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Bookish Season 1 -Episode 4 - Full Movie
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00:00you mean everything to me what the hell was that love lawn in London scene 28 take three
00:14I hope we did the right thing letting those people into the lane
00:19film struck girl inspector dead I've shut down filming for the time being what do we
00:26know about this film Stuart Howard he and Sandra have bound their careers together the nation's
00:32sweethearts then there's the Honorable Jesse McKendrick you're the director and the writer
00:36what about Billy someone is trying to kill me
00:40Strictly drop it it's poison can you think of anyone who might want to kill you take your ruddy pick
00:50when are we going to tell him not yet
00:56it's one of the extras
00:58it's Norena Bean
01:01still rolling Sandra
01:11and action
01:15oh no god I'm so sorry Jesse um can I beg ten minutes uh Siggy you'll sort me out
01:27cut that
01:30scene 49 take nine
01:34uh action it was dead I knew we had fallen in last kill the sound please
01:44can we stop the film and take a proper look no we'd burn in the projector
01:49I think the difference is pretty obvious you'll see in just a moment
01:53here comes the post
01:57oh gosh I see what you mean he's lost six inches just while Sandra Dad went off for a gasper
02:05so between takes eight and nine Norena Bean gets her screen break an hour later is that right
02:13well certainly no more than two
02:15she's on the cutting room floor
02:17well the bottom of the basement steps
02:20I don't know who he is
02:22the postman
02:23you do
02:25he was down the lane yesterday
02:29I see him in the yard just now
02:32would you be so kind
02:34yep
02:37of course she hit that step with tremendous force
02:43too hard for an accident you think
02:46did you fall
02:47or was she pushed
02:50or was she 이러 활용
02:57or was she
02:59well
02:59but she
03:00of course
03:01or
03:01how she
03:01or
03:02if you
03:03guess what
03:05she
03:07could
03:07she
03:08of her
03:09well
03:10I
03:11uh
03:12or
03:13I
03:16I
03:17I
03:17I
04:49If only we could step through the screen.
04:52Oh, romance of the pictures is really getting to, isn't it?
04:55It's not that.
04:57Beyond the door, behind that set, there's a flight of stairs when I think Norena Bean is already dead.
05:03Do you think this is linked to the poison girl?
05:10Oh, special delivery.
05:15Your postman.
05:17Bert Masterson.
05:19Kurt Masterson.
05:22Normally I do landlords.
05:24I've seen a glass pushed in a bloke's face and I've laughed.
05:32See?
05:34Very good.
05:35Robert Newton should watch his back.
05:37But you're not auditioning now, Mr. Masterson.
05:41We're investigating the unfortunate death that took place here last night.
05:45Second one on this production, in fact, after Miss Barbara Markham.
05:49And two looks like carelessness.
05:52Whose, though?
05:54Are you the police?
05:55Inspector Bliss is the police.
05:57Hello.
05:57I'm just helping them.
05:58With their inquiries?
06:00With the fiddly bits.
06:02Now, Kurt Masterson, not your real man.
06:05How did you know?
06:07You went home early last night, Mr. Masterson.
06:10Why?
06:11Well, I was made an offer I couldn't refuse, wasn't I?
06:13I knew the lady, Norena Bean.
06:15I read a column.
06:16I always do.
06:17She gave me a fiver.
06:18Just to borrow the uniform, mine.
06:19Said she would go on for me and no one would clock it.
06:21Now, why would she want to pose as you?
06:25She said she was writing a story.
06:27The Poisonous Secret at the Heart of Loveless in London.
06:32Lovelorn.
06:33Something like that.
06:34She wasn't specific.
06:36But she said she needed one last bit of proof.
06:38I didn't think nothing of it.
06:39I was barely in the shot.
06:41You sell a lot of stories to the press, do you, Mr. Masterson, about actors here?
06:46No.
06:48Well, nothing nasty.
06:50Just whether they like mink or feathers or where they drink.
06:53Or how much?
06:54All right, thank you.
06:55We'll come and get a statement from you.
06:57That's it?
06:57That's it.
07:00I was a red herring before.
07:02Once.
07:03Arthur Wander tapped his pipe and looked all beady at me.
07:05But I'd never done it.
07:06I was just in the wrong place at the wrong time.
07:08All right, thank you.
07:12Why was she here, though, Norena?
07:14Why are you going to have the trouble of bribing him and putting on his costume?
07:17The extra security.
07:18She can just hang around in the lane, could she?
07:20So I suppose she needed a disguise.
07:23Title of that article, though, eh?
07:25Maybe she was onto the poisoner.
07:27So she had to go.
07:30What's that?
07:31It was something I noticed.
07:34Backwards impression on Norena Bean's hand in ink.
07:37It was something she was holding.
07:38Evidently she was sweating, the weather from the exertion of going up the stairs or the heavy costume.
07:45And reversed, it reads...
07:50Tie winds, tie, tie winds, tie winds, two twins.
07:56Hardly.
07:57More likely the fragment of two words, wouldn't you say?
08:01I, uh, better go back to work.
08:03Work?
08:05I'm standing in for Stuart.
08:07It's not a profit trade, you know.
08:10Yeah.
08:11Like being a part-time detective.
08:17What's up with it?
08:18Hmm?
08:26Me.
08:29She's dead.
08:30You saw her.
08:33She was at the bottom of the stairs.
08:35Like a broken dog.
08:37Oh, God, how awful.
08:38I mean, she was awful, but still.
08:42How awful.
08:43If it was murder, there'd be a lot of suspects.
08:54Half the British film business.
08:55All of it.
08:56It's true.
08:58Everybody hated her.
09:00You hated her.
09:01What did you do last night?
09:07I had a drink with that boy.
09:09Nice kid.
09:10Went to bed early.
09:12Did some film star duties.
09:13Oh.
09:13Yes, you know.
09:16Signing photos, answering questions from fans.
09:20What's your ideal night out?
09:21What'd you like for breakfast?
09:22Hmm.
09:24You were just shooting here?
09:25Yes, you'd take off to take.
09:29Sinful stuff, really.
09:31Oh.
09:36How many stars have sat here like me?
09:42What have you seen the creases grow?
09:44The hair thin, the flesh droop, the chins.
09:49I met a man once.
09:55He was an astronomer.
09:56Now, he knew about the stars.
09:59The real ones, I mean.
10:01Did you know that the stars that we see in the sky aren't really there?
10:07Most of them, anyway.
10:09It takes so long for the light to reach us.
10:13But they're just echoes.
10:16Ghosts.
10:16Just a memory of what was once there.
10:22Christ, darling.
10:23But some of those stars don't go quietly.
10:26Well, no, towards the end.
10:28Later in life, shall we say.
10:30They get bigger, bigger stew.
10:33They give out more and more light and heat.
10:37Till nothing can eclipse them.
10:39Nothing.
10:41I don't want to go quietly.
10:43I want to burn, light up the town like I used to explode.
10:50Boom!
10:55The chocolates were injected with one of these.
10:57So why have you got one?
10:58Well, it's hardly a secret, is it?
11:01Diabetic, aren't I?
11:02Everyone knows that.
11:03Interesting.
11:05So anyone could have gained access to this, for instance.
11:09Hmm?
11:11Well, you might have done it yourself.
11:13Why the hell would I have wanted to poison Miss Dare?
11:15Well, that's just a thing, Sonny Jim.
11:17Miss Dare wasn't the target.
11:18Then who was?
11:19Her fiancé.
11:20Yeah, this puts a rather different complexion on things, doesn't it?
11:25Mr. Howard fired you, didn't he?
11:26Yeah, yeah, but not till after the chocolates.
11:28Yeah, but he treated you badly.
11:30You were his whipping boy.
11:31You need to develop a thick skin in this business, Inspector.
11:34I've dealt with bigger egos than Stuart Howard, believe me.
11:37If I'd wanted to get my own back, I'd have pissed in his tea, not poisoned his chocolates.
11:41And then there's the late Miss Noreena Bean.
11:44Yeah, well, she was a right old man.
11:49Mustn't speak ill of the dead.
11:51Does she have anything on you?
11:52Like what?
11:54You can account for your movements last night, can't you?
11:56Shot right through.
11:57Right.
11:58No coffee breaks?
11:59Yes, of course coffee breaks.
12:00So theoretically, you could have pushed Noreena Bean down the stairwell, couldn't you?
12:04Yeah, well, theoretically, I could have won the pools and rung up Veronica Lake for a date.
12:08But I didn't.
12:09What's this?
12:11Tomorrow's pink page.
12:15Rewrite?
12:16Mr. McKendrick's rewrite of Seen 34.
12:19Just a little one, but in this business, the details matter, Inspector.
12:23You don't want actors bumping into the furniture.
12:25Have a details man myself?
12:30Oh, yeah.
12:31I'm terrible at the pictures, me.
12:33I always know we've done it straight off.
12:36It ever takes the marrow out of Mrs. Bliss, but as I always say to her, the why is the thing.
12:41So why not take her to a western?
12:44Watch all those cowboys getting shot in the chest and falling forwards.
12:48Don't think so.
12:50You never get home, Billy.
12:52If I try hard, Mr. Book, I can remember the daylight.
12:55Can I go now?
12:58Well, we'll need to get this tested.
13:01For insulin.
13:03For strychnine.
13:04You never get home, we'll need to take her to...
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