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00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey, Randy, are you ready to get started?
00:00:38I think you are. I can't.
00:00:40We've got to make some art here, people.
00:00:42Okay, that's it.
00:00:44All right, let's go. Bring that light right in here.
00:00:46Down here.
00:00:48All right, that's not...
00:00:50No, I need more light than that.
00:00:52You're in the spot.
00:00:54Okay, I'm ready.
00:00:56All right.
00:00:58No, I told you, it's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go. Come on.
00:01:04Oh, Jesus Christ.
00:01:06Come on. Oh!
00:01:13Good. Back in it. Back in it. Back in it.
00:01:15That's a good dog.
00:01:17You're such a good dog.
00:01:28Good. All right, that's fine.
00:01:30Good. All right, that's fine.
00:01:32Hang on, man.
00:01:34Gotcha.
00:01:36Very much.
00:01:38All right, that is great.
00:01:40Yeah.
00:01:42All right, that is great.
00:01:44I think he looks good, don't you?
00:02:00And we're out of film. All right, take five. We're reloading now.
00:02:02This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:15It's my dog. I trained that dog. I love this dog.
00:02:18Then you are as dumb as the dog.
00:02:20All right. Is everybody ready? Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:50This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Thank you.
00:03:35Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:01Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:08Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:33It was too difficult, too hard, and at times it seemed impossible.
00:04:40Women were second-class citizens then, and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:50I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:08This is great stuff.
00:05:11Jesus.
00:05:12Good morning, ladies, and welcome to a man's world.
00:05:19Let me tell you a little about men, ladies.
00:05:24They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:42And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:02I don't want to take this world away from the boys.
00:06:12All I want is for us to have a piece of the pie.
00:06:19And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:32Yes!
00:06:41I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the President of the United States.
00:07:03I've got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I've got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:13Let's go, man.
00:07:14Oh, my Lord.
00:07:15I will tell you, you should remain barefoot and pregnant.
00:07:21Well, ladies.
00:07:22All of this is going to change, ladies.
00:07:25Yes!
00:07:2650-50.
00:07:2750%, honey.
00:07:28Come on.
00:07:29Come on.
00:07:30Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back of course.
00:07:46When I'm talking peace, ladies, I'm not talking a small piece.
00:07:53I am talking 50% right down the middle.
00:07:58Yes!
00:07:59Yes!
00:08:00Yes!
00:08:01Just get them, honey.
00:08:02Come on!
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:33Okay.
00:08:34I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:51For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:01Phil, what do you do when I'm not in town?
00:09:05No, come on, you can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:11Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23Thanks, Phil.
00:09:24Music In
01:01:18C'est lĂ !
01:01:48Vous n'avez pas assez d'enough de moi encore, bébé.
01:02:03Je vous remercie votre aide.
01:02:05Non, c'est pas grave.
01:02:06Il y a elle, c'est bon.
01:02:09Donc, je comprends que vous avez mangé les bagnes d'arrivée ?
01:02:15Oui.
01:02:16And what time of day was this?
01:02:19Yes.
01:02:21It was about 8 a.m.
01:02:238 a.m.
01:02:25Can you describe the limo?
01:02:26Yes.
01:02:29Go ahead.
01:02:30It was wrong.
01:02:33Wrong?
01:02:34Yes.
01:02:35Long?
01:02:36Yes.
01:02:37Most of them are.
01:02:38Kim, do you remember the color of the car?
01:02:43It was black.
01:02:44And the driver, do you remember what he looked like?
01:02:50Yes.
01:02:54Well, describe him.
01:02:57He was tall.
01:03:00He had on a black jacket and a black hat.
01:03:04Was it a black man?
01:03:05No, white man.
01:03:07Let's go back to that long limo.
01:03:10Do you remember what kind it was?
01:03:12Oh, you mean a Cadillac or Lincoln?
01:03:17Yeah.
01:03:17Oh, I don't know.
01:03:23Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:29Thank you very much.
01:03:33Is there anything you can do to, uh...
01:03:37Jerry, she's your witness, ma'am.
01:03:39Jump right on in here.
01:03:40I want to concentrate on what this man looked like.
01:03:45Huh?
01:03:47Yes.
01:03:48Can you handle that?
01:03:51Handle what?
01:03:54What the guy looked like.
01:03:55Oh, yes.
01:03:56Yes, I can.
01:03:57Well, great.
01:03:57What did he look like?
01:03:59He had a...
01:04:01Brack of hat.
01:04:02Oh, wait, wait, wait.
01:04:02Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this real quick.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, all right?
01:04:12You see the guy.
01:04:13He's standing right in front of you.
01:04:15You got it?
01:04:15Yes.
01:04:16Okay?
01:04:16Picture it there now.
01:04:18Yes.
01:04:19Now, tell us.
01:04:21What do you see?
01:04:23I see a big, round hat of a face.
01:04:27Yes.
01:04:28Thank you very much.
01:04:30Jesus Christ.
01:04:31Thank you very much.
01:04:35Very nice lady.
01:04:36Thank you very much.
01:04:39You're an asshole, Jerry.
01:04:40Thank you very much.
01:04:44It was Brackhead.
01:04:51Good morning, Mr. Richard.
01:04:53Estella, I called you.
01:04:54I left you a message.
01:04:55I'm not going to need you for a while.
01:04:56I told you that.
01:04:56I got no message.
01:04:57Yes, but you don't understand.
01:04:58I'm not going to need you for a while.
01:05:00I already been paid for this, so I clean up when I can today.
01:05:03Yeah, but nothing is dirty, can't you?
01:05:04See around, everything is clean.
01:05:05I do dishes and I change sheets.
01:05:08Yeah, you did.
01:05:08Well, listen, I'm going to wait for a month or so, so come on.
01:05:10I'll tell you what.
01:05:11I'll give you a buzz as soon as I get back.
01:05:12Pero, pero, pero.
01:05:12Okay?
01:05:13I'll give you a buzz.
01:05:14No, no, Mr. Richard.
01:05:15You, Mr. Richard, you do not take money for something you do not do.
01:05:18Estella, you've been good to me.
01:05:19I mean, you do good work.
01:05:20And I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard.
01:05:23Here, I got a pen and I got some ones.
01:05:28God, I don't want money.
01:05:29I don't want money from you.
01:05:30Okay?
01:05:31I don't want money from you.
01:05:32Here, here.
01:05:32You're going to die in there, Mr. Richard.
01:05:34If it weren't for me, you would die like a rat.
01:05:36Oh, God.
01:05:37Listen, Estella, I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you.
01:05:40As soon as I get back from the vacation, all right, darling?
01:05:41All my best.
01:05:42God bless, God bless.
01:05:54You better not take much longer, baby, or we're going to die like rats in here.
01:05:58You're fucking up my life here.
01:06:00Do you understand that?
01:06:01Huh?
01:06:02I had a fire to goddamn aid.
01:06:04You know what that means?
01:06:06No clean laundry, no clean dishes, garbage up the yin-yang, dust everywhere.
01:06:12Come on, honey, get your act together.
01:06:15We're living like pigs here.
01:06:17Come on, lady, you're going to have to make some son-of-a-bitch contribution here.
01:06:20Do you know that?
01:06:21I mean, come on, get in your head.
01:06:23I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet
01:06:28paper, and the best of kind.
01:06:30And complete attention to your selfish ass.
01:06:34Come on, get your act together, goddammit.
01:06:37Or else I'll never lay on this goddammer.
01:06:38You got that?
01:06:40Now, you get it together, lady, or you're on your way out.
01:06:42And I mean way out.
01:06:52Here's my gun permit from New York, North Carolina, Texas.
01:06:58I got a whole bunch of them things if you want to look at them.
01:07:00That won't be necessary.
01:07:02May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything we can to find this girl.
01:07:09I'm sure you are.
01:07:11But I don't feel that there's anything that you could possibly do that would add anything
01:07:16to the situation.
01:07:18That might well be.
01:07:19But I've been hired by her mother, who's paying me a lot of money to come on out here and
01:07:23help your boys locate her baby girl.
01:07:26Now, I know you don't want me to lose out on good money.
01:07:30And I know you don't want me backing out an employment line, do you?
01:07:32What I want is for you to keep us informed of everything you're doing and anything that you might come up with.
01:07:41No problem.
01:07:42Used to be a cop.
01:07:43I know what it's like.
01:07:44We don't want no double work, do we?
01:07:47No.
01:07:48All right.
01:07:49My goodness.
01:07:50All you've got to do is tell me what you boys have found out so far.
01:07:53Nothing.
01:07:58Well, there you go.
01:07:59Then there's absolutely nothing for me to interfere with since you boys got nothing to start with.
01:08:04But you'll let us know if you come up with something.
01:08:07May I call you Jim?
01:08:08Why not?
01:08:10Jim, you're the first name on my list.
01:08:16It's a hot day today, isn't it?
01:08:18Richard, I feel weak.
01:08:24Oh, come on.
01:08:25Women give birth.
01:08:25It's got to be worse than this.
01:08:27Well, that makes me feel a lot fucking better.
01:08:30I'm sorry.
01:08:31I didn't mean to swear.
01:08:33Come on.
01:08:34I want to believe.
01:08:35But you make it hard.
01:08:36You make it hard on both of us.
01:08:37I know.
01:08:38I'm sorry.
01:08:39Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:46You have to help me.
01:08:48All right.
01:08:51I will.
01:08:54Have to pan up, you know.
01:08:57You know, perhaps it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:03I mean, did you have any brothers and sisters?
01:09:07Yes, my brother is a lawyer and my sister, she's a teacher.
01:09:11Mm-hmm.
01:09:12And what about your mother?
01:09:15My mother?
01:09:15She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:22Oh.
01:09:23All right.
01:09:24Well, what about your father?
01:09:27My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:33The Navy serving with the Marines.
01:09:36The Marines?
01:09:37I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do is drink, swear, and kill, and not necessarily in that order.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:49Well, I tell you what, I'll get you some water, I'll get you some clothes, and even threw too much.
01:09:59No, no, no, no.
01:10:01And they were going to get you some water.
01:10:04I'll get you some water.
01:10:05Yeah, my name is Sam Weston.
01:10:08Now, you people rent limousines, right?
01:10:11Say that again?
01:10:13I'm sorry, I don't understand you.
01:10:15My question is, you people rent limousines, right?
01:10:26Well, let's try this one.
01:10:29Do you have anybody who works for your company that speaks English?
01:10:36Comprenda English?
01:10:40Well, can I talk to your boss?
01:10:42Now, I want to talk to the guy that you work for. Comprenda?
01:10:52Yes, sir. And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:59Now, I understand you people rent limousines.
01:11:03Uh, big, long cars?
01:11:07Yes, I'm a private detective, and I'm trying to track down a black limo rented on April 5th of this year.
01:11:12I don't understand you, sir.
01:11:19Where are you from?
01:11:22Korea.
01:11:23Yes.
01:11:25That's a nice town, sir. I just love that place.
01:11:29Um, you got anybody else who speaks English at your place?
01:11:33What's wrong?
01:11:54What's wrong?
01:11:55I'm alone here.
01:11:58I don't like being alone.
01:12:00I hate being alone.
01:12:03Look, calm down, okay?
01:12:06Richard, I'm trying.
01:12:09I can't take any more of this.
01:12:11I'm trying, but I just can't take any more.
01:12:17Everything's going to be fine, okay?
01:12:19Richard, this is not fine.
01:12:22This is weird.
01:12:24When it's fine, it's fine.
01:12:25When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:29I can't stand it when you cry, all right?
01:12:30Just stop it.
01:12:32I need some space.
01:12:35I need something for me.
01:12:38I tried to make a statement.
01:12:40I was wrong.
01:12:42I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:46I think we're making some headway here.
01:12:49Headway?
01:12:52I am dying in here,
01:12:54and you are talking about headway!
01:12:57Yeah.
01:13:01I'm going to die in this stinking, rotten hole.
01:13:07Richard.
01:13:11The night we spent together
01:13:13was the most beautiful night of my life.
01:13:16I want that again.
01:13:22I swear to you,
01:13:23I will do whatever you want.
01:13:26All I want is more of you.
01:13:30It's all I had.
01:13:33Is that too much?
01:13:38I have to get out of here.
01:13:43I have to see you.
01:13:46To touch you.
01:13:48To touch you.
01:13:48To touch you.
01:13:52I don't believe you.
01:14:02God, this is exasperating.
01:14:19Emmanuel, I'm sorry.
01:14:35I really am sorry.
01:14:37I feel your pain,
01:14:39and yet,
01:14:39I desperately need your love.
01:14:45I feel your strength.
01:14:48The strength of your beauty,
01:14:50even through this metal door.
01:14:52Nothing could separate us.
01:14:55And I mean nothing.
01:14:56The look of you.
01:15:04The thought of you.
01:15:07It permeates my mind.
01:15:11You know, anger,
01:15:12anger has made me say and do many, many ugly things
01:15:17that I'm not proud of.
01:15:23When actually,
01:15:25my heart, mind, and soul adores you.
01:15:30Jesus Christ.
01:15:31I am so thankful that you're here with me.
01:15:40So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me,
01:15:47and I mean forgive me,
01:15:49and if you can find a way to reciprocate my love,
01:15:52I will be with you always.
01:15:56Jesus Christ.
01:16:00Jesus Christ.
01:16:26Jesus Christ.
01:16:27Jesus Christ.
01:16:28Jesus Christ.
01:16:29Jesus Christ.
01:16:30Jesus Christ.
01:16:31Jesus Christ.
01:16:32Jesus Christ.
01:16:33Jesus Christ.
01:16:34Jesus Christ.
01:16:35Jesus Christ.
01:16:36Jesus Christ.
01:16:37Jesus Christ.
01:16:38Jesus Christ.
01:16:39Jesus Christ.
01:16:40Jesus Christ.
01:16:41Jesus Christ.
01:16:42Jesus Christ.
01:16:43Jesus Christ.
01:16:44Jesus Christ.
01:16:45Jesus Christ.
01:16:46Jesus Christ.
01:16:47Jesus Christ.
01:16:48Jesus Christ.
01:16:49Jesus Christ.
01:16:50Jesus Christ.
01:16:51Jesus Christ.
01:16:52Jesus Christ.
01:16:53Jesus Christ.
01:16:54Jesus Christ.
01:16:55Sous-titrage Société Radio-Canada
01:17:25Sous-titrage Société Radio-Canada
01:17:55Sous-titrage Société Radio-Canada
01:18:25Sous-titrage Société Radio-Canada
01:18:27Sous-titrage Société Radio-Canada
01:18:59Sous-titrage Société Radio-Canada
01:19:01Sous-titrage Société Radio-Canada
01:19:03Sous-titrage Société Radio-Canada
01:19:05Sous-titrage Société Radio-Canada
01:20:37Sous-titrage Société Radio-Canada
01:20:39Sous-titrage Société Radio-Canada
01:20:41Sous-titrage Société Radio-Canada
01:20:43Sous-titrage Société Radio-Canada
01:20:45Sous-titrage Société Radio-Canada
01:20:49Sous-titrage Société Radio-Canada
01:20:51Sous-titrage Société Radio-Canada
01:20:53Sous-titrage Société Radio-Canada
01:20:55Sous-titrage Société Radio-Canada
01:20:57Sous-titrage Société Radio-Canada
01:20:59Sous-titrage Société Radio-Canada
01:21:01Sous-titrage Société Radio-Canada
01:21:03Sous-titrage Société Radio-Canada
01:21:05Sous-titrage Société Radio-Canada
01:21:07Sous-titrage Société Radio-Canada
01:21:09Sous-titrage Société Radio-Canada
01:21:11Sous-titrage Société Radio-Canada
01:21:13Sous-titrage Société Radio-Canada
01:21:15Sous-titrage Société Radio-Canada
01:21:17Sous-titrage Société Radio-Canada
01:21:19Sous-titrage Société Radio-Canada
01:21:21Sous-titrage Société Radio-Canada
01:21:23Sous-titrage Société Radio-Canada
01:21:25Nous allons aller sur le reste de l'Ăźle.
01:21:26Je vais le faire, ok ?
01:21:28Ok, vous ĂȘtes derriĂšre moi ?
01:21:29Oui.
01:21:29Ok, je vais y aller.
01:21:31Hold up.
01:21:38Where are you taking me ?
01:21:39Vous disiez que vous voulez aller.
01:21:41Quand je disais, je me disais.
01:21:43C'est le back de votre maison.
01:21:45Non, non, non, non.
01:21:46Regardez lĂ -bas.
01:21:47Vous voyez le ciel ?
01:21:48C'est lĂ -bas.
01:21:49Je veux dire, vous ĂȘtes prĂšs de loin
01:21:51que je peux croire.
01:21:54Bien, je vais prendre votre hand.
01:21:55C'est bon.
01:21:56C'est bon.
01:21:57C'est bien.
01:21:59C'est bon.
01:22:01C'est bon.
01:22:04C'est bon.
01:22:10C'est bon.
01:22:11C'est bon.
01:22:14C'est bon.
01:22:18C'est bon ici ici, non?
01:22:20Oui.
01:22:21C'est un peu de co-opération.
01:22:28Je sais ça maintenant.
01:22:30Doe vous?
01:22:31Oui.
01:22:33Je ne vais pas aller Ă la prison pour cela.
01:22:35J'espÚre que vous savez ça.
01:22:37Je ne veux pas ça.
01:22:41C'est un délire.
01:22:42C'est un délire pour moi.
01:22:44Donc, c'est toi et moi contre le monde,
01:22:47d'ici lĂ -bas, hein?
01:22:48Vous devez comprendre quelque chose.
01:22:52Qu'est-ce qu'il y a?
01:22:53Je suis différent de quand vous m'entendez.
01:22:56Vous devez l'oublier de cette femme.
01:22:58Elle n'existe pas.
01:23:01Je vais vous dire quelque chose.
01:23:04L'on fait ça ensemble.
01:23:07Tu et moi.
01:23:09L'on fait ça.
01:23:11Je me suis de l'argent.
01:23:13Je me suis de l'Ă©nergie.
01:23:18Je me suis de l'argent.
01:23:23L'on fait un délire.
01:23:31Tu veux vraiment dire ça?
01:23:33Oui, je me suis de l'argent.
01:23:34Oui, je me suis de l'argent.
01:23:42L'on fait un délire.
01:23:42L'on fait un délire.
01:23:43L'on fait un délire.
01:23:44L'on fait un délire.
01:23:45Tu vas en avec moi.
01:23:46Tout va ĂȘtre bien.
01:23:48Je sais que ça va.
01:23:49Je vais prendre tes vĂȘtements, ok?
01:23:51Donc, pourquoi tu vas y aller dans lĂ et juste en bed?
01:23:53Je vais attendre pour toi, bébé.
01:23:55All right, honey.
01:23:56Mouah!
01:24:15Emmanuel?
01:24:17Emmanuel?
01:24:18Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door.
01:24:23Open the goddamn door!
01:24:27Open the goddamn door!
01:24:53Hi, Dick.
01:25:16How's it going?
01:25:20Hi.
01:25:20Is that you?
01:25:22How you doing?
01:25:23It's me, Richard.
01:25:25Listen, it was all over, baby.
01:25:27I mean, it was all over.
01:25:28I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, babe.
01:25:35Thanks, Dick.
01:25:37You're welcome.
01:25:37Listen to me.
01:25:39I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby.
01:25:45Just you and me.
01:25:46I mean, all the way.
01:25:47Do you understand that?
01:25:48I mean, are you staying with me?
01:25:49Royal Danish Cruise Lines, you don't believe me?
01:25:51Well, check it out, okay?
01:25:53Check it out, guys.
01:25:53I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see?
01:25:57Inside breast pocket.
01:25:58Go up there and look.
01:25:58Please, for me, okay?
01:25:59Please, for me right now.
01:26:01Would you check one for me?
01:26:03God, I miss you.
01:26:04I miss you, baby.
01:26:08Are you listening to me, honey?
01:26:10You're not thinking of leaving me here, are you?
01:26:12Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:32For dinner?
01:26:33Yes?
01:26:55Emanuel Griffith?
01:26:57Yes.
01:26:58I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:06Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:16The thing is, Sam, I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:27So you tell my mom I love her, everything's fine,
01:27:30and I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:41Thanks a lot, Sam.
01:27:42Yeah.
01:27:43Good morning, ladies, and welcome to a man's world.
01:27:56Good morning, ladies, and welcome to a man's world.
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