.
00:32:24Jane.
00:32:25Jane.
00:32:26Jane.
00:32:27Jane.
00:32:28Jane.
00:32:29Jane.
00:32:30Jane.
00:32:31Jane.
00:32:32Jane.
00:32:33Jane.
00:32:34Jane.
00:32:35Jane.
00:32:36Jane.
00:32:37Jane.
00:32:38Jane.
00:32:39Jane.
00:32:40Jane.
00:32:41Jane.
00:32:42Jane.
00:32:43Jane.
00:32:44Jane.
00:32:45Jane.
00:32:46I, I didn't, I didn't want to leave my mum and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19 and the world just felt so open
00:32:57and carefree and full of possibility?
00:33:01You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was, it was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43You're conductors.
00:33:44Actually, a descendant of Walter Lake, which is fascinating.
00:33:48The three of us were planning dinner before we leave.
00:33:51I'd like that.
00:33:56Jane?
00:33:56Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:11You're welcome.
00:34:12Oh.
00:34:13You have a chance of a wrap.
00:34:14I know, right?
00:34:19I'm off to you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:25Can I have the check, please?
00:34:37In a cafe, put-put-put-put?
00:34:43Oh, no, thank you.
00:34:48Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You know that.
00:34:58Well, I don't do it a lot.
00:35:02Grazie.
00:35:02Grazie.
00:35:04Grazie.
00:35:05Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk expat.
00:35:27They had, like, a private chef and everything.
00:35:29And, uh, they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:48Yeah, I've got to go back to work.
00:36:50Yeah, I've got to go back to work.
00:36:58So what's next on your agenda, Caleb?
00:37:02Um, I'm thinking Tibet.
00:37:05I'm thinking Tibet.
00:37:05Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:18How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:33Yeah, I have a pen.
00:37:42Okay.
00:37:49I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00Yeah.
00:38:02There you go.
00:38:06And thanks again for yesterday.
00:38:08Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:21How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:31Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:46I'll be waiting.
00:38:55I'll be waiting.
00:38:55I'll be waiting.
00:38:57Okay.
00:38:58Hey.
00:38:59God, you scared me.
00:39:00Are you following me?
00:39:01Maybe.
00:39:02Is that weird?
00:39:03Yeah.
00:39:04What do you think you're following me?
00:39:05Hey.
00:39:06Hey.
00:39:07Hey.
00:39:08Hey.
00:39:09Hey.
00:39:10Hey.
00:39:11Hey.
00:39:12Hey.
00:39:13Hey.
00:39:14Hey.
00:39:15Hey.
00:39:16Hey.
00:39:17Hey.
00:39:18Hey.
00:39:19Hey.
00:39:20Hey.
00:39:21Hey.
00:39:22Hey.
00:39:23Hey.
00:39:24Hey.
00:39:25Hey.
00:39:26Hey.
00:39:28Hey.
00:39:29Hey.
00:39:30Hey.
00:39:31Hey.
00:39:32Hey.
00:39:33Hey.
00:39:34Hey.
00:39:35Hey.
00:39:36Hey.
00:39:37Hey.
00:39:38Hey.
00:39:39Hey.
00:39:40Hey.
00:39:41Hey.
00:39:42Hey.
00:39:43Hey.
00:39:44Hey.
00:39:45Hey.
00:39:46Hey.
00:39:47Hey.
00:39:48Hey.
00:39:49Hey.
00:39:50Hey.
00:39:51Hey.
00:39:52Hey.
00:39:53Hey.
00:39:54Hey.
00:39:55Hey.
00:39:56Hey.
00:39:57Hey.
00:39:58I don't know.
00:40:28What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:58I can't do this.
00:41:08What?
00:41:09What?
00:41:10I can't do this.
00:41:11Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:30You need to be less serious.
00:41:32Don't feel me.
00:41:37Don't feel me.
00:41:39Don't feel me.
00:42:07Don't feel me.
00:42:09Don't feel me.
00:42:13Don't feel me.
00:42:17Do you need to be less serious?
00:42:20Do you have to be less serious?
00:42:25There was one boy from Belgium, he was lovely, he had a moustache, my mother hated moustaches.
00:42:53And he was shipped off, I never saw him again.
00:43:03Anyways, I met your grandfather not long after and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:11Love at first sight? Stop that thing!
00:43:15I know. You're home early.
00:43:23I do deserve that.
00:43:28You know, it doesn't work for your husband.
00:43:32Jane, I'm sorry, just give me a minute. I have a hell of a mess of my dad. I've got so much stuff to do.
00:43:42Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely. I had lots of dinner. I thought we'd just stay in here. The two of us.
00:43:54I've just got to work this thing out for tomorrow.
00:43:57Okay. I'm sorry.
00:44:27I'm sorry.
00:44:28Okay.
00:44:29I'll spend you on my own time.
00:44:30Okay.
00:44:31I'm sorry.
00:44:32I'll pay you for a while today.
00:44:33Okay.
00:44:34Okay.
00:44:35Okay.
00:44:36I'll let you know.
00:44:37Well, let me know.
00:44:39Let me know.
00:44:40I'm sorry.
00:44:41I'll let you know.
00:44:42Okay.
00:44:43Come on in.
00:44:44Let me know.
00:44:45No.
00:44:46No.
00:44:47Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:45:17Say cheese.
00:45:33You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:47That's what our living room is missing.
00:46:07What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:17Poompone.
00:46:19Poompone.
00:46:25Poompone.
00:46:37Poompone.
00:46:39enci
00:46:47No, no, no, no, no!
00:47:47Oh!
00:48:47Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:11Yeah, I'm going to put my pants on.
00:49:16Okay.
00:49:17Okay.
00:49:47Okay.
00:49:49Okay.
00:49:51Okay.
00:49:53Okay.
00:49:55Okay.
00:49:57Okay.
00:49:59Okay.
00:50:01Okay.
00:50:03Okay.
00:50:05Okay.
00:50:07Okay.
00:50:09Yeah.
00:50:11Okay.
00:50:13Okay.
00:50:17Okay.
00:50:19Okay.
00:50:20Okay.
00:50:21Okay.
00:53:01You make me feel nervous.
00:53:18I feel nervous.
00:53:23You make me feel calm.
00:53:48Want a drink?
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:14Must be lonely.
00:54:44I'm so rapture.
00:54:48I'm scared.
00:54:50I'm so rapture, but I'm so rapture.
00:54:55I'm so rapture, but I will leave you on my show as I'm panicking.
00:55:00But I'm soon left out.
00:55:02I love you, I'm really so rapture.
00:55:05Again and again and again
00:55:30Again and again and again
00:55:35Once I was single my pocket is safe
00:55:39Jingle, I wish I was single again
00:55:43Again and again and again
00:55:47Once I was single my pocket is safe
00:55:56Jingle, I wish I was single again
00:56:00Jingle
00:56:01I didn't sleep at all last night. Where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:30Can you be late?
00:56:34No, I can't be late.
00:56:38I never tell you.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me. I have to go to work.
00:56:51Okay.
00:57:00If it wasn't the war, it would have been something else.
00:57:18There's always something else, isn't there?
00:57:22That's the thing. That's the thing about struggle.
00:57:28I'm going to make some tea. Do you want some?
00:57:30I'm all right.
00:57:32I'm all right.
00:57:33You go out like that again. Just tell me.
00:57:36I'm all right.
00:57:38I'm all right.
00:57:39I'm all right.
00:57:40I'm all right.
00:57:41You go out like that again. Just tell me. I worry.
00:57:46Okay.
00:57:47I can't seem to figure out what's going on in your head.
00:57:53I can't seem to figure out what's going on in your head.
00:58:18Do you think everything we've been through actually does us any good in the long run?
00:58:35Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:47I'll tell you next time we come to Italy to get a proper kitchen.
00:59:05I don't know what you want me to say, Jane.
00:59:16If one little thing had changed in my grandmother's life, I might not be here.
00:59:35Sometimes I worry I'm not honoring her.
00:59:42With the book?
00:59:44No, with my life.
00:59:49This is it, you know. It ends with me.
01:00:02In the harvest time we all went to the field where they were cutting the corn.
01:00:07Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:15The horses.
01:00:28The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:43There was one. Duke. He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:58They were lovely days, really.
01:01:00They were lovely days, really.
01:01:05They're gone. For me.
01:01:09Jane.
01:01:10But not for you.
01:01:13Jane.
01:01:14Jane.
01:01:15You know, it's different for you.
01:01:17In some ways it's easier.
01:01:19You haven't got the war, people don't die as much as they did back then.
01:01:23But in some ways it's more disjointed.
01:01:27You've got to make your own life.
01:01:32One that you love and you can't be afraid of the time.
01:01:37Time is shiftable.
01:01:41There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:06I'm sorry.
01:02:10It's okay.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17You...
01:02:18Ah!
01:02:19You alright?
01:02:20Ah!
01:02:21You okay?
01:02:22Yeah, I stung my toe.
01:02:24Ah!
01:02:25It's bleeding.
01:02:26Ah!
01:02:27It's fine.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33You've losing it?
01:02:34It's fine.
01:02:35Yes?
01:02:36Ah!
01:02:37Fuck.
01:02:38Ah!
01:02:39I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:00I want you to come with me.
01:03:29Phoebe!
01:03:30I want you to come with me.
01:03:31Hi, Fred.
01:04:04Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'm chomped at doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:25Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:01I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:42Say it.
01:06:44I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Joan?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:27That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03You don't see me!
01:09:19I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30Losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23Bill, I want you to do it.
01:10:34I know.
01:10:37I know.
01:10:40I know.
01:10:44I know.
01:11:45Hi.
01:11:47Hi.
01:11:49You want some?
01:12:01Oh, thanks.
01:12:03Thanks.
01:12:35Frank, you know, it's coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:56I'm thinking of driving through Romania and Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:38ORGAN PLAYS
01:14:08Ciao, buona fortuna.
01:14:13Ciao.
01:14:38Jase!
01:14:54You've got to come over to this side.
01:14:59The train's going to be here in a minute.
01:15:01The train's going to be here in a minute.
01:15:25It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:49I hear that you're building your house deep in the desert.
01:16:01Are you living for nothing now?
01:16:05Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her that night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:35Why not?
01:16:36I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:42Now shut that thing off.
01:16:44Fatherless.
01:16:45Fatherless.
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