- 6 months ago
Anger stemming from being abused as a child drives an alcoholic's daughter to kill as an adult.
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30THE END
00:01:00THE END
00:01:30THE END
00:02:00THE END
00:02:30Tripoli don't get sand in Tad's eyes
00:02:39I won't, not until last moment
00:02:42I bury his head
00:02:44Bury his head and I'll hang you up by the thumbs
00:02:47Or at least your mother will
00:02:49Okay, I'll just cover his head with honey
00:02:52And let the sand crabs take care of him
00:02:54Ants
00:02:55No, sand crabs
00:02:58Bullshit
00:03:00You have severe language problems Tad
00:03:10Which your grandpa wouldn't approve of
00:03:12He was a sailor
00:03:14I beg your pardon
00:03:16He was a sea captain
00:03:18And he would have put you in irons
00:03:21For using bad language
00:03:22And he would have put you in irons
00:03:36And he would have put you in irons
00:04:37Aunt Molly, when Grandpa went down at sea, was the ship carrying treasure?
00:04:42Grandpa didn't go down at sea. Grandpa was lost at sea.
00:04:46With treasure?
00:04:47With a beautiful, beautiful crew who loved and adored him.
00:04:51And were afraid of him, huh?
00:04:52Certainly. He carried a pistol.
00:04:55But he was very, very kind.
00:04:57Now, put this leg further back.
00:05:01And before I say go, make sure you're up on your toes and ready to sprint.
00:05:05But with treasure? Oil's stupid.
00:05:09Don't call your brother stupid. He's not.
00:05:12Oil is treasure. Grandpa's lost, but he still may return.
00:05:16After 20 years, Aunt Molly, it's a long way from pole to pole.
00:05:23With many an island and many a mermaid betwixt and between.
00:05:28And it wasn't 20 years. 15!
00:05:30Okay, the first one to touch the pier.
00:05:36Get on your mark, get set, go!
00:05:39Hey, Aunt Molly! Tattoos!
00:05:59I want a tattoo! I think Grandpa had a tattoo!
00:06:03I want a tiger. Look at the tiger.
00:06:05He's out of sight.
00:06:07Yeah, I saw him first. He's got blood coming from his claws.
00:06:11You don't want tattoos. They don't come off.
00:06:13Yeah, but that's why they're really groovy.
00:06:16Please, Aunt Molly, Mama would flip.
00:06:19Your mother would shoot me.
00:06:26Grandpa had tattoos, didn't he?
00:06:29No, he couldn't have. He was a good man.
00:06:32He loved everyone as God meant men to be.
00:06:35He was perfect, untouched, perfect.
00:06:37God made all of us perfect. Truly, he did.
00:06:45Why was Grandpa lost at sea?
00:06:47I don't know.
00:06:50Because he was perfect.
00:06:52Too good to live on land.
00:06:54Oh, my God!
00:07:02Wow, Aunt Molly!
00:07:03Quick, come on, quick, quick!
00:07:04Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha!
00:07:14For the Atlanta Falcons,
00:07:16Joe Washington just returned the opening kickoff of the Rams 45 for 22 yards of return.
00:07:23Here we are, just at the top of the game.
00:07:25The Falcons behind Sam Walter, the electric man.
00:07:29In first and ten, Rams 45.
00:07:37Second and five, the Rams 40-yard line.
00:07:41If only there was a way of making a fortune babysitting.
00:07:44You, Sister Molly, could be a babysitting millionaire.
00:07:48Don't tell me the kids don't like you better than they like me.
00:07:51Their own hard-working mother.
00:07:53Don't say that or I'd say seaweed if you said that.
00:07:56Here we go. Back to pass.
00:08:00Is he the greatest football player who ever lived there at Molly?
00:08:05Sure. He's Sam the Electric Man.
00:08:08He's very beautiful. He could be a great dancer, a great poet, a sailor, a captain, a king.
00:08:21Are they the greatest men in the world at Molly?
00:08:24They're like your grandpa. Or Christopher Columbus. Or Washington. Or Jack the Ripper. Grandpa was a drunken bum.
00:08:35You ought to come back and sleep here tonight, Molly.
00:08:38You should be working in a class here, Salerno.
00:08:43You could be a top cocktail waitress. Top. Maybe even a bunny, Molly, if you're concentrated.
00:08:49Look, what kind of tips do you think those football guys leave? Not tips like you get at a hippie joint.
00:08:53Oh, Kathy, I like...
00:08:55Where do they stay? Your heroes on television, where do they go?
00:09:00You know where they stay, Kathy.
00:09:02Name me the joints. Where do they stay? How do you know where they stay?
00:09:06I know. Aunt Molly knows everything. Because she works at a center of information.
00:09:14A bar. Center of information.
00:09:22Tripoli's right.
00:09:23I...
00:09:32They love you, Molly.
00:09:35I know.
00:09:37You and welfare. That's all they got in this world.
00:09:40They've got you.
00:09:43Oh, I've got a pain.
00:09:45Don't talk about that.
00:09:47I've got a big pain where Papa kicked me.
00:09:49Papa never kicked anyone. Don't say that.
00:09:55Papa never put a finger on you and you know it.
00:10:02He was an evil bastard.
00:10:08And more than anyone, you know it.
00:10:11You're so silly.
00:10:13But you have a great imagination, Kathy.
00:10:16You could write something like Little Women.
00:10:19If only you could concentrate.
00:10:22Papa was lost at sea.
00:10:28Only his brains were lost at sea.
00:10:33What's on for tonight, honey?
00:10:37That depends on how close you want to shave.
00:10:39Look. He looks like Papa.
00:10:42Papa should have been so lucky.
00:10:46Well.
00:10:48You know this is a close shave.
00:10:50This is the closest.
00:10:52Mmm.
00:10:54Why do we have to go out at all?
00:10:56How close do you want to be to the woman in your life?
00:10:58Be smart.
00:11:00Be closer.
00:11:02Be the closest guy of all.
00:11:04Don't bruise the lady.
00:11:06Hey, Molly.
00:11:08Want to come sail around the world with me?
00:11:12Just you and me in a big sail, Molly.
00:11:15High waves.
00:11:16Just you and me in a big sail, Molly.
00:11:20And the high waves.
00:11:24Oh.
00:11:29Oh.
00:11:32We're inside of the ranch 33-yard line.
00:11:37To give to Malone.
00:11:39He's looking for Ray.
00:11:41He breaks his tackle.
00:11:43He slams off guard.
00:11:44And at the line of scrimmage.
00:11:48They're piled off by Ram's defense.
00:11:51Are you sick, Molly?
00:11:53No.
00:11:55Molly, you are. You're shaking.
00:11:57Don't go to work. Phone in. Tell him you're sick.
00:12:00I'm not sick. I'm not.
00:12:03I just hate it when you say those things about Papa.
00:12:07I'm in front of Tad and Tripoli.
00:12:10I just need a few shots of small drinks.
00:12:12What did I say?
00:12:15What did I say?
00:12:17Don't drink, Molly.
00:12:21It's Papa used to say it's good for what ails you.
00:12:24What ails you, Molly?
00:12:30Nothing ails me!
00:12:31You want me to work as a bunny?
00:12:35Don't you know what those girls are?
00:12:38They're hookers.
00:12:40A girl in every port.
00:12:42A hooker in every port.
00:12:44I'm not showing my tith and ass for the sake of a tip.
00:12:47Maybe they do a little dope at the boathouse.
00:12:51My bar.
00:12:52But no one pinches your bottom.
00:12:54No, sir!
00:12:56Sir!
00:13:00Woohoo!
00:13:03You might have been.
00:13:05Woohoo!
00:13:09Woohoo!
00:13:11Woohoo!
00:13:13You might have been.
00:13:15Woohoo!
00:13:18Woohoo!
00:13:20Woohoo!
00:13:21Tantrically, ask me if you, both of you, were the greatest men I've ever lived.
00:13:35Can you teach me again?
00:13:39Great doctor of the world's greatest fucking football team.
00:13:57Screw the Rams.
00:13:59Screw Los Angeles.
00:14:02Why do you live here, little angel?
00:14:05Square knot, quarter knot.
00:14:10Square knot of what?
00:14:22A thousand dollars.
00:14:26If you can make.
00:14:28Sailor's knot.
00:14:30A knot I can't undo.
00:14:35Hey, uh, you're great.
00:14:39You were a cabin boy, right?
00:14:42Seven years before the mast.
00:14:45How's the carpet?
00:14:47Jesus, get your motherfucking hand off by me.
00:14:51I will let you play games with that sailor boy.
00:14:55Oof.
00:14:57Poor sailor boy.
00:15:00She's got awfully sweet knuckles.
00:15:08Hey.
00:15:09You sure you're not cutting off my circulation?
00:15:13If I lose her hand, I'm gonna look awfully silly trying to catch a pass with a hook.
00:15:19Get the hook.
00:15:24Here.
00:15:28This'll blow your mind, babe.
00:15:38Hey, hey.
00:15:40What can I do as you try to put in my little girl's head?
00:15:45Your little girl?
00:15:47I'm a papa.
00:15:50My papa?
00:15:51Let's make it better.
00:16:01You hop over him, ankle to ankle.
00:16:06He's not my type.
00:16:08You are.
00:16:10But you're both part of my crew, aren't you, Mates?
00:16:16What a loony bitch.
00:16:19I'm a loony bitch.
00:16:27Yeah.
00:16:30But you say I'm hot.
00:16:32Moody.
00:16:33I need, qual templates.
00:16:38See if this way it's at home.
00:16:39And what you do is close to home?
00:16:40Go, look at this.
00:16:41I want them to catch me.
00:16:43I'll go.
00:16:44And where am I going?
00:16:45I want you to let him go me out for the layover?
00:16:47Oh, you're Walter now.
00:16:48He's going to have the warm water for me.
00:16:50You're fine.
00:16:51Alright.
00:16:52And where am I going to do that?
00:16:53I want you to remember.
00:16:55I want you to make everything to stay.
00:16:58Come on, you do nothing.
00:17:01Wow, you're home.
00:17:02Oh, that's too low.
00:17:06Now, just one more knot.
00:17:12One more drag.
00:17:17And then it's down to the sea and shoes.
00:17:32More of that.
00:17:42Yeah, more.
00:17:45I think your friend is asleep.
00:17:50I saw the motherfucker make it three times and he was asleep.
00:17:58On the top or on the bottom?
00:18:02Oh, fancy definitely, but wow!
00:18:12You know, you're far out broad.
00:18:27Is this always your scene?
00:18:30My scene.
00:18:32Uh, these knots.
00:18:37I think they're too tight.
00:18:40Let's see what you can do with one free leg.
00:18:49Huh?
00:18:50I mean, you've both got one leg free, don't you?
00:18:55What the hell do you mean?
00:18:59Let's see what you can do with one free leg.
00:19:03Oh, okay.
00:19:04Oh, okay.
00:19:05How's that?
00:19:08Hmm.
00:19:12Oh, yeah.
00:19:13That feel good, huh?
00:19:14Hey.
00:19:15Hey.
00:19:24Hey, you sell the merchandise, huh?
00:19:26Hey, you sell the merchandise, you silly cunt.
00:19:28That's my Achilles tendon you got hold of.
00:19:32God damn it.
00:19:33Hey, you're hurting my leg.
00:19:38Damn it.
00:19:40Hey, let me go.
00:19:41Hey, let me go.
00:19:42Oh, God.
00:19:43Oh, God.
00:19:44Oh, God.
00:19:45Oh, God.
00:19:46Hey, let me go.
00:20:06You wake up your friend.
00:20:12Do you shave his straight razors?
00:20:15Or is this all going to be agonizingly slow?
00:20:20My papa shaved his straight razors.
00:20:24Bet you've never been beaten with a razor strap, have you?
00:20:35Before your time.
00:20:37I'm not as young as you think.
00:20:47Sailing, sailing over the bounding main.
00:20:56Whenever a stormy wind should blow, will Jack come home again?
00:21:04And again.
00:21:08Failing sail.
00:21:10Failing sail.
00:21:11Failing sail.
00:21:12Oh, my God.
00:21:42Shit, this will take forever.
00:22:12Oh, my God.
00:22:19At the end of the game, the Falcons beat the Los Angeles Rams 21 to 13.
00:22:35A stellar performance from Sam Walter.
00:22:38He went 18 for 25, no interceptions.
00:22:42Don't drink anymore, Molly, or you won't be able to work.
00:22:46Yes, I will.
00:22:47Please, Kathy, it's very important for little boys, for Tad and Tripoli, to have heroes.
00:23:02I don't care what you think about Papa and what you think about football players, anyone.
00:23:08Don't go to work.
00:23:08You're drunk already.
00:23:10Damn you, I'm not drunk.
00:23:11I have to be to work at 7 o'clock, which means I leave now.
00:23:18Sunday night, they need me.
00:23:20I promised.
00:23:20I promised.
00:23:40Hey, we got any pretzels over there?
00:23:43I don't know.
00:23:44There you go.
00:24:03Oh, Molly, it's 10 o'clock.
00:24:06If you weren't so fast, I'd kill you.
00:24:09I wasn't really late.
00:24:11Oh, three hours.
00:24:12It wasn't three hours.
00:24:14It was.
00:24:15And Doris is a dodo.
00:24:16And Daphne has, I don't know what, menopause.
00:24:19Cramps.
00:24:20I don't know what.
00:24:22She dropped the tray of drinks.
00:24:25Want me to quit?
00:24:27At this particular moment, no.
00:24:28Then I'd really kill you.
00:24:30And later, you can't quit.
00:24:32Because you're in love with me.
00:24:34No.
00:24:35I'm your prisoner.
00:24:37Too good he saw.
00:24:39I'd float him.
00:24:42I'm not a dodo.
00:24:43I just don't sleep with you.
00:24:45I didn't ask you.
00:24:46You goose me hard.
00:24:47I didn't goose you hard.
00:24:49Well, not hard, but often, Long John.
00:24:52Often.
00:24:53When was the last time, Doris?
00:24:56The night I told you I had crabs.
00:24:59Not cramps, Long John.
00:25:02Craps.
00:25:03Which, needless to say, I don't have.
00:25:06You really should be a little bit more human with Daphne.
00:25:10This is the fifth year of her menopause.
00:25:12I'm holding up damn motherfucking well.
00:25:14Motherfucker.
00:25:17Long John, twice this.
00:25:20You got it, Billy.
00:25:25You know any virgins, Long John?
00:25:27A virgin's a little girl, about five years old.
00:25:30Very ugly.
00:25:31They can run faster than her brother.
00:25:35Did you ever know any virgins?
00:25:37Well, I thought they kept them from movie stars like you, Billy Bat.
00:25:41I think I'm gonna give a big party for virgins.
00:25:44That'd be a very small party.
00:25:46Better have a rock band and someone who reads horoscopes.
00:25:50Is she a household fixture?
00:25:52No, Molly's a captain of her own ship.
00:25:58Two vodka Gibsons, Long John.
00:26:01And virginity, Mr. Billy Bat,
00:26:03always goes to the lost and found department.
00:26:07If you've lost it, drink up and you'll find it again.
00:26:22Good day, this is Channel 11 for the Midday News and Sam Chu Lin.
00:26:31Police are baffled by the mysterious slayings
00:26:33and are working around the clock looking for clues.
00:26:37As to when the men were killed,
00:26:38they estimate the time as being between 9 and 10.30 last night.
00:26:44Few details of the murders have been revealed.
00:26:46The shock waves that have traveled across the nation
00:26:48leave no doubt that two great American heroes
00:26:51have departed in the most shocking and brutal crime
00:26:54ever recorded in the world of sports.
00:26:56Heroes.
00:26:58What the hell do you want to wake me up for a long job?
00:27:02What's heroes?
00:27:04Football.
00:27:06Who's he talking about?
00:27:09Sam Walter, Austin Slade.
00:27:12They're great.
00:27:14What the hell is his problem?
00:27:17Someone killed them last night.
00:27:18Another cup of coffee here?
00:27:21No, thanks. I haven't finished this one.
00:27:23You're crazy.
00:27:25Nope.
00:27:28Oh, my God.
00:27:32Tad Tripoli?
00:27:34Who killed them? Why?
00:27:37They don't know, baby.
00:27:38Sounded like some weird sex scene, but they're not saying.
00:27:41It wasn't.
00:27:43It wasn't what?
00:27:45Oh, they're not dead.
00:27:46Yeah, they are.
00:27:48I don't believe you.
00:27:50Oh, shit, baby. I didn't do it.
00:27:52Don't you only have to call?
00:27:54Who?
00:27:55Tad Tripoli.
00:27:57Kathy, my sister's gonna really screw their heads around.
00:28:00What day is it?
00:28:01Monday.
00:28:02What time is it?
00:28:0312 o'clock news, baby.
00:28:04Oh, Jesus. They're here at school.
00:28:07Oh.
00:28:16Kathy.
00:28:17Kathy.
00:28:18Oh, Molly, darling.
00:28:19I worried about you.
00:28:21Kathy, please.
00:28:23The most awful thing has happened.
00:28:28Tad Tripoli, please let me pick them up at school today.
00:28:32Last night, those beautiful men.
00:28:41They're dead.
00:28:47If Grandpa did build a ship, where would he take us, Aunt Molly?
00:28:52Grandpa did build ships.
00:28:53Little ships.
00:28:55So beautiful, they could stop your heart.
00:28:58Grandpa built ships that could take you to places where mermaids would sing and sea dragons laugh, where the waves would be gold and silver.
00:29:11Like now?
00:29:12Yes.
00:29:13Like now.
00:29:34Why did she say she went to his funeral?
00:29:36She told you she could show you his grave?
00:29:44No, no.
00:29:46Grandpa would never be buried in the earth, never.
00:29:50But your mother would like that to be true.
00:29:53So we have to let her believe it.
00:29:56It frightens her to think he's lost at sea.
00:29:58Yes.
00:29:59Yes.
00:30:29What do you think?
00:30:30Yes.
00:30:31...the pen reliever doctors recommend most?
00:30:34What's on for the night, honey?
00:30:38That depends on how close you want to shave.
00:30:41Well.
00:30:43You know, this is the close shave.
00:30:46This is the closest.
00:30:47Mmm.
00:30:49Why do we have to go out at all?
00:30:51Do you think he even knows that girl?
00:30:54I mean, even her name.
00:30:56Yeah, I think so.
00:30:57How close do you want to be to the woman in your life?
00:30:59Well, differences will make.
00:31:00Well, it's like they're going to bed with each other.
00:31:03They don't even know each other.
00:31:07How long did we know each other?
00:31:09That's different.
00:31:10Why?
00:31:11Well, they're famous.
00:31:13They're on television.
00:31:15Everybody's watching them.
00:31:21A famous movie star wants to go to bed with you tonight.
00:31:33Why are we going to his party?
00:31:48Long, John.
00:31:51Darce and Daphne can't run the bar.
00:31:54I don't want to go to parties in Malibu.
00:31:57Billy Bat's a dumb drunk.
00:32:08I think we should...
00:32:10The Electric Man.
00:32:14Tarzan.
00:32:16They're dead.
00:32:17Oh, Sam Walters.
00:32:27What legs.
00:32:29What thighs that bastard had.
00:32:34Oh.
00:32:34Oh.
00:32:34Oh.
00:32:34I don't know.
00:33:04Papa?
00:33:06Papa?
00:33:08Papa?
00:33:10Papa?
00:33:16They've still been getting back into the ant beaters again,
00:33:20man, today they're all right.
00:33:22Wallace, ant beaters snake.
00:33:24Ant beaters snake?
00:33:26Ant beaters snake?
00:33:28There we are.
00:33:30.
00:33:40.
00:33:42.
00:33:44.
00:33:48.
00:33:50.
00:33:52.
00:33:54.
00:33:56.
00:33:58.
00:34:12.
00:34:13.
00:34:14.
00:34:15.
00:34:16.
00:34:17.
00:34:18.
00:34:19.
00:34:20.
00:34:21.
00:34:22.
00:34:23.
00:34:24she come out of the sea? Venus was born in the sea. Why? Her father was a god. They cut off his
00:34:35balls. The sperm dropped into the ocean. The sea was knocked up. Venus was the kid. The chauffeur
00:34:42I had in a movie told me that. Who? Your pilot? My chauffeur. Why did Venus?
00:34:54Who did that to her father? I think you're lying to me. I need something stronger.
00:35:11There's another bar inside. And there are lots of things. A lot stronger.
00:35:16It's not true you want to go to bed with me, is it?
00:35:21Bed, floor, closet, bathtub.
00:35:24I think you're too gentle for me.
00:35:38Don't count on it.
00:35:44I get special fabrics at like four different stores.
00:35:49That's how you found me, isn't it? Jesus, I don't know who I made these for. I could have
00:35:58patched them for anyone. I got customers from Long Beach to Trancas and a whole bunch in the
00:36:03Malibu colony. See, it's the poor, very expensive look they like. They pay for it. They don't pay me as much as you think.
00:36:15They like to look like rich, rich bums.
00:36:19You're on welfare.
00:36:22They don't pay me so much that I can't be.
00:36:25We don't care about that.
00:36:28Mrs. Strickland, do you buy the jeans and the blouses and the shirts?
00:36:32No, I patched them. They come from, they're the worn-out clothes of, of your customers?
00:36:42Yes. They bring them to me. I don't know where.
00:36:48When they got them.
00:36:50Yes. I mean, no. I don't know. Why? Why do you want to know?
00:36:57Why do you want to know?
00:36:58Why do you want to know?
00:36:59These, obviously, are a woman's clothes.
00:37:04Yes.
00:37:08Do you know anything about football, Mrs. Strickland?
00:37:11No.
00:37:15No.
00:37:17No.
00:37:19No.
00:37:28You really are a pitcher, aren't you?
00:37:30No.
00:37:38You really bit me, you cunt!
00:37:46You said you had something stronger than liquor.
00:37:49You're spaced out already.
00:37:50Oh, no, I'm not, Mr. Goody Two Shoes. I'm not spaced out on anything.
00:37:57What do you think you can do now?
00:38:00You think you're on television?
00:38:02You think you can cut for a commercial?
00:38:20No.
00:38:21No.
00:38:23You think you're on television?
00:38:25No.
00:38:26No.
00:38:27No.
00:38:28No!
00:38:37No.
00:38:39No.
00:38:41No.
00:38:45No.
00:38:46Oh, Russell, my baby, baby.
00:39:00Billy Bat.
00:39:06How to Take a Lady by Billy Bat.
00:39:10Movie star.
00:39:13I don't go to the movies.
00:39:14I do watch the goddamned four-in-the-morning-late show.
00:39:20Cocksucker.
00:39:22Why don't you act like a man and go hide in the closet, cowboy?
00:39:27Quiet, naked, in the back of the closet behind your clothes.
00:39:32Could you die for love?
00:39:36Well, my father did.
00:39:38Get your ass out of here.
00:39:40I'm going to break the bones.
00:39:46Then stop.
00:39:47What the fuck's going on, man?
00:40:05Put your face in there, boy.
00:40:07Ah!
00:40:08What's wrong with her?
00:40:10What's wrong with her?
00:40:12What's wrong with her?
00:40:14What did she do, knock her down?
00:40:16What did she do, boy?
00:40:18What did she do, boy?
00:40:20What did she do?
00:40:22What did she do?
00:40:24Knock her down or something?
00:40:26You stupid son of a bitch!
00:40:28What?
00:40:30Is she all right?
00:40:32She's a doctor aside, you know?
00:40:34What did she do, man?
00:40:36Is she all right?
00:40:38What did she do?
00:40:40You all right, honey?
00:40:42You okay?
00:40:44I mean it. Are you all right?
00:40:46Well, nothing's broken.
00:40:50Can you get up?
00:40:54I think so.
00:40:58Who are you?
00:41:00She's dizzy.
00:41:02I think maybe she's broken something.
00:41:04Can you walk?
00:41:06Mm-hmm.
00:41:10Aren't you a commercial?
00:41:14Wow.
00:41:16You are all right.
00:41:18I did not.
00:41:20Yes, you did.
00:41:22You just saved her.
00:41:24Billy Blatt is a sadistic son of a bitch.
00:41:26It's true.
00:41:28Me Peek did a Western with him last year.
00:41:30No, I don't know.
00:41:32Maybe it was my fault.
00:41:34Listen, sweetheart.
00:41:35Even the horses wanted him dead.
00:41:36Not because he couldn't ride.
00:41:38He can.
00:41:40I thought you were crazy when you went in there with him, Molly.
00:41:44I don't know why I went.
00:41:46Maybe I hit him.
00:41:48Well, why the hell not?
00:41:50I'd have kicked him in the crotch.
00:41:52Hard.
00:41:56I have a terrible headache.
00:41:58Oh, well, drink up.
00:42:00I've got something strong.
00:42:02Daphne has these pills.
00:42:04She gets cramps.
00:42:06And they're two colors I've never seen in pills before.
00:42:09Shocking pink and electric blue, and they're a knockout.
00:42:12She gave me half of them for emergencies.
00:42:14What emergencies?
00:42:16Pain.
00:42:17Pain in the ass, in the throat, nerves.
00:42:20Just pain, doll.
00:42:22Take two.
00:42:34Will they make me sleep?
00:42:36You'll float like a water lily, Daphne says, down the Chinese lagoon.
00:42:40McPeak is going to take me to China on his residuals.
00:42:43The Great Wallop.
00:42:46Are you a commercial person, too?
00:42:49Well, last year I did a bath oil, but mostly I'm too sexy.
00:42:52I mean four soups, cereals, scouring pads.
00:42:56My agent says that I'm not liberated, and no one would believe I was married.
00:43:00Hmm.
00:43:02I bet you'd make a fortune.
00:43:05Well, what I mean is that you look liberated.
00:43:09Don't you think?
00:43:10Molly is a saint.
00:43:12A goddamn American saint.
00:43:18Do you love him?
00:43:23McPeak?
00:43:28Gee, why?
00:43:30Because I do.
00:43:32I want him.
00:43:34I want him.
00:43:41Oh!
00:43:44Hahahaha.
00:43:45I don't know.
00:44:15But I came with friends, didn't I?
00:44:31No, lady.
00:44:35McPeak.
00:44:37A beautiful man named McPeak.
00:44:40Dark, dark.
00:44:42From the sea.
00:44:45He shaves.
00:44:47Sure, lady.
00:44:50He took me home with him.
00:44:54You're a beautiful lady.
00:44:56Any guy would.
00:44:58The mermaid's tail won't go down too far, will it?
00:45:03Just right.
00:45:05Just perfect.
00:45:08Just rising from the curly black sea.
00:45:12Well, that's right, isn't it?
00:45:16I mean, you're an artist, aren't you?
00:45:19An artist.
00:45:20And I don't believe in anything dirty or obscene.
00:45:25I don't either.
00:45:28But I, I have dreams sometimes.
00:45:31Everybody's got dreams.
00:45:34Can't help them.
00:45:35No.
00:45:36Why do they call you Jack Dracula?
00:45:44That's my name.
00:45:47I made up a name for myself when I was a little girl.
00:45:52Molly, Contiki, Polynesia, Easter.
00:45:57I swore it was my real name, Easter Island, the Contiki.
00:46:05Do you remember the Contiki, the raft?
00:46:09And Polynesia was the name of the parrot and Dr. Doolittle.
00:46:12Yeah, the Jack Dracula is my real name.
00:46:24My puppy used to say,
00:46:26come with me and we'll get lost at sea, Molly Molass.
00:46:34Hmm.
00:46:35He said that.
00:46:37He used to say that.
00:46:39We got lost at sea so many, many times.
00:46:45We got lost at sea so many times.
00:47:00There we actually are.
00:47:02We have to take one.
00:47:08We have to scan for this one.
00:47:10Do you want to see what he's Come on?
00:47:12Hey, look, I told you...
00:47:16Molly.
00:47:18Hey, Molly.
00:47:19Hey, I thought you were...
00:47:21I thought you were here.
00:47:23Hey, I thought it was that bitch again.
00:47:25Your girlfriend?
00:47:26No, I got rid of her.
00:47:29Half time she called, I answered.
00:47:31I didn't want her waking you up anymore.
00:47:34What did you tell her?
00:47:35I didn't think anyone could shut that one up.
00:47:37Oh, I don't know.
00:47:38I said the usual things.
00:47:40I said, we were sorry.
00:47:43And that I loved you.
00:47:45And that she'd had you already.
00:47:48And that if she wanted to go to China,
00:47:50I knew lots of seamen who could take her on a freighter.
00:47:55And that I'd kill her.
00:47:57And other things like that if she boned again.
00:48:01I don't think I said anything really mean.
00:48:04Can I come back?
00:48:05I mean, just for this morning?
00:48:07I won't bother you much.
00:48:09I promise.
00:48:09Wow, those pills.
00:48:12Come back.
00:48:14Sure, come back.
00:48:15Bother me.
00:48:16I'm ready for it again.
00:48:18Yes.
00:48:22Television makes people so much kinder, doesn't it?
00:48:25What about now?
00:48:38I'm ready.
00:48:39I'm ready for this time.
00:48:40What about now?
00:48:41Did it蓬 besonders?
00:48:41Yes.
00:48:42Did it get closer?
00:48:43Maybe maybe...
00:48:44Yes.
00:48:44Yes that would mean so much.
00:48:46I had movie started before.
00:48:47It was a infringement.
00:48:48financial innovation for Canada,
00:48:49and in leather at home.
00:48:49Mmm.
00:48:50Doing so great at this time when you came back.
00:48:51I'm gonna see it when you came back.
00:48:52Hey, how was my first day?
00:48:53I don't know.
00:49:23Is she killing the car?
00:49:36Yes.
00:49:38You son of a bitch! I'm not going to China on any fucking freedom!
00:49:44Carissa, what the hell are you doing?
00:49:46Carissa, what the hell are you doing?
00:49:51She wants not to go to China.
00:49:53I don't want to press any charges. I just want her locked up.
00:50:03You don't have any choice, Mr. McPeak.
00:50:05Assault with intent to murder.
00:50:07You know, you're really lucky.
00:50:09You could be a corpse, even with her aim.
00:50:11Well, you give her enough time and chances.
00:50:14Well, she was out of her skull.
00:50:16I was a bastard. I guess I kicked her out last night because I wanted a...
00:50:21What?
00:50:24Well, I wanted to lay another girl.
00:50:27I just didn't let her down easy. I was drunk. She was drunk.
00:50:31Well, she can get pretty wild.
00:50:35When what?
00:50:36If she'd cut a guy's balls off.
00:50:40If she thought that...
00:50:40Would she?
00:50:42Would she what?
00:50:43Cut a guy's balls off?
00:50:45I don't know what you're talking.
00:50:47It's pretty specific, isn't it?
00:50:50You know, there are women who do that.
00:50:53Who have done that.
00:50:54Oh, shit.
00:50:56Well, that was just an expression.
00:50:58Now, Clarissa's not insane.
00:51:00Well, I mean, she is, but...
00:51:05What you...
00:51:06Hey, you guys aren't talking about what happened this morning.
00:51:10You guys are talking about something else.
00:51:13What are you talking about?
00:51:17Long John, I am telling you, relax and listen.
00:51:21She tried to kill him.
00:51:24They asked me 400 questions, 400 different ways.
00:51:28And left me here.
00:51:31Because I didn't even see anything happen.
00:51:34I am going to come to the bar.
00:51:37I've just got to wait for Nick Peake.
00:51:40Long John, I love you.
00:51:43And Nick Peake loves you, too.
00:51:46And don't worry.
00:51:48Goodbye.
00:51:49Bye.
00:51:58Well, that's all we found in the house that could possibly belong to a woman.
00:52:06She said all her clothes.
00:52:07It wasn't anything else unless she wears his clothes.
00:52:11What do we do with him?
00:52:13You mean with Peake?
00:52:15It took more than one to overpower two football players, didn't it?
00:52:19Christ only knows.
00:52:20Oh, the girl he had last night left him a note.
00:52:25What's sweet.
00:52:26I left it up there.
00:52:28She said she'd call him tonight.
00:52:30Said how sorry she was.
00:52:31And she signed it.
00:52:32Molly the Little Mermaid.
00:52:36How do we hold it?
00:52:37Well, I left a note up there for him.
00:52:38I copied it.
00:52:40Jesus Lutter.
00:52:41Hey.
00:52:41You just saw them?
00:52:50Yeah.
00:52:50Sam the Electric Man.
00:52:55What do we do with him?
00:52:58With them.
00:53:00I don't believe this.
00:53:04Molly the Little Mermaid.
00:53:06You are very suspicious, Kathy.
00:53:15You are very strange.
00:53:17You're like a stray cat.
00:53:19You know as much about football as I do.
00:53:23Why aren't you home with Tad and Tripoli?
00:53:26Well, if you're so worried about a homicidal maniac,
00:53:28why don't you go home and take care of your children?
00:53:31I'm not saying you...
00:53:33Then don't say anything.
00:53:36I'm not saying anything against Molly.
00:53:45It's not as if I thought...
00:53:47I don't think she knows what you think.
00:53:49Well, she'd be upset too if she was questioned by the police.
00:53:53I don't think she would.
00:53:54You think she's practically perfect.
00:53:59You do, don't you?
00:54:01Yeah, why not?
00:54:06In the Los Angeles area today, police are questioning two people in the Sam Walter Austin slave murder case.
00:54:21One arrest has been made, but authorities aren't willing to release any names at this time.
00:54:26It is known, however, that the arrested party is a woman.
00:54:31Sure, it's a woman.
00:54:33That's what they call equal rights.
00:54:34When they let a woman play on the national football league, then I'll believe it's a woman.
00:54:40Hi, this is Alexander McPhee.
00:54:43Who did do it?
00:54:45Faggots.
00:54:47I've got details because I've got friends that nobody else has got.
00:54:52Faggots.
00:54:53Bloody Mary and a gin and tonic.
00:54:55I'm out right now, but if you leave your name and telephone number after the beat, I'll call you as soon as I return.
00:55:07I love you on television.
00:55:09I love to watch you shave.
00:55:12But they were football players.
00:55:15All football players are faggots.
00:55:17Faggots.
00:55:20Closet Queens.
00:55:21I heard details.
00:55:23I won't annoy you.
00:55:29I'll always admire you, if only from afar.
00:55:33Someday I'd love to shave you.
00:55:37Really, I would.
00:55:38Goodbye.
00:55:47I need a very tall vodka.
00:55:53For you.
00:55:54For me.
00:55:56Don't give it to her.
00:55:58Kathy, how come you lost Jack Strickland?
00:56:03Who's Jack Strickland?
00:56:05Her husband.
00:56:06Father to my nephews, who despite everything are normal.
00:56:11What do you mean, normal?
00:56:12I mean, I love Tad and Tripoli.
00:56:18Uh, where is, uh, what's his name, their father?
00:56:22He's departed.
00:56:25Huh.
00:56:25Not from this earth, but from you, Kathy.
00:56:29He was no good.
00:56:31Here's to you.
00:56:32He drank.
00:56:33Well, he didn't drink enough.
00:56:39He was sober enough to know.
00:56:43To know what?
00:56:45To know when to go.
00:56:47Go home, Kathy.
00:56:49Go home.
00:56:52They know who killed those football players.
00:56:55It's said so on television.
00:56:56But they were your clothes, no matter what you say.
00:56:59I'm sorry, Long John.
00:57:26I love Kathy, and she knows it.
00:57:28But sometimes she's, I don't know.
00:57:32I'd just like to punch her in the teeth.
00:57:40I hope Doris has a pill for me.
00:57:44Daphne has diarrhea.
00:57:46It's her doctor.
00:57:47He only has diarrhea of the prescription pad.
00:57:51Jesus, how that man runs to pills.
00:57:53I think he shits pills and pisses Madison.
00:57:56I've got something for you.
00:57:58A scotch and soda and two Michelob.
00:58:07What's on for tonight, honey?
00:58:09Look.
00:58:10My God, it's him.
00:58:13That depends on how close you want to shave.
00:58:16Did you bawl him?
00:58:17Yeah.
00:58:19He's not home tonight.
00:58:21That's why I could kill him.
00:58:22Do it with a razor.
00:58:25Little jack of sails.
00:58:28How close do you want to be to the woman in your life?
00:58:31Be smart.
00:58:33Be closer.
00:58:34Be the closest guy of all.
00:58:37Don't bruise the lady.
00:58:39Good guys don't.
00:58:40Why don't you shave me, you hot, sweet little bitch?
00:58:57Start right here.
00:59:05Here under the left ear, Molly.
00:59:09Dig deep, Molly.
00:59:14Spiral around the throat, Molly.
00:59:18And zigzag, Molly.
00:59:23Back.
00:59:25And forth.
00:59:28Molly.
00:59:30Until you get...
00:59:32The parts that you want.
00:59:35Headache can strike any time.
00:59:38But it always seems to come at the wrong moment.
00:59:42Pressure that makes you want to just give up.
00:59:45You don't care if your sweetheart's heart is broken.
00:59:49No, Doris, I'm too old.
00:59:52Then why don't you have more sympathy for Daphne?
00:59:55There's a male menopause, you know.
00:59:58You're ready for it.
01:00:05I can't undress with the lights on long, John.
01:00:25Why, Molly?
01:00:30Because you went to bed with that television hero?
01:00:32Which television hero?
01:00:37The guy who shaves.
01:00:40No, not because of him.
01:00:43I... I did something to myself.
01:00:46You did?
01:00:47Or he did?
01:00:49No, I did.
01:00:52I'm tattooed.
01:00:55Screwed, blowed, and tattooed.
01:00:57No, tattooed.
01:00:59What does that mean, Molly?
01:01:01Papa used to read The Little Mermaid.
01:01:04Do you know The Little Mermaid?
01:01:08Lots of them.
01:01:12No.
01:01:14She had a tail instead of legs.
01:01:20And she couldn't fuck.
01:01:22Well, it didn't say that exactly.
01:01:24But they cut her tail up the middle so she had legs.
01:01:30Kind of led a lot.
01:01:32But then she could walk.
01:01:34It was very painful.
01:01:37She was in love.
01:01:39When did you first do it, Molly?
01:01:42What?
01:01:44Get screwed.
01:01:46I don't know.
01:01:48I was always...
01:01:49Doris's pills aren't working at all.
01:01:55Not yet.
01:01:58How could you not know, Molly?
01:02:02I... I don't remember.
01:02:04Lots of things.
01:02:09For instance?
01:02:10When anything started.
01:02:14When what started, Molly?
01:02:15When...
01:02:17Oh...
01:02:19Oh...
01:02:20Oh...
01:02:21Oh...
01:02:23Oh...
01:02:25Oh...
01:02:27Oh...
01:02:29Oh...
01:02:31Oh...
01:02:33Oh...
01:02:35Oh...
01:02:37Long John.
01:02:47Long John.
01:02:49I love you.
01:02:51Oh...
01:02:52Don't worry about last night.
01:02:55Silly.
01:02:56You know I'm silly.
01:02:59He was on television.
01:03:02You know how I love television.
01:03:05You know how I love television.
01:03:09That's all.
01:03:10I...
01:03:11Oh...
01:03:12Oh...
01:03:13Oh...
01:03:14Oh...
01:03:15Oh...
01:03:16Oh...
01:03:17Oh...
01:03:17Oh...
01:03:17Oh...
01:03:18Why did they hold you?
01:03:21I don't know.
01:03:24They think that...
01:03:25They think that...
01:03:27I don't know.
01:03:31Are they still holding your girlfriend?
01:03:35Mm-hmm.
01:03:36Why?
01:03:39I don't know.
01:03:41Oh...
01:03:41Who are you?
01:03:44Who are you?
01:03:48Oh...
01:03:49Did you shave?
01:03:51Oh...
01:03:52Did you shave?
01:03:53Oh...
01:03:53Did you shave this morning?
01:03:55Oh...
01:03:56Oh...
01:03:56Oh...
01:03:57I...
01:03:58I...
01:03:59Never see...
01:04:01Your face...
01:04:03In color.
01:04:05I only...
01:04:06Oh...
01:04:07See it...
01:04:08In black and white.
01:04:10Oh...
01:04:10Oh...
01:04:11Oh...
01:04:13Oh...
01:04:14Oh...
01:04:15Oh...
01:04:18Oh...
01:04:19Oh...
01:04:20Oh...
01:04:21Oh...
01:04:22Oh...
01:04:23Oh...
01:04:52Oh...
01:04:52Oh...
01:04:53Let's go.
01:05:23Let's go.
01:05:53Let's go.
01:06:23Let's go.
01:06:53Let's go.
01:07:23Molly!
01:07:24I know.
01:07:26I fell asleep with the television set on.
01:07:30Molly, Jesus.
01:07:33Molly.
01:07:35Molly.
01:07:35Molly, your hands.
01:07:38Oh, hell.
01:07:48I'm sorry, Long John.
01:07:51I just...
01:07:52Well, it's my own goddamn blood.
01:07:56If you want, I'll jump out of bed and run down to the laundromat with your sheets and pillowcases.
01:08:04Your own blood?
01:08:07Yeah.
01:08:08I was drunk and the pills caught, thank God.
01:08:13Molly, Molly raped by pills.
01:08:17What's your excuse?
01:08:21Molly.
01:08:22I wanted to take Tad and Tripoli to the beach today.
01:08:26I wanted to swim with them.
01:08:28I don't even own a one-piece bathing suit.
01:08:31I didn't want them to see.
01:08:33What?
01:08:34The tattoo, the mermaid.
01:08:37All right.
01:08:39I'm a goof.
01:08:41I'm a drunk.
01:08:42I...
01:08:42I'm a junkie.
01:08:44I tried to take it off with your razor.
01:08:48The mermaid.
01:08:51Well, what difference does it make to you?
01:08:58Maybe I worked for somebody named Clarissa Jenks.
01:09:01I don't know.
01:09:01I don't remember.
01:09:02I don't know anybody named Molly.
01:09:04I don't know.
01:09:06Who...
01:09:06Who is the little mermaid?
01:09:08My boys are...
01:09:09We're sorry, Mrs. Strickland.
01:09:10We understand your position.
01:09:12But who's going to pay to take them to the movies now?
01:09:14You question all my customers.
01:09:16Who's ever going to want me to work for them?
01:09:17I can't just leave the boys outside playing in the streets while I talk to you.
01:09:21Mrs. Strickland, I'll be glad to give you a couple of bucks to take your kids to the movies.
01:09:25A couple of bucks?
01:09:27Where have you been for the past ten of years?
01:09:29How...
01:09:30How much do you think it costs to go to the movies?
01:09:32If your Clarissa Jenks doesn't know the name of the bar she was in,
01:09:36how the hell am I supposed to know?
01:09:38Right?
01:09:39Your Clarissa Jenks drinks too much.
01:09:42Right?
01:09:43She's not here.
01:10:00I don't know whether she will come back.
01:10:03I don't know if I want her to.
01:10:05I think your whole family is...
01:10:07Gordon, look, I'm sorry.
01:10:12I love your sister.
01:10:15It's just that I don't know what she's about.
01:10:18I know what she's about.
01:10:19She's killed someone.
01:10:21She just killed someone else.
01:10:23I don't know what she's done.
01:10:25If she comes here, I'll crack her skull.
01:10:28I don't want her near me.
01:10:30Just tell her to run.
01:10:31Run.
01:10:32If you see her, tell her to run.
01:10:40Aunt Molly never killed anyone.
01:10:42And Grandpa's not buried in the ground.
01:10:44What in God's name are you talking about?
01:10:47Grandpa would never be buried in the earth.
01:10:49We think you're a liar, Mommy.
01:10:59Oh.
01:11:01Oh, Tripoli.
01:11:03Tripoli.
01:11:05Tripoli, I'm sorry.
01:11:09Don't worry about Daphne's doctor.
01:11:37He'll give you something.
01:11:38He may not understand, but he'll give you something.
01:11:41Some doctors, they don't understand.
01:11:43They don't give you anything.
01:11:46Oh, what the hell?
01:11:48You had a tattoo.
01:11:49You didn't like it, so you zapped yourself.
01:11:52Does it hurt?
01:11:55I have a headache.
01:12:00He'll give you something.
01:12:03Look how happy Daphne is with the pills he gives her.
01:12:05If she just pulls up together, she could go back to work.
01:12:17Boy, was she spaced out.
01:12:18I took her in to lie down.
01:12:19To get laid, you mean.
01:12:24I thought she was sick.
01:12:25She was sick, but not that way.
01:12:29She started to bite and hit and scratch me like a lunatic.
01:12:33Broke two bones in my hand.
01:12:34You know what I could sue her for?
01:12:35No, what?
01:12:38All you did, very gently, was bounce her off the floor a few times.
01:12:43Do you know what bar she worked in?
01:12:46Yeah, Boathouse Santa Monica.
01:12:48And she left here with Alexander McPeak.
01:12:52She sure did.
01:12:53Off the floor, into his lap, and out the door.
01:12:56To Never Never Land.
01:12:59Hey, whatever happened to McPeak?
01:13:01Turn on your television set.
01:13:03Find out what's happening in the real world.
01:13:05I will.
01:13:08Thanks.
01:13:09Not till the sun goes down.
01:13:12It has for McPeak.
01:13:30Long John, you are a bum.
01:13:33Throwing a girl out because she had an accident.
01:13:35I didn't show her out, and it wasn't an accident.
01:13:39Well, accidentally.
01:13:40She cut too deeply.
01:13:44And she's a mess.
01:13:49Believe me, Molly is a mess.
01:13:57Molly, last night when I was asleep, did you go out?
01:14:02Now, you've got to tell me if you went out last night.
01:14:05I was out of it, that's for sure.
01:14:10Molly, someone killed McPeak last night.
01:14:16Is it on television?
01:14:17What the hell difference does that make?
01:14:21Well, you don't know if it's true or not, unless it's on television.
01:14:24Molly, did you kill him last night?
01:14:28Why would I?
01:14:29He's a star.
01:14:31He's...
01:14:31He's dead, Molly.
01:14:34Right now, the cops think you did kill him.
01:14:37They just don't know where you are.
01:14:39Your sister's covered up for you.
01:14:41They'll find you.
01:14:42Let's get out of here.
01:14:46Let's go to Daphne's.
01:14:48Or to Bakersfield.
01:14:53Bakersfield?
01:14:54You know what that doctor told me?
01:15:05He told me the reason I had headaches is because I couldn't see right.
01:15:10I'm not wearing any goddamned glasses.
01:15:12Well, what does he think I am, a hippie?
01:15:35Well, why wouldn't I kill the bastard?
01:15:37Every time you turn around, you see him, dark naked, grinning at me.
01:15:50He's not my father.
01:15:54What the hell do you think he's asking for?
01:15:56He's only fighting for you.
01:15:57Why wouldn't I kill him?
01:15:58Excuse me, what are you talking about?
01:15:59I'm not going to kill you.
01:16:00I'm not going to kill you.
01:16:02I'm not going to kill him.
01:16:08Mom, like, when you try to kill him.
01:16:12Oh!
01:16:15Mom!
01:16:19Mom!
01:16:25Yeah!
01:16:26I guess I did kill him.
01:16:29Why did I do that?
01:16:32It was so beautiful.
01:16:35I think...
01:16:36I don't know.
01:16:39Did he love me?
01:16:42He did.
01:16:44A little bit.
01:16:56A little bit.
01:17:26A little bit.
01:17:56A little bit.
01:17:57Oh, my God.
01:18:27Oh, my God.
01:18:57Oh, my God.
01:19:27Oh, my God.
01:19:31Football players.
01:19:34Why would I...
01:19:36Men I wanted on my crew.
01:19:39How many others were on your crew?
01:19:41Doesn't it matter that I didn't hate any of them?
01:19:49Except that first little bastard.
01:19:53His mother sang on television.
01:19:57And then he sang with her.
01:19:58And he thought that was hot shit.
01:20:05He was pretty.
01:20:07He said, I wasn't pretty.
01:20:11He said, I wasn't really a girl.
01:20:13He was rich.
01:20:19But I had a telescope.
01:20:22His eyes were yellow, though.
01:20:24Low, low.
01:20:26Yellow, though.
01:20:27Sweet Molly.
01:20:33Sweet, sweet Molly.
01:20:38Tiger's eyes.
01:20:39I should take more pills, shouldn't I?
01:20:55Yes.
01:20:57Will you give them to me long, John?
01:21:00Yes.
01:21:04Your baby.
01:21:16Wait.
01:21:16You can't.
01:21:19We have to see Aunt Molly.
01:21:21And you can't stop us.
01:21:23No one can.
01:21:24She's sick.
01:21:25She's still our Aunt Molly.
01:21:27Sure.
01:21:28But can't you go away and come back?
01:21:29No.
01:21:29Four million.
01:21:33Excedrin had a four million on the starboard side.
01:21:39There was a whale under the raft long, John.
01:21:49Well, Molly, Todd and Tripoli are here.
01:21:51Where's Aunt Molly?
01:21:53Aunt Molly.
01:21:54Oh, my darlings.
01:21:57Oh.
01:21:59Oh, I wanted to take you to hiking today.
01:22:06But your mother said it.
01:22:07I think Mommy's crazy.
01:22:08Don't you, Molly?
01:22:11Everybody's a little crazy sometimes.
01:22:15But your mother loves you.
01:22:17She said you were sick.
01:22:20Your Aunt Molly is...
01:22:21Long, John.
01:22:22These are my boys.
01:22:24I just have to take a whole lot of pills today.
01:22:31But tomorrow, everything will be all right.
01:22:35Those pills?
01:22:36Yes.
01:22:37Yes.
01:22:38You could.
01:22:39Todd, why don't you get me something to drink it?
01:22:42Molly, Tad and Tripoli can't stay here.
01:22:53On television.
01:23:13On commercials.
01:23:14On one channel.
01:23:20Two thousand pills are taken every day.
01:23:27Huh.
01:23:29Isn't that true, Tad, Tripoli?
01:23:31Yes.
01:23:31I'm sorry I broke your television set long, John.
01:23:49I'm sorry, Tad, Tripoli, Doris.
01:24:00Aunt Molly has to go to sleep now.
01:24:05Sometimes it's just so nice sleeping on the floor, isn't it?
01:24:10Yes, Aunt Molly.
01:24:15Kiss me.
01:24:35Doris will take you home, won't you, Doris?
01:24:38Yes.
01:24:40If you don't make it by the time you're 18 in the good old USA,
01:24:54you just might as well forget about it.
01:24:58Unless you're lucky like me,
01:25:01then you can make it at any age.
01:25:06Like Grandma Moses and me.
01:25:08You know how I've picked up two top television football players?
01:25:15Said,
01:25:17I may not be 18,
01:25:20but I can give you that old-time religion.
01:25:23We can't.
01:25:24Oh, God, Long John, we can't.
01:25:26Long John, Ken.
01:25:40He's a pirate.
01:25:42He knows where the treasure is.
01:25:44He's a pirate.
01:25:52Take care.
01:25:53Here we go.
01:26:23Oh, my God.
01:26:53Oh, my God.
01:27:23Oh, my God.
Comments