- 2 days ago
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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people!
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot!
00:01:00Turn it over! Give me the other flat side, idiot!
00:01:02Come on, let's go!
00:01:04Oh, Jesus Christ!
00:01:06Come on!
00:01:13Good, back in it, back in it, back in it.
00:01:15That's a good dog.
00:01:17You're such a good dog.
00:01:28Good.
00:01:30Alright, that's fine.
00:01:32Good.
00:01:33Alright, that's fine.
00:01:34Hang on, man.
00:01:36Gotcha.
00:01:38Very much.
00:01:40Alright, that is great.
00:01:42I think he looks good, don't you?
00:01:56We're out of film.
00:01:57Alright, take five. We're reloading now.
00:01:59This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:15It's my dog. I trained that dog. I love this dog.
00:02:18And you are as dumb as the dog.
00:02:37Alright, is everybody ready? Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valari, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the women's press club.
00:03:48So, Melissa, what about those rumors?
00:03:50Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.
00:04:03And Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15Good morning.
00:04:16I'm so very happy to see all of you here this morning.
00:04:20When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:54Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:44And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:57All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:02Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:31Yes!
00:06:32I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:48Lord, Lord, I can't believe this.
00:06:49I mean, I can't believe it.
00:06:50I mean, God, this is beautiful.
00:06:51I mean, this woman could be the President of the United States.
00:06:52I got to see this again.
00:06:53This is history in the making.
00:06:54I mean, this is tape at its best.
00:06:55I got history right in front of me.
00:06:56I can't believe it.
00:06:57Let me rewind this.
00:06:58Let me see this again.
00:06:59Come on.
00:07:00Let's go, man.
00:07:01I will tell you, you should remain barefoot and pregnant.
00:07:06Well, ladies, all of this is going to be down to the top.
00:07:10And I can't believe it.
00:07:11I can't believe it.
00:07:12And I can't believe it.
00:07:13I can't believe it.
00:07:14I can't believe it.
00:07:15I can't believe it.
00:07:16I mean, this woman could be the President of the United States.
00:07:17I gotta see this again.
00:07:18This is history in the making.
00:07:19I mean, this is tape at its best.
00:07:20I got history right in front of me.
00:07:21I can't believe it.
00:07:22All of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on, come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking peace, ladies,
00:07:48I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the back of it.
00:08:01Just get it, honey.
00:08:02Come on.
00:08:04I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:22Thank you.
00:08:44C'est parti.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:44There's something about you that turns heads the other way.
00:09:49They all adore you.
00:09:51That's easy to see.
00:09:53They're all you love and love.
00:09:55But it won't be me.
00:09:57I can't see you with somebody else.
00:10:13I've got to have you, darling, now.
00:10:18Hold me and nobody else.
00:10:23I'm going to make you love me.
00:10:25I'll hold you through the dark.
00:10:28I'm going to make you love me.
00:10:58Oh, yeah.
00:11:12Good morning, ladies.
00:11:13And welcome to a man's world.
00:11:15Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:31God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say,
00:11:52Men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down,
00:12:11and it's still going to be a manhole in the eyes of God,
00:12:13in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:22You have a lot to learn, Emmanuel.
00:12:24And one Richard Tate
00:12:27is going to teach you, darling.
00:12:50Okora Hotel.
00:12:51Yes, Miss Emmanuel Griffith, please.
00:12:53May I say who's calling?
00:12:55Ah, yes.
00:12:56Tell her that our studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:14I'll be down in a minute.
00:13:15Ok, thank you.
00:13:23I'll be right back.
00:13:50C'est parti.
00:14:20Hey, buddy.
00:14:31I smell some gas back here.
00:14:36Hey, guy.
00:14:37You got a leak or something?
00:14:45Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:57Open my window.
00:14:59What are you doing?
00:15:20What are you doing?
00:15:23What are you doing?
00:15:25What are you doing?
00:15:27Let's go.
00:15:33C'est parti.
00:16:03Don't worry, baby.
00:16:13I'm here to help you.
00:16:16Everything's gonna be just fine.
00:16:33I'm here to help you.
00:17:03Hello?
00:17:11What's going on?
00:17:12Where am I?
00:17:23Why do you ask?
00:17:24Who the fuck are you and why am I here?
00:17:30I don't like women who use profanity.
00:17:34You don't?
00:17:35No.
00:17:36Well, then you just tell me a few things.
00:17:43What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:48You'll find out, Manny.
00:17:52What the fuck are you going on?
00:17:59I don't know.
00:17:59I don't know.
00:18:00I don't know.
00:18:00I don't know.
00:18:01I don't know.
00:18:02I don't know.
00:18:03I don't know.
00:18:04Sous-titrage Société Radio-Canada
00:18:34...or I'm going to see that you go to jail for the rest of your life.
00:18:39Well, if you haven't already figured it out, you're the one that's in jail.
00:18:44And for how long depends entirely on you, my pretty.
00:18:50Well, let's not talk about depressing issues.
00:18:52Let's move ahead into a bright new future.
00:18:55Now, it's lesson time, sweetheart.
00:18:57So pay attention.
00:18:59I think you're going to enjoy this.
00:19:01This is something very close to your heart.
00:19:04They'll tell you that there's no sexual harassment in the workplace.
00:19:09And some of them, ladies,
00:19:11some of them will tell you you should remain barefoot and pregnant.
00:19:17I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play for you again and watch the smile that crosses your face just after you say the line.
00:19:28It was great.
00:19:29You were in charge then, and wasn't it one of them?
00:19:37Good morning, ladies, and welcome to a man's world.
00:19:41You know what?
00:19:42I think we're going to have to rethink that dumb speech of yours, but don't worry.
00:19:47I mean, we're going to tell you anything that they want you to hear.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:56But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:06But don't worry.
00:20:07It's going to be okay.
00:20:08We're going to make it out just fine.
00:20:10Now, what would you like for lunch?
00:20:18Nothing.
00:20:20I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it, I'll bring you anything you need.
00:20:35Leave it dirty, Emmanuel.
00:20:40Leave it dirty, Emmanuel.
00:21:10Leave it dirty, Emmanuel.
00:21:12Yeah.
00:21:13Leave it dirty, Emmanuel.
00:21:14Leave it dirty, Emmanuel.
00:21:15Leave it dirty, Emmanuel.
00:21:16Let me just follow you around.
00:21:26All right.
00:21:27Give it a shot, baby.
00:21:31Help me!
00:21:35Can somebody help me?
00:21:37Save your breath, sweetheart.
00:21:42You'll need it later.
00:21:44You can't get out of it.
00:21:45No one can hear you.
00:21:46I'm in charge now.
00:21:47The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:21:55I need an exam.
00:22:03Hey, mister!
00:22:04Mister!
00:22:07Hey, asshole!
00:22:08You know your fucking TV set isn't working!
00:22:17It ain't working!
00:22:26Aren't there any other assholes that live in this area?
00:22:29Are you deaf?
00:22:32Are you deaf?
00:22:34I can hear this fucking buzzer!
00:22:37Where the fuck are you?
00:22:40Fucking jerk!
00:22:43Are you deaf?
00:22:46Hello?
00:22:47Hello?
00:22:48Hello?
00:22:49This is your friendly chef.
00:23:04Hello?
00:23:07Hello, this is your friendly chef. How may I be of service?
00:23:24I'd like something to eat.
00:23:28Well, I tell you, that sounds reasonable.
00:23:31All you have to do is use the word please.
00:23:36Please.
00:23:36Well, how do you like that, sweet cakes?
00:23:41You're finally making some progress and it hasn't even been 24 hours.
00:23:47Breakfast is served in 30 minutes.
00:24:03Breakfast in bed.
00:24:04We're the only lady in the house.
00:24:16Not bad, huh? I make my bernet sauce with a little brandy.
00:24:21I'm impressed.
00:24:22Well, thank you. I studied with a great chef at the Waldorf Astoria in New York.
00:24:28Lovely.
00:24:29Well, thank you once again. My specialty is pastry.
00:24:32Wow. Now I want to know who you are and why I'm here.
00:24:39Well, my dear, you already know why you're here.
00:24:43That's to give you time and instruction until you get your pretty little head straightened out.
00:24:47As for me, I am your chef and host.
00:24:50And in due time, if you're really nice and kind, I may even be your lover.
00:24:57You should live so fucking long.
00:25:03I told you that I don't like that kind of language from a woman.
00:25:06I don't want to have to say it again.
00:25:07What's your name?
00:25:15My name is Richard.
00:25:17Hello, Richard.
00:25:20What did they call you in school?
00:25:24Did they call you Ricky?
00:25:27Did they call you Dickie?
00:25:29Or did they just call you Dick?
00:25:59Oh, God.
00:26:25Oh, God.
00:26:26Oh, God.
00:26:27Oh, God.
00:26:28Help.
00:26:34Richard.
00:26:38Help.
00:26:52You're about as dumb as a boxer at rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:57Please help me.
00:27:00Honey, you just said a magic word, please.
00:27:03My neckline is caught on something here at the waist.
00:27:05I can't pull back out.
00:27:07Oh.
00:27:07Well, that's no problem.
00:27:08Well, that's no problem.
00:27:09Well, that's no problem.
00:27:10Well, that's obvious, but now I can't get back out.
00:27:13Well, I'll tell you what, let me check out the situation.
00:27:15I can't do it.
00:27:16I can't do it.
00:27:21I can't do it.
00:27:21I can't do it.
00:27:22I mean, I'm not sure you got that
00:27:23What that reaction you got in there here.
00:27:24Well that's obvious
00:27:24But now I can't get back out.
00:27:24OK, well I'll tell you what, let me check out the situation.
00:27:27Let me check this out.
00:27:27I can't do it in the stomach, but I can do it in the stomach.
00:27:27Let me check this out, okay?
00:27:30Okay?
00:27:31All right, I'm checking it out.
00:27:33You know, the only thing I can figure
00:27:35is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:42Well, I'll tell you what,
00:27:42I can take this thing off its hinges
00:27:44and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:52That's better.
00:27:53You know what?
00:27:54You're starting to get to me.
00:27:55The possibility exists
00:27:58is that you may even be getting better.
00:28:02But I doubt it.
00:28:06I don't believe this.
00:28:12Children.
00:28:16Healing with children.
00:28:17Oh, this is that fake butter.
00:28:27I hate this shit, don't you?
00:28:32All right.
00:28:34All right, this is the gold
00:28:36we have been searching for.
00:28:39I see a touch of you, babe.
00:28:54Come on.
00:28:54Come on, honey.
00:28:56Come to daddy.
00:28:57That's it.
00:28:57That's better.
00:28:58That, oops.
00:28:59Not enough.
00:29:00Just get the magi...
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:05Let me strike a close-up
00:29:07on
00:29:08the magic spot.
00:29:11Okay.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:17Yeah, no, I want to go someplace
00:29:30where I can totally be lost.
00:29:32But at the same time,
00:29:33if I wish to escape into some excitement,
00:29:36it's nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:45Of course.
00:29:47I like the ocean.
00:29:49But it has to be more than that.
00:29:52I want something that oozes love.
00:29:56Oh, oozes?
00:29:58I beg your pardon?
00:30:00Oh, excuse me, oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the people in the travel business
00:30:11might call me Mr. T
00:30:12because T stands for travel, of course.
00:30:15I know you've come to the right place.
00:30:17Oh.
00:30:17What I'm about to show you, young man,
00:30:19is splendor in the sand.
00:30:24Oh!
00:30:25Hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This is Antigua, the island of beaches.
00:30:35Five years ago, very dear.
00:30:39Well, close, intimate.
00:30:40But a friend of mine and I spent five glorious days there.
00:30:45It was magnificent.
00:30:47I'll never forget it.
00:30:47We lay on the beach and write love poems to each other
00:30:51and put him in a seal.
00:30:54And empty orange juice,
00:30:57bondlonite, and under this rock.
00:30:59Look, this is the very rock.
00:31:01And the nights,
00:31:02don't ask, the nights were magical.
00:31:06The wind, the people, the island, the beaches,
00:31:12the love poems.
00:31:15And then when the mood struck us,
00:31:18which was quite often,
00:31:19we would adjourn to our magical suite.
00:31:24Yeah.
00:31:26This is the actual suite.
00:31:29Just between us.
00:31:31We did it everywhere.
00:31:34Upstairs, downstairs,
00:31:36in my lady's chamber, so to speak.
00:31:40It was magnificent.
00:31:43I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:58Your wife?
00:32:00Mm-hmm.
00:32:00Oh.
00:32:01Of course.
00:32:02Sorry.
00:32:02No harm done.
00:32:05Now, you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said,
00:32:13I want a first class all the way.
00:32:14I'll take the beach,
00:32:14I'll take the sand,
00:32:15I'll take the nightlife,
00:32:16but I definitely do not want that wrong.
00:32:19Oh.
00:32:19Hello, this is Dick.
00:32:32Hello.
00:32:37This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard,
00:32:41I have nothing against you
00:32:45Please let me go
00:32:48Not until your act is together, my darling
00:32:50Okay
00:32:52You're right, I'm sorry
00:32:55Let me explain something to you, darling
00:32:58Okay?
00:32:59I kidnapped you
00:33:00I kidnapped you, you know what that means?
00:33:03The FBI is involved with this
00:33:05As we speak even here
00:33:06And I'm not going to let you out
00:33:09Until you get your head straight
00:33:10And that, my love
00:33:12Is quite up to you
00:33:14Look, Richard
00:33:16I have nothing against you
00:33:19Please let me go
00:33:21Not until you get your act together
00:33:24I know
00:33:26You're right, I'm sorry
00:33:28Not only do I hate women
00:33:31Who use foul words
00:33:32But I hate women who lie
00:33:34Good night, sweetheart
00:33:36Oh, no!
00:33:39Richard!
00:33:40Richard, come back
00:33:42Oh, please, don't go away
00:33:45Oh, please, you've got to come back
00:33:49You've got to talk to me, Richard, please
00:33:53Oh, God
00:33:55Oh, God, no, God
00:33:59Please, Richard
00:34:05Please
00:34:08Yes, my darling
00:34:12I can hear you
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard
00:34:19I have money
00:34:21I have a lot of money
00:34:25I don't need new money
00:34:27What do you want, then?
00:34:30I want you to be a nice little girl
00:34:32I want you to be nice to the men who support you
00:34:36I want you to be barefoot and not pregnant
00:34:39I hate kids
00:34:40Look
00:34:43I will do whatever you want
00:34:48I have got to get out of here
00:34:52I am going crazy in here
00:34:54Okay
00:34:55Take off the towel
00:34:57I want to see you
00:35:00You can see me?
00:35:08You've been watching me?
00:35:10Just relax, baby
00:35:11How do I turn off this fucking thing?
00:35:16It's locked
00:35:17I control it from here
00:35:18Just relax, okay?
00:35:21What is it?
00:35:22Is it a peephole?
00:35:23Dick, you prick
00:35:24Oh, no, not a peephole
00:35:27Not for Dickie Boy
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it
00:35:38And I will find it
00:35:41I am going to smash the shit out of it
00:35:45Don't even give it a thought, baby
00:35:46You'll never find it
00:35:48Never
00:35:48You bastard
00:35:49You sick son of a bitch
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention
00:35:56I'm the guy with the key to your mind
00:35:59God, I hate you
00:36:01You are the lowest of the low
00:36:03You listen to me, Dickie Boy
00:36:07When I get out of here
00:36:09You are dead meat
00:36:11Don't do it, don't do it
00:36:15That was a bad idea, baby
00:36:23You best plug that back in
00:36:26Fuck you
00:36:28Good night, sweetheart
00:36:32Oh, this is just perfect
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough
00:36:44And you can't take it
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something
00:36:50I'm still going to find it
00:36:52And when I find it
00:36:54You can watch yourself
00:36:55For the rest of your fucking life
00:36:57Ah!
00:37:16Sous-titrage Société Radio-Canada
00:37:46Sous-titrage MFP.
00:38:16Sous-titrage MFP.
00:38:46While you were flying in first class from New York, I found the last person to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel, helped her out to the phony limo.
00:39:01Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick and go out and do some more business together.
00:39:12I can have her here on Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Cut.
00:39:19Hello?
00:39:45I have no water in here.
00:39:52What's going on?
00:39:55Richard, I have no water.
00:39:58How many ways do I love you?
00:40:09I'm gonna show you now.
00:40:13I'll buy you nice little things and a big diamond ring.
00:40:18You said that you didn't love me, honey.
00:40:28Honey, I got class and style.
00:40:32I'll make sure we're together.
00:40:36This stormy weather.
00:40:38Mile after mile after mile.
00:40:41Yeah, how many ways do I love you?
00:40:47Let me tell the world.
00:40:50Let me tell them all.
00:40:53I'll buy you a rainbow.
00:40:55I'll buy you the moon.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the size of the hall.
00:41:04Throw in the slaves and all.
00:41:07You'll be the queen of the fall.
00:41:22The gown is $600 and $25.
00:41:25However, if you wish to purchase the undergarments we discussed,
00:41:28I'm sure we can come to some kind of agreement for a discount.
00:41:32Let's say, um, 5%.
00:41:35Well, that sounds okay.
00:41:37I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:41I'm sorry, sir.
00:41:42But we don't model underwear.
00:41:45Why not?
00:41:47Company policy.
00:41:48Who said what company?
00:41:49This company.
00:41:50You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why'd you come and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:58Sir, this is a respectable establishment.
00:42:04Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:13I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:20Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh...
00:42:25Oh, let's see, a 10% discount seems, uh, pretty respectable to me.
00:42:33Don't you think?
00:42:34No.
00:42:51Oh, hell, man.
00:42:55Sous-titrage Société Radio-Canada
00:43:25Sous-titrage Société Radio-Canada
00:43:55Sous-titrage Société Radio-Canada
00:44:25Sous-titrage Société Radio-Canada
00:44:55Sous-titrage Société Radio-Canada
00:45:55God, you are persistent.
00:46:09Sous-titrage Société Radio-Canada
00:46:15Sous-titrage Société Radio-Canada
00:46:45C'est parti, Richard.
00:47:15We'll do it your way.
00:47:17Now, you see there, sweetheart?
00:47:31You've already started to learn something.
00:47:35Don't bite the hand that feeds you.
00:47:37And don't unplug the TV set.
00:47:41Soon you'll have running water.
00:47:43And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:49God, I love you, Matty.
00:47:51I love you with my heart and soul and I would do anything for you.
00:47:55But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:13Here's looking at you, baby.
00:48:19It's wonderful.
00:48:21Why don't you try the steak?
00:48:25It's great.
00:48:27I'd like to see what you think.
00:48:34It's very good.
00:48:37Later I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:43The secret is, though, that I used two egg yolks in the sauce at the end.
00:48:47It makes it smoother.
00:48:49It's very smooth.
00:48:51Look, Richard, can we talk?
00:48:54Of course we can.
00:48:56That's what I'm here for.
00:48:58That's good.
00:49:00I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:05That's quite up to you.
00:49:07You know that by now.
00:49:09Why don't you pour yourself some more wine, okay?
00:49:14You know, tonight I'm going to be the designated driver.
00:49:18Are we going out?
00:49:20No, no.
00:49:22I can't trust you to go any place.
00:49:24No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:27I love the word behave.
00:49:29Yes, I do.
00:49:30I mean, when you learn to apply that, it'd be better for both of us.
00:49:33I have learned that.
00:49:35Really, I have.
00:49:36Well, here's this toast.
00:49:39Okay?
00:49:40Oh, it's just a little lower.
00:49:49Tell me this.
00:49:51What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:12Manny.
00:50:13Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:31You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:47Oh, I got you back on now.
00:51:04So, after that, I invented this crazy thing that helps idiots program their VCRs, and I made a fortune.
00:51:17You're very smart.
00:51:18Oh.
00:51:19No.
00:51:20Just lucky.
00:51:22What about you?
00:51:23I mean, how'd you get into your crazy business?
00:51:27That was funny.
00:51:28I went to New York to become an actress.
00:51:35I was 19.
00:51:37What a joke.
00:51:39So, what happened?
00:51:41I found out I was no actress.
00:51:43Then what?
00:51:45My mom needed money.
00:51:47I didn't know how to do anything.
00:51:49Cheers.
00:51:51I'm not ashamed.
00:51:54It was in all this.
00:51:56I didn't know how to do anything.
00:51:58I didn't know how to do anything.
00:52:01Cheers.
00:52:03I'm not ashamed.
00:52:05It was in all the papers.
00:52:09What?
00:52:11I did nude dancing at a Times Square bar.
00:52:17Well, I mean, how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:30I got off on guys watching me.
00:52:33It was a turn on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:58Well, men just take advantage.
00:53:01Oh.
00:53:05So, when you're stuck naked in front of those good old boys.
00:53:09I mean, who has the advantage then?
00:53:12Take advantage then.
00:53:22Why don't you play me some music?
00:53:27I want to dance for you.
00:53:28I want to dance for you.
00:53:29I want to dance for you.
00:53:32Ah.
00:53:33You're the only singlemann ever.
00:53:34Ah.
00:53:36I want to dance for you.
00:53:38What are you doing?
00:53:40I want to dance for you.
00:53:41What do you do?
00:53:42You're the only one that heard me.
00:53:43I want to dance for you.
00:53:45I want to dance.
00:53:48I want to dance for you.
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