- 6 months ago
Castle Season 4 -Episode 9 - Full Movie
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Short filmTranscript
00:01So, have you picked a place yet?
00:03I'd love to do it at the Botanical Gardens,
00:05but Chris thinks it's too expensive.
00:07It's your wedding.
00:08It's supposed to cost a fortune.
00:09I know! You only get married once!
00:16Oh, my God!
00:17Help!
00:18Please, somebody help!
00:20Help!
00:21I'll call you later. Bye.
00:22Who's that?
00:23Crystal business castle.
00:24Really? Who is it?
00:25Inquiring minds want to know.
00:26Yeah, well, if you must know, his name is Roger.
00:29Roger.
00:30Roger.
00:31Don't make fun.
00:32Do you know what he has that few men have?
00:33A Josh Groban CD?
00:34Hummel figurines.
00:35No, not even close.
00:37Roger has the most incredible resistance band.
00:42A resistance band?
00:43What is that?
00:44Is that what I think it is?
00:45For strength training, he's my physical therapist.
00:47Oh, oh.
00:48I had no idea you were still going.
00:49Yeah, for another few weeks.
00:50Until I get 100%.
00:51Hey, good morning.
00:52Good morning.
00:53So, what do we got?
00:54Victim's name is Sarah Vasquez.
00:55She's a 28-year-old kindergarten teacher.
00:57She and a classmate were leaving this yoga studio when Sarah suddenly dropped.
01:01Bullet wound straight to the heart.
01:03Yeah, what's weird is no one heard a shot or saw a shooter.
01:07Maybe the weapon was silenced.
01:09Maybe it was a stray bullet.
01:10Just read an article how a mailman in Portland was killed when a bullet fired into the air six blocks away fell back to earth.
01:17This bullet didn't just drop from the sky and hit Sarah Vasquez.
01:21Angle's wrong.
01:22It went through her from front to back, not from up to down.
01:25Can you tell us point of origin?
01:26Not until I do a full exam.
01:27Was yoga a regular thing for Sarah?
01:29Tuesdays and Thursdays at 7 a.m. before school started.
01:32Okay, let's look into enemies and anyone that knew she was here.
01:34Right.
01:35We just got engaged last month.
01:43She was so excited about planning the wedding.
01:46Chris, was there anyone that might have wanted to hurt Sarah?
01:49No.
01:50Maybe an old boyfriend who was upset about the wedding?
01:53She didn't have anyone like that in her life.
01:55Everyone loved Sarah.
01:57Wait, she did mention something last night about a guy.
02:01Someone she knew?
02:02No.
02:03She said she saw him a few days ago outside the school and then Tuesday morning she said she thought she saw him when she got out of yoga.
02:09Did she tell you what he looked like?
02:11I can't remember.
02:14Looks like Sarah's yoga routine was common knowledge.
02:17She even posted about it on Facebook, joked that she was going to fit into that dress if it killed her.
02:21Well, somebody was following her, so let's talk to her friends and coworkers and see if they saw a strange man hanging around.
02:26On it.
02:28Beckett.
02:29Lainey's got something.
02:30You should get down here.
02:31The bullet that killed Sarah Vasquez is a .308, specifically a .168 grain Sierra Match King.
02:38Ripe a bullet.
02:39It's a common ammunition favored by long range shooters.
02:44So she was shot from a distance?
02:48Based on her wound and how deep it went into the door frame, I'd say the bullet was fired between two and three hundred yards away.
02:56Two hundred yards?
02:57Do we have any idea where from exactly?
02:59We're canvassing near as we can figure.
03:02The shooter fired from one of these buildings somewhere between the 10th and 15th floor.
03:07You guys, you don't have to avoid the word on my account.
03:12What word?
03:13Sniper.
03:14Even I noticed.
03:15Well, you weren't avoiding anything.
03:16It was her idea.
03:17Look, guys, I'm a big girl, so let's just cut to the chase.
03:20How good is this guy?
03:21Well, he's as good as any of the shooter snipers in my unit.
03:25He took out a moving target from a quarter of a mile away.
03:28Did she feel it?
03:29No, she died instantly.
03:33So then I guess the question is why did our sniper target Sarah?
03:36Any leads on the guy that she said was following her?
03:39No one in her circle remembers seeing the guy, and she didn't mention him to anyone but her fiancé.
03:43Maybe he didn't have anything to do with it.
03:45What do you mean?
03:46Well, usually we find our killers by knowing our victims, finding a motive, but what if there isn't one?
03:52What if she was shot at random? How do we find them then?
04:15Let's go, break it down, break it down!
04:22Let's go!
04:23Go ahead and switch over the back frame.
04:52Victim is Henry Wyatt, 38-year-old attorney.
04:54Same shooter?
04:55Looks that way.
04:59Anyone see or hear anything?
05:00Nada, just like before.
05:02He went for the head this time.
05:03He's getting more confident.
05:04Another victim, same time of day.
05:06This could be the D.C. sniper all over again.
05:11Lady, is that the slug?
05:13Yeah, it's all banged up from the concrete,
05:15but it looks like the same caliber.
05:17The angle of the entry is more extreme, though.
05:18You shot Wyatt from higher up.
05:22See something?
05:27Beckett, you all right?
05:29Yeah, I'm just trying to figure out
05:31why these two victims and why shoot here.
05:35The victims might be random, but the location isn't.
05:37A pro recons his target beforehand.
05:39If you're going to kill something from a long distance,
05:41it's not a point-and-shoot activity.
05:42You factor in all the conditions,
05:44like range to target,
05:46minute of arc, and windage.
05:49What is it?
05:53This flag
05:54is the perfect wind gauge.
05:57That can't be a coincidence.
05:59Okay, so if he hung that up there,
06:00we might be able to get eyes on him.
06:02We should canvas area for security cameras.
06:04We have a gunman terrorizing this city.
06:17Two victims in 24 hours.
06:19We don't know who he is
06:20or why he shot those folks.
06:22Detective Ryan,
06:23what do we know about the second victim?
06:24Henry Wyatt was a litigation partner
06:25at a law firm two blocks from where he was shot.
06:28According to his secretary,
06:29he liked to walk,
06:30which means there was a predictable routine,
06:32just like Sarah Vasquez.
06:33Which doesn't mean they were targeted.
06:35After all, most New Yorkers follow routines.
06:38Esposito,
06:39have we learned where they were shot from?
06:40We've got teams sweeping buildings
06:42near both crime scenes,
06:43and so far we've come up empty.
06:45We need to find our shooter...
06:46You know, it's just a startled response.
06:48It could happen to anyone.
06:49Yeah, well, not anyone.
06:50No, I'm just saying.
06:51No, just don't.
06:53Detective Beckett,
06:55where are we on Henry White and Sarah Vasquez?
06:57I'm sorry?
06:57On links between the victims?
06:59We're still checking,
07:02but they don't live or work in the same area,
07:04and it doesn't seem like they have anyone in common.
07:08In fact,
07:08we haven't really found any connections
07:10between the two of them yet.
07:11We'll keep looking.
07:12We know he has training,
07:14a specific skill set.
07:15Now, every branch in the military has snipers,
07:18so the law enforcement agencies...
07:20Talking about close to a thousand qualified shooters.
07:22The fact is,
07:23everyone in this city is a potential target.
07:27Let's get it done, people.
07:28Hey, where are you going?
07:34I just have to go do something.
07:36Hey, Beckett,
07:37Canvas turned up a security camera
07:38across from where the flag was hung.
07:40Footage is on his way in right now.
07:46Is she okay?
07:49No, you don't understand.
07:51I need to be okay.
07:53That's not always a choice, Kate.
07:56What you're describing,
07:57a hypervigilance.
07:58It's a classic symptom
07:59of post-traumatic stress disorder.
08:01I don't have PTSD.
08:02You were shot by a sniper.
08:04I think it's fair to say
08:05this case is going to bring up issues.
08:08Issues you still haven't dealt with.
08:09Okay, then fine.
08:10I'll deal with them.
08:11Right now,
08:11I need to figure out
08:12how to make this stop.
08:14It's not going to stop.
08:16Not without time and treatment.
08:18The psychological trauma
08:19is every bit as real
08:21as the physical trauma.
08:23Listen, people are dying out there.
08:25I don't have time
08:25to get all weepy
08:26over a couple of scars.
08:27Okay.
08:28So what's the alternative?
08:31Walking around
08:32feeling like you have
08:32crosshairs on your back?
08:34Thinking every glint
08:35off a window
08:36is a sniper scope?
08:37Look, there's got to be
08:37a pill out there
08:38or something, right?
08:39It's something to take
08:40the edge off.
08:41Medication can help.
08:43But not right away.
08:44Well, then what?
08:46Well, for one,
08:47I think you should consider
08:48stepping away from the case.
08:50You don't think
08:51I can handle this?
08:52I'm saying
08:53you don't have to.
08:55You're not the only
08:56cop in the city, Kate.
09:02Okay.
09:04Then you know what?
09:06I'm fine.
09:11How worried should I be
09:13about Beckett?
09:13She's never snapped
09:14at me like that before.
09:17And meant it.
09:18Hell, it was bad for me
09:18when I came back
09:19and I never took a bullet.
09:20Well, at least she doesn't
09:20remember it.
09:21Well, she doesn't want
09:22to remember it.
09:24Thing like that,
09:24it's easier to just
09:25keep in a box.
09:26This case might bust
09:27that box open.
09:29So what can we do?
09:30Catch the shooter.
09:31He's right.
09:32Best thing for everyone,
09:33Beckett included.
09:34In the meantime,
09:34just give her space
09:35and don't take it personally.
09:36Hey, guys, check this out.
09:42This is two days ago
09:43at 4.30 p.m.
09:46He planted the flag.
09:48He's got to be our shooter.
09:49He knows where the camera is.
09:50That's why he keeps
09:51his face covered.
09:52Why choose this street?
09:53Why not pick a place
09:54without any security cameras?
09:55Because he's straight up
09:56taunting us.
09:56I'll run this photo
10:02by victims,
10:03co-workers and friends.
10:04See if anyone recognizes him.
10:05He is not going to make it
10:06easy for us to catch him,
10:07is he?
10:08No.
10:09He's smart.
10:09He's patient.
10:10He's part of a sniper's DNA.
10:12Yeah.
10:14Don't go in.
10:15Call CSU.
10:16I'll be there in 10.
10:17Uniform just found
10:18where the sniper shot
10:19Henry Wyatt from.
10:26Yep.
10:32Here's the crime scene.
10:36600 yards.
10:38World-class shot.
10:39It's all wrong.
10:40What do you mean?
10:41The view of the kill zone
10:42was partially obstructed
10:43by that tree.
10:44A better shot would have
10:45been from the roof.
10:46Our boy would know that.
10:47So why wouldn't he take
10:48the shot from up there?
10:49It's possible he was worried
10:50about being seen by someone
10:51in a taller building
10:51or a passing helicopter.
10:56What's that?
10:58A paper doll.
11:00Maybe he was left
11:00by the sniper.
11:02Or the workman's kids.
11:05So the sniper took the shot
11:07from this window?
11:08No.
11:09He would have wanted
11:09to be invisible
11:10from the street.
11:11He would have taken
11:12the shot from right here.
11:17He took his time
11:18to spot that flag.
11:23Adjusted for wind.
11:24Acquired as a target.
11:28Bam.
11:31Showcasing would have
11:32ejected to the right.
11:33Let's go.
11:34Let's go.
11:34Let's go.
11:35Let's go.
11:56Let's go.
11:59Let's go.
12:00Get out of here,
12:01all right?
12:01Let's go.
12:02Hey, where have you been? I called you.
12:09Yeah, my phone's off. What's up?
12:11Shell casing from the Wyatt sniper hide had a print on it.
12:14We just matched it to a former special forces sniper named Marcus Ford.
12:17Just went through a bitter divorce. Textbook trigger for that kind of violence.
12:19Ford runs a shooting range in Long Island.
12:21Say, please have a tactical team on the way to meet us there now.
12:28Maybe it'd be a good idea if we hung back here.
12:31We'll study up on Ford. Just prep for the interrogation.
12:34That's a good idea. We got to cover.
12:36Yeah, okay.
12:44Our officers found a whole arsenal at your shooting range, Mr. Ford.
12:48Last time I checked, I still have the right to bear arms.
12:50Yeah, well, you should know that Ballistics is testing your rifles.
12:53I've at it. I didn't shoot anyone.
12:55Well, that's not exactly true, is it?
12:58According to your military record, you have 92.
13:01Confirmed kills.
13:02So?
13:03You looking to make it an even hundred?
13:05What's it like to look through the scope?
13:07To play God.
13:08How do you feel when you pull that trigger and you destroy someone's life?
13:12It's none of your damn business. It's how it feels.
13:14You know what I think?
13:15I think that you should be on the other side of that barrel.
13:17Is that a threat? Are you threatening me?
13:19Who are those people?
13:20Are they just paper targets to you?
13:22Do you even think about the pain that you've caused?
13:26About the families that you leave behind?
13:28Every life I ever took saved one of ours.
13:31Hell, it did.
13:32You know what I think?
13:33I think that you liked it.
13:35I think that you couldn't wait to kill again.
13:37You're out of your mind, lady.
13:38We found your print on the shell casing left by the sniper.
13:41That's impossible.
13:42That is a lie.
13:44I have nothing left to say.
13:47I know my rights.
13:51None of Ford's weapons are a match.
13:53So that doesn't mean he's not the sniper.
13:55He could have hidden the rifle.
13:57Ford's not our man.
13:58His alibis for both shootings are solid.
14:00Are you sure?
14:01I think I know how to check an alibi detective.
14:04Well, if he's not our man, how the hell did his fingerprint get on that shell casing?
14:07Could be a reload.
14:08It's easy enough to load a new bullet into an empty shell casing like the one we found.
14:11All you need is the right equipment.
14:13Which means our sniper is a client at Ford's shooting range.
14:15Go back in there and get his help.
14:20He's not going to want to talk to us after the way you went after him.
14:23So what are you trying to say?
14:24That I screwed up?
14:25No.
14:25I think what he's saying is that you played bad cop.
14:28And I'll get more out of Ford if I go in and play good cop.
14:36Okay, fine.
14:37Maybe Ford can get us what we need to nail this guy.
14:45Mr. Ford, my apologies.
14:47Please.
15:06Take it!
15:09Pack it.
15:11Copy?
15:13No.
15:14No, thanks.
15:15It's decaf.
15:17Look.
15:17Castle, I'm fine.
15:18Right.
15:18No, really, I'm fine.
15:20What's in the folder?
15:21CSU report on the paper doll.
15:23This was not made by a kid.
15:25It was cut out very precisely with an exacto knife.
15:28Out of what, a magazine?
15:30No, the paper stock is too heavy.
15:31And given there's nothing printed on the back,
15:33it's probably from some high-end coffee table book of some kind.
15:36My guess, a book of paintings.
15:38If you look closely, you can see brushstrokes.
15:40I think the sniper left that.
15:42Why would he do that?
15:43That much, I don't know.
15:44Yo, Marcus Ford was no help.
15:47He couldn't ID the guy in the video.
15:48We're pulling his credit card receipts,
15:49but he says that the shooting range is mostly a cash business.
15:54Beckett.
15:55Where?
15:57Okay, we're on our way.
15:59Ryan found the building the sniper shot Sarah Vasquez from.
16:06Super recognized the jacket from the photo.
16:08Said he'd been hanging around the building.
16:10How do we know he was in this room?
16:12Because we found another one of these.
16:14This is it.
16:17He shot Sarah Vasquez from right here.
16:19This is different from the first one.
16:21It must be from a different painting.
16:23They've got to mean something.
16:24Like what?
16:24What's it possibly going to mean?
16:26I don't know, but he's leaving them for a reason.
16:27Yeah, he's screwing with us.
16:29He's just taunting us and trying to make us look like idiots.
16:31Hey, we'll figure it out, okay?
16:41Found something.
16:43Moleskine.
16:44Hardcore military snipers put on the stocks of their weapons
16:46to absorb sweat so the rifles don't slip.
16:48If there's sweat, we can get DNA.
16:50All right, go.
16:56This is where it all started.
16:58He pulled that trigger right in this room.
17:02One second, Sarah Vasquez is alive and dreaming of the perfect wedding.
17:07And then she isn't.
17:12Kate.
17:13You know he saw her face when he killed her?
17:16People always think that snipers are so removed from their targets.
17:20But he wasn't.
17:21He's as close as we are right now looking through that scope.
17:24We're going to catch this guy.
17:26Yeah.
17:27Like we caught the guy that shot me.
17:28We're going to catch this guy.
17:58Oh, darling, I hope you haven't been up all night.
18:08I couldn't sleep.
18:09Two days, two people dead.
18:11Someone out there is waking up not knowing they're going to be murder number three.
18:15I think I just decided to skip school today.
18:18Actually, I think you're both under house arrest until we catch this guy.
18:21Oh, I can only imagine how this sniper must be affecting Beckett.
18:24She says she's fine.
18:26So what are you going to do?
18:27The only thing I can do, try to figure out why he's leaving these damn dolls behind.
18:31If I could just figure out what painting they're from.
18:34Let me see.
18:34Quiero suro.
18:43You recognize that?
18:45It's a style of painting that was invented during the Renaissance, exemplified by a strong contrast between light and dark.
18:50We learned about it in art history.
18:52Try looking up Caravaggio or Petruzana.
18:54Can I just say the school of yours is worth every penny I paid?
19:02Hey, this might be it.
19:04Petruzana.
19:05The persecution of kings.
19:07Begit.
19:28DNA on the Moleskine was a bust.
19:32Ryan, you got results?
19:34There were no matches in the CODIS database.
19:36The best the lab was able to do was DNA phenotyping.
19:38They say they think our sniper is a male with light hair and brown eyes.
19:41But that still leaves us with over 200 suspects on our list.
19:44I wouldn't cut down the list yet.
19:46Given what we went through with the shell casing, there's a chance the Moleskine's not even his.
19:51I know what the paper dolls mean.
19:53Mr. Castle, now is not the time for your theatrics.
19:56Captain, just listen.
19:56The paper dolls are predictive.
19:59The dolls are cut out of paintings that literally tell us the location of the next target.
20:03The one that we found at the first shooting, it comes from a painting called The Persecution of Kings.
20:07Henry Wyatt was killed on King Street.
20:09Exactly.
20:10The one we found in the hide at the second shooting, that's from a painting called The Fall from Grace.
20:13There's a Grace Avenue in the Bronx.
20:15Grace Church is on 10th Street and 4th Avenue.
20:18And there's about a dozen other possibilities.
20:20If we can narrow it down, we might be able to stop it before we can.
20:43How many people are dead?
20:57None.
20:57Thank God.
20:58Yeah, a sniper opened fire through a window of a conference room on the 15th floor.
21:01Is anyone else injured?
21:02No, just her.
21:03Her name is Emily Reed, and he only shot at her.
21:05Emily, my name is Detective Kate Beckett.
21:08I need you to tell me what happened.
21:10Why me?
21:11What did I do?
21:13Why is somebody trying to kill me?
21:15Emily, have you seen anybody watching you lately?
21:17I don't know.
21:17I don't know.
21:18We've got to get her to the hospital.
21:20No.
21:20Don't let them to me outside.
21:22He's still out there.
21:23No, you're going to be okay, Emily.
21:24Please don't do this.
21:26He's out there.
21:26He's going to kill me.
21:28Just go.
21:28Get her out of here.
21:29Now, go.
21:29I'm waiting for you.
21:33Beckett.
21:36Kate.
21:36Kate.
21:49I can't.
21:53I can't.
21:59She's spinning out of control.
22:04She's losing her ability to cope.
22:10She should not be on this case.
22:13She's not just going to walk away.
22:14No, she's going to drive herself into the ground.
22:17And you're the only one who has any clue as to what she's going through.
22:20So what helped you?
22:29Espo, what are we doing back here?
22:34I want to show you something.
22:42What is that?
22:43It's a rifle that shot you.
22:47You're way out of line.
22:48Just look at it.
22:49What the hell are you doing?
22:52I've been where you are.
22:53I know what you're going through.
22:55Javi, I'm fine.
22:57You're not fine.
22:58You're just trying to act like you are.
23:01This is just a tool.
23:05It's a hunk of steel.
23:07It has no magical powers.
23:09And the person that fired it is not some all-powerful god.
23:14It's just a guy with a gun.
23:16Just like the guy we're hunting now.
23:18And like every other bad guy, he's damaged goods.
23:27So am I.
23:31That's right.
23:33And that's okay.
23:36You think it's a weakness?
23:39Make it a strength.
23:42It's a part of you.
23:43So use it.
24:50There's Emily getting into the elevator.
24:54There he is. That's our guy.
24:57Yeah, unfortunately we still can't see his face.
25:04What is he waiting for?
25:05He's watching to see what floor she'd get off on. He knew exactly where she was going to be.
25:10It's a miracle Emily's not dead.
25:11It's not a miracle. It's poor planning.
25:13Turns out our sniper used the wrong ammo.
25:15The 168 grain loses stability when it goes through glass.
25:18The 165 is designed for that kind of shot.
25:20He didn't know that, which means he has less experience than we thought.
25:23Okay, we need to go back to the suspect list, cross off all law enforcement shooters,
25:27and any combat vets with urban experience.
25:29Is it just me?
25:33Or is his coffee cup identical to Emily's?
25:35Same logo. It's from the same shop.
25:38Zoom in on that.
25:40Cafe Primo.
25:42Must have followed her from there.
25:43If he's a customer, maybe someone can ID him.
25:47There's only one Cafe Primo.
25:48It's on 47th Street, two blocks from the Grace Point Tower where Emily worked.
25:52Okay, we need to find out if any of the other victims have a connection to that shop.
25:57Where's Beckett?
25:59She's running down a lead.
26:00She's running down a lead.
26:13Why would you shoot from here when the roof gave you a cleaner shot?
26:24She's running down a lead.
26:54That coffee shop may be the key.
26:58Sarah Vasquez lived six blocks from the Grace Point Tower.
27:01She had a receipt in her wallet from Cafe Primo dated three days ago.
27:04What about Henry Wyatt?
27:05Wyatt's therapist has an office right across the street from the coffee shop.
27:09They had a session two days before he was killed.
27:11That shop's got to be ground zero where he selected his victims.
27:14Get the hell down there and get me an ID.
27:16The clock's ticking on his next victim.
27:20Yeah, they all get coffee here on a pretty regular basis.
27:23Are you saying he shoots people from my shop?
27:26It could be just a coincidence.
27:27Have any of them been in here together?
27:28Maybe talking to each other or anyone else for that matter.
27:31Not that I remember.
27:32What about this guy?
27:33Is he a customer?
27:35Is that the sniper?
27:36Have you seen him?
27:36Does he look familiar?
27:38No.
27:39Sorry.
27:39I mean, maybe if I could get a better look at his face.
27:41Robert, phone call.
27:42Excuse me.
27:44I'm just praying that I get accepted.
27:45Your dad's an alumni.
27:46You're in for sure.
27:47Yo, dude.
27:48I totally closed the deal.
27:49Eight figures and a piece of the merchandise.
27:52You know, it was epic, bro.
28:00Hey, can you go to the back and get some more of that one?
28:02I hate to think that any of these people are dead just because they picked the wrong place
28:04to buy coffee.
28:05It's not the coffee shop.
28:06I know how the victims are connected.
28:08How?
28:08Sarah Vasquez just got engaged.
28:10Henry Wyatt just made partner at his firm.
28:13And Emily Reese just bought a giant apartment on the Upper West Side.
28:15They all had recent successes.
28:17According to our profile, this sniper is a paranoid loner.
28:20He feels alienated, victimized by the world.
28:24He comes into here for a cup of coffee and he hears about how well everyone's doing,
28:28how their dreams are coming true while his are not.
28:31Makes him feel invisible.
28:32Makes him feel angry.
28:34So he picks one of them out and he makes them pay.
28:36Even if you're right, it doesn't get us any closer to catching this guy.
28:40It might if we asked the right question.
28:45He didn't shoot from the roof because he couldn't climb the ladder.
28:49If you look at the video, there's a slight hitch in his step.
28:51I think he has a physical disability.
28:53Robert, does this ring a bell?
28:56A guy with a limp or a leg injury?
28:58There is a homeless guy who's been hanging around the last few weeks.
29:01I think he's got a prosthetic leg.
29:03We're going to need a description.
29:06All right, adding disability and partial and or full amputation to the list cuts it down from 207 to three.
29:20Eric Howard, Lee Travis.
29:22That's him, Lee Travis.
29:23He's 38 years old.
29:28He did a year in the Marines before losing his right leg in a hit-and-run motorcycle accident.
29:32He never caught the driver of the car and Lee was given an honorable discharge.
29:35And according to his counselor, Lee went into a deep depression, turned his anger against the world.
29:39He took a string of low-paying jobs, including a stint as a security guard for the Metropolitan Museum of Art,
29:44where his former boss said he spent a lot of time in the old master's section, home of Caravaggio and Petrozzano.
29:49All right, I'm releasing Lee's photo and bio to the media within the hour.
29:54Every person in New York will know who he is.
29:56Wait, sir, are you sure that's a good idea?
29:57If he knows that we're closing in, that might trigger another shooting.
30:01We need to risk it.
30:02We put his face out there.
30:03It could give us a lead on his whereabouts.
30:05What do we know about his family?
30:06Lee has a sister in Queens.
30:07Esposito's tracking him down right now.
30:09Are you sure it's him?
30:11Yes.
30:11You're not surprised.
30:18Lee's an angry guy.
30:19He has been since the accident.
30:21I tried to do what I could, but you can't give help if someone won't take it.
30:27It breaks my heart that he would do something like this.
30:30When was the last time you saw him?
30:32About a month ago.
30:33He came out to Queens for the day.
30:36It didn't go well.
30:37He lost his apartment.
30:40Wanted me to ask him to move in with us, but...
30:42I didn't want him around the kids.
30:48Do you know where he's living?
30:52I gave him my old car when he left.
30:54It's a blue Plymouth Duster.
30:56Do you think you could write down the license plate number?
30:59Excuse me.
31:02Beckett.
31:04Where?
31:06We're on our way.
31:07I'm sorry, we gotta go.
31:08Uniform's just found the third hide where Emily Reese was shot from.
31:12Detective.
31:13I know my brother's done terrible things, but...
31:17Please don't hurt him.
31:24How is he finding these places?
31:26Same way he chooses his victims.
31:27He listens.
31:28He's homeless.
31:29Nobody notices him.
31:32Once he finds the building that he'll be shooting from,
31:34he recons it for the best vantage point.
31:37Castle.
31:38Castle.
31:39We need to find that paper doll.
31:41See where he's gonna strike next.
31:58Found it.
31:58Oh, my God.
32:03Does it ID the next victim?
32:05What victim?
32:08Victims.
32:09Patrol unit found Lee's car.
32:25These were in the trunk.
32:26Any sign of the gun?
32:27No.
32:29All right.
32:29Listen up.
32:30I want all units on tactical alert.
32:32Lee Travis is out there right now with his weapon,
32:35intending to kill multiple victims.
32:37And given that the first three were shot in the morning,
32:39we don't have a lot of time.
32:41I got it.
32:43You know where he cut the chain of dolls from?
32:46Convince him to let me into the museum early.
32:48I compared the dolls to all the paintings in their collection.
32:51It's called Lions in the Meadow.
32:53The only meadow I know of in New York is in Central Park.
32:56We should assume that Travis is already in position.
32:59If we start clearing the park, he might start firing.
33:01Whoever these dozen victims are,
33:03he's targeting them for the same reason he went after the others,
33:06so we can assume they're all part of the same group.
33:08Beckett, take everyone we can spare ahead for the park.
33:10I want you in place and ready to move when we figure this out.
33:12Ryan, get on the phone to the parks department.
33:14Find out what they have scheduled there this morning.
33:17Cass, are you coming?
33:19I'm more useful here at helping Ryan figure out who the targets are.
33:21You got this.
33:22I'm more useful.
33:52All that tree cover is going to make it hard for him
33:55to target any large area of the park.
33:57Also, the buildings on the east and west sides of the park
33:59are high-end apartments with doormen.
34:01Which means he would have to shoot from the south end of the park.
34:04I just got off the phone with the parks department.
34:06There's over a dozen events planned in Central Park today.
34:09Anything on the south end?
34:10Nature Sanctuary tour and celebration for Western High School.
34:15Their track team just won the state championship.
34:17They should be on their way into the park right now.
34:18Wait.
34:19Western High School is three blocks away from the coffee shop.
34:21Their team is called the Lions.
34:22Lee must have heard one of the parents or students
34:24boasting about winning that meet.
34:26How are they getting to the park?
34:27Coming in by bus.
34:28I'll call ESU.
34:29Ryan, you need to stop that bus.
34:30I'll see you in the end of my skin.
34:34No!
34:35I just want to dance until I'm melting.
34:40I'm bleeding hot.
34:42Already I'm not.
34:44They said the school has a bus unloading at the Grand Army Plaza entrance at the park.
35:06ESU told Gates that these two buildings have the best vantage point for the sniper.
35:10How long till ESU countersnappers get here?
35:12Ten minutes.
35:12So search all of the floors above the 20th.
35:15Let's go.
35:15Yep.
35:23Come on.
35:24Come on.
35:27Answer your phone, damn it!
35:28Got an open door, suite 2421.
35:54I'm going in.
35:54Let's go.
36:21I'm going in.
36:21Police! Stop!
36:51Put the gun down Lee. I have a job to do. Why don't you just call it what it is, okay? You shoot people in cold blood. Those people deserve what they're getting. God bless them. He gave to them and took from me. My leg, my life. How is that fair, huh? How is that right?
37:17Those people that you blame, they're no different from you. I'm just saying that because you're one of them. You think my life is a picnic? I know what it feels like to be in those crosshairs. To feel the bullet burn through my chest. I know what it feels like to have my life leave my body.
37:42And I think you do too. That's why you keep leaving those paper dolls behind because you're looking for somebody to help you find another way.
37:53There is no other way. Not anymore. No, no, no. There's always another way. I want to help you. I know that you're in pain and we can find a better voice for your pain. Please just put that gun down.
38:04Just turn around. No. Don't look at me. Just turn around. No. Turn around. No. If you're going to shoot me, you look at me in the eyes. Okay? And you look hard. Because I am not your enemy. I can't be.
38:16You and I have too much in common. No, we don't. I have a job to do. I'm sorry.
38:46Hey. Hey. What are you doing? Just waiting for my partner. Maybe you've seen her. Pretty girl.
39:14Thinks she can leap tall buildings in a single bound. Carries the weight of the world on her shoulders, yet still manages to laugh at some of my jokes.
39:26She sounds like a handful. Tell me about it.
39:30Anyway, if you do see her, tell her she owes me about a hundred coffees.
39:39Castle?
39:43For what?
39:47For not pushing and giving me the space to get through this.
39:53Always.
40:01So, how do you feel now that Lee Travis is dead?
40:05I thought that taking him down would resolve things, but still there.
40:15Because you haven't fully dealt with what happened to you.
40:18No. I felt it before the shooting.
40:21I think it's always been there, deep inside, since that night.
40:30The night your mom was killed.
40:32Mm-hmm.
40:33I've let it define me, drive me.
40:38It's made me who I am.
40:39But now I want to be more than who I am.
40:51I want to be more than who I am.
40:51But I don't know if I know how to do that without letting my mom down.
41:01She's dead, Kate.
41:03You can't let her down.
41:07The only person you can let down is yourself.
41:12I...
41:12Her death is a part of you.
41:16And you're going to have to make peace with it.
41:18Just like you're going to have to make peace with the scars from your shooting.
41:26But it doesn't have to limit you.
41:27How am I supposed to let go?
41:34I can help you.
41:36But the question is...
41:38Are you ready?
41:48Yeah, I think I am.
41:57I think I am.
42:21I think I am.
42:24I think I am.
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