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The Buccaneers Season 2 Episode 7

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00:00New York is in New York without you, love.
00:10Too few of our old crew left on Aster.
00:17So if I trade out for some Hollywood,
00:24we're the only other sucker in the city.
00:27Your Grace, will your natural mother be making an appearance?
00:38I can't believe it's something you've died.
00:41I can't believe it's something you've died.
00:43I can't believe it's something you've died.
00:44I can't believe it's something you've died.
00:53Mrs. Patricia St. George, would you state for the court
00:57the grounds on which you are petitioning for divorce?
01:01Adultery.
01:02The court may well wonder why.
01:07After 22 years of seemingly happy and profitable marriage,
01:12you're bringing this petition now.
01:15May I ask what's changed?
01:17In my marriage, nothing.
01:19My husband has been a philanderer since the day we met,
01:22and his infidelity continued before the wedding,
01:24after it, and...
01:27I can only imagine to this very day.
01:28Objection, Your Honor.
01:31Surely not to this very day.
01:36So why now, Mrs. St. George?
01:39Because I've had enough, finally,
01:42of being disregarded and lied to.
01:45I also have two daughters,
01:48and I believe standing up to their father
01:50sends a message to my girls
01:52that they should never allow any man
01:55to undervalue them the way their father has me.
02:00And, Mr. Summers, I'm loathe to sound grand,
02:04but I am also here today
02:05for every woman in America
02:07who questions whether she has the strength to break free.
02:12The court will be aware
02:14that the respondent,
02:16uh, Colonel?
02:18Colonel Tracey St. George
02:21has been the subject of press attention this last year.
02:26That his infidelity has...
02:28That his infidelity has been widely reported
02:38by newspapers on both sides of the Atlantic.
02:41A reminder, Mr. Summers,
02:43that in the state of New York,
02:44the only way a claimant can be granted a divorce
02:47is by providing proof of adultery.
02:51In the court of law,
02:53journalism is no substitute for hard evidence.
02:58We will now take a short recess.
03:00All rise.
03:05We will now take a short break from the CDs.
03:08Please be advised,
03:09you must be not finished.
03:10We will now take a short break from the CDs.
03:19We will now...
03:19...
03:20...
03:21...
03:23Shake, shake, shake.
03:30Oh, I don't know, I don't know a way to begin.
03:34North American. We are North Americans. And for those of you who still think we're from England, we're not. No. You see, I love this place that I have grown to know. All right, North America. And yeah, I know you wouldn't touch us with a 10-foot pole.
03:55Cause we're North American. Yeah, yeah, yeah. We are North American. Yeah, yeah, yeah. Peek-a-boo. Peek-a-boo.
04:25There he is!
04:31Should we look for some dance moves and make a chair?
04:35What's that? What is that?
04:39Good, Mrs.
04:40We're home now, darling.
04:55Yeah, it's funny, isn't it?
05:03Let's get you properly dressed for the boat's lake, yes?
05:05You're back. How are you? How are you doing? Can I get either of you anything?
05:13Here are your mittens. Here they are. Oh, Minnie. You were getting so big.
05:19Six weeks since the funeral. She hasn't cried. She can't even look at me. We all love you.
05:30Including her.
05:32Conchita. Lord and Lady Bembridge are here to pay their respects.
05:37Minnie and I are busy.
05:38Oh, what is it today? Dancing? Hopscotch?
05:41No, but those are both good thoughts for tomorrow.
05:45Tell me she doesn't realize tomorrow's the memorial.
05:47Tell me she doesn't realize tomorrow's the memorial.
05:51Yes, she does.
05:52Well, both she and the child must be in black.
05:56Good luck.
06:24Hi, my girl.
06:27Hi.
06:28I'm so, so sorry I'm late.
06:30But why are you here?
06:31I told you.
06:32I begged you not to come.
06:34I could not have missed this.
06:36Darling, how's Ginny?
06:38Safe.
06:39And Freddie's settled.
06:41Now that Seton's behind bars, she can breathe.
06:44Everyone can.
06:45And my poor Conchita?
06:47It's doing astonishing.
06:50On the outside, she's living for Minnie.
06:53What the lawyers said in there seems hopeful.
06:56They hardly ever get women to testify.
06:58But the amount of girls who have reached out to me
07:00since they started covering the case,
07:01there's any number of women who have stories
07:03about your father.
07:06And two of them have agreed to take the stand,
07:08so we have a real shot.
07:11Patty, they're asking for you.
07:17Well, what a surprise.
07:21I see congratulations are in order.
07:23Mrs. St. George, do you consider yourself to be a good wife?
07:42I have done my best to create a happy household.
07:47And your greatest achievement?
07:49Raising two wonderful daughters.
07:52Oh.
07:53You raised them.
07:54Alone?
07:55Tracy came home for dinner occasionally.
07:59So, tell me, Mrs. St. George, which of the lessons that you alone
08:10drilled into your children recently inspired your eldest daughter to flee her home,
08:18deprive her husband of his son, lose all track of that son for over a week,
08:24publicly assault her husband to such a degree that she was committed to a mental facility
08:31and now sees her raising a baby alone in London with no income
08:37and her husband incarcerated for murder.
08:42Virginia's husband hurt her. He beat her.
08:44Lord Seaton, Your Honor, a man of previously impeccable public standing
08:49who, following his wedding to the St. George girl, was driven in anger to shoot dead his brother.
08:57How fortunate Colonel St. George has no brother of his own.
09:07What about your husband, Mrs. St. George?
09:11The wife has a duty to honor the man she married.
09:16Your husband provided an extraordinary home in a very nice neighborhood.
09:19Did you ensure his needs were met?
09:27Your intimate life together.
09:30Was it satisfying?
09:32That is none of your concern.
09:35Mr. St. George, the detail of your husband's intimacies
09:40is exactly what you have brought us here to ascertain.
09:43We were intimate.
09:50And your husband, you claim, was so insatiable,
09:56he also had to seek comfort elsewhere.
10:01So, I imagine the intimacy between the two of you
10:05was always initiated by him.
10:13Mr. St. George, a reminder you're under oath.
10:18While you believed your husband to be sleeping with numerous other women,
10:25who generally initiated the regular marital relations?
10:36Who was it?
10:37Me, I did.
10:47Not always, but often.
10:50In order to keep my husband coming home, I initiated it.
10:55And what might have been a typical first move?
11:03Just as an example, Mrs. St. George, what was in your arsenal?
11:12A tender hand, perhaps?
11:16A whispered word?
11:27I would sit on his lap.
11:28No further questions, Your Honor.
11:45The petitioner calls the first witness.
11:58The petitioner calls the second witness.
11:59The petitioner calls the second witness.
12:00Mr. Summers, is there a problem?
12:02Mr. Summers, is there a problem?
12:28Um, Your Honor, it appears our two witnesses who had agreed to give testimony no longer
12:38wish to testify.
12:40They're reluctant to subject themselves to the base questioning of Colonel St. George's
12:44representatives.
12:45So, not one of the women who Mrs. St. George claims was intimate with her husband is prepared
12:52to give evidence?
12:53No, Your Honor.
12:55No.
12:56Drinks.
13:12Nan.
13:14Patty.
13:17Now, in my family, when someone's had an awful day, that calls for pie. And I'd like
13:27to announce that the pie is the size of a small field. I'm hoping 20 other people might drop
13:33by to help eat it.
13:34Arthur walked six blocks to buy his dessert.
13:37It's the only way I can help.
13:40Nan, this is Nell's new husband, Arthur.
13:43I've tied myself in knots trying to decide if I ought to bow, curtsy.
13:49I could pretend to know nothing about you, but I confess to having heard every detail.
13:59And I promise I won't tell Ginny that you're Nell's favorite niece.
14:05Nell and I spent the entire crossing talking and laughing with each other, paying no mind
14:10to any other passengers.
14:12And then when we got off the boat, Arthur helped her with her bag and they laughed about his
14:17hat and, well, that was it.
14:19It was a very unflattering hat.
14:21You know, I never knew who my natural mother was.
14:28I heard she passed.
14:30I'm so sorry.
14:31I haven't really felt her loss up until now.
14:34But surely if she was here, she'd give some evidence.
14:41Right?
14:44I believe we should go open another bottle.
14:50It's going to be a big room with lots of pretty flowers in it.
15:02And a lot of people are going to be saying really nice things about Daddy.
15:07Will that be fun?
15:08So just this once, we're going to wear dark colors.
15:11But in our minds, we'll be thinking about wearing pink or red and just...
15:18feeding the ducks or watching the horses in the street.
15:23You know, a lot of people might be feeling or looking very sad tomorrow.
15:28But what makes us feel happy, huh?
15:31We like to dance.
15:33We like to wave, huh?
15:36We like to wiggle.
15:39So we'll just pretend that we're somewhere else.
15:42And we'll wave our fingers at each other and pretend that we're far away.
15:46And that's how we know that we're happy inside.
15:49And that's how we know that we're happy inside.
15:53Aah!
16:03Has Nan said anything else?
16:05Not yet...
16:08Do you think she will?
16:10Let's just get this trial over with.
16:12Let's get it done.
16:15You know, if it helps, I will take the stand, you know, I will.
16:21And have Arthur hear all of it.
16:24Absolutely not, no.
16:26But not Patty.
16:27Eleanor, you have a baby on the way, and that must come first.
16:37Good night.
16:38Good night.
16:45Is Eleanor with her mother?
17:04Always.
17:05Of course, her mother is the only person in her family to have suffered a tragedy.
17:10I wish Eleanor could get away.
17:15How are you?
17:37We're managing, Ginny, Conchita.
17:42But how are you?
17:45Same as I was.
17:50You?
17:53I'm the same too.
18:02Lady Anoria, you know France is still there, should it be required, the school would be
18:19delighted to have you.
18:21There's no chance of that now, but thank you.
18:25Excuse me.
18:26Well, Grace, you came.
18:35Of course.
18:36May you never know the pain of losing a son.
18:40Two sons.
18:43One lost, one misplaced.
18:49Unimaginable.
18:51You're up early.
19:20I couldn't sleep.
19:23Nor could I.
19:27Mother, I know we haven't spoken about the day that you and Nell left after my wedding,
19:35and I've been thinking...
19:37This is a conversation we will have.
19:40We will, I promise.
19:43After this wretched trial is over...
19:46Wouldn't it change things?
19:48They need evidence, and if my natural mother were here, if she weren't dead...
19:54Then...
19:55Don't, please.
19:56But she might help.
19:58You saw what happened yesterday.
20:05No one should have to be put through that.
20:10And I've made a million mistakes.
20:13I am so sorry.
20:15And those mistakes will end.
20:17They will.
20:18But until then...
20:23Your natural mother is unavailable.
20:28Then I'll testify.
20:39Oh, Annabelle.
20:41They don't need another reason to write about you.
20:44I begged you to not even come.
20:46But aren't I living proof?
20:48And being the most famous illegitimate in New York has to have some benefits.
20:52I have nothing to hide.
20:54I will do it happily.
20:58There's nobody else.
20:59There he is.
21:21Hello.
21:24Now, Romeo, after today, might we start making plans for...
21:28happier events?
21:34I'm afraid I ought to be honest with you.
21:37It's unlikely that the wedding will be rescheduled.
21:40Oh, Hector.
21:41I know.
21:43Unlike me.
21:44To lose a fight.
21:46I'd so hope it was a temporary impediment.
21:49No, no.
21:50Impediments I can overcome.
21:52But the simple fact of the matter is...
21:55Bizarre as it may seem.
21:57Has Lizzie just changed her mind?
21:59No other impediment.
22:03She's here.
22:04I'll just be in here, okay?
22:05I'll just be in here, okay?
22:06I'll just be in here, okay?
22:07I'll just be in here, okay?
22:08I'll just be in here, okay?
22:09I'll just be in here, okay?
22:13Hello.
22:14Let me show you.
22:15Hello.
22:16Let me show you.
22:17My lords, ladies and gentlemen.
22:18Welcome to Barton House School.
22:19Today we can be in here.
22:20I'll just be in here, okay?
22:21Hello.
22:22Let me show you.
22:23My lords, ladies and gentlemen.
22:24Welcome to Barton House School.
22:26Today we gather to celebrate and honour the life of an alumni of the school, Lord Richard Marable.
22:39Ah, little Nan.
22:40Well, I guess, uh, not so little anymore.
22:42Ladies and gentlemen, welcome to Barton House School.
22:46Today we gather to celebrate and honor the life of an alumni of the school, Lord Richard Marable.
23:01Ah, little Nan.
23:05Well, I guess, uh, not so little anymore.
23:09Oh, I couldn't move in the bar last night for folks telling me how grand you looked.
23:14And how English.
23:19How's your Duke treating you?
23:23Oh, that well, huh?
23:29And your sister?
23:31She wanted to come.
23:33For Mother.
23:35Of course.
23:38Nan, I...
23:39I want you to understand that all this, this circus, I never wanted any of it.
23:47I just want things to go back to normal.
23:49For your mother to love me, for my girls to be able to look me in the eye.
23:56That's all I ever wanted.
23:57Anyway.
24:05Look, I...
24:06I understand.
24:08Nan.
24:10I understand why you have to do this for your mother.
24:12I am truly sorry, Dad.
24:30I never wanted any of this, kid.
24:32It will surely be of comfort to Lord Brittlesea's family that he is honored in this his alma mater.
24:53Deus animum ad calum revu cavit.
25:03God called him home to heaven.
25:05And now, a moment for silent prayer.
25:09Stay away, you...
25:25I'm sorry.
25:26Conchita.
25:28It's no surprise you've raised a child who expects constant attention.
25:31But I'd expect one of you at least to understand how to mourn.
25:35How dare you tell me or my daughter or anyone how to grieve?
25:39How dare you?
25:41I'm sorry.
25:44You know, Richard would have hated this.
25:47And don't tell me what a comfort it is.
25:49There is no comfort.
25:50Dickie's life was not some ugly plaque in a building he loathed.
25:58Our daughter is his memorial.
26:01And I will make sure to tell Minnie every day that her father was a breathtaking, big-hearted, titan of a man.
26:09Who, one summer in New York, spent all night till dawn dancing, semi-naked, on a bandstand.
26:24And also, God did not call Richard back home to heaven.
26:32No kind of God did this.
26:39Okay, Minnie.
26:49Minnie, you're right, of course.
26:51It wasn't God that did this to Dick.
26:54So, who was it?
26:56Who do you blame?
26:58You want to have this conversation?
26:59Yes.
27:00Yes, yes, I do.
27:01Because I can't stand it anymore.
27:03You can't stand it.
27:05Well, I'm very sorry to hear that.
27:06Do you want to know why I can't look at you?
27:10Because I blame you.
27:11How could I not?
27:13No, I don't blame you like the papers do.
27:16I don't think that you running to Italy made your husband pick up a gun.
27:20I blame you because every time I look at you, I'm reminded of what was stolen from me.
27:24And I blame you for tiptoeing around me and smiling sadly at me and assuming that I must want to cry at me.
27:31God, why?
27:32Why does the world want me to cry?
27:35I blame you.
27:36I blame you for treating me like a widow and that's the last thing in the world that I want to be.
27:46Ari, I love you.
27:51I love you so much, Kachina.
27:53Stop.
27:54I will be here waiting every day until you're ready.
28:11The petitioner calls the Duchess of Tintagel.
28:15New Grace, how's your relationship with your father?
28:32Well, growing up, he was my hero.
28:35He made us laugh.
28:37He bought us gifts.
28:38And now, what do you feel about him now?
28:42Shame?
28:47You don't understand your parents or their relationship until you're an adult yourself and I can now clearly see how he treats my mother.
28:54He says he adores her.
28:56But if you were to ask what he loves about her, it's the way she looks.
28:59It's how people talk about her.
29:01He loves to show her off.
29:03My mother is the one who raised me and my blameless, fearless sister.
29:07And in the face of his regular infidelities, she responded with nothing but love and kindness, shielding us from the numerous encounters he had with other women.
29:18Which went on my whole life, including with the woman who gave birth to me.
29:23Uh, your grace, just to be clear, we've all heard the rumors, but...
29:30Well, let me confirm them.
29:32I know for a fact my father has been unfaithful because I am a product of one of his affairs.
29:39No further questions, Your Honor.
29:41Your Highness, Your Grace, Your Duchessness, is that it?
29:53So I read that over in England, you're a pretty big deal.
29:58I am a Duchess, if that's what you mean.
30:00Ought we to have found you a throne?
30:03A crown, perhaps?
30:06A little plate of cucumber sandwiches?
30:08That was a stirring speech you gave in praise of a woman who isn't actually your mother.
30:18But in this courthouse, we deal in the business of facts, actual evidence.
30:24So do you have anything factual to prove you're not the daughter of Patricia St. George?
30:32I mean, you two look a lot alike, don't you think?
30:34Yes.
30:38Do you have any proof she didn't give birth to you?
30:40She told me, as did my father.
30:43Pardon me, Duchess, uh, which one's your father?
30:48Colonel Tracy St. George is my father.
30:54You got any proof of that?
30:58I mean, we're only taking your word for all of this.
31:02Do you know who your natural mother is?
31:06You got a name.
31:16I wasn't given a name, no.
31:19Colonel St. George, do you know for a fact who this young woman's natural mother is?
31:25Were you there at her birth?
31:27Uh, no.
31:28No, I was not.
31:29In point of fact, can you say for certain who her natural father is?
31:40I cannot.
31:44No proof of paternity?
31:45No birth certificate?
31:47I know.
31:50No, they were destroyed.
31:56Then I'm not sure what relevance the Duchess has in this divorce case,
32:01or why we're wasting the court's time.
32:05Oh, shit.
32:36I couldn't stand the thought of you doing this alone, so I just wanted to be nearby as a friend.
33:06I couldn't stand the thought of you doing this alone, so I just wanted to be here.
33:36I couldn't stand the thought of you doing this alone, so I just wanted to be here.
34:06Oh, you're my, my, my, my.
34:14Telling you're my, my, my, my.
34:21Lover.
34:21Uh, okay.
34:23Well, I am just going to go in there and...
34:27Ask a question.
34:28Ask a question.
34:28Okay.
34:30Okay.
34:34Oh.
34:36Oh.
34:43Your mother will be so relieved we've looked everywhere for you.
35:00Am I right?
35:02Is it you?
35:04What my mother was trying to say before you left England?
35:08Your mother is resting on...
35:09This isn't about her.
35:13Arthur will be back from...
35:14Are you my mother?
35:15Well?
35:16Yes.
35:17Yes.
35:18I guess it's me.
35:19I'm your mother.
35:20It should be no surprise that you are a coward.
35:23You've stayed awake my whole life, not daring to come hear me.
35:25Well, I wanted to.
35:26I tried.
35:27I'm not interested in what you wanted.
35:28Why aren't you testifying?
35:29After everything my mother did for you...
35:30Taking me in, protecting you, allowing you to live your life unencumbered, and now you're
35:34just going to let her face all of this on her own.
35:35You're the only person, the one person in this whole world who can make a difference.
35:36How come you get off scot-free in all of this?
35:37How dare you?
35:38You don't know the first thing about me.
35:39I don't.
35:40No.
35:41I don't.
35:42No.
35:43No.
35:44I'm not interested in what you wanted.
35:45You're a coward.
35:46You've stayed awake my whole life, not daring to come hear me.
35:47I wanted to.
35:48I tried.
35:49I'm not interested in what you wanted.
35:50Why aren't you testifying?
35:51After everything my mother did for you, taking me in, protecting you, allowing you to live
35:53your life unencumbered, and now you're just going to let her face all of
35:55this on her own.
35:56How dare you?
35:57You don't know the first thing about me.
35:58I don't.
35:59You made sure of that.
36:00Where do you get off throwing about words like that?
36:01As if you know the first thing about the world.
36:02Growing up in your mansion, married to your duke, never feeling cold, or hungry, or
36:16unloved.
36:17You do not understand why.
36:18Why?
36:19Because you're so complicated?
36:21I have lived a hell of a lot longer and a lot harder than you, Annabelle.
36:25I promise you.
36:27My parents were a dead loss.
36:29My sister abandoned me.
36:31I was treated like a whore by my sister's husband, and after that by plenty of other
36:34people's husbands.
36:36And the only thing that I had any chance of getting unconditional love from, my baby,
36:41was taken from me and taught to hate me.
36:44Then, just as I got to an age where I thought it was completely impossible, I met a good
36:49man.
36:50Arthur loves me, and he's giving me a chance at what everybody else took for granted.
36:55Decades ago.
36:56A family.
36:57A life.
36:58And for your information, Patty has forbidden me from testifying.
37:04If I testify.
37:06Nan, if my name is out there, not only will Arthur leave me, but before it has even been
37:13born, my baby will be the child of a slut.
37:16And I cannot let that happen.
37:18Now that would be a new feeling for you, putting your baby first.
37:22What did you ever do for me?
37:28I kept you from being the child of a slut.
37:29I kept you from being the child of a slut.
37:35What is that?
37:36What is that?
37:37What is that?
37:38What is that?
37:39What is that?
37:40What is that?
37:41What is that?
37:42What is that?
37:43What is that?
37:44What is that?
37:45What is that?
37:46What's that?
37:52I don't know, I'm afraid of you.
37:56What is that?
38:00Hi.
38:01Hi.
38:02Hi. Hi, Freddie. I brought some cakes to say sorry to your mommy.
38:32I just had my first ever argument with my mother.
39:02Is it quite the achievement to have lost a father and gained a mother in the same day?
39:15I have always said you can do anything, and I'm proud of you. How do you feel?
39:23Different. The same. At least I'm getting some answers.
39:27Well, answers are good. They're always good. They're useful.
39:32Yes. They are useful.
39:39Useful like...
39:41plates.
39:44Plates.
39:45Plates.
39:46Is that the only useful thing you can think of?
39:48Plates are useful, they are. Otherwise, food would be all over your lap.
39:52Yes, that is right. I suppose plates are useful.
39:56All right then, useful like, uh...
39:58Hands.
40:01Hands are useful.
40:03Hands are useful.
40:07Did you just say that so you can hold my hand?
40:09Excuse me. Are you the Duchess?
40:11No. No, she gets that a lot.
40:13No. No. No. No. I'm also...
40:17She's far more miserable than I am.
40:19I am a much better dresser.
40:21I am a much better dresser.
40:22I am a much better dresser.
40:22Just to be outside these walls and here.
40:27It's the age it wants to come.
40:31And they hear you all.
40:47All well?
40:51I think there's something you should know.
41:10Come in.
41:14Ginny said you might be awake, and Minnie's downstairs putting toast on Freddie's head.
41:18Very adorable together.
41:20We're all family now.
41:24I just wanted to show you this.
41:28God, Anoria, that's hideous.
41:30It was Dick's.
41:31Oh!
41:32Oh!
41:33He was a little boy.
41:35And I thought Minnie might like to have it.
41:40I love him.
41:42I meant it.
41:45We're family now.
41:47You are Minnie's favourite aunt.
41:49Don't tell any of the other girls that.
41:51I won't.
41:53And you will always have this place as your home.
41:57But you have sisters now.
41:59And having sisters means that you don't have to manage mothers on your own.
42:03I don't promise to agree with her.
42:05Ever.
42:07But I will take care of her so you can live a little.
42:11Dick always wanted you to be free of this place.
42:15If he believed in anyone, he believed in you.
42:19Thank you, Conchita.
42:32I also found this.
42:33It's from Dick.
42:34The summer that he was in New York.
42:35I think you should read it.
42:39My dear Honoria.
42:40I have met the most extraordinary woman.
42:44Conchita Clausen is as different from anyone in our family as a circus is from a library.
42:59And I can only imagine you'd find her both mystifying and, to be honest, a little horrifying.
43:05I first met her at the Madison Square ballrooms.
43:08Her head was thrown back, laughing as if nothing in the world had ever been so funny.
43:12So unselfconscious.
43:13So unselfconscious.
43:14So fearless.
43:15Honoria.
43:16She makes me feel like the sun has risen.
43:17Conchita is luminous.
43:18When she dances, the world watches.
43:19And when she looks at me, it's as though I've run away.
43:21It's as though I've run away.
43:22And I can only imagine you'd find her both mystifying and, to be honest, a little horrifying.
43:25I first met her at the Madison Square ballrooms.
43:26Her head was thrown back, laughing as if nothing in the world had ever been so funny.
43:29So unselfconscious.
43:30So fearless.
43:31Honoria.
43:32She makes me feel like the sun has risen.
43:35Conchita is luminous.
43:37When she dances, the world watches.
43:40When she looks at me, it's as though I've run down a mountain.
43:45I'm quite certain I will love Conchita my entire life.
43:50And if that life were to end tomorrow, well, I'd die delirious and uplifted.
43:57To have basked in her glorious and gentle light.
44:03To have held her hand.
44:09Do send my regards to the dogs.
44:12Love.
44:13Dick.
44:14Oh, I'd forget my head if it wasn't attached.
44:19Can you imagine if I'd have brought you up?
44:24Would we have had fights like that every night?
44:26Oh.
44:27Worse.
44:28It would have been a disaster.
44:29I don't know if I'd have ruined you or kicked you into shape.
44:36I wasn't ready to be the mother you deserved.
44:37I was just a girl.
44:43I can't explain why it hurt so much and so unexpectedly that you're having a baby.
44:50Is it because you have a human heart and soul?
44:57Finally ready.
44:58Oh.
44:59Is Arthur coming?
45:00He wasn't sure.
45:01He wasn't sure.
45:02He wasn't sure.
45:03He wasn't sure.
45:04He wasn't sure.
45:05He was sure.
45:06He wasn't sure.
45:07He was sure.
45:08He was sure.
45:09He was sure.
45:10He was sure.
45:11He was sure.
45:12He was so unexpectedly that you're having a baby.
45:13Is it because you have a human heart and soul?
45:18Finally ready.
45:22Oh.
45:23Is Arthur coming?
45:26He wasn't sure.
45:27He wasn't sure.
45:51I should have come before.
46:02But you were too busy with Reid Robinson?
46:06No.
46:07I was scared.
46:10I have a great many things to apologise for.
46:14And I know you'll never fully forgive me.
46:17You think just saying sorry is enough?
46:19Without your interference, Nan would have just disappeared with Guy before the wedding.
46:22And yes, my heart would have been broken, but I'd have been free for it to mend and love again.
46:27And now I love Lizzie Unsworth.
46:29Did you know that?
46:30And she loves me.
46:32Elizabeth?
46:33Hector's Elizabeth?
46:34No.
46:36My Elizabeth.
46:37My Lizzie.
46:39The woman I could have devoted my life to making happy if you hadn't stepped in the way.
46:42Why didn't you find him?
46:52Why didn't you go straight to Reid after Father died?
46:56Because by then I had another man.
47:03You.
47:04And you were all that mattered.
47:24I missed you.
47:31I missed you too.
47:32I missed you too.
48:02You know, I could make this whole thing go away, Paddy.
48:24We could both walk out of here and have this whole thing forgotten.
48:28You won't win.
48:34I may not be granted this divorce, but every time a woman rejects your advances,
48:40or a wife stands up for herself, or a mistress walks away, I will have won.
48:47Please be seated.
48:47As there is no further evidence to present, I will begin my...
48:53Your Honor, the petitioner would like to call a final witness.
48:57Let's do this.
49:09The police.
49:17Okay.
49:18You.
49:19I am Mrs. Eleanor Brooks, younger sister of Patty St. George.
49:41And I know her husband had affairs.
49:47Because I am Nan's natural mother.
49:49Order. Order in the court.
49:54I will have silence in this court room.
49:57Not only letters written and signed by Tracy outlining what we did.
50:06Also receipts, hotel checks.
50:10What else do you need?
50:19I will play Patty.
50:36Well played, Patty.
50:50Well played.
50:51Join forces, huh?
50:53Well, good for you.
50:54But don't any of you expect to get another dime for me, let alone seeing me.
50:58Well, we will endeavor to work through the pain.
51:06You are incredible.
51:16So what do you want to do now?
51:18Talk with you all night, perhaps.
51:21And then, please, I want to see Jenny.
51:23Of course.
51:24Oh, Skye!
51:28There you are.
51:30Take care of both my girls.
51:32Oh.
51:36I miss you to death.
51:42I miss you to death.
51:47The chemical imbalance, baby, ever since you love us.
51:52I, I, I, you know, I miss you to death.
51:57The chemical imbalance, baby, ever since you love us.
52:02I, I, you know, I miss you to death.
52:04Mm-mm, you know I miss you to death.
52:06Do you see about some tea?
52:34No.
52:37No, I can't. I'm sorry.
52:40Actually, no, I'm not sorry.
52:43I can't get to tea for you, Mother, because I'm going to France.
52:46Oh, don't be silly, Ignoria.
52:48I'm not being silly. I'm hardly ever silly.
52:50In fact, I think that might be the problem.
52:52Or at least one of them.
52:54I'd like to be silly and impetuous and brave,
52:58and more than anything in the world, I'd like for Richard to still be here.
53:01And I know that you want that too, and I am sorry about that.
53:04But what I'm not sorry for is wanting to live my life.
53:08I can't live my life saying sorry, Mother.
53:10I'd like to try being silly and impetuous and brave for a little while.
53:14Oh, good luck with that.
53:16I expect I'll see you in a few hours when you've got scared and changed your mind.
53:21I'm not going to change my mind.
53:23I'm not the same person that I used to be.
53:25And in the future, who knows, I might be an entirely different person.
53:28I might surprise you, Mother.
53:30Oh, Gloria, I don't believe you've ever surprised me in your life.
53:34Can I borrow you for a second?
53:50What's going on?
53:52What's going on?
53:56Oh, my God!
53:58Wait, did you know?
53:59Wait, Mabel, no, stop!
54:05I think I might get to France now.
54:08I'm so proud of you.
54:14Mabel!
54:15It's always been under your noses.
54:34Ah, that boat seemed to take an age.
54:36Do you think Freddie will be awake when we arrive?
54:39Oh, if he's asleep, I'm sure Jenny won't mind if I wake him.
54:42Well, if you don't, I will.
54:44Freddie would have grown.
54:46You'd grow so fast.
54:48You know, Jenny was the same.
54:59Oh, my gosh!
55:00They're here!
55:03Mom!
55:07Thank you!
55:08Thank you, Brenda!
55:10This is so funny.
55:11What did you do?
55:12Did you do your trick?
55:13I whipped it.
55:15Oh, no...
55:16I wee...
55:18Oh, no.
55:19This is-
55:20You did you-
55:21What did you do?
55:22We whipped it.
55:23I did it.
55:24Oh, no.
55:25Who's this oh this he's just been tearing the place up for the other one and it is so nice to have you back home
55:55Oh
56:15Nan
56:20This Paloma
56:22I'm guys wife
56:52I'm
56:54I'm
56:56I'm
56:58I'm
57:00I'm
57:02I'm
57:04I'm
57:06I'm
57:08I'm
57:10I'm
57:12I'm
57:14I'm
57:16I'm
57:18I'm
57:20I'm
57:22I'm
57:24I'm
57:26I'm
57:28I'm
57:30I'm

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