- 3 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25It must be.
00:01:30I've been looking for the traffic of Napoli.
00:01:32I'm looking for the two men.
00:01:34I can't buy my wallet.
00:01:35The real receipt case?
00:01:37No.
00:01:39No.
00:01:40It's not missing.
00:01:41It's not missing.
00:01:42It's not missing.
00:01:43It's not missing.
00:01:44Somewhere.
00:01:45Maybe it's in my car.
00:01:50No.
00:01:51No, no, no.
00:01:54There's no receipt.
00:01:55Yeah, no, no.
00:01:56No, no, no.
00:01:57No, no.
00:01:58No, no.
00:01:59What do you think?
00:02:12What do you think?
00:02:14She's lost her purse.
00:02:15No, I don't have anything.
00:02:18No, I didn't see anything.
00:02:20Just give her a minute.
00:02:22Just give her one minute.
00:02:24What is wrong with that?
00:02:26Okay, okay, okay.
00:02:26How's it, Sonny?
00:02:27Come on, Mommy.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think.
00:02:38The exchange booth.
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started
00:02:49when you dropped all your stuff.
00:02:50This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need to, we need 70.
00:03:10Here we go.
00:03:11Here we go.
00:03:12Here we go.
00:03:13Here we go.
00:03:14Here we go.
00:03:15Here we go.
00:03:16Here we go.
00:03:20Is this it?
00:03:21Thank you, Sonny.
00:03:41It's nice.
00:03:43Yes, I have a credit card.
00:03:45The number's on file on my computer.
00:03:48Yes, I have them here.
00:03:51Okay.
00:03:525533
00:03:557645
00:03:588787
00:04:019157
00:04:0457.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:09No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:23You love how they ask.
00:04:24As if I have a choice.
00:04:27Do you know what I'm gonna try to do while I'm here?
00:04:30Besides learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides,
00:04:46what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I...
00:04:51I'm gonna finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:01Well, if you can see it through to the end.
00:05:04I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing.
00:05:12I think it's a fantastic idea, Jen.
00:05:15I always have. You know that?
00:05:16You know that.
00:05:20She doesn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35For you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39I'm sorry.
00:05:41It's a very good thing.
00:05:43I think it's okay.
00:05:45I'm sorry.
00:05:47I'm sorry.
00:05:48I'm sorry.
00:05:49Well, I don't know.
00:05:51I don't know.
00:05:53I don't know.
00:05:54It's okay.
00:05:55It's okay.
00:05:56I don't know.
00:05:58But it's okay.
00:05:59Why do you think he killed himself?
00:06:06David Foster Wallace?
00:06:12I don't know.
00:06:16You can't get a sense by his writing?
00:06:19You have to read it when I'm done, darling.
00:06:22Do you think he recognized a blank infinity just stretching out?
00:06:32He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, John.
00:06:40Just so tedious.
00:06:43And of course he felt guilty.
00:06:45Most people think life is too short and there he was, all the talent in the world, and it wasn't...
00:06:49Jane, can we not talk about this?
00:06:53Just, just, just a bit more, a bit.
00:07:12Love you.
00:07:14Love you too.
00:07:22Love you too.
00:07:33Love you too.
00:07:35Do you feel alright?
00:07:38Yeah.
00:07:40You sure?
00:07:42Mm-hmm.
00:08:12Mm-hmm.
00:08:42Mm-hmm.
00:09:12Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:35If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:52I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26book what kind of stories stories are you prepared before i can ask them a list of stories that dad
00:10:33told me about go ahead and ask from your father's list god rest his soul let's start with the war
00:10:40we went into an air raid shelter my mother your great-grandmother she was shaking sirens wailed
00:10:47and and then there was the sound of a bomb and the man next to us he said i was in a shelter
00:10:54last night with my wife and my little boy and half of it got blown away there was blood in his hair
00:11:02he was all alone that nearly finished my mother you know
00:11:08here we were in this tiny town in england miles from germany from russia from italy from any front lines
00:11:16and this man he had blood in his hair
00:11:25goodnight cappuccino
00:11:45goodnight today
00:11:54We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:51You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08They'd been shot through the neck.
00:13:31The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:00Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So, come on.
00:14:25My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:51You put it in a viola case, right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06You can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:21What brought you out of here today?
00:16:36Berry.
00:16:36Ha!
00:16:37Berry.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying
00:17:30the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Before connecting flights, it's a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:01Because I stayed on the island, because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second
00:18:11cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island,
00:18:25so I show up, he answers the door, and he's, like, the oldest fucker I've ever seen, easily
00:18:30pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older, he's, like, deaf and blind and about four feet tall, and he mumbles a
00:18:38couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine,
00:18:42and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:49I don't know.
00:19:19Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:39Are you hungry?
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47I'm impressed.
00:20:49Are you hungry?
00:20:50Why, are you going to take me out?
00:20:51Yeah.
00:20:52All right then.
00:20:53Okay.
00:20:54Okay.
00:20:55Two pastas with the...
00:20:56House of the...
00:20:57And the...
00:20:58And the...
00:20:59And the...
00:21:00And the...
00:21:01And the...
00:21:02And the...
00:21:03I'm impressed.
00:21:04I'm impressed.
00:21:06You hungry?
00:21:07You hungry?
00:21:09Why, you gonna take me out?
00:21:11Yeah.
00:21:17Alright then.
00:21:23Two pastas with the house sauce, please.
00:21:27Red. Red, please.
00:21:29Uh-huh. Grazie.
00:21:31So you're really not gonna tell me what you do?
00:21:37I write freelance articles
00:21:41about parties and fashion trends
00:21:43in town and country UK.
00:21:45There's something else.
00:21:53I'm writing a book
00:21:55about my grandmother's experiences
00:21:57in rural England, living through two
00:21:59world wars.
00:22:01I recorded her for hours and hours.
00:22:03But now...
00:22:05I don't know.
00:22:07What don't you know?
00:22:09You wanna listen?
00:22:11A little?
00:22:13Yeah.
00:22:15Yeah.
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:33All tangled up.
00:22:35Okay.
00:22:41Awful as it was,
00:22:43it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:47And I'm not one of those old people
00:22:49who think my time had the only joy
00:22:51and the only problems.
00:22:53We all have our own private wars,
00:22:55every era, but
00:22:57it was nothing like...
00:22:59it really brought people together,
00:23:01the war.
00:23:03We helped each other during that time.
00:23:05We had to laugh, we had to smile.
00:23:07Well, if not for ourselves,
00:23:09then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like...
00:23:19it's like a window in time.
00:23:21The sort of thing
00:23:23which you always did before someone died,
00:23:25you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:33Bonding over granny, huh?
00:23:36Make it sound perverse.
00:23:38That's what it was, right?
00:23:40Buongiorno.
00:23:42Buongiorno.
00:23:43Signori.
00:23:52I got pregnant so we got married.
00:24:00I lost the baby.
00:24:02I'm sorry.
00:24:04I'm sorry.
00:24:14Excuse me.
00:24:16It was your degree.
00:24:17Yes, thank you.
00:24:18You can take it away.
00:24:19Yes, thank you.
00:24:20Yes, thank you.
00:24:28I didn't go back after that to the States.
00:24:32Did you ever hear that story about the Red Strain?
00:24:42I think I might have.
00:24:44Tell me.
00:24:48It's like this Asian proverb
00:24:51that says that anyone you're destined to meet
00:24:54like your soulmate or your family
00:24:58or, you know, someone you bump into on the street.
00:25:02We're all connected by this red string.
00:25:07It can be tangled or stretched,
00:25:10but it can never be broken.
00:25:16There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight.
00:25:25And I'm talking into the recorder,
00:25:27rambling on about how I'm about to embark
00:25:30on this amazing adventure
00:25:31and how I'm gonna show World War II
00:25:34from a totally different perspective.
00:25:37But...
00:25:38I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just wanna write about nothing.
00:26:01Nothing.
00:26:03Everything is nothing.
00:26:05All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, huh?
00:26:15Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Okay.
00:26:36What do you mean I'm gonna know?
00:26:37Ready?
00:26:38What?
00:26:39Grab my hand.
00:26:40Wait.
00:26:41Go, go, go.
00:26:42Oh, my God.
00:26:43Oh, my gosh.
00:26:44Oh, no.
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo.
00:26:53Hey, hey, hey.
00:26:55It's a carabinerie.
00:26:56Hey, please.
00:26:57No.
00:26:58No.
00:26:59No.
00:27:04We can't go back.
00:27:05We can go back.
00:27:06We can go back.
00:27:09You can't pay me.
00:27:10You can't pay me.
00:27:13He's back.
00:27:14Oh, God.
00:27:16Oh, God.
00:27:23No, no.
00:27:24Hey, hey, hey, hey.
00:27:25It would make you feel better if I said I said the whole thing up.
00:27:30Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:47Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:55Oh my gosh.
00:28:14It went up my nose.
00:28:21We come back?
00:28:23Maybe.
00:28:25Maybe it's not a no.
00:28:29And since I don't have a phone, you're going to have to give me your number for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:41I've got to go catch a fairy.
00:28:53Why do violists keep their viola cases on their dashboards?
00:29:19Why?
00:29:20So they can park in handicapped spots.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35I've got to go.
00:29:50Oh, yes.
00:29:52Happy birthday.
00:29:53Oh, yes.
00:29:55Happy birthday.
00:29:56Oh, yes.
00:29:56Happy birthday.
00:29:57Happy birthday.
00:29:58Oh, yes.
00:29:59Good birthday.
00:29:59Hello.
00:30:00$1, $1, $2, $1, $2.
00:30:32You're awake.
00:30:50Yeah, I've got so much of this stuff to get through.
00:30:56Got through. Nice.
00:31:02There are the great big events, the things you think you'll always remember, and you do,
00:31:09but there are other smaller, picking a blackberry that's been in the sun or brushing the fingertip
00:31:15of someone you didn't know you loved until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle
00:31:25seat.
00:31:26They stayed with me, too.
00:31:40Jane.
00:31:42Nellie.
00:31:45Got some pastries.
00:31:46You're still asleep?
00:31:54Jane.
00:31:54My friends had lots of American boyfriends,
00:32:22and they used to bring us nylon stockings and chocolates and all sorts of things.
00:32:27And we used to go to London, and we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:37I never had an American boyfriend.
00:32:41I liked some of them.
00:32:43They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know, when you were 19, the world just felt so open and carefree and full of possibility?
00:33:00You reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something.
00:33:15For youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was...
00:33:26It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:53Jane?
00:33:59Oh my God.
00:34:01This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:11Oh.
00:34:12You have a chance of a run.
00:34:14I know, right?
00:34:19I'm obviously going to get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee or something.
00:34:34We'll have the check, please.
00:34:37In a cafe, put the play?
00:34:38Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:57Well, I don't do it a lot.
00:35:01Okay.
00:35:02Grazie.
00:35:04Grazie.
00:35:05Grazie.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk expat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my aunt.
00:36:02Come on.
00:36:03Let's hear one.
00:36:06I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:36Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:45Yeah.
00:36:46What, time to go?
00:36:47Already?
00:36:49Yeah.
00:36:49I'm going to get back to work.
00:36:50So what's next on your agenda, Caleb?
00:37:04I'm thinking Tibet.
00:37:06Oh, Tibet.
00:37:07Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:23Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:35I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:06And thanks again for yesterday.
00:38:08Oh, no problem.
00:38:10Hey.
00:38:13Ciao.
00:38:21How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:24It's not a big deal.
00:38:25So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:55Hey.
00:39:15God, you scared me.
00:39:16Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:23I couldn't sleep last night.
00:39:37You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:46I can't believe it.
00:40:01I'm fine.
00:40:02And I can't believe you.
00:40:03I can't believe you.
00:40:04So I thought I saw you.
00:40:05Because I don't want you.
00:40:06I know you don't want.
00:40:08Okay.
00:40:09I'm fine.
00:40:09I know you're not right.
00:40:10I'll be waiting for you.
00:40:11I know you're not right.
00:40:12I know you're new.
00:40:13I know you're not.
00:40:14What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:44I can't do this.
00:41:09What?
00:41:10Why?
00:41:11I can't do this.
00:41:12Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:29You need to be less serious.
00:41:33Don't follow me.
00:41:40Don't follow me.
00:42:24There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:51My mother hated moustaches.
00:42:54And he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I do deserve that.
00:43:28I just met my husband.
00:43:31I'm sorry.
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:43:59I'm sorry.
00:44:54Leonard, can we talk?
00:45:24Say cheese.
00:45:33You should kind of be in the middle.
00:45:36Alright.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:45:54What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:24Let me go.
00:46:25Come on.
00:46:26Come on.
00:46:27We are not going to die.
00:46:28Come on.
00:46:29Come on.
00:46:30Come on.
00:46:31Come on.
00:46:32Let me go.
00:46:33Let me go.
00:46:34Let me go.
00:46:35Let me go.
00:46:36I don't know.
00:47:06PIANO PLAYS
00:47:36PIANO PLAYS
00:48:06PIANO PLAYS
00:48:36PIANO CONTINUES
00:48:48PIANO CONTINUES
00:48:50PIANO CONTINUES
00:48:55PIANO CONTINUES
00:48:57PIANO CONTINUES
00:48:58PIANO CONTINUES
00:48:59PIANO CONTINUES
00:49:01PIANO CONTINUES
00:49:02PIANO CONTINUES
00:49:03PIANO CONTINUES
00:49:04PIANO CONTINUES
00:49:05PIANO CONTINUES
00:49:06PIANO CONTINUES
00:49:07PIANO CONTINUES
00:49:08PIANO CONTINUES
00:49:09PIANO CONTINUES
00:49:10PIANO CONTINUES
00:49:11Yeah, will you put my pants on?
00:49:16Okay.
00:49:41Okay.
00:50:11Okay.
00:50:41Okay.
00:51:11Okay.
00:51:41Okay.
00:52:11Okay.
00:52:41Okay.
00:52:48Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:57Were you?
00:52:58You were delicious.
00:53:11You made me feel nervous.
00:53:22You make me feel calm.
00:53:41You want a drink?
00:53:49Okay.
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:19He just said that?
00:54:25Um.
00:54:27Yeah.
00:54:28I thought you'd probably be scared.
00:54:30If you've ever been there, you might be scared.
00:54:36I love the one.
00:54:37I love you.
00:54:38I love you.
00:54:40I love you.
00:54:44I love you.
00:54:45Okay.
00:54:46So, you should be nervous.
00:55:48I didn't sleep at all last night.
00:56:14Where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here.
00:56:24I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:32Can you be late?
00:56:34No.
00:56:35I can't be late.
00:56:38Leonard.
00:56:40Jay.
00:56:41Whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52Okay.
00:56:53Okay.
00:56:54I can't be late.
00:56:56You're left.
00:57:01I can't be late.
00:57:02I can't be late.
00:57:04I can't be late.
00:57:06I can't be late.
00:57:08If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:38I'm going to make some tea. Do you want some?
00:57:52I'm alright.
00:57:59If you go out like that again, just tell me.
00:58:02No worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good? In the long run?
00:58:18Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:30I'll tell you next time we come to Italy, to get a proper kitchen.
00:58:31I'll tell you next time we come to Italy, to get a proper kitchen.
00:58:32I'll tell you next time we come to Italy, to get a proper kitchen.
00:58:39I don't know what you want me to say, Jane.
00:58:40I don't know what you want me to say, Jane.
00:58:41I don't know what you want me to say, Jane.
00:58:42I don't know what you want me to say, Jane.
00:58:43I don't know what you want me to say, Jane.
00:58:48I don't know what you want me to say, Jane.
00:58:50I don't know what you want me to say, Jane.
00:58:55I don't know what you want me to say.
00:59:08I don't know what you want me to say, Jane.
00:59:12I don't know what you want me to say, Jane.
00:59:19One little thing had changed in my grandmother's life I might not be here.
00:59:32Sometimes I worry I'm not honoring her.
00:59:42With the book?
00:59:46No, with my life.
00:59:55This is it, you know. It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:19The horses.
01:00:28The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up. Brass things and little horseshoes.
01:00:38He put braids on them. They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one. Duke. He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:59They were lovely days really.
01:01:08They're gone. For me.
01:01:10Jane.
01:01:12But not for you.
01:01:14Jane.
01:01:16You know it's different for you. In some ways it's easier.
01:01:19You haven't got the war. People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:29You've got to make your own life. One that you love and you can't be afraid of the, of the time.
01:01:39Time is shiftable.
01:01:42There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:06What is it?
01:02:16You alright?
01:02:21You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine. It's fine. It's fine. It's fine. It's fine.
01:02:33You losing it?
01:02:35Yes?
01:02:36Fuck.
01:02:47I met these backpackers last night. Frank and Elsa. She's French. He's German.
01:02:52They're going to Tibet. And I'm going with them.
01:02:58I want you to come with me.
01:03:05I want you to come with me.
01:03:54Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'm a chump for doing another still like this.
01:04:20How's the writing going?
01:04:27I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:07Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:26Yes.
01:05:27Tedious?
01:05:28I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:38Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:46I never will.
01:06:49And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:11We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29Yes.
01:08:30That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:47I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:18I'm sorry.
01:09:24For what?
01:09:24I'm sorry.
01:09:26For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:29For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:11:23Hi.
01:11:48Hi.
01:11:53You want some?
01:12:02Oh, thanks.
01:12:23I'm coming over in a couple hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:17Thanks.
01:13:18Nice.
01:13:18Yes.
01:14:55You've got to come over to this side.
01:15:00Train's going to be here in a minute.
01:15:25It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41No, shut that thing off.
01:16:44Oh, the last...
01:16:45It was her.
01:16:48Laing of the day.
01:16:49I'm not telling you.
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