- 6 months ago
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CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right. That's fine.
00:01:30That's a good dog.
00:01:32Good. All right. That's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right. That is great.
00:01:48I think he looks good, don't you?
00:02:02Yeah, we're out of film. All right. Take five. We're reloading now.
00:02:06This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:10It's my dog. I trained that dog. I love this dog.
00:02:12Then you are as dumb as the dog.
00:02:14Alright. Is everybody ready? Is your camera loaded? Yeah.
00:02:24Are we all happy having Trailer?
00:02:25Well, I've got a little bit of a surprise.
00:02:27How did you get such a dumb dog?
00:02:30Why did you get such a dumb dog?
00:02:32It's my dog. I trained that dog. I love this dog.
00:02:35Then you are as dumb as the dog.
00:02:36All right.
00:02:40Is everybody ready?
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America,
00:03:04along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08I'm Sander Davis.
00:03:09In a few minutes, we will switch our control to the Women's Press Club
00:03:13to honor Emanuelle Griffith as Woman of the Year.
00:03:17Some people may not know the name,
00:03:19but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world,
00:03:29the covers of Vision, Olay, and Valarie, just to name a few.
00:03:34Emanuelle, as she is best known,
00:03:36has now become the world's standard of beauty and fashion
00:03:40and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position,
00:03:53and she's already in great demand.
00:03:56She's been described as the highest paid fashion model
00:03:59in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.,
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago,
00:04:26I had a problem.
00:04:27No, no.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard,
00:04:35and at times it seemed impossible.
00:04:39Women were second-class citizens then,
00:04:41and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel,
00:04:54I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Good morning, ladies,
00:05:18and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies,
00:05:47some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:09All I want is for us to have a piece of the pie.
00:06:17And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I want to thank you so much for having me here tonight.
00:06:45I want to thank you so much for having me here tonight.
00:06:47I will cherish this woman for the rest of my life.
00:06:49Thank you.
00:06:51Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on, let's go, man.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on, come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking piece, ladies, I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Let's get the pie piece.
00:08:01Let's get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:10Thank you.
00:08:40Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:01Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I know you're a very good boy.
00:09:53I know you're a very good boy, but it won't be me.
00:09:57It's something that's just stuck to my heart.
00:10:00It's something that's just stuck to my heart.
00:10:06Oh, girl, I can't see you with somebody else.
00:10:13Gotta have you, darling, now.
00:10:19Hold me at nobody else.
00:10:22Gonna make you laugh.
00:10:25Hold you through the night.
00:10:30Look what you've just done to my heart.
00:10:35Gotta have you, darling, now.
00:10:36Look what you've just done to my heart.
00:10:40Oh, yeah.
00:10:41Look what you've just done to my heart.
00:10:44Yeah.
00:10:45Yeah.
00:10:46Look what you've just done to my heart.
00:10:48Gotta have you, darling, now.
00:10:50Look what you've just done to my heart.
00:10:53Oh, baby.
00:10:54Look what you've just done to my heart.
00:10:58Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:15Let me tell you a little about men, ladies.
00:11:20They'll tell you anything they want you to hear.
00:11:25They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:31God, I hope not.
00:11:34Oh, Lord, woman.
00:11:36We have a problem here, Emmanuel.
00:11:39It's the word they.
00:11:40Now, we all know that they pertains to men.
00:11:44So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:48You should be satisfied with that advantage.
00:11:49But you're not.
00:11:50I think all you girls should remember the terminology, manpower, manipulate, the rights of man, manhole.
00:11:57I mean, all you girls can climb down and it's still going to be a manhole in the eyes of God, in the eyes of everyone.
00:12:13You can't change that.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel, and one Richard Tate is going to teach you, darling.
00:12:44Okora Hotel.
00:12:51Yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived.
00:12:58One moment, please.
00:12:59Yes?
00:13:00Yes, Miss Griffith?
00:13:01Yes, your limo is here.
00:13:03What time is it?
00:13:04No, I'm an hour from now.
00:13:06Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:10No.
00:13:11No.
00:13:12Alright, fine.
00:13:13I'll be down in a minute.
00:13:15Ok, thank you.
00:13:41What?
00:13:42No.
00:13:51Ok.
00:13:52Alright, let's go.
00:13:57Bye.
00:13:58Hello, boy.
00:13:59I've heard this.
00:14:00Get ready for a car.
00:14:02I can't wait for a car.
00:14:04I can't wait for a car.
00:14:05No, no, no, no.
00:14:06I can't wait for it.
00:14:07I can't wait for it.
00:14:09Sous-titrage Société Radio-Canada
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00:24:35Wow. Now I want to know who you are and why I'm here.
00:24:40Well, my dear, you already know why you're here. That's to give you time and instruction until you get your pretty little head straightened out.
00:24:47As for me, I am your chef and host. And in due time, if you're really nice and kind, I may even be your lover.
00:24:57You should live so fucking long.
00:25:03I told you that I don't like that kind of language from a woman. I don't want to have to say it again.
00:25:07What's your name?
00:25:15My name is Richard.
00:25:17Hello, Richard.
00:25:20What did they call you in school?
00:25:24Did they call you Ricky?
00:25:25Did they call you Dicky?
00:25:30Or did they just call you Dick?
00:25:34Did they call you Dicky?
00:25:51You can take my phone in school.
00:25:52Sous-titrage MFP.
00:26:22Sous-titrage MFP.
00:26:52Sous-titrage MFP.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:25Okay, well, I'll tell you what. Let me check out the situation. Let me check this out, okay? Okay?
00:27:31All right, I'm checking it out. You know, the only thing I can figure is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:42Well, I'll tell you what. I can take this thing off its hinges, and you'll be wearing a door for the rest of your life.
00:27:51Please.
00:27:51That's better. You know what? You're starting to get to me. The possibility exists is that you may even be getting better.
00:28:00I don't believe this.
00:28:12Children.
00:28:16Healing with children.
00:28:17Oh, this is that fake butter. I hate this shit, don't you?
00:28:28All right, this is the gold we have been searching for.
00:28:39Come on, come on, come on, come on. Move over a little bit. I see a touch of you, babe. Come on. Come on, honey.
00:28:56Come to daddy, that's it, that's better.
00:28:58That, oh, Man, you know this good.
00:29:01Just get your Magi-
00:29:02Oh, come on. Get in the view. Come on!
00:29:04Let me strike a close up on your magic spot.
00:29:12What're you doing to me?
00:29:16Come on.
00:29:25Sous-titrage Société Radio-Canada
00:29:55...is splendor in the sand.
00:30:25Hold your breath, you'll be screaming for oxygen.
00:30:27This, this is Antigua, the island of beaches.
00:30:35Five years ago, very dear, well, close, intimate,
00:30:41a friend of mine and I spent five glorious days there.
00:30:45It was magnificent, I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other
00:30:51and put them in a seal.
00:30:55Empty orange juice, bondling iron under this rock.
00:30:58Look, look, this is the very rock.
00:31:01And the nights, don't ask, the nights were magical.
00:31:07The wind, the people, the island, the beaches,
00:31:13the love poems.
00:31:15And then when the mood struck us, which was quite often,
00:31:20we would adjourn to our magical suite.
00:31:24Yeah.
00:31:24This is the actual suite, just between us.
00:31:32We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:38It was magnificent.
00:31:43I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:58Your wife?
00:32:00Mm-hmm.
00:32:00Oh, of course.
00:32:02Sorry.
00:32:02No harm done.
00:32:04Now, you want me to write that up?
00:32:06Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach, I'll take the sand,
00:32:15I'll take the nightlife,
00:32:16but I definitely do not want that wrong.
00:32:19Oh.
00:32:19Hello, this is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:41I have nothing against you.
00:32:47Please let me go.
00:32:49Not until your act is together, my darling.
00:32:50Okay.
00:32:54You're right, I'm sorry.
00:32:56Let me explain something to you, darling, okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out
00:33:09until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:15Look, Richard.
00:33:16Richard, I have nothing against you.
00:33:20Please let me go.
00:33:21Not until you get your act together.
00:33:25I know.
00:33:27You're right, I'm sorry.
00:33:29Not only do I hate women who use foul words,
00:33:33but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no!
00:33:39Richard!
00:33:40Richard, come back!
00:33:42Oh, please, don't go away!
00:33:47Oh, please, you've got to come back!
00:33:50You've got to talk to me, Richard, please!
00:33:54Oh, God!
00:33:58Oh, God, don't go away!
00:34:04Please, Richard.
00:34:07Please.
00:34:08Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:36I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:42Look.
00:34:44I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:59I want to see you.
00:35:05You can see me?
00:35:08You've been watching me?
00:35:10Just relax, baby.
00:35:11How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:21What is it?
00:35:22Is it a peephole, dick, you prick?
00:35:25Oh, no, not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:34How does that sound?
00:35:36And when I find it, and I will find it, I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:48Never.
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:05You listen to me, Dickie Boy.
00:36:07When I get out of here, you are dead meat.
00:36:14Don't do it.
00:36:15Don't do it.
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you.
00:36:29Good night, sweetheart.
00:36:34Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough, and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still going to find it.
00:36:52And when I find it, you can watch yourself for the rest of your fucking life.
00:36:57Oh, my God!
00:37:14Ha ha ha ha ha !
00:37:44Sous-titrage MFP.
00:38:14Sous-titrage MFP.
00:38:45Well, Sam, while you were flying in first class from New York, I found the last person to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel. Helped her out to the phony limo.
00:39:00Okay.
00:39:01Sam, I gotta tell you.
00:39:02I run one of the best detective agencies in this area.
00:39:06Why don't we get this thing wrapped up real quick and go out and do some more business together.
00:39:11I can have her here on Wednesday. How's 1pm for you?
00:39:15Sounds good.
00:39:16She'll be here.
00:39:17Good.
00:39:18Cut.
00:39:19Cut.
00:39:20Cut.
00:39:21Cut.
00:39:22Cut.
00:39:24Cut.
00:39:25Cut.
00:39:26Cut.
00:39:27Cut.
00:39:28Cut.
00:39:29Cut.
00:39:32Cut.
00:39:33Cut.
00:39:34Cut.
00:39:35Cut.
00:39:38Bonjour ?
00:39:46Je n'ai pas d'eau ici !
00:39:50Qu'est-ce qu'il y a ?
00:39:54Richard, je n'ai pas d'eau !
00:39:58Richard !
00:40:28Sous-tit final
00:40:31L ....
00:40:36Sous-tit mon joyeuse
00:40:40leaves
00:40:42j'ai pas de raison
00:40:44engine
00:40:46les!
00:40:48J'ai rien ça !
00:40:50J'ai rien-partir !
00:40:52J'ai rien si je te donnerais !
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