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Private Obsession (1995)
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5 months ago
Category
🦄
Creativity
Transcript
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00:00:00
Musique
00:00:30
Musique
00:00:32
Musique
00:00:34
Musique
00:00:36
Hey Randy, are you ready to get started?
00:00:38
I think you are.
00:00:40
We gotta make some art here, people.
00:00:42
Alright, let's go. Bring that light right here.
00:00:44
Down here.
00:00:46
Alright, that's not...
00:00:48
I need more light than that.
00:00:50
You're in the spot.
00:00:52
Okay.
00:00:54
Good boy.
00:00:56
Alright.
00:00:58
No, I told you, it's too hot.
00:01:00
Turn it over. Give me the other flat side, idiot.
00:01:02
Come on, let's go.
00:01:04
Come on. Oh, Jesus Christ.
00:01:06
Come on.
00:01:08
All right.
00:01:14
Good. Back in it. Back in it. Back in it.
00:01:16
That's a good dog.
00:01:18
Such a good dog.
00:01:28
Good. All right. That's fine.
00:01:30
That's a good dog.
00:01:32
Good. All right. That's fine.
00:01:34
That's a good dog.
00:01:36
Hang on, man.
00:01:38
Gotcha.
00:01:40
Very much.
00:01:42
All right. That is great.
00:01:48
I think he looks good, don't you?
00:02:02
Yeah, we're out of film. All right. Take five. We're reloading now.
00:02:06
This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:10
It's my dog. I trained that dog. I love this dog.
00:02:12
Then you are as dumb as the dog.
00:02:14
All right. Is everybody ready? Is your camera loaded? Yeah.
00:02:16
Are we all happy?
00:02:20
Yeah.
00:02:22
I'm happy.
00:02:24
I'm happy.
00:02:25
I'm happy.
00:02:26
Good.
00:02:27
I'm happy.
00:02:28
Good.
00:02:29
Good.
00:02:30
Good.
00:02:31
Good.
00:02:32
Good.
00:02:33
Good.
00:02:34
Good.
00:02:35
Good.
00:02:36
Good.
00:02:37
Good.
00:02:38
Good.
00:02:39
Good.
00:02:40
Good.
00:02:41
Good.
00:02:42
Good.
00:02:43
Good.
00:02:44
Sous-titrage Société Radio-Canada
00:03:14
...to honor Emmanuelle Griffith as Woman of the Year.
00:03:17
Some people may not know the name, but they should be able to recognize the face.
00:03:22
At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29
The covers of Vision, Olay, and Valari, just to name a few.
00:03:34
Emmanuelle, as she is best known, has now become the world's standard of beauty and fashion,
00:03:40
and is also a major symbol of the feminist movement.
00:03:43
She denies any interest in the job of president of the Women's Press Club.
00:03:48
So, Melissa, what about those rumors?
00:03:51
Well, Sanda, it's a demanding position, and she's already in great demand.
00:03:56
She's been described as the highest paid fashion model in the history of the business.
00:04:00
Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:07
Good morning, ladies.
00:04:14
Good morning.
00:04:15
I'm so very happy to see all of you here this morning.
00:04:18
When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27
No.
00:04:29
Yes, I did.
00:04:30
I didn't think that I could handle the job.
00:04:32
It was too difficult, too hard, and at times it seemed impossible.
00:04:38
Women were second-class citizens then, and they still are today.
00:04:44
But let me tell you what.
00:04:47
Things are changing.
00:04:53
Manuel, I would like you to accept this award as it is given.
00:04:59
You represent our strength and our desire for equality.
00:05:04
God love you.
00:05:06
Good morning, ladies, and welcome to a man's world.
00:05:22
Let me tell you a little about men, ladies.
00:05:26
They'll tell you anything they want you to hear.
00:05:30
They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:05:36
Yes, they will.
00:05:37
They will tell you that there is no sexual harassment in the workplace.
00:05:45
And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55
This is really great stuff.
00:05:56
All of this is going to change, ladies.
00:06:00
Thank God for that, honey.
00:06:01
Thank God for that.
00:06:06
I don't want to take this world away from the boys.
00:06:11
All I want is for us to have a piece of the pie.
00:06:18
And when I'm talking peace, ladies, I don't mean a little one.
00:06:24
I want to thank you so much for having me here tonight.
00:06:45
Lord, Lord, I can't believe this.
00:06:58
I mean, I can't believe it.
00:06:59
I mean, God, this is beautiful.
00:07:01
I mean, this woman could be the president of the United States.
00:07:03
I got to see this again.
00:07:05
This is history in the making.
00:07:06
I mean, this is tape at its best.
00:07:07
I got history right in front of me.
00:07:09
I can't believe it.
00:07:10
Let me rewind this.
00:07:11
Let me see this again.
00:07:12
Come on.
00:07:12
Let's go, man.
00:07:14
I will tell you, you should remain barefoot and pregnant.
00:07:20
Well, ladies, all of this is going to change, ladies.
00:07:25
Yes!
00:07:25
50-50.
00:07:26
50 percent, honey.
00:07:27
Come on.
00:07:28
Come on.
00:07:29
Wake them up.
00:07:30
I don't want to take this world away from the boys.
00:07:34
No, 50-50.
00:07:37
All I want is for us to have our piece of the pie.
00:07:41
Yes!
00:07:42
50 percent down the middle.
00:07:43
Nothing more, nothing less.
00:07:44
Come on, baby.
00:07:45
Back of the clothes.
00:07:46
I'm not talking peace, ladies.
00:07:49
I'm not talking a small piece.
00:07:52
I am talking 50 percent right down the middle.
00:07:57
Yes!
00:07:58
Yes!
00:07:59
Yes!
00:08:00
Just get the pie.
00:08:01
Just get them, honey.
00:08:02
Come on.
00:08:03
I want to thank you so very much for having me here today.
00:08:08
I will treasure this for the rest of my life.
00:08:10
Thank you.
00:08:13
Thank you.
00:08:15
Thank you.
00:08:17
Thank you.
00:08:18
Thank you.
00:08:19
Thank you.
00:08:20
Thank you.
00:08:21
Thank you.
00:08:22
Thank you.
00:08:23
Thank you.
00:08:24
Thank you.
00:08:25
Thank you.
00:08:26
Thank you.
00:08:27
Thank you.
00:08:28
Thank you.
00:08:29
Thank you.
00:08:30
Thank you.
00:08:31
Thank you.
00:08:32
Thank you.
00:08:33
Thank you.
00:08:34
Thank you.
00:08:35
Thank you.
00:08:40
Okay.
00:08:41
I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:44
Good.
00:08:45
Then you have to be at the location by 4 this afternoon.
00:08:48
Fine.
00:08:49
What about the deal?
00:08:50
Okay.
00:08:51
I have to go over.
00:08:52
It's an additional 12,000.
00:08:53
Good.
00:08:54
Now, we aren't sure about after Paris.
00:08:57
Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:00
Phil, what do you do when I'm not in town?
00:09:04
No.
00:09:05
No.
00:09:06
Come on.
00:09:07
You can tell me.
00:09:08
I'm in town three months out of the year.
00:09:10
You're on a full salary.
00:09:11
Well, I work out.
00:09:13
I go to a lot of movies.
00:09:15
I hope I haven't created a problem.
00:09:17
I'm always ready when you need me.
00:09:19
I know you're a very good boy, Phil.
01:15:17
que je n'en suis pas prouvé
01:15:20
quand en fait
01:15:24
mon cœur, l'esprit et l'esprit
01:15:28
adores You
01:15:29
Jesus Christ
01:15:31
Je suis très heureux que You're here with me
01:15:36
so que je peux te dire
01:15:41
qu'on aime You
01:15:42
si tu peux trouver un moyen de forgive me
01:15:46
and I mean forgive me
01:15:48
and if you can find a way to reciprocate my love
01:15:52
I will be with you always
01:15:56
Jesus Christ
01:16:16
You
01:16:26
Sous-titrage MFP.
01:16:56
Sous-titrage MFP.
01:17:26
Sous-titrage MFP.
01:17:56
Sous-titrage MFP.
01:18:26
Sous-titrage MFP.
01:18:56
Sous-titrage MFP.
01:19:26
Sous-titrage MFP.
01:19:56
Sous-titrage MFP.
01:20:26
Sous-titrage MFP.
01:20:56
Sous-titrage MFP.
01:21:26
Sous-titrage MFP.
01:21:56
Sous-titrage MFP.
01:22:26
Sous-titrage MFP.
01:22:56
Sous-titrage MFP.
01:23:26
Sous-titrage MFP.
01:23:56
Sous-titrage MFP.
01:24:26
Sous-titrage MFP.
01:24:56
Sous-titrage MFP.
01:25:56
Sous-titrage MFP.
01:26:26
Sous-titrage MFP.
01:26:56
Sous-titrage MFP.
01:27:26
Sous-titrage MFP.
01:27:56
Sous-titrage MFP.
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