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Everyone Stares: The Police Inside Out (2006) is a unique music documentary filmed and narrated by Stewart Copeland, drummer of the legendary band The Police. Using personal footage, it offers a behind-the-scenes look at the band’s journey from rising performers to international icons. A rare and personal perspective on creativity, fame, and musical evolution.
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Art et designTranscription
00:00:00C'est parti !
00:00:30It's 1976, and this thing called punk rock has just raised its ugly head in London.
00:00:36Sting, Henry Padovani, and I have formed a group called The Police.
00:00:40We cut our hair, put on shades, and have adopted the hostile posture of the day.
00:00:45It's a chaotic scene, so most of our gigs are from cancellations by other bands.
00:00:50We're the only guys who know how to hire a truck and get to the show.
00:00:54Our fee is 30 pounds sterling, 5 for the truck, 10 for the PA, and a fiver each for the three of us.
00:01:00With 400 pounds for my buddy Paul, we recorded our first single and sell it ourselves by the box to record stores around the country.
00:01:07I am president of Illegal Records and chief salesperson.
00:01:13Sting has his doubts.
00:01:15He gets a buzz from the energy of the scene, but pretty much hates the music, including ours.
00:01:19So Andy shows up with his harmonic sophistication,
00:01:23and Sting starts writing these big songs, the sound of our own beginning to hatch.
00:01:28The problem is, the Cognizanti are on to us.
00:01:31They know that we're just carpetbaggers.
00:01:33I have a dark past with the long hair group curved air.
00:01:37And Andy Summers has consorted for years with the enemy generation.
00:01:41We are unloved.
00:01:42But something strange is happening.
00:01:46A mysterious masked American has turned up in London for the couple of songs that got him a modest hit in the English charts.
00:01:52He goes under the name of Clark Kent, but no one knows who he is.
00:01:56He plays all the instruments, writes, sings, and produces the songs.
00:02:00So, since no one can think of anyone else who could do all that, they're starting to point the finger at me.
00:02:06Well, it's the first time I've ever been blamed for a hit of any kind, and I'm all for it.
00:02:10This is the big time at last.
00:02:13But it never would have happened like this for that known charlatan-the-police drummer.
00:02:18So the lesson is clear.
00:02:20The police needs to regain its virginity, to shed the leprous scab of its wretched history,
00:02:25to shake loose the chains and sally forth to the promised land of America,
00:02:29where people are kind of anticipating something new out of England.
00:02:35We've been together for two years,
00:02:37arriving in New York City with our gear as hand luggage,
00:02:39we're ready to start all over from scratch.
00:02:42My brothers, Miles and Ian, have hatched a scheme
00:02:45where they are connecting up a string of clubs across America
00:02:48where un-hippie, rebellious youth can be part of a brand new scene.
00:02:53It's 1978, and the hippie thing is way old.
00:02:56Everybody's looking at this new wave,
00:02:59which is actually mainly characterized by a new hairdo.
00:03:02Short hair is the dividing line.
00:03:05So Ian finds a club in every city
00:03:08where we can play to the 50 or 100 kids who have heard of this new thing.
00:03:12And Miles makes sure the radio guys are there.
00:03:15Out on the road, it's the three of us in a van,
00:03:18with my childhood chum, Kim Turner, at the wheel.
00:03:21But things are picking up pretty quickly.
00:03:22There's a buzz about the van.
00:03:24Shows are filling up, and the clubs are getting bigger.
00:03:26Best thing about that is roadies.
00:03:29Man, I am sick of carrying those dang drums around.
00:03:32It also means our sound is better, and we can play fresher.
00:03:35We're getting pretty good.
00:03:37Something about the way Andy hits those chords,
00:03:39and the way Sting pumps that bass just lights me right up.
00:03:43And in the winter of 1978,
00:03:45just as America is beginning to notice us,
00:03:47and with pretty much the first spare change I have in my pocket,
00:03:51I got this Super 8 movie camera.
00:03:52Super 8 movie camera.
00:04:22It's a fine morning to rise up and set off to conquer America.
00:04:51English bands are always surprised by how big it is.
00:04:54Back home, London bands don't really tour,
00:04:56since most cities are close enough that you can drive home after the show.
00:05:00In America, you are on the road.
00:05:02Big boy heading south.
00:05:05This is why we're a three-piece band.
00:05:07Plenty of room in the car.
00:05:08Some time in the afternoon, we arrive in the next town,
00:05:16and a local store is doing a promotion with us signing records.
00:05:18We love you!
00:05:19They're pretty sparse.
00:05:27They're pretty sparse.
00:05:27They're stupid without you.
00:05:40They're stupid without you.
00:05:45All right, we're out in the woods here in Virginia,
00:06:03in Moyoc, down in the Great Dismal Swamp,
00:06:07and the police are raiding the station.
00:06:09We have been invaded by the police and Sting, Andy, and...
00:06:13We are three Englishmen and one American driving across the land,
00:06:22hitting the radio stations and shaking the tree any way we can.
00:06:26One of the great things about touring is the series of
00:06:56flash motels and chain hotels.
00:06:58Even the cheap ones in America are clean.
00:07:00The sheets and towels change themselves every day,
00:07:03unlike my sweaty London pad.
00:07:05All we need to sustain our tour is an average of $300 a day
00:07:09to cover gas, food, and two hotel rooms.
00:07:14Cheap motels and chain hotels,
00:07:17but they provide a kind of revolving sanctuary.
00:07:19Check out of one, check into another.
00:07:26So we have your attention.
00:07:38We are proud to present A&M recording artists,
00:07:41the police, in the far corner of the store,
00:07:43here to say hello.
00:07:44Go on over and meet them,
00:07:46and coming on the turntable,
00:07:47their fantastic hit new album,
00:07:49outlandos da moor, the police.
00:07:58Outlandos da moor, the police.
00:07:59Outlandos da moor, the police.
00:08:01Outlandos da moor, the police.
00:08:02Outlandos da moor, the police.
00:08:03Outlandos da moor, the police.
00:08:04Outlandos da moor, the police.
00:08:05Outlandos da moor, the police.
00:08:06Outlandos da moor, the police.
00:08:07Outlandos da moor, the police.
00:08:08Outlandos da moor, the police.
00:08:09Outlandos da moor, the police.
00:08:10Outlandos da moor, the police.
00:08:11Outlandos da moor, the police.
00:08:13Outlandos da moor, the police.
00:08:14Outlandos da moor, the police.
00:08:15Outlandos da moor, the police.
00:08:16Outlandos da moor, the police.
00:08:18Sous-titrage Société Radio-Canada
00:08:48Stuart Copeland taking a film of himself, narcissist.
00:08:52We're just bubbling up from the slide.
00:08:56Oh, I got the shot already.
00:08:58But now they have jumped on it, and we have a national support team
00:09:01who have adopted our cause with an almost religious fervor.
00:09:07Oh, don't we side us. Speak up.
00:09:09Oh, my God.
00:09:10Speak up or lie down.
00:09:18This is New York in 1979, a couple years after we first arrived
00:09:38to Starvelings, playing at CBGB's in the Bowery.
00:09:41It's the nerve center of the music business.
00:09:44Everywhere we go seems to pass through this city,
00:09:46so this is where we've set up shop.
00:09:48Yeah.
00:09:49Well, the Stardust is probably just right for them,
00:09:51but the money was what was important,
00:09:53because the Santa Monica Civic can pay that six grand figure
00:09:56that makes the whole tour possible.
00:09:58And if they're doing the Stardust, then...
00:10:00What's this?
00:10:01Are you filming me? Have you got the rights?
00:10:03Have you got the rights to film me?
00:10:05Have you got a contract?
00:10:06You know that there's no filming on me, buddy.
00:10:09I've always noticed that Andy has this sort of benevolent look about him.
00:10:13How do you feel benevolent?
00:10:14I've never felt benevolent in my life.
00:10:16I've been told it's a genetic...
00:10:18What's that mean?
00:10:19What's that mean?
00:10:20What's that mean?
00:10:20What's your fucking benevolent?
00:10:25Hello.
00:10:26Right here.
00:10:28Congratulations.
00:10:29Yeah.
00:10:29What a level of respect out of you guys.
00:10:32Congratulations.
00:10:34Oh, this is talks.
00:10:35Number one, my favorite Copeland.
00:10:37All right.
00:11:06You're better off stage than you are in film.
00:11:17Let's go, Stuart.
00:11:18Kim Turner is the center of our life in a row.
00:11:21I was the tour manager of his first pro band, and now he's my tour manager.
00:11:26Every band has someone like this.
00:11:30Will you get off me?
00:11:32Will you get away from my face?
00:11:33He's always behind the wheel.
00:11:35He's the guy who always knows what we're doing next.
00:11:38Listen, I'm the fucking one which says what goes, right?
00:11:43And if fucking things don't go right, I get annoyed.
00:11:47I get fucking annoyed.
00:11:49So just fucking take that.
00:11:54Oh, yeah.
00:11:55What the fuck have you been?
00:11:57What the fuck have you been?
00:11:58Really?
00:11:58You know, I...
00:11:59Listen, man.
00:11:59If you're fucking playing in a band, fucking get your shit together.
00:12:02You're supposed to be on fucking time.
00:12:04You know what I mean?
00:12:05Don't be a fucking asshole all your life.
00:12:08Oh, God.
00:12:09Oh, for fuck's sake.
00:12:11Look at the state of this.
00:12:12Just look at this guy.
00:12:15Fuck you.
00:12:15I'm useless.
00:12:16I'm a fucking nightmare.
00:12:17I salute.
00:12:18I kill conversation as I walk into a room.
00:12:21I'm a freeline whip.
00:12:23I'm a sort of thin neighbor.
00:12:25I'm a walking disaster.
00:12:26I'm a demolition man.
00:12:29This is coming.
00:12:33I lose my life away.
00:12:39We started out as a band with a cynical plan.
00:12:48But our music is just welling up and taking us over.
00:12:51The excitement we create even surprises us.
00:12:53It's better than we deserve.
00:12:55We've landed on a groove which just seems to light everybody up.
00:12:58The thing is, you're missing the legs.
00:12:59You know, the legs are the most important future.
00:13:07So now we're back in Europe to do the summer festivals
00:13:09and TV.
00:13:10We're pretty low down on the billet these big shows,
00:13:13so we get to do the afternoon slots.
00:13:15Big bands get to play under a light show.
00:13:17New bands play in daylight.
00:13:24But we're getting less new every day.
00:13:26This is the Pink Pop Festival,
00:13:28where we're going to bag the whole country with this one show.
00:13:31We're going to pretty much conquer all of Europe this summer.
00:13:33Wagyu,
00:13:48and Ma'am.
00:13:50It's heavy house,
00:13:51besides espera now.
00:13:51Thank you.
00:13:52Thank you.
00:13:54I'm the Initiative.
00:13:55Thank you.
00:13:56Thank you.
00:13:56Thank you.
00:13:56Thanks.
00:13:56Thank you.
00:13:56Thank you.
00:13:57Thank you.
00:13:57Thank you.
00:13:58You, really?
00:13:59Thank you.
00:13:59Thank you.
00:14:00Thank you.
00:23:11So we're a hit, as a boy band, some kind of teen fantasy pinup thing.
00:23:17It's a twisted reward well suited to all our Machiavellian scheming.
00:23:41I saw God in a tomato, God spoke to me and said, I am a greenhouse.
00:24:04Well, here we are, somewhere in the middle of a police set.
00:24:11Pretty flashed, huh?
00:24:17Hey, you're just fucking firing!
00:24:20Give me this bastard!
00:24:21Both of them!
00:24:22Bit of a fight going on.
00:24:32Hello, hello!
00:24:38Goodbye!
00:24:41C'est parti !
00:25:11C'est parti !
00:25:41C'est parti !
00:26:11C'est parti !
00:26:41C'est parti !
00:27:11The trouble is that I'm on the wrong train, I'm going in the wrong direction, I just don't know what happened, I know they're after me, this is just really serious, I didn't know that I was going to get one ticket, I mean if they'd wind me with the plans like this, it's...
00:27:27All right, come on, let's get your ticket, come on, come on, let's have your ticket, come on, we're here, come on, come on, come on, come on, come on, come on, come on, you bastard !
00:27:35C'est parti !
00:27:40Tu ne joues pas dans le du jeu!
00:27:48Léaie!
00:27:56Aujourd'hui.
00:27:58Nous sommes en banque d'esquête.
00:28:00Nous sommes en Amérique du jour.
00:28:03Ce n'est que c'est le groupe juillet.
00:28:05Ce n'est pas un paquet de dîner.
00:28:07C'est un peu plus de deux.
00:28:11Et ça, c'est un peu plus de deux.
00:29:37My smile looks lame in photographs, so I've taken to scowling at the camera.
00:29:42But actually, we're pretty cheerful.
00:29:44I'm so used to laughing at the things in my heart.
00:29:48Best of all, I'm sorry, because I'm never asked of this.
00:29:52You can see I'm not your time.
00:29:53I'm sorry.
00:29:54You can see I'm not your time.
00:29:55I'm not your time.
00:29:56I'm not your time.
00:29:57I'm not your time.
00:29:58I'm not your time.
00:29:59I'm not your time.
00:30:00I'm not your time.
00:30:01I'm not your time.
00:30:02I'm not your time.
00:30:03I'm not your time.
00:30:04I'm not your time.
00:30:05I'm not your time.
00:30:06I'm not your time.
00:30:07I'm not your time.
00:30:08I'm not your time.
00:30:09I'm not your time.
00:30:10I'm not your time.
00:30:11I'm not your time.
00:30:12I'm not your time.
00:30:13I'm not your time.
00:30:14I'm not your time.
00:30:15I'm not your time.
00:30:16I'm not your time.
00:30:17I'm not your time.
00:30:18C'est parti.
00:30:48C'est parti.
00:31:18C'est parti.
00:31:48C'est parti.
00:32:18C'est parti.
00:32:20C'est parti.
00:32:22C'est parti.
00:32:54C'est parti.
00:32:56C'est parti.
00:32:58C'est parti.
00:33:00C'est parti.
00:33:02C'est parti.
00:33:34C'est parti.
00:33:36C'est parti.
00:33:38C'est parti.
00:33:40C'est parti.
00:33:42C'est parti.
00:33:44C'est parti.
00:33:46C'est parti.
00:33:48C'est parti.
00:33:50C'est parti.
00:33:52C'est parti.
00:33:54C'est parti.
00:33:56C'est parti.
00:33:58C'est parti.
00:34:00C'est parti.
00:34:02C'est parti.
00:34:32C'est parti.
00:34:34C'est parti.
00:34:36C'est parti.
00:34:38C'est parti.
00:34:40C'est parti.
00:34:42C'est parti.
00:34:44C'est parti.
00:34:45C'est parti.
00:34:46C'est parti.
00:34:47C'est parti.
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00:34:53C'est parti.
00:34:54C'est parti.
00:34:55C'est parti.
00:34:56C'est parti.
00:34:57C'est parti.
00:34:58C'est parti.
00:34:59C'est parti.
00:35:00C'est parti.
00:35:01C'est parti.
00:35:02C'est parti.
00:35:03C'est parti.
00:35:04C'est parti.
00:35:05C'est parti.
00:35:06C'est parti.
00:35:07C'est parti.
00:35:08C'est parti.
00:35:09C'est parti.
00:56:09We are here in Paradise
00:57:09We are here in Paradise
00:59:09We are here in Paradise
01:00:09We are here in Paradise
01:00:39We are here in Paradise
01:01:09We are here in Paradise
01:01:39We are here in Paradise
01:02:09We are here in Paradise
01:02:39We are here in Paradise
01:03:09We are here in Paradise
01:03:39We are here in Paradise
01:04:09We are here in Paradise
01:04:39We are here in Paradise
01:05:09We are here in Paradise
01:05:39We are here in Paradise
01:06:09We are here in Paradise
01:06:39We are here in Paradise
01:07:09We are here in Paradise
01:07:39We are here in Paradise
01:08:09We are here in Paradise
01:08:39We are here in Paradise
01:09:09We are here in Paradise
01:09:39We are here in Paradise
01:10:09We are here in Paradise
01:10:39We are here in Paradise
01:11:09We are here in Paradise
01:11:39We are here in Paradise
01:12:09We are here in Paradise
01:12:39We are here in Paradise
01:13:09We are here in Paradise
01:13:39We are here in Paradise
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