- 5 months ago
Disturbing terror from director Steven Spielberg. A young couple move into a farmhouse with their two children and begin to suffer untold torment at the unseen hands of a demonic presence.
Category
🎥
Short filmTranscript
00:00:00You shall be taken, you shall be taken, be taken, be taken, be taken.
00:00:30To be continued...
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:29Oh, my God.
00:02:30Oh, my God.
00:02:31Oh, my God.
00:02:32Oh, my God.
00:02:33Oh, my God.
00:02:34Oh, my God.
00:02:35Oh, my God.
00:02:36Oh, my God.
00:02:37Oh, my God.
00:02:38Oh, my God.
00:02:39Oh, my God.
00:02:40Oh, my God.
00:02:41Oh, my God.
00:02:42Oh, my God.
00:02:43Oh, my God.
00:02:47This place is for sale.
00:02:54Paul, this place is for sale.
00:02:58This place is two hours from New York City.
00:03:02It's a long way to commute.
00:03:06Be careful!
00:03:17I like your view of the place better.
00:03:32It's more romantic.
00:03:47Who do you suppose that is?
00:04:01Well, maybe it's the owner.
00:04:08Stevie, you come here now. You be careful.
00:04:12I'm sorry.
00:04:17I almost caught a rat!
00:04:20Rats.
00:04:22We might as well be back in the city.
00:04:24Well, I expect the rats are healthier out here.
00:04:29Probably.
00:04:31Paul.
00:04:35Why don't you go speak to the man and see if he is the owner?
00:04:39Now, if we buy a house, there'll be no trip to Europe.
00:04:45There'll be no second car for you.
00:04:47There'll be no summer camp for Stevie.
00:04:49Oh, well, this is a summer camp.
00:04:53Hmm.
00:04:58Hmm.
00:05:01Well...
00:05:17But, for the first time, it was here to be...
00:05:20Yes.
00:05:22Yes, we'll have a beautiful summer camp.
00:05:24That's all that, too.
00:05:26Come on, too.
00:05:29That's great.
00:05:31All right.
00:05:33That's great.
00:05:35Good to see you.
00:05:38Well, over here.
00:05:40First, you would like to say it,
00:05:42the rest of your life would be all of us.
00:06:43You see, we're not farmers.
00:07:07I work for an advertising agency in New York, and she, well, we both have been looking
00:07:15for a place in the country.
00:07:16Well, I was thinking, uh, it'd be best for a new owner to just use it for weekends.
00:07:22It doesn't have, uh, city conveniences.
00:07:25The missus would probably get to hating it.
00:07:27Uh, I could farm the land for you.
00:07:34No, no, I, uh, I can't afford both places.
00:07:40Well, you know better what you have to do.
00:07:42It's for sale, like the sign says.
00:07:45Still, it's, um, it's a strange place.
00:07:50Well, the water is sweet, isn't it?
00:07:53I mean, it's got a good deep well.
00:07:54Hmm.
00:07:55Well, the, the land's not worn out, is it?
00:07:59No, the soil's fine.
00:08:01Yeah.
00:08:02It's better than most, uh, but it's a different place.
00:08:08The, uh, land's really a living thing to you, isn't it?
00:08:15Well, the land breathes like any man.
00:08:19And different as one is from another.
00:08:23Good and bad.
00:08:25Yeah.
00:08:25Well, it's a real fixer-upper.
00:08:44We could swing it, but, uh...
00:08:46Oh, Paul, I love this house.
00:08:48Please, let me try.
00:08:49Please.
00:08:52Can we really swing it, do you think?
00:08:53Yeah.
00:08:57How soon can we move in?
00:09:18I made it myself.
00:09:23That's a pentacle to ward off evil.
00:09:29Oh.
00:09:30It's a kind of nice design.
00:09:31I think I'll leave it there.
00:09:34Well, it's one thing to paint it on.
00:09:35It's another thing to believe in it.
00:09:36It's another way.
00:09:37It's another thing to think about.
00:09:43Let's think about the house.
00:09:46Oh, why?
00:09:51Well, that's the lack.
00:09:52I need to grab it.
00:09:54I need help.
00:10:55You are now as protected from evil as any barn in Bucks County.
00:11:15One bite?
00:11:16No.
00:11:17One.
00:11:18No.
00:11:19One.
00:11:20One.
00:11:21One.
00:11:22One.
00:11:23One.
00:11:24One.
00:11:25One.
00:11:26One.
00:11:27One.
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00:12:00One.
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00:12:37One.
00:12:38Oh, come on. They're probably going to have it for dinner, anyway.
00:12:43Mmm! I didn't tell you.
00:12:46I think I made a couple of house payments on the place.
00:12:48Oh, how?
00:12:49Yeah, we're going to rent the place for an apple bar commercial.
00:12:52I think it's a good idea.
00:12:53Fresh air and clean well water and that whole image, you know.
00:12:57I thought we might have a housewarming after the shoot.
00:13:00You know, with the cast and the crew and...
00:13:03Well, maybe a couple of guys from the agency.
00:13:05All right.
00:13:06Good idea?
00:13:07Yeah, okay.
00:13:37You're all right, okay?
00:13:38I thought you were like a boss.
00:13:39I'm sorry.
00:13:40Okay.
00:13:41Look at my eyes.
00:13:42All right.
00:13:43I'm sorry.
00:13:44Give me one little one.
00:13:46I'm sorry.
00:13:47I'll be here.
00:13:48I'll be here.
00:13:49Give me one little one.
00:13:50Okay.
00:13:51I'll be here.
00:13:52I'm sorry.
00:13:53You're not too late.
00:13:54I'll be here.
00:13:55I'll be here.
00:13:56What have you been for?
00:13:57I'll be here.
00:13:58Oh.
00:13:59I'll be here.
00:14:00Mom!
00:14:30Mom!
00:14:44Mom!
00:14:48Mom!
00:14:52Mom!
00:14:55Mom!
00:19:00Just a dream.
00:19:01It's all right.
00:19:04Okay.
00:19:05Come on.
00:19:06That's it.
00:19:30What's the matter?
00:19:40You've been here all night.
00:19:42What's wrong?
00:19:43Is Laurie all right?
00:19:44Is Laurie all right?
00:19:47She's sleeping.
00:19:48You better get back to bed to me.
00:19:50Come on.
00:19:51Come on.
00:19:51Come on.
00:19:52Come on.
00:19:53Come on.
00:19:54Come on.
00:19:55Come on.
00:19:56Come on.
00:19:57Come on.
00:19:58Come on.
00:19:59Stand up.
00:20:00Oh, boy.
00:20:01You're getting too heavy.
00:20:05You're just growing up too much.
00:20:08Oh, boy.
00:20:11Come on, big fella.
00:20:13Come on.
00:20:14Come on.
00:20:20Come on.
00:20:22Come on.
00:20:22Apples come in chocolate brown, hmm, they're wonderful.
00:20:29Apples come in taffy gold, hmm, they're scrumptious.
00:20:36Listen to me, all you folks, hear me when I say,
00:20:43Apple bar, apple bar, send me all the way.
00:20:52All right, let's take it from the top, boys.
00:20:58Beth, baby, you forgot to make me believe that you eat this junk.
00:21:02Now, you just got it.
00:21:03I'll do it.
00:21:03All right, get up on the word wonderful, not scrumptious, okay?
00:21:11All right, but there's still more enthusiasm.
00:21:13Paul, Paul.
00:21:15Yeah, here.
00:21:18I'm picking up a weird sound here, I can't figure out what it is.
00:21:20I'll do jazz.
00:21:23No, it's no jazz.
00:21:24Here, listen.
00:21:31That's weird, huh?
00:21:35Marge!
00:21:37Marge!
00:21:40Honey, did you remember to turn out the refrigerator like I have?
00:21:46Yes, and the freezer, too.
00:21:48You did?
00:21:50All right, settle down, buddy.
00:21:52We're listening for a strange sound.
00:21:53Look, Paul, I don't know why you're worried about the sound anyway.
00:21:55I mean, that girl can't sing at all.
00:22:07We're going to dub another voice in later,
00:22:08but I just wanted to get a clear track.
00:22:10It's all right.
00:22:11Okay, fellas, try this.
00:22:13I don't know what it was, but it's gone now.
00:22:24It is?
00:22:24Yeah, that sounds all right.
00:22:28Well, okay, let's go.
00:22:32All right, all right, all right, all right.
00:22:34Settle down, settle down.
00:22:35Let's get to position number one.
00:22:36Now, Beth, remember, get up on wonderful, hmm?
00:22:41Okay, ready?
00:22:43Apples come in chocolate brown, hmm, they're wonderful.
00:22:50Apples come in taffy gold, hmm, scrumptious.
00:22:58All right, let's get this for you.
00:23:03All you get.
00:23:04Church.
00:23:06You said that girl couldn't sing.
00:23:08But she sure is good looking.
00:23:10Yeah.
00:23:10I don't know.
00:23:11What kind of class?
00:23:14An acting class.
00:23:14Yeah, what about that?
00:23:16This is to ward off the demon in the Pennsylvania countryside.
00:23:20Okay.
00:23:24And, and, and I have one for you.
00:23:26And that was the time that, uh, Hal Clement caught, uh, Blackwater fever.
00:23:33Wow.
00:23:34One for you.
00:23:35Earned my award for today's work.
00:23:37You seem to know something about all those things.
00:23:40Not really, but I had this boyfriend who was really nuts about spooks and devils and all of that.
00:23:45So he turned me on.
00:23:47You turned me on.
00:23:49Yeah, well.
00:23:50Listen.
00:23:50See you later.
00:23:51See you later.
00:23:52I don't.
00:23:52I mean, the trees are just beautiful.
00:23:54Have you been doing any gardening?
00:23:56No, I haven't started that yet.
00:23:58And what?
00:23:58I still have so much to do in that.
00:23:59Oh, the house looks lovely.
00:24:02Oh, thank you.
00:24:02It really does.
00:24:03There's nobody around for miles.
00:24:04There are airlifting supplies in.
00:24:05Location manager takes one look at the site.
00:24:07It's just as far as the eye can see is jungle.
00:24:09And he takes a look at it.
00:24:11And he says, you know, when I was a kid, all this used to be apartment houses and hotels.
00:24:15Well, it's been a lovely party anyway.
00:24:20Come on.
00:24:22I'll take you home.
00:24:23Okay.
00:24:24And he says, you know, there's a shade.
00:24:37I'll take you home.
00:24:42You're right.
00:24:43I mean, the police only said that there was, that the place was badly marked and they had no other explanation than that.
00:25:13Maybe they'd still be alive.
00:25:16Well, you can't figure things like that, honey.
00:25:19Now, don't you go collecting any free-floating guilt now, you hear?
00:25:23But it's true.
00:25:25Well, yeah, it's true.
00:25:27If he hadn't come out here, he'd still be alive.
00:25:29If he'd gotten a sore throat, he'd stayed in the city.
00:25:32If they'd turned right instead of left at our gate and gone through Washington's corner, yeah, they'd still be alive.
00:25:38But you can't figure things like that.
00:25:41And there's no other explanation for it.
00:26:11No, no!
00:26:12I can.
00:26:13No, no!
00:26:14I can.
00:26:15I can.
00:26:16Yeah.
00:26:17The Apples come in, happy goes, hmm, hmm.
00:26:40There is guantua, guantua, there, there, mm, there, mm.
00:26:48Thank you, thank you very much, my dear.
00:26:50We're looking for a singer.
00:26:53Can you try it once again?
00:26:55Yeah.
00:26:56Who?
00:26:57Oh, yeah, of course, put her on.
00:27:00Hello, honey.
00:27:01What's happening?
00:27:02I just saw Gehrman in the field again.
00:27:04He's killed another chicken.
00:27:05I can't tell you how ugly I find it.
00:27:07Well, I'll have to talk to him, honey.
00:27:09I just won't have it anymore.
00:27:11Now, will you relax?
00:27:12I'll be late tonight, but I'll talk to him first thing in the morning, okay?
00:27:15Okay.
00:27:16You know, I heard a baby crying in the barn the other night.
00:27:20And when I went out to see, then it sounded as if it were coming from the house.
00:27:24Honey, will you please not do that?
00:27:26If something disturbs you in the middle of the night, get me up.
00:27:29We're auditioning girl singers.
00:27:31I'm a little busy.
00:27:33I'll talk to Gehrman in the morning, okay?
00:27:35Bye.
00:27:39Bye.
00:27:40Bye.
00:27:41Bye.
00:27:42Bye.
00:27:43Bye.
00:27:44Bye.
00:27:45Bye.
00:27:46Bye.
00:27:47Bye.
00:27:48Bye.
00:27:49Bye.
00:27:50Bye.
00:27:51Bye.
00:27:52Bye.
00:27:53Bye.
00:27:54Bye.
00:27:55Bye.
00:27:56Bye.
00:27:57Bye.
00:27:58Bye.
00:27:59Bye.
00:28:00Bye.
00:28:01Bye.
00:28:02Bye.
00:28:03Bye.
00:28:04Bye.
00:28:05Bye.
00:28:06Bye.
00:28:07I don't want to wait!
00:28:12I don't want to wait!
00:28:14I think I can care about it.
00:28:16We're breaking into the woods!
00:28:18Take it off, I think somebody else could.
00:28:20There's a nice discussion.
00:28:23Well, with it.
00:28:27It's an accident, you can't get killed.
00:28:29Can you read it, Fox?
00:28:37Well, that's that.
00:28:49What did you say to him? He was waving his arms all over.
00:28:52He said something, I said something. He yelled and I yelled.
00:28:56I'm fired him. We'll have to get somebody else to work the place.
00:29:00He said we were fools.
00:29:02And he'd rather not work for fools.
00:29:05Well, how did he justify that?
00:29:06He said we were mocking the devil, especially you.
00:29:11He inferred that we caused that accident.
00:29:15Drinking and foolishness.
00:29:18You think everybody around here thinks out of us?
00:29:24That's it. Now remember, the one that eats the most in 10 minutes gets surprised.
00:29:29Easy there. Don't leave your teeth in there.
00:29:31Hey, watch it there, Stevie. What are you doing there?
00:29:34You ain't getting more on your plate than you're on your mouth.
00:29:38Oh, look at Pam Twirl. And look at Bruce.
00:29:43You have more neighbors than you think you know.
00:29:45Billy, come on up.
00:29:45Pull me out of now.
00:29:47I've seen you do some pretty funny things in a mix of a movie, but I don't think I am.
00:29:51Sure, sure, here's no more than a mile away from you guys.
00:29:55What are you doing?
00:29:58A mile down from you at the first turn.
00:30:01Oh, yeah.
00:30:02Those friends of yours, they would kill them, my brother.
00:30:04Oh, really?
00:30:05Terrible thing.
00:30:06Yes, it was.
00:30:07Mag, Mag, here are the people whose friends would kill them.
00:30:10My wife, Mr. Warden.
00:30:14Yeah.
00:30:14These are the hackers.
00:30:15Marlin, the shit I have.
00:30:18Marlin, Marjorie Warden.
00:30:22You've got a whole lot of fun.
00:30:23I've heard of Marlin a lot of fun.
00:30:27You've got a lot of conversation coming and going.
00:30:31Would you follow me?
00:30:32I want you to meet her.
00:30:33Harry, excuse me.
00:30:36Oh, how do you do?
00:30:38I'm Marjorie Warden.
00:30:39Oh, I'm Ernest Lincoln.
00:30:40Weren't those people killed on your property?
00:30:43Not on property.
00:30:44It was on Schiller property.
00:30:45Mrs. Warden, excuse me.
00:30:48I got a girl broken down.
00:30:50Well, Harry, this is Miss, Mr. and Mrs. Warden.
00:30:55Your ladies guests and neighbors, Harry.
00:30:58Ah, good, good.
00:30:59I've heard from you.
00:31:00And this is, uh...
00:31:02Excuse me.
00:31:03This is Ernest.
00:31:04Harry's movement.
00:31:05Oh, they do.
00:31:07Carol.
00:31:08Put things out to the hungry ones.
00:31:10Sure thing.
00:31:11Sure thing, Harry.
00:31:12Are you, uh...
00:31:13Are you retired, sir?
00:31:14No, my uncle compiles cookbooks.
00:31:17He's a very good cookbook.
00:31:18What?
00:31:19They want to know what you do.
00:31:21I put together cookbooks.
00:31:23Yeah.
00:31:24I saw an example of your work with the Pentacle.
00:31:27Very skillful handling of the design.
00:31:29Remarkable.
00:31:30Well, where on earth did you see that?
00:31:33They want to know how you know about the Pentacle.
00:31:35I was over at the Schiller's, that's how.
00:31:36I don't know that.
00:31:38They have one, uh, tacked up on their new fence.
00:31:40The fence the couple crashed into.
00:31:42Terrible.
00:31:43Terrible.
00:31:44Yes.
00:31:45Yes.
00:31:47I lost.
00:31:48And your manners along with it to wipe your mouth off.
00:31:52Terrible energy.
00:31:54Only child.
00:31:55No, no, no.
00:31:56Small daughter at home at the city.
00:31:59I put together a Pennsylvania Dutch cookbook once.
00:32:02Amish, Germanic, solid, stick-to-the-ribs kind of food.
00:32:06I illustrate it with Pentacles and Hexes.
00:32:09I've got a lot of books on the subject.
00:32:10I've studied it a lot faster.
00:32:12I'll bet you'd like to see some of those books.
00:32:14Come with me into the library.
00:32:15I'll show you.
00:32:15I'll tell a joke.
00:32:17Hey, listen.
00:32:18Paul's gonna tell a joke.
00:32:19Paul's gonna tell a joke.
00:32:20He's gonna tell a joke.
00:32:22It's gonna be a true joke.
00:32:24I spent all my time in here.
00:32:30Or in the kitchen.
00:32:32Since my wife died.
00:32:34And I hardly ever go to bed.
00:32:36I had a devil in the house once.
00:32:42Oh?
00:32:46They don't believe.
00:32:48You believe in God?
00:32:50Yes.
00:32:51Well, if you believe in God, then you have to believe in the devil.
00:32:53They're inseparable.
00:32:55I got rid of that devil, though, you know how?
00:32:58Well, I talked to him, you see.
00:32:59But when he talked to me, I couldn't hear him.
00:33:02I drove him crazy and he left.
00:33:06Well, I'm glad to see that you have a sense of humor about this.
00:33:11I wouldn't want Marjorie here to become too seriously involved in it.
00:33:16Why is that?
00:33:17Because he thinks that I am very gullible.
00:33:20Both feet off the ground.
00:33:26Here are some ripe ones.
00:33:31Now, the idea of the circle is for protection.
00:33:33If a circle like these is drawn and you stand inside it, you're protected from the devil and all his buddies, no matter what.
00:33:40But the person in the circle is supposed to pray, the Lord's Prayer, almost anything from the Bible.
00:33:46Well, they are very lovely, but I think it's all rather weird.
00:33:49Well, that's the way you go through life.
00:33:51Thumbing your nose at the world.
00:33:53I'd like to stop by one time and see how you do the pedicles.
00:34:00Oh, yes.
00:34:01Well, that would be very nice, thank you.
00:34:03I'd like that.
00:34:08Stevie, be careful.
00:34:09It's wet. Walk!
00:34:10Walk around.
00:34:11Just walk all the way on the edge.
00:34:12Okay?
00:34:14Oh, you had to do that.
00:34:16Here's what we're going to do.
00:34:17Come on, don't get your knees up.
00:34:17One minute, please.
00:34:20Now, this is going to be fun for you.
00:34:22We're going to speak an incantation.
00:34:24You know what?
00:34:25Well, it's about magical words.
00:34:27Okay?
00:34:28Now, I'll start out, and then when I point to you, you have to repeat it after me.
00:34:32Okay.
00:34:34Let me find it.
00:34:36In the name of the powerful, we sanctify this place for our good and lasting life.
00:34:40Stevie, no being natural or supernatural shall be allowed to break this barrier,
00:34:45and he'll bring about our destruction.
00:34:47With this chant, we ask of protection and grace.
00:34:50Ready?
00:34:51Okay.
00:34:52Okay.
00:34:53Now, you just, you repeat after me.
00:34:55You ready?
00:34:56Yeah.
00:34:57Okay.
00:34:58I am Osiris and Orpheus.
00:35:01I am Osiris.
00:35:03No, and Orpheus.
00:35:05And Orpheus.
00:35:06I am the judge and the everlasting.
00:35:09I am the judge.
00:35:10No, don't do that.
00:35:11I am the judge and the everlasting.
00:35:12Okay, because you have to be serious or everything falls apart.
00:35:15Are you ready?
00:35:16Okay.
00:35:17Alas, I shall never die.
00:35:20Alas, I shall never die.
00:35:42Alas, I shall never die.
00:35:44Alas, I shall never die.
00:35:44Some great magic cures.
00:36:11Here is one for overpowering a dragon.
00:36:16And one to cure the gout.
00:36:21Here's one for ulcers.
00:36:23Oh, I'll have to tell Paul about that.
00:36:25Ulcers.
00:36:27And here's one to gain a man's love.
00:36:31Oh, here is a splendid one.
00:36:34How to arouse a woman's passion.
00:36:39How a devil takes over innocent people and uses them to do his work.
00:36:44It's like a disguise.
00:36:46Old wine and new bottles.
00:36:48It's fascinating.
00:36:51You know, I thought I heard a baby crying.
00:36:55I thought I heard a baby crying in the barn the other night.
00:36:59In the barn?
00:37:01The baby crying?
00:37:04To check it out?
00:37:05It was a false alarm.
00:37:12Evil spirits do not necessarily bring about mayhem themselves,
00:37:16but possess a human being to cause ruin and shame.
00:37:20The devil is thought to materialize as a black cat or a toad
00:37:25and expect kisses from his subjects.
00:37:28Where have you been?
00:37:30I thought I told you not to wander off.
00:37:35Do you remember Mr. Lincoln, Steve?
00:37:37Hello.
00:37:38Hello, Stevie.
00:37:39Where have you been?
00:37:42In the shed.
00:37:44All kinds of jars of stuff out there.
00:37:46Jars of what?
00:37:48Jars of...
00:37:49Steve, you have to speak up.
00:37:51Speak very clearly and slowly,
00:37:53or Mr. Lincoln will not be able to understand you.
00:37:59Jars of stuff in the shed!
00:38:02Probably the old tool shed.
00:38:04Everything eventually got stored there.
00:38:08Would you do me a favor?
00:38:09Would you go upstairs and see Flory's all right?
00:38:11Okay.
00:38:13Welcome here.
00:38:18You're a psychologist.
00:38:19No.
00:38:20No.
00:38:22I just know my own son.
00:38:24You know, this is fascinating.
00:38:27I'd like to record your account the other night,
00:38:29if you'll allow it,
00:38:30when you heard the baby crying.
00:38:32Yes, but why?
00:38:33I like to keep records of odd occurrences like that.
00:38:36You could come over to my house,
00:38:38or I could bring my portable tape recorder over here.
00:38:43I recorded the story of a woman from Trenton
00:38:46who claimed that a devil came through the keyhole of her door,
00:38:51ate 13 white seedless grapes from a bowl in the kitchen,
00:38:55promptly kissed her ravishingly,
00:38:58then returned to the kitchen,
00:39:00ate 13 more grapes,
00:39:02and let himself out through the keyhole.
00:39:04And she never saw him again.
00:39:07Bye.
00:39:08Hello?
00:39:09Hi.
00:39:10I've been trying to find time all day to call you.
00:39:12Oh, that's all right.
00:39:13I've been talking to Harry Lincoln about magic spells.
00:39:16My wife, the witch.
00:39:18Listen, I have to go out to the coast first thing tomorrow,
00:39:22so I'm going to need some new shirts at the very least.
00:39:24We're going to show the new campaign to the client.
00:39:26Yes, well, I'll get everything ready.
00:39:27How are the kids?
00:39:28No problem.
00:39:29And how are you, Mrs. Wharton?
00:39:30Oh, I'm very well.
00:39:31I'll see you soon, 21.
00:39:32Bye.
00:39:33You're going to be daddy-less for a couple of days.
00:39:35Where's it going?
00:39:36Los Angeles or some other godforsaken place.
00:39:37I'll have a great visit to the doctor.
00:39:39Then after the care years,
00:39:41she's a woman who needs some new shirts at the very least.
00:39:42I'm going to need some new shirts at the very least.
00:39:45We're going to show the new campaign to the client.
00:39:46Yes, well, I'll get everything ready.
00:39:47You're going to be daddy-less for a couple of days.
00:39:51Where's it going?
00:39:52Los Angeles or some other godforsaken place.
00:39:58or some other guy for second place.
00:40:28Oh, no!
00:40:55Oh, no!
00:40:58Come on.
00:41:28Oh, no, no, no, no, no.
00:41:58No, no, no.
00:42:00No, no.
00:42:06No, no.
00:42:10No.
00:42:14No.
00:42:17No.
00:42:21No.
00:42:23No.
00:42:32No.
00:42:34No.
00:42:48No.
00:42:50No.
00:42:57No.
00:43:00No!
00:43:01Let me out. Let me out. Let me out.
00:43:03Let me out.
00:43:05Please no.
00:43:06No.
00:43:07No.
00:43:08Please no.
00:43:09No.
00:43:11No.
00:43:12Oh.
00:43:20Let's go.
00:43:50I want to leave this place.
00:44:15Oh, I want to leave this place.
00:44:20Well, I have a vacation coming up in about three weeks.
00:44:25I could use one.
00:44:27We'll go away.
00:44:29I want to leave here now.
00:44:32You've got to be kidding.
00:44:34Do I look like I'm kidding?
00:44:35You're not even having a bad time?
00:44:37The kid's getting you down?
00:44:38No.
00:44:39No, it's not the children.
00:44:41All so many strange things have happened to me here.
00:44:43I can't begin to explain to you.
00:44:45But I feel as if something or someone is trying to possess me.
00:44:49Yeah.
00:44:50Me.
00:44:51Can't you ever be serious?
00:44:54I swear that all you ever think about is trying to sell tomato ketchup.
00:44:58Katson.
00:44:59Haven't you been listening to me?
00:45:00I want to leave this place.
00:45:01I say you're kidding.
00:45:03I have sunk every dime I've got into this place.
00:45:06Now, we just got here.
00:45:07I've seen you like this before.
00:45:08Now, you stop it now.
00:45:11We want a vacation.
00:45:12You'll be all right.
00:45:17I won't stay.
00:45:19I'm going to take the children and I'm going to New York.
00:45:21You can come if you want.
00:45:23It's up to you.
00:45:24You hear me?
00:45:25It's fine.
00:45:32We'll sell the place.
00:45:34I'll call a realtor in the morning.
00:45:37I'll go back to the city and live happily ever after.
00:45:52Good morning.
00:45:53Good morning.
00:45:53Beautiful morning.
00:45:54You know, are you on your way home?
00:45:56Yeah, I asked my nephew Ernest to drop me off here,
00:45:58hoping to catch you on your way to your commuter train.
00:46:00Something on my mind.
00:46:01Well, good.
00:46:02Come on, I'll get your lift.
00:46:17Marjorie's had a couple of nasty experiences on the farm.
00:46:20Shockers.
00:46:21Yeah, so I understand.
00:46:22She even wants me to sell the place.
00:46:25I think you should.
00:46:26Why?
00:46:27Do you want to buy it?
00:46:29She's been under terrible stress.
00:46:31Garamond called me.
00:46:32He said he heard her screaming last night.
00:46:34He said he'd have looked in on her, but he was afraid she'd order him off the place.
00:46:38He thinks she got you to fire him.
00:46:39Well, I didn't know about the screaming.
00:46:40I didn't know about the screaming.
00:46:41She's really been shaken up.
00:46:44Maybe close to an emotional breakdown.
00:46:46I'd say at this moment she feels she's brought something evil into your lives.
00:46:50Evil?
00:46:51You know, some places are evil.
00:46:55You can buy them, but you can't always own them.
00:46:59I'd consider a change if I were you.
00:47:01I believe there's a devil.
00:47:06I know it can come disguised to me.
00:47:11Sometimes you have to accept things you've ridiculed in the past.
00:47:14You're incapable of resisting a thing if you don't believe it exists.
00:47:21Don't set up a wall when Marjorie tells you how she's felt or what she's seen.
00:47:27Open up.
00:47:28Listen.
00:47:29As if her life were in danger.
00:47:31Oh, please.
00:47:35I know that she's been going through some kind of a transition, but to blame it on the devil
00:47:39is a complete avoidance of reality.
00:47:40Hey, I'm not going to see a real girl.
00:47:42I don't intend to, not for a few days anyway.
00:47:44Until I see whether she's calmed down or not.
00:47:47If I sold the place now, I'd take a terrible loss.
00:47:50I've got a hunch she's been on something.
00:47:52I mean, like, maybe she's out.
00:47:55Squeezing those grapes out back into some eye-proof stuff.
00:48:00All I'm asking you is that you consider what I'm saying.
00:48:04Nearly always at home if you need me.
00:48:06Yeah, and I appreciate it.
00:48:08I'm glad you're there to keep her upright.
00:48:10There's my place.
00:48:15Yeah.
00:48:31Stevie!
00:48:33Don't play like that with her.
00:48:35Now, take that thing away.
00:48:36Take it away!
00:48:43Stevie!
00:48:43Stevie!
00:48:44Let's go.
00:49:14Let's go.
00:49:44And at this juncture of mankind, evil holds the world in his hand.
00:50:02Light has given way to darkness, and evil seeks our very souls.
00:50:14Let's go.
00:50:15Stevie!
00:50:16Stevie!
00:50:17Stevie!
00:50:18Stevie!
00:50:19Stevie!
00:50:38Stevie!
00:50:43Stevie!
00:50:45Stevie!
00:50:51Steven! Stevie!
00:50:53Stevie!
00:50:55Stevie!
00:50:57Stevie!
00:51:07Stevie, where are you?
00:51:09Stevie!
00:51:11Stevie!
00:51:13Stevie!
00:51:15Steven!
00:51:17Stevie!
00:51:19Stevie!
00:51:21Steven!
00:51:35I thought I told you to stay in the yard.
00:51:37Didn't I tell you to stay in the yard?
00:51:39Didn't I? Didn't I?
00:51:41Didn't I?
00:51:47I told you to stay in the yard, Steven!
00:51:49Don't!
00:51:51Steven!
00:51:53Stop!
00:51:55Mommy, no!
00:51:57Mommy, no!
00:51:59Please!
00:52:01Mommy!
00:52:03Mommy, no!
00:52:05Mommy!
00:52:07In opposition to the competitor's product, I think, is just a little passe.
00:52:11We're gonna have to find something else for it.
00:52:13Uh, yes?
00:52:15Yes, I'd like to speak to Paul Worden.
00:52:19Just a minute, please.
00:52:23Yes, Paul Worden.
00:52:25Paul, I need you here. Come home.
00:52:27What's the matter?
00:52:29Mrs. Worden?
00:52:31Uh, my uncle isn't home, and I wondered if he was here.
00:52:35Who was that?
00:52:36Paul, listen to me.
00:52:38You have to come home.
00:52:40I've done something terrible.
00:52:42Oh, darling, I'm right in the middle of a business meeting.
00:52:45Paul!
00:52:46Well, all right, I'll leave right now.
00:52:53Mrs. Worden?
00:52:55I'm sorry, I haven't seen your uncle for a couple of days.
00:53:07Oh, well...
00:53:09My, you've really changed this place.
00:53:13I haven't been here since McDermott got killed.
00:53:16McDermott?
00:53:18Oh, uh, he was the man that lived here before you did.
00:53:24I never thought it was much of an accident myself.
00:53:27I guess, uh, if you thought that, you wouldn't have bought the house.
00:53:31Yeah, I was here, uh, last time was a week before McDermott got killed.
00:53:38He was very shaky.
00:53:41Said he was gonna burn the place down.
00:53:43Uh, he said, uh, I've got to destroy it before it destroys me.
00:53:49Well, McDermott was, uh, never very stable.
00:53:53Good-bye, sweet baby.
00:53:59Well, I guess I'll be going.
00:54:04Are you gonna be all right?
00:54:08Are you gonna be all right?
00:54:24Come here, come here.
00:54:38You're gonna be all right?
00:54:40What happened?
00:54:41You fall down?
00:54:42Did your mom do this to you?
00:54:45Okay, what happened, did you fall down?
00:54:53Did your mom do this to you?
00:55:04Why did you hit the boy?
00:55:09Did he try to burn down the barn?
00:55:11No.
00:55:12Did he try to kill one of his chickens?
00:55:19Did he try to kill anybody?
00:55:21No, Paul.
00:55:22Then why did you hit him?
00:55:24He fell.
00:55:25And that's why you hit him?
00:55:27Paul, I'm not one to hurt the children, you know that.
00:55:30I've never even spanked them before.
00:55:31You are aware of that?
00:55:32Yes, Marjorie, I know that.
00:55:33But that boy looks like... he's...
00:55:36What happened?
00:55:38I realized that he is really hurt.
00:55:40Now, I have apologized to him and I am trying to apologize to you.
00:55:45I'm sorry.
00:55:46You understand that?
00:55:47I'm sorry.
00:55:50Paul.
00:55:52Paul.
00:55:53Paul.
00:55:54Paul.
00:55:55Paul.
00:55:56Paul.
00:56:05Are you all right?
00:56:06Yes.
00:56:11Have a good day.
00:56:12You too.
00:56:23You see, I don't believe in physically punishing children.
00:56:32I don't think that I ever hit Stevie before.
00:56:36I'm having a hard time believing it was really me.
00:56:40I would be so ashamed if you had to see him today.
00:56:44You don't have to shout to make me hear you.
00:56:48You see, when my wife died, I kind of retreated.
00:56:55I didn't feel like talking to people.
00:56:57So I told everyone I was losing my hearing.
00:57:01They even said I was going to see a specialist in New York.
00:57:05I went to New York, all right, but you know what I did?
00:57:11I went to a girly show.
00:57:18You're so depressed, I can't have you shouting.
00:57:20A 102-year-old woman from Germantown sent me the recipe for those.
00:57:33Supposed to give you a long life and a short temper.
00:57:40I want you to try one.
00:57:44No.
00:57:46No, thank you.
00:57:47I'm not so sure that I want a long life.
00:57:52And I think I already have a short temper.
00:57:59It's strange, you know, but I start out to laugh and I end up crying.
00:58:05You know, the books that you gave me.
00:58:09I've been reading them a lot lately.
00:58:13If I thought they were going to tear you up like this, I wouldn't have given them to you.
00:58:18No, that's not the books.
00:58:23Can you believe that I believe that the devil is in my house?
00:58:30Yes.
00:58:31If you believe there's a devil, and you believe the devil is in your house, then for you it's true.
00:58:43I don't trust myself.
00:58:44I'm afraid for the children, too.
00:58:48I have to go home. I've left Stevie with the baby.
00:58:53Marjorie!
00:58:54Some things are more powerful than pentacles.
00:59:03Like love.
00:59:06It's a powerful force, Marjorie.
00:59:11I live only a mile away.
00:59:13The telephone puts us in touch in seconds.
00:59:18Don't hesitate.
00:59:19Don't hesitate.
00:59:21I won't.
00:59:25Apple Bar Commercial, re-recording, take two.
00:59:28Apples come in chocolate brown.
00:59:41Mmm, they're wonderful.
00:59:45Apples come in taffy gold.
00:59:49Mmm, they're scrumptious.
00:59:52Cut, cut, cut, cut, cut, cut.
00:59:56You got it, Irene?
01:00:00Honey, you're giving out with just a little too much rock sound.
01:00:06Make it sweet.
01:00:07Remember, this is the girl next door.
01:00:09With freckles.
01:00:11Freckles.
01:00:13All right.
01:00:14Anytime you're ready.
01:00:15Go on.
01:00:22Paul.
01:00:24Paul.
01:00:25Paul, can you come home?
01:00:27Honey, I can't possibly come down there tonight.
01:00:29I'm right in the middle of a session.
01:00:31As a matter of fact, I'll probably be staying in town tonight.
01:00:33This thing's gonna go late.
01:00:35I'm sorry, I really, I didn't mean to bother you.
01:00:37You know, you must think I'm crazy calling you all the time like this.
01:00:40Why don't you call Harry and have him come over and sit with you, honey?
01:00:43Promise me you'll do that.
01:00:44Yes.
01:00:46Yes, I'll do that.
01:00:48Sin, I'm really sorry that I bothered you.
01:00:50I'll talk tomorrow.
01:00:53Bye.
01:01:14Bye.
01:01:15Bye.
01:01:16Bye.
01:01:17Bye.
01:01:18Bye.
01:01:19Bye.
01:01:20Bye.
01:01:21Bye.
01:01:22Bye.
01:01:23Bye.
01:01:24Bye.
01:01:25Bye.
01:01:26Bye.
01:01:27Bye.
01:01:28Bye.
01:01:29Bye.
01:01:30Bye.
01:01:31Bye.
01:01:32Bye.
01:01:33Bye.
01:01:34Bye.
01:01:35Bye.
01:01:36Bye.
01:01:37Bye.
01:01:38Bye.
01:01:39Bye.
01:01:40Bye.
01:01:41Bye.
01:01:42Bye.
01:01:43Alan's here.
01:01:59Thanks, honey.
01:02:00Come in, Alan.
01:02:02Hi, Paul.
01:02:04You've been here all night?
01:02:06I slept on the couch.
01:02:08What do you got for me?
01:02:09Something I think you'll find interesting.
01:02:13I found it when I synced your new track.
01:02:23You see it?
01:02:25There it is.
01:02:29It won't go away.
01:02:32It sure is not just a print.
01:02:34It's on the negative.
01:02:43Ernest, what's the matter?
01:02:54I have something to tell you.
01:02:58My uncle was attacked last night.
01:03:02I just came from his house.
01:03:03There are lots of policemen there.
01:03:04They said that he was left for murdered, but he didn't die.
01:03:11He's in terrible shape, though.
01:03:14They're not letting anybody see him now, because, well, there's not much to see anyway.
01:03:23I haven't seen much of him myself since you came here.
01:03:26Perhaps if I had, he wouldn't be like he is.
01:03:29I didn't even want him anymore.
01:03:31I didn't even want him.
01:03:31I wasn't for a 오케이.
01:03:33I wanted him to go out, but he wasn't fully around this.
01:03:35Heuntime STRONG
01:03:37She couldn't have gone anywhere, she doesn't have the car.
01:03:49I don't know how soon you can get me in a new open house.
01:03:55I don't know how soon you can get me in a new open house.
01:03:58She couldn't have gone anywhere, she doesn't have the car.
01:04:03I don't know how soon you can get me in a new open house.
01:04:07Wow, that'll cost you.
01:04:10Make sure there's a cat waiting for me at the airport.
01:04:26Something wrong, Mom?
01:04:29Stevie, go to your room.
01:04:33Steve, I told you to go to your room.
01:04:58Stevie, I told you to go to your room.
01:05:28Anna! Anna! Anna! Anna!
01:05:58Anna! Anna! Anna! Anna!
01:06:28Anna! Anna! Anna!
01:06:58Stevie, I want to tell you some things. I want to tell Lori, too. But she's not going to be able to understand the way you are.
01:07:18Stevie, I want you to know that I love you and Lori and Daddy very much.
01:07:27Stevie, it's very important that you hear what I have to say. Now, Lori is so small and she's not going to be able to take care of herself.
01:07:44You are going to have to help because I can't anymore.
01:07:50Mama can't trust herself to help either of you anymore.
01:07:57Sometimes, I don't know what I'm going to do.
01:08:02Stevie.
01:08:05I can't afford it.
01:08:10I can't afford her.
01:08:12I can't afford anyone if I don't.
01:08:16I can't afford her.
01:08:17I can't afford her.
01:08:22Look.
01:08:28Let's go.
01:08:58Mrs. Warren?
01:09:04Mrs. Warren, everyone!
01:09:19Listen to me, Mrs. Hear me.
01:09:21I know. Harry guessed it.
01:09:23It's your son, Mrs.
01:09:25It's the devil's own.
01:09:27He's been taken from you.
01:09:29When I heard about Harry, I started right over.
01:09:32Now, is he home, your son?
01:09:35He's locked in his room.
01:09:37And the baby?
01:09:47The baby!
01:09:49The baby!
01:09:50Rick, how do you go?
01:09:51Give me help!
01:10:04Paul!
01:10:05Paul!
01:10:06Pull the baby!
01:10:07Get the baby!
01:10:08Get the baby!
01:10:09Get the baby out!
01:10:10Pull the baby out!
01:10:11Marjorie!
01:10:12Marjorie!
01:10:13Marjorie!
01:10:14P.D.
01:10:15P.D.
01:10:16P.D.
01:10:17P.D.
01:10:18P.D.
01:10:19P.D.
01:10:20P.D.
01:10:24P.D.
01:10:26P.D.
01:10:28P.D.
01:10:29Marjorie!
01:10:30P.D.
01:10:31Marjorie!
01:10:32P.D.
01:10:33P.D.
01:10:34P.D.
01:10:35P.D.
01:10:36P.D.
01:10:37P.D.
01:10:49Marjorie!
01:10:52No! You can't have him!
01:10:56No! No! No!
01:11:01You can't have him!
01:11:04No!
01:11:07No!
01:11:14Marjorie!
01:11:30Steve!
01:11:31Stevie, I love you!
01:11:33I'm your mother, I won't let them have you! Stevie!
01:11:35I love you!
01:11:37I love you!
01:11:39I love you!
01:11:40I love you!
01:11:41I won't let them have you! I love you!
01:11:43I'm your mother!
01:11:44Your mother!
01:11:45I love you!
01:11:47I love you!
01:11:49I'm your mother, Stevie!
01:11:52I love you!
01:11:55I love you!
01:11:57Oh, Stevie! Stevie!
01:12:01I love you!
01:12:03I love you!
01:12:04Stevie!
01:12:05I love you!
01:12:07I love you!
01:12:20I love you!
01:12:25Let's go.
01:12:55Let's go.
01:13:25Let's go.
01:13:55Let's go.
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