ποΈπ Dive into the sultry world of post-war nightclubs and lost souls in Sensation Hunters (1945), also known as Club Paradise. This vintage crime drama follows a group of women navigating danger, love, and ambition in the glittering shadows of a seedy cabaret.
π½οΈ Plot Summary:
A drifting young woman takes a job at Club Paradise, a lively but morally grey nightclub, where sheβs caught between romance, scandal, and the shady dealings of gangsters. With moody lighting, classic noir vibes, and femme fatale energy, this film explores ambition and redemption in the underworld.
π°οΈ Year Released: 1945
π Genre: Drama, Crime, Film Noir
π¬ Directed by: Chuck Walters (uncredited elements), Robert Emmett Tansey
ποΈ Starring: Doris Merrick, Eddie Rio, Constance Worth
π― Why Watch It?
βοΈ Gritty post-war melodrama with noir undertones
βοΈ Strong female characters in a turbulent world
βοΈ Classic B-movie charm and nightclub intrigue
βοΈ Rare public domain gem from 1940s Hollywood
π Donβt forget to LIKE π | COMMENT π¬ | SUBSCRIBE π for more forgotten film noir, vintage crime dramas, and public domain classics!
π Explore More Noir Nights & Golden Age Films:
πΊ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
ββββββββββββββββββ
ποΈ #SensationHunters #ClubParadise #1940sCinema #FilmNoir #VintageHollywood #ClassicDrama #PublicDomainMovies #NightclubNoir #ForgottenFilms
ββββββββββββββββββ
π·π Love, betrayal, and danger light up the cabaret in Sensation Hunters (1945). Experience the drama beneath the neon glow!
________________________________________
π½οΈ Plot Summary:
A drifting young woman takes a job at Club Paradise, a lively but morally grey nightclub, where sheβs caught between romance, scandal, and the shady dealings of gangsters. With moody lighting, classic noir vibes, and femme fatale energy, this film explores ambition and redemption in the underworld.
π°οΈ Year Released: 1945
π Genre: Drama, Crime, Film Noir
π¬ Directed by: Chuck Walters (uncredited elements), Robert Emmett Tansey
ποΈ Starring: Doris Merrick, Eddie Rio, Constance Worth
π― Why Watch It?
βοΈ Gritty post-war melodrama with noir undertones
βοΈ Strong female characters in a turbulent world
βοΈ Classic B-movie charm and nightclub intrigue
βοΈ Rare public domain gem from 1940s Hollywood
π Donβt forget to LIKE π | COMMENT π¬ | SUBSCRIBE π for more forgotten film noir, vintage crime dramas, and public domain classics!
π Explore More Noir Nights & Golden Age Films:
πΊ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
ββββββββββββββββββ
ποΈ #SensationHunters #ClubParadise #1940sCinema #FilmNoir #VintageHollywood #ClassicDrama #PublicDomainMovies #NightclubNoir #ForgottenFilms
ββββββββββββββββββ
π·π Love, betrayal, and danger light up the cabaret in Sensation Hunters (1945). Experience the drama beneath the neon glow!
________________________________________
Category
π₯
Short filmTranscript
00:00:00THE END
00:00:30The End
00:01:00Miss Jordan?
00:01:12Yes? Who is it?
00:01:13It's Hal Grayson. How about a swim?
00:01:15Yes, I'll be up in a hippie.
00:01:17That's great. We'll be up on deck.
00:01:19Miss Jordan's a peach, isn't she?
00:01:21You've met her, haven't you, sis?
00:01:22Oh, yes. Last night with Mother.
00:01:24And when a girl gets Mother's approval,
00:01:26believe me, that's an achievement.
00:02:00Well, enjoy yourself?
00:02:04You know, it's frankly embarrassing
00:02:06and all that sort of thing,
00:02:07but I've dropped a guinea.
00:02:10Did you drop that in my room?
00:02:14Oh.
00:02:16I say, I hope you didn't think that I...
00:02:19First, I thought that...
00:02:21Well, you shouldn't, should you, eh?
00:02:22No, I guess I shouldn't.
00:02:24Bye-bye.
00:02:26Uh, uh, toodaloo.
00:02:41Could you tell me what time we get into Los Angeles?
00:02:43About 4 o'clock this afternoon, Miss Jordan.
00:02:46But you're not leaving us yet, are you?
00:02:47Oh, no.
00:02:47Now, you can't get rid of me before Panama.
00:02:49One more.
00:02:54Put your arm there.
00:02:58You got that?
00:02:59Oh, right.
00:03:02Get out.
00:03:02Thank you very much.
00:03:32Say, that dive was a beauty.
00:03:37Oh, by the way, Miss Jordan, I've arranged to have you with us at the captain's table.
00:03:42It might brighten it up a bit.
00:03:44Oh, that's thoughtful of you, Mr. Grayson.
00:03:46I'm sure I shall enjoy it.
00:03:49Were you hungry?
00:03:50Oh, so hungry.
00:03:51Well, that was actually good to me.
00:03:53Hello, Dad.
00:03:55Hello, Mother.
00:03:57Hello, darling.
00:03:59I got down long before you.
00:04:01I say, I hear that we are to have a little game this afternoon.
00:04:05Here we go.
00:04:06We have to have a little time.
00:04:08Are you hungry?
00:04:10I believe you all know Miss Jordan.
00:04:12How do you do, Miss Jordan?
00:04:16Oh, yes, you are.
00:04:17Does Miss Jordan know Mr. Montmorency Upson?
00:04:20Oh, yes.
00:04:21We've met.
00:04:22Charmed.
00:04:24If I'm not too inquisitive, Miss Jordan, was it on the continent you met Mr. Upson?
00:04:30It was on a boat.
00:04:31You know how it is in life sometimes.
00:04:33You open a door and before you know it you bump into somebody.
00:04:37I say, old thing.
00:04:39Do we take on any passengers at Los Angeles?
00:04:42Why, yes.
00:04:43As I recall, there's a group of passengers going through to Panama.
00:04:46The Trixie Snell girls going down to perform in the Bull Ring Cabaret.
00:04:50You mean cabaret girls?
00:04:52Well, dancers, entertainers, hostesses.
00:04:55You can call them almost anything you like.
00:04:57Oh, hoochie coochie dancers, eh what?
00:05:01Will they be permitted to mix with the passengers?
00:05:03They are passengers, Mrs. Grayson.
00:05:05The company cannot discriminate.
00:05:06Well, the passengers can discriminate, I assure you.
00:05:09Yes, I quite agree with you, Mother.
00:05:12That type should be kept in its place.
00:05:14Don't you think so, Dale?
00:05:16That depends on the type and the place.
00:05:19Hey, Red!
00:05:20Her hair's a different color every year, but they still call her Red.
00:05:22Hi!
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00:06:20Oh, hot dog!
00:06:29One side, sailor. You ain't seen nothin' yet.
00:06:35In all the world, no trip like this.
00:06:39Hi, Skipper. How's your old compass?
00:06:41Well, hello, Miss Nell. Glad to see you again.
00:06:43I'll be so proud of all of us. I hate you.
00:06:45Hey, Admiral.
00:06:48Hey, Admiral, are there any hoppers on this tug?
00:06:51Scram, Dumbbell.
00:06:53Cram fish down till you get where you can use it.
00:06:55Take down!
00:06:56Hey, sailor! Look who's back!
00:07:06If you'll excuse me, Mr. Grayson, I think I'll go down to my cabin.
00:07:09Well, I'll see you later, won't I?
00:07:12Why, yes. Unless you look the other way.
00:07:20That's it.
00:07:21I think it is.
00:07:23Oh, who's the roommate?
00:07:25Last time, you bumped me with a contortionist.
00:07:27Every time I looked at her in bed, I thought I was having a nightmare.
00:07:30Oh, she's a kid I picked up in Frisco.
00:07:32Kinda green, but she can sing.
00:07:34Oh, amateur, huh?
00:07:36What are we supposed to do, wiener?
00:07:38Well, there's nothing like a little fresh meat.
00:07:40After all, customers get kinda tired of has-been.
00:07:44You should know.
00:07:45Why, you low-down plug-face.
00:07:47Oh, as I was saying, dear, we're gonna have a delightful trip.
00:07:51Why, here's Miss Jordan now.
00:07:53Jolly what?
00:07:54Oh, hello, Miss Jordan.
00:07:56Received my wire, eh?
00:07:57Yes, I did, Miss Nell.
00:07:59I didn't really expect to hear from you.
00:08:02This is Jerry Royal, your roommate.
00:08:04Been with me before, and she knows the ropes.
00:08:06How do you do, Miss Royal?
00:08:07Shake, Jordan.
00:08:08Hey, Trixie, when do rehearsal start?
00:08:10Not till this gang of slobs get their sea legs.
00:08:13And listen, you, keep their mitts off those sailors.
00:08:15They've got enough on their hands keeping this tub afloat.
00:08:21The last we'll see of Trixie till we get into port.
00:08:24She's a good egg, except when she gets scrambled.
00:08:26Got a nail file, honey?
00:08:28What's the matter?
00:08:29Did you lose the key?
00:08:30No, I locked it in my trunk so they'll know where it is.
00:08:33Is it your first time in show business?
00:08:35Yes, it's my first to been.
00:08:37Well, you sure picked a tough spot for a beginner.
00:08:40Well, you've got to begin someplace.
00:08:42Yeah?
00:08:43Well, you don't know the bull ring or Trixie Snell's technique.
00:08:47Have you been here before?
00:08:48Honey, I've been to Panama so often I feel like an isthmus.
00:08:52Well, if it's so bad, why do you and the other girls keep on going back?
00:08:55Oh, different girls, different reasons.
00:08:58But mostly because it's just our speed.
00:09:01You know, you can't make a silk purse out of a horse's neck.
00:09:04And there's another reason.
00:09:06Good hunting for husbands.
00:09:08Say, there's plenty unmarried men to every woman.
00:09:11Why, it's a regular he harem.
00:09:13I shouldn't think a good-looking girl like you'd have any trouble finding a husband.
00:09:17She wanted one.
00:09:18Thanks for them kind words, sister.
00:09:19But I am married.
00:09:20You are?
00:09:21Yeah, or am was and is going to be.
00:09:22Are you joking?
00:09:23No, sir.
00:09:24Three times loser.
00:09:25Trouble with me is I go gaga over tattoo marks.
00:09:28Three splices and three sailors.
00:09:30The kind of sailors I hitched up with ain't never seen an anchor.
00:09:34How do you lose them?
00:09:35They don't just run away, do they?
00:09:36No, some of them get lost in the fog.
00:09:37The rest of them I just throw out.
00:09:38Where it was open all the time.
00:09:39As if I got to lock it.
00:09:40Oh, that was number one.
00:09:41Olaf Anderson.
00:09:42He's a pretty good guy.
00:09:43Not much to look at.
00:09:44But, oh.
00:09:45Oh.
00:09:46How do you lose them?
00:09:47How do you lose them?
00:09:48They don't just run away, do they?
00:09:49No.
00:09:50Some of them get lost in the fog.
00:09:51The rest of them I just throw out.
00:09:53Where it was open all the time.
00:09:54As if I got to lock it.
00:09:55Oh, that was number one.
00:09:56Olaf Anderson.
00:09:57He's a pretty good guy.
00:09:59Not much to look at.
00:10:00But, oh, that was number one.
00:10:04Olaf Anderson.
00:10:05He's a pretty good guy.
00:10:07Not much to look at.
00:10:09But, oh, sister.
00:10:11What a man.
00:10:12What happened to him?
00:10:13Poor Olaf.
00:10:14He signed on one of those round the world cruises.
00:10:17Lost his boat in Shanghai.
00:10:19And I guess the dumb dodo can't learn enough Chinese to ask his way home.
00:10:23Want me to help you put your things away?
00:10:25Nope.
00:10:26I don't need any help.
00:10:32Well, I'm all settled.
00:10:35Heaven help the poor sailors on a night like this.
00:10:38I thought you said you'd sworn off on sailors.
00:10:41Well, the gal's got to have some practice.
00:10:43Some of those sailors are pretty good.
00:10:45At practice.
00:10:47Well, your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:10:59Well, I have a frightful headache.
00:11:00Will you see me to my cabin?
00:11:01Well, I have a frightful headache.
00:11:02Will you see me to my cabin?
00:11:04Well, I have a frightful headache.
00:11:05Well, I have a frightful headache.
00:11:06Will you see me to my cabin?
00:11:07Well, I have a frightful headache.
00:11:08Well, I have a frightful headache.
00:11:09Will you see me to my cabin?
00:11:10Well, I have a frightful headache.
00:11:11Well, I have a frightful headache.
00:11:12Well, I have a frightful headache.
00:11:13Will you see me to my cabin?
00:11:17well, I have a frightful headache.
00:11:26Oh.
00:11:28Well, I have a frightful headache.
00:11:32You have a frightful headache.
00:11:34Coming, children.
00:11:52Miss Jordan, I've been waiting for days to find someone to introduce us.
00:11:58Looks as though I'll have to take fate by the forelock and present myself.
00:12:01How do you do, Mr. Baylor?
00:12:03You knew my name.
00:12:05You knew mine.
00:12:07Would you dance?
00:12:21Aren't you afraid you'll lose your social standing?
00:12:24I haven't any.
00:12:26I might acquire some dancing with you.
00:12:33I'll be right back.
00:12:34I'll be right back.
00:12:35I'll be right back.
00:12:36I'll be right back.
00:12:37Phew!
00:12:38How many ports have you been in?
00:12:40A whole lot, baby, but I always go back to the same one.
00:12:42The same what?
00:12:44Back home where there's Mama and Gretchen and Mabel and Catherine and Isaacs and Aloysius.
00:12:51And a baby I ain't even seen yet.
00:12:54And what am I supposed to be, the godmother?
00:13:04Do you realize that for the whole evening you've made me talk of nothing but myself?
00:13:08I certainly couldn't think of a better subject.
00:13:11Mr. Baylor, suppose you tell me the story of your life.
00:13:15Do you think you'd be interested?
00:13:16That depends on the story.
00:13:19It's a long one.
00:13:20It'll probably take all of tomorrow afternoon.
00:13:23Think you could stand it?
00:13:24I think so, Mr. Baylor.
00:13:26Tom.
00:13:27Tom.
00:13:27Tom.
00:13:27Oh, it must be very late.
00:13:36I think I'd better go.
00:13:43I've had a delightful evening, Tom.
00:13:46Good night, Dale.
00:13:47Good night, Tom.
00:13:57Good night.
00:14:27Oh, dear.
00:14:31My ten dollar gold piece.
00:14:33Allow me to help you, my dear.
00:14:35Docent, embarrassing, what?
00:14:37Yes, yes.
00:14:38I think the bally thing rolled under my chair.
00:14:41Yes.
00:14:50Work home.
00:14:52Do dropping things, I think.
00:14:54Ho!
00:14:57Who is it?
00:15:14Hello, kid.
00:15:15I guess you've been having quite a laugh at my expense, haven't you?
00:15:19Laugh?
00:15:19What do you mean by coming into my room?
00:15:21Oh, well, the joke's on me, all right.
00:15:23Here I was, being so very, very careful.
00:15:26And all the time, you were one of Trixie Snell's girls.
00:15:29I think you've made a mistake.
00:15:34Good night, Mr. Grayson.
00:15:38Oh, come on, kid.
00:15:40That act's over.
00:15:41Be yourself.
00:15:41Is your face red?
00:15:45Oh, I see.
00:15:47Just a couple of fa...
00:15:48Outside, Bluebeard.
00:15:52Scram, bug, before I step on you.
00:15:57Say, you're no babing rompers.
00:16:00You can take care of yourself.
00:16:01Only your technique's old-fashioned.
00:16:03Old-fashioned?
00:16:05Yeah, that, that, uh, face-slapping gag.
00:16:08They're mature-ish.
00:16:09It's all right for them parlor books and all that.
00:16:12But say, when a goof makes a pass at me,
00:16:14I ups to him and gives him a right hook to the kisser.
00:16:17You know, you've got to be prepared for things like that
00:16:19when you get in a troop of Trixies.
00:16:21Maybe I should have studied boxing instead of singing.
00:16:24You think you're kidding?
00:16:25Maybe you'll wish you had.
00:16:27You're going to meet plenty of palookas.
00:16:29Sure, you make it sound pretty terrible.
00:16:31Oh, gee, kid.
00:16:34I didn't mean to scare you.
00:16:37You just tie onto Jerry's apron strings
00:16:39and everything will be all right.
00:16:41You know, Jerry knows their onions.
00:16:43And their tamales, too.
00:16:55Why, Tom, what an odd curio.
00:16:58It's a sort of good luck charm.
00:16:59I got it from an Indian chap that I managed to pull out of the water
00:17:02down in the San Blas Islands.
00:17:04That's where your business is.
00:17:05I'm in the copper trade down there.
00:17:07It's pretty wild.
00:17:09Often I don't see a white man for months.
00:17:11I spend my days visiting native villages, sleeping outdoors.
00:17:14Sounds almost as exciting as the bullring.
00:17:19Deal.
00:17:20Tell me.
00:17:21How much do you actually know about Trixie Snell and the bullring?
00:17:24Not much.
00:17:25But I seem to be learning.
00:17:26But you must have known something about what you were getting yourself in for.
00:17:29Things are a little different from what I thought they'd be,
00:17:31but I think I'll be able to take care of myself all right.
00:17:34Well, I hope so.
00:17:36You know, until I heard about your stage ambitions,
00:17:39I was a little puzzled at seeing a girl like you in Trixie's troop.
00:17:42Most of the girls in the bullring I've known signed up with Trixie either as a last resort
00:17:48or at most because they were hunting for sensations.
00:17:52I don't think I really belong to other class.
00:17:55How the old thing is a spippin' day.
00:17:58What is this?
00:17:58Haul.
00:17:59Say, what is this haul business you're always getting on?
00:18:03Why, my dear, it's an expletive that is indigenous to my stratum.
00:18:08You don't mean it.
00:18:10Isn't there something a doctor could do about it?
00:18:13Haul.
00:18:14We're right back where we started.
00:18:17I say, you know,
00:18:18I was quite distressed over your losing your money last night.
00:18:22So after you'd retired,
00:18:24I went back to your chair and looked around for your gold piece.
00:18:29Quite sporting of you, old thing.
00:18:31Too bad you didn't find it.
00:18:33But I did, you know,
00:18:35right under your chair,
00:18:37you know,
00:18:38I have remarkable eyesight.
00:18:41Remarkable eyesight?
00:18:43Why, you're a walking microscope.
00:18:46I think you're a honey.
00:18:48I say, old thing,
00:18:49I think you're a little bit of all right yourself.
00:18:52Quite spiffing.
00:18:53What?
00:18:54Say, what is this old thing and spiffin' business?
00:18:58Are you trying to make fun of me?
00:19:00My word, old dear.
00:19:02Oh, you're making fun of me, huh?
00:19:04Say, listen, Egg.
00:19:05If you think you can make fun of me for ten bucks,
00:19:08you're screwy.
00:19:12Paul.
00:19:20Well, Tom,
00:19:21tomorrow we'll be in Panama.
00:19:24That's right.
00:19:25This is our last night out.
00:19:29I'd better hurry, Andres.
00:19:32Oh, rich.
00:19:37You look as glum as one of those Indians on that island of yours.
00:20:05Oh, I don't know, Dale.
00:20:07Thought of your leaving as bad enough.
00:20:09Leaving with Trixie Snell and all that.
00:20:11That's awfully sweet, Tom.
00:20:12I'm really flattered that you should be worried about me.
00:20:15Worried about you?
00:20:17Why, Dale, I...
00:20:18All right, kids, come up for air.
00:20:34Jerry!
00:20:35Jerry!
00:20:35Jerry!
00:20:35I didn't know you were here.
00:20:39I'd like to know how you do it.
00:20:41Do what?
00:20:42Turn a sphinx into a caveman in six days.
00:20:46Wish you'd loaned me some of your technique.
00:20:48You seem to be doing all right with the men.
00:20:50How about your friend, Uppy?
00:20:52Oh, I dissed him two days ago.
00:20:55What?
00:20:55You know the ritzy way I talk when I try to impress someone?
00:20:59Yes.
00:21:00Well, Uppy tried the same thing on me.
00:21:02So I gave him the air.
00:21:05But, Jerry, that's the way Mr. Upson really talks.
00:21:10Oh, my gosh.
00:21:11Well, why didn't he say so?
00:21:12What a glorious night.
00:21:41Everlasting moonlight.
00:21:43One of the baits of the tropics.
00:21:47Face the truth, Dale.
00:21:49Half the girls who come down here never get home unless some man pays their way.
00:21:52You're exaggerating.
00:21:54I'm not exaggerating.
00:21:55I know what I'm talking about.
00:21:57I've seen how it goes.
00:22:00The girls start drinking to forget how rotten and sordid the whole thing is.
00:22:04They show up some night too drunk to go on, there's a fight with Trixie, and she kicks them out.
00:22:08But, Tom, nothing like that's going to happen to me.
00:22:12It might, Dale.
00:22:22That's why I'm worrying.
00:22:26I'm crazy about you.
00:22:28I've even thought about selling my business interests.
00:22:32Well, Tom.
00:22:32It might sound foolish, but, well, maybe if you'd promise not to drink.
00:22:38After all, that's how the whole thing starts.
00:22:40You cheapen me by even asking such a thing.
00:22:46Cheapen you?
00:22:47Well, you've cheapened yourself already by associating with Trixie's crowd.
00:22:50Tom!
00:22:50Why act like a child?
00:22:53Why put yourself in the way of temptations that thousands of women haven't been able to resist?
00:22:57Just a minute.
00:22:58I've had just about enough of this.
00:23:00It's going to take more than climate or a crowd to make me a wanton.
00:23:03I know, Dale, but...
00:23:03As Trixie's crowd, I only really know one of them.
00:23:06If she's an example of the rest, I'll throw my lot in with them.
00:23:09I'll throw my lot in with them.
00:23:39We've got a full house, girls.
00:24:02So buckle up your preserias and get ready for Jerry's number.
00:24:09You ain't heard enough of a problem yet, huh?
00:24:16No, not a word.
00:24:17Maybe he's out in front.
00:24:19Yeah, sipping a lemonade.
00:24:23Hey, handsome.
00:24:26Who's the stew at the end table?
00:24:30Uh, wait.
00:24:30All right, girls.
00:24:36Let's go.
00:24:38Get in the lead.
00:24:42See you later, kid.
00:24:43Good luck.
00:24:44Get out of the way and let me in.
00:24:47Smile.
00:24:48Now, customers, I'm going to introduce 110 pounds of American squab
00:25:02with a chili dressing and a tamale tone that'll knock you on your tortilla.
00:25:06Miss Jerry Royal.
00:25:07There's a gal they think to with you
00:25:21Just a pal who knows what to do
00:25:26Has a playin' that I'm tellin' to you
00:25:31If it ain't one man
00:25:37It's another
00:25:40I'm the shady, splendor and crown
00:25:47Just a lady who's been around
00:25:51She ain't got anything in the town
00:25:56If it ain't one man
00:26:02It's another
00:26:05Undertaker's face long and sad
00:26:12Tried to shake her
00:26:14That made her mad
00:26:16Ain't Ben's got
00:26:18What do you call the blue hat?
00:26:22If it ain't one man
00:26:27If it ain't one man
00:26:28It's another
00:26:30If it ain't one man
00:26:31It's another
00:26:32Round the world
00:26:35That gal made her swing
00:26:38She got famous
00:26:39Doin' that thing
00:26:41When Miss I am the queen
00:26:45Was hiding the king
00:26:47If it ain't one man
00:26:51If it ain't one man
00:26:53It's another
00:26:55If it ain't one man
00:26:57It's another
00:26:59Traveled every land
00:27:01Every land
00:27:02Every sky
00:27:03She told Gandy
00:27:05When it hit drive
00:27:07Dark as heads
00:27:09Come and see some time
00:27:12If it ain't one man
00:27:17It's another
00:27:19If it ain't one man
00:27:27If it ain't one man
00:27:33It's another
00:27:35If it ain't one man
00:27:41It's another
00:27:43Is that nothing?
00:28:09Hey, you showed about as much pepper as a nervous oyster.
00:28:12What's the matter?
00:28:13Is there too much navy on the boat?
00:28:14Oh, I don't know.
00:28:15I guess it's the heat.
00:28:16Well, you'll be in a hunter place someday.
00:28:20Jerry, not so bad, but next time, give them all you got.
00:28:24No rainy days down here to save anything for.
00:28:27Jordan, you're on next.
00:28:29Come on.
00:28:33On the up and up, kid.
00:28:35You never played a cabaret before, did you?
00:28:37No.
00:28:38Only college shows.
00:28:39I knew you were lying.
00:28:41They all do.
00:28:42Well, you're on the spot now.
00:28:45Honey boy.
00:28:48There's the one I mean.
00:28:53Oh, you mean the one with the glasses.
00:28:58Well, that might be the case.
00:29:00All right, sucker.
00:29:01Now there's two of you.
00:29:02And now, hikers, I'm going to introduce the answer to a traveling salesman's prayer.
00:29:15She can go up and down the scale faster than a Wall Street Vons.
00:29:18She's been a hit in New York and Chicago and other foreign countries.
00:29:22So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:27Something's vexing me, so perfecting to me, how I sigh at times of war to cry.
00:29:47Something makes me do things I oughtn't do.
00:29:59How I try to find my way to cry.
00:30:03Say, listen to that kid's thing.
00:30:04I'm not sure.
00:30:04There's something in the air that's bringing a new desire.
00:30:15My senses are all on fire.
00:30:19Oh, tell me what can it be.
00:30:22That air of I don't care.
00:30:26Has something to me so thrilling.
00:30:30I feel oh so weak and willing.
00:30:33Oh, tell me what can it be.
00:30:37Something that makes a no-land
00:30:40get busy with his feet.
00:30:43Something that makes a no-land
00:30:47get busy with the heat.
00:30:51There's something in the air
00:30:54that's holding me close and closer.
00:30:59I know that I can't say no-land
00:31:02Oh, tell me what can it be.
00:31:05There's something in the air
00:31:08that's making me see things double-close.
00:31:12Oh, making my feelings bubble.
00:31:15Oh, tell me what can it be.
00:31:20That air of I don't care
00:31:23has something beyond revealing.
00:31:27It's lifting me to the ceiling.
00:31:30Oh, tell me what can it be.
00:31:34Something that makes a teacher
00:31:37start acting like a clown.
00:31:41Something that makes a preacher
00:31:44just laying his Bible down.
00:31:48There's something in the air
00:31:51that takes everything it touches.
00:31:55It has me within it, slutting.
00:31:58Oh, tell me what can it be.
00:32:02Good work, kids.
00:32:03You sure put it over.
00:32:04Oh, thank you, dearie.
00:32:05Good work, kids.
00:32:06You sure put it over.
00:32:07Oh, thank you, dearie.
00:32:08Good work, you sure put it over.
00:32:09Oh, thank you, dearie.
00:32:13Good work, you sure put it over.
00:32:14Oh, thank you, dearie.
00:32:15Good work, you sure put it over.
00:32:16Oh, thank you, dearie.
00:32:20Good work, everybody.
00:32:24You sure put it over.
00:32:25Good work, good work, you sure put it over.
00:32:26Oh, thank you, dearie.
00:32:50Check your hat, kid.
00:33:20Can you see that Miss Dale Jordan gets this, please?
00:33:27Yes, sir.
00:33:33All right, scullions, get out and make the customers thirsty.
00:33:36Okay.
00:33:43Well, goofus, what do you want?
00:33:45I got a...
00:33:47Here, Jordan.
00:33:49Here, Jordan, you've collected a dividend already.
00:33:53It's all right, nosy. Take a run out, powder.
00:33:55There's a guy at the table, say 16, calling for Miss Royal.
00:34:00Maybe I'll get a break, too.
00:34:03Hey, wait a minute.
00:34:04See that he buys plenty, and don't let that whiskey tenor of yours catch up on you.
00:34:19Oh, God.
00:34:20OK, wait a minute.
00:34:22It's all right.
00:34:25I'll get to the table.
00:34:27I'll guess I'll get a break.
00:34:29It's all right.
00:34:31Take the river.
00:34:32Let's go.
00:34:34Let's go.
00:35:04Royal, you've hung that picture in a different spot every week for three months.
00:35:08Every time you hang it crooked.
00:35:10That's the right stance for number one.
00:35:12Every time he came home, he gave a lift to the starboard.
00:35:15Well, we're going to feed the flesh this morning or rehearse on an aspirin tablet.
00:35:20I don't feel fit for anything.
00:35:21No, snap out of it.
00:35:25I don't know whether it's the heat or what it is that's getting me.
00:35:28I'm so tired of the same old faces and the same old songs.
00:35:34Oh, it affects different people in different ways.
00:35:38Now, take me, for instance.
00:35:39I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:44Sometimes I wonder whether Tom Bailey wasn't partly right.
00:35:48Of course he was right, but don't give him a break and admit it.
00:35:51Well, it won't be long now, baby.
00:35:53Keep a stiff upper lip.
00:35:55That's all we've got to do is keep our head in the clinches.
00:36:00Well, how'd you like your hen fruit?
00:36:02Let's have them sunny side up.
00:36:03Atta girl, we'll have them.
00:36:09There's something in the air
00:36:12That's making me see things double
00:36:16Making my feelings bubble
00:36:20Tell me what can it do
00:36:23That air of I don't care
00:36:27Has something beyond revealing
00:36:30It's lifting me to the ceiling
00:36:34It's lifting me to the ceiling
00:36:34Tell me what can it do
00:36:37Something that makes a teacher
00:36:40Start acting like a clown
00:36:45Something that makes a preacher
00:36:48Just laying his Bible down
00:36:51Just laying his Bible down
00:36:51There's something in the air
00:36:55That takes everything it touches
00:36:58It hides me within its clutching
00:37:02Oh, tell me what can it do
00:37:05Say, Bill
00:37:14That one's different
00:37:16I'd like to meet her
00:37:18That should be easy
00:37:20Say, uh, Trixie
00:37:24I'm off you for life, Bill Burr
00:37:27Me with a brand new show
00:37:29And it's taken you two, three months
00:37:30To get around here
00:37:32Don't blame me, Trixie
00:37:33The boss has kept me jumping
00:37:34Ever since he got in from Havana
00:37:35Oh, Trixie, uh, meet Jim Crosby
00:37:38How do you do
00:37:39General manager, Standard Airlines
00:37:43And general nuisance
00:37:45Round a Panama officer
00:37:46Not Jimmy Crosby, the flyer
00:37:49Right
00:37:49Gosh, Jimmy
00:37:51I saw you at the races last year
00:37:53And you gave me heart failure
00:37:54He's been doing that to girls for years
00:37:57Say, Trixie
00:37:59How about the little girl
00:38:00That did the last number
00:38:01Lay off, kid
00:38:03She'd give a cold potato chills
00:38:05Oh, come on
00:38:07I've baked some potatoes before
00:38:09Any of the others, Jimmy
00:38:11But not this one
00:38:12You'd only be wasting your time
00:38:14Well, it'd be the first time I ever have
00:38:17I've got a hundred bucks
00:38:19That says I won't be wasting my time
00:38:21And I've got a hundred
00:38:23That says you will
00:38:24It's a bet
00:38:25Go buy yourself some lollipops
00:38:27I like all-day suckers, too
00:38:36Good night, Mr. Trixie
00:38:37Mr. Crosby
00:38:37Say, um
00:38:40How about a little supper with me somewhere
00:38:44After you're through here
00:38:46No, thank you, Mr. Crosby
00:38:48Not tonight
00:38:48Well, Miss Jordan
00:38:52How about breakfast at my hotel in the morning
00:38:54Yes
00:38:56You're very sweet, Dale
00:39:02You've been very sweet, too, Jimmy
00:39:04You know, if I'd had my way
00:39:08We'd be drinking champagne up in my room
00:39:10Not sure if a rehearsal full of champagne
00:39:14And Trixie'd kick me out
00:39:15Oh, come on, Dale
00:39:17Couldn't you chuck rehearsal just for today?
00:39:21No, I'm afraid not, Jimmy
00:39:22Well, how about tomorrow?
00:39:25I thought
00:39:27I thought we might take a little spin in my car
00:39:30Have a nice day
00:39:50Oh, lovely
00:39:51It's been like a dream
00:39:53Feel like going back to the bullring?
00:39:55Of course I don't, Jimmy
00:39:56But I have to
00:39:58You don't have to go back there, Dale
00:40:00I could make life very happy for you
00:40:03Make this day last forever
00:40:05You don't believe that, Jimmy
00:40:07Any more than I do
00:40:09There'd have to be a rude awakening sometime
00:40:12I love you, Dale
00:40:14I mean it
00:40:15Oh, I admit I've said that many times before
00:40:19I haven't been exactly a plaster saint
00:40:22But you've made me realize for the first time
00:40:26What it means to say
00:40:27I love you
00:40:29Jimmy
00:40:30No wonder you swept them off their feet
00:40:33Do you know what I'd like to do?
00:40:35Hop into my plane with you
00:40:37And fly back to the States
00:40:38It would only take a few hours
00:40:40Mr. Cridby
00:40:41Am I to consider this a proposal?
00:40:44You can take this any way you want to
00:40:46You name the terms
00:40:48But I
00:40:54I don't love you
00:40:56I could make you love me
00:40:59Well, Jimmy
00:41:08If you can make me love you
00:41:10Oh, I'll marry you
00:41:12Of course
00:41:12But if you don't take me right back to town
00:41:15I'll be late for my number
00:41:17The bull ring
00:41:18You mean he actually asked you to marry him?
00:41:23Well, that was the general idea, darling
00:41:25But I don't love him
00:41:26Oh, baloney
00:41:27I married three clucks
00:41:28Who couldn't give me anything but love
00:41:30It's a high-class name for hooey
00:41:32Say, you still stuck on that bimbo
00:41:35From the Indian country
00:41:36What'd he ever give you?
00:41:39A worm-eating piece of coral
00:41:40Knack to his wigwam
00:41:41Say, the big salami did you a favor
00:41:44If you let that Crosby off the hook
00:41:47You ought to be
00:41:48Say, passionflower
00:41:49What's the idea of keeping that Dutch skipper waiting?
00:41:52Oh, nerd
00:41:53He's so dumb we have to talk in the sign language
00:41:55He can't even recognize a stop signal
00:41:57Your boyfriend's outside, Innocent
00:42:00And listen
00:42:01If you bail out of Panama with Crosby
00:42:02I want a month's notice to get another singer
00:42:04You savvy?
00:42:05I don't think you need to worry about it, Trixie
00:42:07Well, I don't care
00:42:08But I never allow love to interfere with business
00:42:11I thought that in your case
00:42:13They were the same thing
00:42:14Say, listen, high hat
00:42:16Did you ever get a sock in the beezer?
00:42:19No, how does it feel?
00:42:37You better lay off that kid
00:42:40You're on next, you know
00:42:41Say, where is this Germany?
00:42:54In Switzerland?
00:42:55Switzerland, nothing
00:42:56It's just on the other side of Hoboken
00:42:58Oh, ducky wucky
00:43:00Oh, what's the matter, Dale?
00:43:09You look worried
00:43:10Trixie's been hitting the bottle lately
00:43:13And the girls are all on edge
00:43:15You know what I told you
00:43:18Over and over again
00:43:20Yes, I know, Jimmy
00:43:24Oh, so dear old man
00:43:28Why, you old pretzel
00:43:33What, you want a pretzel?
00:43:35No, stupid, I got one
00:43:39He wants a bottle of champagne
00:43:42Yeah, I have champagne
00:43:44And now, folks, I'm going to introduce
00:43:52The sweetest little girl
00:43:53Miss Delore
00:43:55Jim Hamlin
00:44:06Sit tight, honey
00:44:11I'll be right back
00:44:12Oh, bit, bit
00:44:14You little pig
00:44:19What do you mean by holding up my show?
00:44:20I can't go on
00:44:22I'm home, sir
00:44:23You think this poison's going to cure you?
00:44:25I won't have you freaking before your numbers
00:44:27I'm fed up with you and your rotten old show
00:44:30Why, you dirty little unwed
00:44:32Seven years, bad luck
00:44:41Fourteen years, bad luck
00:44:45Excuse me, Jimmy
00:44:46I might have to go on
00:44:48I hear you, fool
00:44:52I'll beat some brains into you, you cheap little
00:44:57Keep out of my business or I'll give you a dose of this yourself
00:45:06I've never known a woman as low as you
00:45:09Get out, Dale
00:45:12You raise that bottle one inch
00:45:16And I'll knock those false teeth of yours down your gizzard
00:45:18Jimmy
00:45:27Get me out of here
00:45:29Take me away
00:45:30Anywhere
00:45:31But what's happened?
00:45:32Don't
00:45:46Don't
00:45:47Don't
00:45:48You don't have to go back there
00:45:51Jimmy
00:45:54Do you still mean what you said about marrying me?
00:45:58Why, yes
00:46:03Yes, of course
00:46:05All right
00:46:07I'll fly to New York with you tomorrow
00:46:09And I'll spend my whole life being grateful to you for taking me out of all this
00:46:15Thank you
00:46:17Mm-hmm
00:46:19Oh, dearie, you got my nose
00:46:47Oh, yes
00:46:49Jerry, dear
00:46:50Won't you come and visit me in my suite at the Hotel Washington
00:46:54Boy, what a dump this is
00:46:58Never saw so much plus since Astor's pet horse died
00:47:03Oh
00:47:05Boy, if I ever climbed into this, I'd never get out
00:47:12Putting you up in style, huh?
00:47:16Oh, no, Jerry, I'm paying for this
00:47:18That's the way it's going to be until after we're married
00:47:21Well, you better get hitched in a hurry
00:47:23Your bankroll won't stand this over a couple of days
00:47:25When the festivities coming off?
00:47:27We'll probably start to fly to New York
00:47:29Late today or early tomorrow
00:47:31When's the splicing going to be, before or after?
00:47:35I mean before or after New York
00:47:37Oh, I'm willing to leave that to Jimmy
00:47:39The only thing I'm sorry about is leaving you, Jerry
00:47:44But I miss you too, kid
00:47:46And I'm glad for your sake
00:47:47You never were cut out for this kind of a racket
00:47:50It's only for slobs like me
00:47:53Oh, no it isn't, honey
00:47:55You've got to get out of it too
00:47:57Sure
00:47:59And one of my ships comes in
00:48:01Come in
00:48:05Oh, good morning, Jimmy
00:48:09Hello, darling
00:48:10You remember Jerry, don't you?
00:48:11Well, yes, of course
00:48:12How are you, Jerry?
00:48:13Oh, topping
00:48:20Well, I guess I'd better be going
00:48:22I'll see you before you go, won't I?
00:48:24Well, of course
00:48:25Well, Jerry, I'm going out and buy some clothes
00:48:27Why don't you drop in this afternoon and look them over?
00:48:29Okay, I'll do that
00:48:31So long, Crosby
00:48:33You're a lucky egg
00:48:37How are you, darling?
00:48:38I'm fine, thanks, Jimmy
00:48:40When do you think we'll be getting away?
00:48:42Well, I don't know just yet
00:48:44I have some business affairs to attend to
00:48:46And then I've got to test out that plane
00:48:48Tell you what I'll do
00:48:51I'll fly over the hotel
00:48:53It'll be about four o'clock
00:48:54I'll be watching for you
00:48:56Why don't you sit down?
00:48:58Well, if you don't mind, dear
00:49:00I've got to get back to the office
00:49:01I'm expecting an important message
00:49:06Nothing else you need, is there?
00:49:07No
00:49:08Money?
00:49:09No, thanks, Jimmy
00:49:10I don't want to take it
00:49:12Not yet, anyway
00:49:16Bye-bye
00:49:21Hello, Trixie
00:49:23Hello, Baylor
00:49:24How's Stan Blaston
00:49:25The Red Men?
00:49:26I've sold out
00:49:27Going back to San Francisco
00:49:28Well, I guess this place will struggle along without you
00:49:30You never gave me much of a play, anyway
00:49:31Listen, Trixie
00:49:32Can you give me Miss Jordan's address?
00:49:33Sure, that's easy to remember
00:49:34Washington Hotel
00:49:35Just ask for Jimmy Crosby's suite
00:49:36What?
00:49:37Sure, she's been playing around with him for a week
00:49:38She's a smart girl
00:49:39She'll do all right for Dale Jordan
00:49:40But she ran out on me and left me in the lurch
00:49:42And if I never see that snob again
00:49:43It'll be years too soon
00:49:44I'll be years too soon
00:49:45I'll be back
00:49:46I'll be back
00:49:47I'll be back
00:49:48I'll be back
00:49:49I'll be back
00:49:50I'll be back
00:49:51Hello, Miss Baylor
00:49:52Want your key?
00:49:53Do you have a Miss Dale Jordan?
00:49:54Sure, she's been playing around with him for a week
00:49:55She's a smart girl
00:49:57She'll do all right for Dale Jordan
00:49:59But she ran out on me and left me in the lurch
00:50:01And if I never see that snob again
00:50:03It'll be years too soon
00:50:17Hello, Miss Baylor
00:50:18Want your key?
00:50:20Do you have a Miss Dale Jordan registered here?
00:50:22Yes
00:50:23She's out now
00:50:24Want to leave a message?
00:50:26I don't think so
00:50:28She's checking out tonight or tomorrow morning
00:50:30Flying to New York with Jimmy Crosby
00:50:35When my luggage arrives, check it through to San Francisco
00:50:37You have my forwarding address
00:50:38Yes, sir
00:50:41Why, Tom
00:50:43Hello, Dale
00:50:47I've been buying some new clothes
00:50:49So I see
00:50:50Doing all right, aren't you?
00:50:53I guess I was wrong about you
00:50:55You're really doing better than I expected
00:50:58What do you mean?
00:50:59Well, you moved up from the Bullring to the Washington Hotel
00:51:03I understand the next hop is New York
00:51:06And I suppose a Park Avenue apartment
00:51:09Yes, Mr. Baylor
00:51:10I'm afraid that if I stayed in this part of the world any longer
00:51:14I might be contaminated by some of its filth
00:51:17My key, please
00:51:20Thank you
00:51:22Thank you
00:51:38Guess what? I saw Tom Baylor going out of the lobby
00:51:41I know, I saw him too
00:51:42You did?
00:51:43And?
00:51:45I don't know, Jerry
00:51:46Maybe it'll do me good to get away
00:51:48I guess Tom Baylor's just one of those things that's in the air down here
00:51:51Well, he won't be here much longer
00:51:53He's checking out bag and baggage
00:51:55What is this? The new truceo?
00:52:00Boy, it must have cost plenty of sugar
00:52:02Everything I had but a couple of dollars
00:52:05Hey, what is this? A marriage or a Dutch treat?
00:52:09Hey, what is this? A marriage or a Dutch treat?
00:52:39I have no problems
00:52:40I'm sorry
00:52:41I'm sorry
00:52:45I'm sorry
00:52:47I'm sorry
00:52:49I'm sorry
00:52:51I could have aiden
00:52:55I'm sorry
00:52:57I'll do it
00:52:59I'm sorry
00:53:02I could have a friend
00:53:04I can work with him
00:53:06To a doctor
00:53:07Oh, I've been looking all over for you.
00:53:14What's up?
00:53:16Bill, I got myself into a tough spot.
00:53:22You know about me and Dale.
00:53:37You never told me we're married, Jim.
00:53:48It was years ago, Bill.
00:53:50Before I ever even knew you.
00:53:54It's just one of those things.
00:53:57A woman's impossible.
00:53:59Every son I've ever given has been just like blackmail.
00:54:02What are you going to do about, uh, about Dale?
00:54:07I don't know.
00:54:11That's what I've got to think of.
00:54:16My plane ready?
00:54:17It's ready now.
00:54:21You're in no condition to fly, old man.
00:54:23Don't you worry about me, Bill.
00:54:26That's where I've always thought things out.
00:54:29Solved all of my problems.
00:54:35Up in the clouds.
00:54:37Boy, I could get myself an admiral in this, huh?
00:54:43There must be Jimmy now.
00:54:56Isn't it thrilling?
00:54:58You can have it.
00:54:59I've got to go get packed now.
00:55:17Oh, pick them up and tie them in a bundle and throw them in like I do.
00:55:21The last $2.75, which we blow it in on.
00:55:42How about a bottle of scotch?
00:55:43Now, I'm liable to get sentimental and turn on the waterworks all over your new dress.
00:55:48I have an idea.
00:55:49Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:55:52Okay, kid.
00:55:53Anything but heliotripe.
00:55:54Gives me hay fever.
00:55:55Hello?
00:55:56Yes?
00:55:57Mr. Barrett?
00:55:58Certainly.
00:55:59Send him right up.
00:56:00Oh, wait a minute.
00:56:01Will you please ask the florist to send me up some flowers?
00:56:02Oh, what?
00:56:03About $2.75 worth.
00:56:05Bill Barrett's on his way up.
00:56:06I wonder what he wants.
00:56:07Probably trailing me to find out why I didn't buy those lollypops.
00:56:08Come in.
00:56:09Hello.
00:56:10Yes.
00:56:11Mr. Barrett?
00:56:13Certainly.
00:56:14Send him right up.
00:56:15Oh, wait a minute.
00:56:16Will you please ask the florist to send me up some flowers?
00:56:19Oh, what?
00:56:20About $2.75 worth.
00:56:22Bill Barrett's on his way up.
00:56:24I wonder what he wants.
00:56:25Probably trailing me to find out why I didn't buy those lollypops.
00:56:30Come in.
00:56:31Oh, I'm sorry.
00:56:32Oh, I'm sorry.
00:56:33I'm sorry.
00:56:34I'm sorry.
00:56:35I'm sorry.
00:56:37Hello, Mr. Barrett. How are you?
00:56:39How do you do, old thing? It's a topping day. What?
00:56:48Why, Mr. Barrett. Is there anything wrong?
00:56:53Jimmy. Crashed.
00:57:06Oh, gee, kid. He was a regular guy.
00:57:22You'll never know quite how regular he was.
00:57:29Here are your flowers, Miss Jordan.
00:57:36You've got your nerve coming back asking for a job.
00:57:44Threw me down for a mug that was on the make for you.
00:57:49Please don't talk like that about Jimmy Crosby.
00:57:52Sure, he was going to marry Dale.
00:57:54Why, you poor sap. He bet me $100 on you.
00:57:58Looks like if he hadn't cashed in, I'd have to pay the bet.
00:58:02Now, listen, Trixie. You lay off of Dale.
00:58:05She's been through enough.
00:58:06Say, you get fresh with me and you'll go out on your ear too.
00:58:09Oh, yeah?
00:58:11Yeah, you, you sailor's delight.
00:58:17I know how you feel about this cobra joint, Dale.
00:58:21Gosh, we've got to eat, let alone earn enough dough to get out of this God forsaken no woman's land.
00:58:26I know, Jerry, but that man burger that runs the place.
00:58:30It's revolting.
00:58:32Aren't there any more cabarets we haven't tried?
00:58:35Listen, I've tramped the streets until my pet bunion's gone on strike.
00:58:40Trixie and the bullring have all the high-class trade in town all sewed up.
00:58:43Well, the rest of the joints are just like the cobra.
00:58:47Oh, Beth.
00:59:17Well, all times that Glen Yep.
00:59:18Well, we've got to eat a bit, but he dΓ³lares all the way.
00:59:19And don't have to eat a bit.
00:59:20Now, you're leaving her mehrere pounds, and you're going to know how much you don't know how to fuel it.
00:59:21The huge part of the bank has monde who knows how many men's hadΔ±nΔ± isatura.
00:59:24Thanks.
00:59:25You're allowing me to eat a bit.
00:59:26The huge part of the bank did over the bank did the mill.
00:59:27The rich parts of the bank told the bank's were not mentioning.
00:59:33We've sold to Barry and sold an extra money without taxidant,
00:59:34The big part Q no business liked that.
00:59:38What's the matter? He's a good customer. You think you're too good for him, huh?
01:00:02I know, Mr. Berger. I thought it was time for my song.
01:00:08There's something in the air that's combed all the world around me with platters of pain and bound me all to tell me what can it be.
01:00:32That air of I don't care has slowly and surely trips me right down to the ground. It trips me off. Tell me what can it be.
01:00:48Something that drags and shatters. Everything's good inside. Leaving just dragged and shattered. Nothing at all to hide.
01:01:04There's something in the air that things will always bring. It's taken my very dream. Oh, tell me what can it be.
01:01:19$139. $140. $141. Uh-uh. Oh, and, um, 85 cents. Only $65 to go, and we're on our way to San Francisco.
01:01:38Only 10 more days in that Berger joint. Oh, stomach. Be good to me now.
01:01:43Oh, Jerry, why don't you keep your own money? I don't like the responsibility for all of us.
01:01:46Oh, you don't know me like I do. A dreadnought's liable to come into port.
01:01:51I'll wake up to find I've been out in a binge and bought the grog for the whole fleet.
01:01:54Come on, baby. Come on, baby. Give us the sweet little kids, huh?
01:02:07Let me help you. Give us the kids, huh?
01:02:09Come on. You blame at my customers and cleanser. Get out.
01:02:18I'm here to sing. Not to be mauled by a lot of drunken sots.
01:02:21Is that so? Well, I don't want no lilies around here. You're through. Get out.
01:02:26Hello, Berger. Hello.
01:02:31Isn't Joe around? Well, why are you one joke?
01:02:35Plenty. Another knifing down the dock.
01:02:37Come on, Joe. The captain wants to talk to you.
01:02:56Come on, Joe. The captain wants to talk to you.
01:03:00Come on.
01:03:04Come on.
01:03:07Come on.
01:03:09Come on.
01:03:11Come on.
01:03:13Come on.
01:03:16Come on.
01:03:19Come on.
01:03:21Oh, that's sick.
01:03:24Oh, Jerry.
01:03:27Oh, Jerry.
01:03:32You can come in for a minute, Miss Jordan, but please don't excite the patient.
01:03:48She's a little weak.
01:03:51Oh, Jerry.
01:03:54Oh, Jerry.
01:03:58Jerry, honey.
01:03:59How are you, Dale?
01:04:01Number one can only see me now.
01:04:02You're feeling better, aren't you?
01:04:04Sure, I'll be okay.
01:04:07Number one could only see me now.
01:04:09You're feeling better, aren't you?
01:04:12Sure, I'll be okay.
01:04:15It's a knife more or less than your gizzard.
01:04:23Listen, kid, I want you to promise me something.
01:04:26Of course, Jerry. Anything.
01:04:29Don't you give old sore bones or this joint any of the dough we saved up.
01:04:32I want you to buy yourself a ticket and scram for Frisco.
01:04:36Oh, no, Jerry. I couldn't do that.
01:04:40Do what I tell you. You'd be a sap.
01:04:43This joint can't throw me out.
01:04:45Let them stand the gaff.
01:04:53I'll come to see you every day, honey.
01:04:55All you have to worry about is getting well.
01:04:56Don't forget what I told you.
01:05:15She's still pretty weak, isn't she?
01:05:17Yes.
01:05:18I am afraid it's going to be a long convalescence.
01:05:21She lost a great deal of blood, you know.
01:05:22What do you think we ought to do for her?
01:05:25What she needs most is sunlight, proper nourishment, and treatments.
01:05:30The place for her is a sanitarium.
01:05:34How much will that cost?
01:05:35We have one near here, but the rates are rather reasonable.
01:05:39Somewhere around $50 a week.
01:05:43All right, doctor.
01:05:45You make the arrangements.
01:05:46The hospital bills are payable in advance.
01:05:55The total is $174.
01:06:09Here's $150.
01:06:14I'll get the rest.
01:06:16Somehow.
01:08:48What do you mean?
01:08:50What?
01:08:52What?
01:08:54What?
01:08:56What?
01:09:00What?
01:09:02What?
01:09:04What?
01:09:06What?
01:09:07What?
01:09:08What?
01:09:09What a little mean?
01:09:10She's up in the hospital now.
01:09:12What?
01:09:18What?
01:09:19What?
01:09:20What?
01:09:21What?
01:09:22What?
01:09:23What?
01:09:24What?
01:09:25What?
01:09:26What?
01:09:27What?
01:09:28What?
01:09:29I want to explain to you about Mr. Crosby.
01:09:30You don't have to explain anything to me dear.
01:09:32I reckon it's how you dropped your bracelet.
01:09:42Thank you very much.
01:09:58Hello?
01:10:00Hello, Jerry.
01:10:02He's back.
01:10:03He's back.
01:10:04Who?
01:10:05Who's back?
01:10:06Number one.
01:10:07My ship's come in.
01:10:13And guess what?
01:10:15Olaf's an admiral.
01:10:19In the Chinese Navy.
01:10:23Oh, Olaf.
01:10:24Tell me something in Chinese.
01:10:32I love you.
01:10:33Oh, Olaf.
01:10:38Oh.