- 2 days ago
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00This is insane
00:14Hi, did anyone order these
00:20You've gotta be kidding me look you've got it all over me you have any idea how much this cost and if they can't get it out
00:26That's enough
00:30You
00:36In my office now
00:47What's your name?
00:54Cecilia brooks miss brooks
00:56Is there a reason why you came here to interview as a designer dressed like this?
01:01Oh I think you have the wrong idea Mr. Mercer
01:06I'm not here I don't want to hear excuses
01:09Change into this
01:15I'm changing to this
01:17Excuse me?
01:18You'll learn things are very fast paced here
01:20I'm sorry
01:21I'm sorry
01:22I'm sorry
01:22I'm sorry
01:22I'm sorry
01:22I'm sorry
01:22I'm sorry
01:23I'm sorry
01:24I'm sorry
01:24I'm sorry
01:25I'm sorry
01:25I don't have time to ask twice.
01:55Hello, this is Cecilia.
02:14Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:18Until then, we cannot proceed.
02:20Okay, one second.
02:22Hello?
02:24Ms. Brooks?
02:25Shit.
02:29Who is this woman?
02:31His girlfriend or something?
02:32I wasn't done with my interview.
02:35We'll touch base soon, okay?
02:40Oh!
02:41Good luck.
02:44I thought you weren't interested.
02:47Take off your clothes.
02:48Right now.
02:49So, Ms. Brooks, what do you see in this room?
03:11Well, it's deliberate.
03:15It's deliberate.
03:15Controlled.
03:17Powerful.
03:18It's impressive.
03:20But...
03:21But?
03:22It's not...
03:24satisfying.
03:26Bold again.
03:27Tell me.
03:31How do you know it's satisfying?
03:33Satisfaction lies...
03:36somewhere in between.
03:37You think you can give me that?
03:39Think you can take the risk and find out?
03:42All yours.
03:50All yours.
03:54Hey.
03:55The women out there would do anything
03:59to be in the position you're in.
04:02Unless you have other ideas.
04:10Don't make me regret this risk.
04:11I don't plan to.
04:15The position's been filled.
04:17Go home.
04:20Get out!
04:21Damn.
04:22He doesn't have to be so rude.
04:37Pappy, your phone's upside down.
04:41Hi.
04:42How are you feeling?
04:43Hey, jubilation?
04:45Not doing too well, honey.
04:47Damn hospital postponed my surgery again.
04:50I'm so sorry, Pappy.
04:52I'm working things out with the hospital.
04:54I have some good news today, though.
04:57I'm sorry.
04:58Uh, I think that's my landlord.
04:59I have to go.
05:00Love you.
05:00Bye-bye.
05:03Oh.
05:05What the hell is he doing here?
05:09What are you doing here?
05:10Oh.
05:11What the hell?
05:13Hey.
05:14Whoa, whoa, whoa.
05:15Guys, whoa.
05:16Hey, don't take that.
05:21I did not agree to this.
05:23Actually, you did.
05:27The signing must reside on Mr. Mercer.
05:29I can't quite hear you.
05:31Must reside with Mr. Mercer for the duration of the project?
05:35Mm-hmm.
05:36How long?
05:37Keep reading.
05:39And definitely without exception?
05:47A gift.
05:49What the fuck?
05:49A gift in exchange for being kidnapped?
05:53No, thanks.
05:58I need to know where you're at at all times.
06:02It's a tracker.
06:03What?
06:04Like a dog collar?
06:06Do you think you own me now?
06:07I wouldn't do that.
06:10Come on.
06:10Let's go.
06:11This is insane.
06:12Just give me a second to put Crumpet in his carrier and call my grandfather.
06:16No.
06:16There are no animals in the mansion.
06:19You must say goodbye to your little Crumpet.
06:22What?
06:23Absolutely not.
06:24I told you in the contract that I will take care of everything.
06:29I don't care about the contract.
06:30What?
06:31Oh, my God.
06:32Goodbyes are always so hard.
06:34Put me down.
06:35What are you doing?
06:39Welcome back, Miss Brooks.
06:42So, I'm not allowed to leave?
06:44If you leave, your contract will be terminated immediately.
06:48And what?
06:48You're just going to leave me all alone here?
06:50Would you like me to join you?
06:54No, no, no, no.
07:03Why is it making that sound?
07:05Damn, if I leave, Pappy dies.
07:08Shit.
07:08I'm trapped with this monster.
07:10Oh, my God.
07:11Is this really happening?
07:13I'm stuck.
07:22Ahem.
07:24This is your uniform.
07:26Work hours have started already.
07:28Tidy yourself up.
07:30Report to Mr. Mercer.
07:34Oh, and, uh, chop chop, Miss Brooks.
07:38Mr. Mercer does not like to be kept waiting.
07:41Enjoy the view?
08:04No, I, um, just didn't want to disturb you.
08:10I don't mind if you stare.
08:12Sorry, sir.
08:13I was just interested in your build.
08:17The building.
08:18The build of the mansion that we're building to work on today.
08:24What time are we leaving for?
08:26Car leaves in ten minutes.
08:28Great.
08:28I'll be ready.
08:40How much further?
08:44Patience, Miss Brooks.
08:45Oh, my fucking fucker.
09:02Hey, Foxy.
09:03I got something that'll keep that jaw clenched.
09:05Wow.
09:06Original.
09:07Mr. Mercer.
09:08We didn't know you was coming in today.
09:10Get off my property.
09:11What?
09:12You're fired.
09:13Leave.
09:14Oh, what the hell?
09:15I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:21If I collapse your loan...
09:23Wait, did he just stand up for me?
09:26Sir, how about you?
09:28Continue your work with Miss Brooks, and I'll handle this.
09:33Come on.
09:36Everything's nearly finished.
09:37I'm gonna have a team come in and make some final measurements over here.
09:41And I'll ensure they know where to keep their mouth shut.
09:43Uh, is this all marble?
09:51Seeing her in my house gives me a strange feeling.
09:54It's so beautiful.
09:55What is it about her?
09:57Why do I want to...
09:58Follow me.
10:05Wow, an elevator?
10:06By the way, what you did out there, thank you.
10:10I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:14Remember that.
10:20Your first task for the client.
10:21I don't know anything about the client.
10:25Who is...
10:26We don't ask about the client.
10:28We only worry about what they desire.
10:31Okay.
10:32Am I allowed to know what the purpose of this room is?
10:35Yes.
10:36Great.
10:37The client would like this room transformed into their BDSM chambers.
10:46I hope she doesn't see right through me.
10:51So, how would you do it?
10:55Uh...
10:55Um...
10:57Paint me a picture.
10:59Right.
10:59Uh, over here, I would put a chaise lounge velvet, obviously.
11:08Obviously.
11:09And over here would be a great place to mount a swing.
11:12One of the adjustable heights and handles.
11:16And next to it, we could put a cabinet for whips and toys and things.
11:20You're very well versed.
11:22I read a lot.
11:25Certain genres of certain books have certain details.
11:29Right, right.
11:30Of course.
11:32Yeah, it's perfectly normal.
11:33A lot of women read fantasy and romance and fantasy romance.
11:40Anyway, uh...
11:41This would be a great place to mount wall cuffs.
11:48I'm drowning in the heat
11:51Afraid of what I need
11:57Your touch is like a flame
12:03But I can't turn your way
12:06Don't pick up.
12:13Hello?
12:14Miss Brooks, I'm sorry.
12:15We need the payment.
12:17Uh, I understand.
12:19Is there anything I could do now to hold him there?
12:21Anything that could be done right now?
12:23We need your payment, Miss Brooks.
12:24By tomorrow morning.
12:26All $200,000
12:27Okay, I'll get it to you.
12:30I promise.
12:33Sorry.
12:34Your contract explicitly states that I receive 100% of your attention at work.
12:38Who was that?
12:43It's personal.
12:44There are no personal calls at work.
12:47I'm sorry.
12:54Mr. Mercer, it won't happen again.
12:57I'll get to work right away.
12:58I'll have designs to you by tomorrow morning.
12:59Take it off.
13:05What?
13:09Your jacket.
13:12Uh, Mr. Mercer.
13:15I won't ask twice.
13:16Uh, what's this for?
13:30It's perfect.
13:33Now go get dressed.
13:33No need to pout, Miss Brooks.
13:56You'll be reading some of the top designers.
13:58I don't understand.
13:59How does this take priority over work?
14:02Am I your date or your designer?
14:05You are.
14:07When I say you are.
14:09Ladies and gentlemen,
14:23it is my pleasure to welcome you all to
14:25the annual architectural ball
14:28proudly hosted by the Mercer Group.
14:34I'd also like to welcome and introduce
14:36our newest interior designer,
14:39Mrs. Cecilia Brooks.
14:45I thought you said you had the job.
14:47I did everything that I could.
14:49Bitch must have slept with him in the interview.
14:51Fine.
14:53I'll fix it myself.
14:58So without further ado, please enjoy your drinks
15:01and have a wonderful night.
15:09Let me have this dance.
15:11Oh, okay.
15:15Sterling!
15:17I was hoping that maybe we could walk and talk.
15:22Or maybe dance and discuss.
15:25You must be working so hard.
15:27I was thinking maybe you would benefit from a designer
15:32who really knows you.
15:35Your past.
15:37I'm not interested in rehashing our relationships, no.
15:41It was just a flight.
15:42It doesn't mean we can't be close.
15:46Sterling could be a difficult person to work for.
15:49You know you can come to me
15:55if you need anything.
16:01Get your hands off of her!
16:05What the hell are you doing here, Vincent?
16:10Folks, looks like the jester came to play!
16:14Get him out of here.
16:21It's all right, folks.
16:23Enjoy the party.
16:24It's okay.
16:25Yeah, you're okay.
16:27Why don't you go grab a drink?
16:28I'm going to take care of this.
16:37Crazy night, huh?
16:39Too crazy.
16:40I'm Nora, a close friend of Sterling's.
16:43So, tell me, how's the new position treating you?
16:48It's demanding.
16:50And the client?
16:52What's your feel on them?
16:53Oh, I'm not at liberty to discuss that.
16:55Come on, it must be crazy, right?
16:58I really can't.
17:01Oh!
17:03Oh, how embarrassing!
17:06What are you doing in here?
17:11Cecilia, I'm sorry.
17:13I'm so done with their whole world.
17:17Yeah, the head of the board was barking my ear off me.
17:21Stop it!
17:22What?
17:23I'm just trying to help.
17:24Help?
17:25Really?
17:26That's rich.
17:27I mean, I am rich.
17:30You.
17:31You are a lot of things.
17:33From the moment I met you, you've controlled every aspect of my life.
17:36Every movement I make.
17:37You're obsessive, cryptic, a perfectionist.
17:41But you're not rich.
17:43Not where it counts.
17:44Feel excuse me.
18:04I have work to do.
18:05I have work to do.
18:06I have work to do.
18:11This hand.
18:22What if?
18:24Maybe cuffs?
18:27What if we hang something around here?
18:41Is that me?
18:47Did I say you could come in here?
18:49Uh, you'll be happy to know that I worked on these all night.
19:02Maybe if you stayed at the gala, you would have learned something.
19:05Learned what?
19:06You follow through with your obligations, so you wouldn't waste your time working on garbage.
19:10Garbage?
19:11I'll need five more by tomorrow morning.
19:14That will take me all night.
19:15Even making those two took me all night, and I barely got them done in time.
19:19You've done it once before.
19:21You can do it again.
19:22Don't you think?
19:23Maybe, just maybe, that's an unreasonable amount of time.
19:27Maybe.
19:28I don't care.
19:29Wait.
19:31I should have remembered.
19:33It's not in the contract.
19:34It's not in the contract.
19:41Oh my god.
19:49Excuse me, miss.
19:50Where's my grandfather?
19:52I'm sorry.
19:53Usually if they're not in the room, it's because the insurance ran out or...
19:56Miss Brooks?
20:10Yes?
20:11I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:15He's being very well taken care of.
20:18I don't understand.
20:18How is that possible?
20:20I can't afford that.
20:23I told you.
20:24I'll take care of everything.
20:25What?
20:26I can't believe this.
20:35Oh, but...
20:36But why?
20:38Why would you do that?
20:39Well, when I said I needed your undivided attention, I meant it.
20:46Now the only thing you have to worry about is me.
20:50I'm not your slave.
20:56Five designs by tomorrow morning.
21:04You're welcome.
21:11I've been expecting you.
21:13I have a feeling I'll be impressed.
21:15Brushed work is not work to be proud of.
21:22Is this you?
21:24My parents.
21:24They must be so proud of you.
21:26They never got to see it.
21:27I inherited this company before I was old enough to run it.
21:31I'm so sorry.
21:32It was a long time ago.
21:33What happened?
21:34They vanished.
21:35On a work trip into Europe.
21:37Guess I don't control everything after all.
21:40I'm going to deliver these designs to everyone.
21:42I have a surprise for you.
21:49To your first approval.
21:54It's beautiful.
21:58I do have a request, though.
22:01I was wondering if I could have a little freedom.
22:05From what?
22:06Me?
22:07No.
22:08No, not you.
22:10From this.
22:11Well, I need to keep track of you.
22:15I mean, what if...
22:17Sterling.
22:17I'm not your parents.
22:21I'll be fine.
22:22I just don't know if I'm ready for that yet.
22:25But you continue to impress me.
22:26I mean, you'll be free as a bird.
22:28I do have more surprises to show you.
22:44But, um, you're going to have to wait until tomorrow.
22:48Hmm.
22:49Full of surprises, aren't you?
22:51And that's why I can't let you go.
23:12What are you two doing here?
23:14There's not supposed to be anyone working today.
23:15We were just swinging by to assess a minor electrical concern.
23:18It seems that the circuit is nothing urgent.
23:20We're going to come back tomorrow with the rest of the crew and get it resolved.
23:24Okay.
23:26Thank you for the update.
23:28Thank you, Mr. Mercer.
23:33I've ordered these beautiful pieces.
23:35White marble.
23:38What the hell?
23:44It's kind of beautiful.
23:46No, no, it's a mistake.
23:48It's not too perfect.
23:52It's bold.
23:53It's not trying hard.
23:53It just is.
23:56Well, I like my work to be intentional.
24:01Well, I would argue that this elevates the intention of the space.
24:06The juxtaposition between control and chaos.
24:09You have good eyes, Miss Brooks.
24:12Follow me.
24:13Follow me.
24:13Your second task for the client.
24:22Master bedroom and nursery.
24:25Oh, the client's a family man.
24:27We don't discuss the client.
24:29Only satisfy their needs.
24:34Would you like to see your designs?
24:35Is it not what you thought?
24:56No, it's not that.
24:57The power went up.
25:03There's no signal.
25:05Yeah, the soundproofing they put up cuts signal.
25:09What?
25:10No.
25:10It's not funny.
25:24I'm not laughing.
25:26How long until someone notices that we're gone?
25:28I don't know.
25:29An hour?
25:31Maybe two?
25:32Is it Nora?
25:34The client?
25:35What?
25:36No.
25:37You're not supposed to ask about the client.
25:38Just tell me.
25:40No, it's not.
25:42Is she more?
25:45I built this room because I believed in your vision.
25:49I cleared your schedule.
25:51I cleared your stressors.
25:53All because I wanted you.
26:08Sir, your 7 o'clock is waiting upstairs.
26:35Tuck your shirt in, sir.
26:54I know.
26:56I know.
26:58Ah!
26:58Where the hell are you?
27:00Calm down, sweetie.
27:02Well, crap it down.
27:03Listen, sweetie.
27:06I work for Mr. Mercer.
27:08He hired me to take care of your grandpa.
27:10I'm Crumpet until you return.
27:12Sweetie!
27:13What are you doing home?
27:14What am I doing?
27:17This is Agnes, my nurse.
27:19She's taking care of me.
27:20Oh.
27:22I'm sorry.
27:22I'm so embarrassed.
27:24Um, hello?
27:29Why are you in your apartment?
27:31If you're there, there's no need for Agnes to stay employed.
27:34Cece, you're ruining my chances.
27:36Go back, Cece.
27:37Oh, okay.
27:38Okay.
27:38Go ahead.
27:39Everything's all right.
27:41Agnes has taken very good care of me.
27:42Okay.
27:43Okay, Pappy.
27:43I'll go.
27:45Um, it was nice meeting you, Agnes.
27:47Nice to meet you, dear.
27:48What the hell?
28:00He has a girlfriend?
28:08What was I thinking?
28:18What was I thinking?
28:48Got you now, bitch.
28:53I found her address.
29:11Sterling.
29:13Sterling, can we talk?
29:15I don't have the time, Miss Brooks.
29:17Sterling, it's important.
29:18Please.
29:18Well, I'm dealing with something.
29:19Figure it out yourself.
29:30You might want to ask me why I'm here, you psycho.
29:34I don't give a damn what you have to say.
29:36I don't trust you.
29:37Well, maybe you should start.
29:38Because I know a dirty little secret about you.
29:45You're about to be broke.
29:49I'm here to offer you a buyout.
29:52Get out.
29:53Hear me out.
29:55Instead of your accounts being compromised, facing bankruptcy,
29:59and becoming the embarrassment of architecture, we could merge as Hale Mercer.
30:06Even has a nice name.
30:08Oh, you're way out of line.
30:09Am I?
30:11Because someone pretty close to you seems to be worried about you.
30:14Besides, if you don't accept this buyout,
30:18I'll publish the information.
30:21And Mercer Designs will go bye-bye.
30:24Is that a threat?
30:25Think of it more of a bribe.
30:33Get the hell out of my property.
30:35And out of my sight.
30:37Now!
30:38Miss Brooks, in my office immediately.
30:54Are you sure you want me in there?
30:55Or not your other woman friend?
30:57What are you talking about?
30:58Hand me your sketches.
31:02I have designs, but they're not the originals.
31:04The originals are missing or lost.
31:08What do you mean, lost?
31:09I finished the designs last night and I fell asleep,
31:12but when I woke up, they weren't in my room anymore.
31:14You're lying.
31:15I'm lying?
31:17Why don't you tell that to the next girl you bring over?
31:21Excuse me?
31:22You're so careless.
31:23Careless?
31:24Me?
31:25I'm pretty sure you're the one who's talking about losing sketches.
31:28Something you won't have to deal with anymore.
31:32Marley's going to be taking you to the project mansion.
31:35Hopefully you can figure out your sketches problems there.
31:39You may go.
31:46Take her and her belongings to the project mansion.
31:49Anything I should know, sir.
31:52She can't be trusted.
31:54And check the cameras.
31:56We have a mole.
31:58Yes, sir.
31:59Miss Brooks.
32:06What are you doing here?
32:09Well, um...
32:10I, uh...
32:11I had to get some artwork for the client.
32:16You don't trust me.
32:18That, too.
32:20You're not trusting me?
32:22You were the one with another woman after all that
32:24I did this all for you bullshit.
32:26Okay, what woman are you talking about here?
32:28You can't lie to me.
32:29I saw you with her.
32:31I saw you...
32:31Okay, okay.
32:32Okay.
32:33If it makes you feel any better, I...
32:34I promise I'm looking into me.
32:40You promise?
32:43I promise.
32:44I thought you didn't trust me.
33:05That you were mad at me?
33:07No, you're too hard to resist.
33:07That you're too hard to do.
33:09Touch me with a light when I'm glow
33:12Love me deep, love me slow
33:16Kiss me in the dark, take all I hide
33:21Let's go inside.
33:22Let's go inside.
33:25Let's go inside.
33:56I ask you, just take, and I give, and I pray.
34:03Well, hello. I'm here for Mr. Brooks.
34:06I'm sorry, what exactly is this for?
34:08I'm the treatment nurse. I'll be taking him to his appointment for today.
34:12Oh, Mr. Brooks doesn't have an appointment today.
34:14I can assure you he does.
34:19Well, thank you for coming.
34:21Can I bring Crumpet?
34:23Yes, Mr. Brooks. Bring the cat.
34:26Hello, Cecilia. I'll need your full cooperation.
34:49I have something of yours you might want back.
34:51Now that I've got your attention, I need a little favor.
34:55Bring me Mercer's Legacy One design.
34:57You can't do this.
34:59But see, I already have, sweetheart.
35:01Give me the designs.
35:03Tell Sterling and your sweet old pappy guys, and your little cat too, your choice.
35:08I've been reviewing project management assets.
35:12You're four days late on the Hudson property.
35:14The client is not happy.
35:16Mr. Mercer is not happy.
35:19Pick it up or I'll give your work to her.
35:20She's three days ahead.
35:23Is that a personal email?
35:24Sweetie, you don't have to do this.
35:45Too late, old man.
35:47Who the fuck are you?
35:49Your worst nightmare.
35:51Baby, I'm so glad you made it.
35:54I set all this up for you.
35:57This better work.
36:01No, no, you won't.
36:02Mm-mm-mm.
36:03Mm-mm.
36:03No, no, no, no, no, no.
36:29show me the video
36:40yes sir
36:41she knew how to invade the cameras
36:46i can't identify her but
36:48you knew her enough to let her in
36:50keep this video between us
36:54yes sir
36:55cecilia
37:09sterling you're not working from home
37:12today what are you doing here
37:13who have you been talking to no one i
37:16just i needed to pick up some paint
37:18samples and this was on the way on the
37:21way to what we're like 20 miles south of
37:24home
37:24i'm getting my necklace cleaned
37:27so if you can't find me or track me for
37:31any reason
37:32that's why
37:34why do you need your necklace cleaned
37:41i've just been working a lot
37:42the drafting table is super dusty and i
37:45don't want to get messed up
37:46it's a woman thing
37:53i'm trusting you right now
37:57i know
37:58i know
37:59what the hell is going on
38:14good girl right on time well don't hesitate now sweetheart or they're dead
38:32good girl right on time well don't hesitate now sweetheart or they're dead
38:41i know
38:42i know
38:43come on cecilia do it
38:45do it
38:48sterling mercer's legacy designs just like i asked
38:55oh
38:56sterling you won't even know what hit you
38:58now let my grandfather go
39:00he's all yours
39:02a deal is a deal pretty lady
39:05oh
39:07sissy don't
39:11get out of here
39:12look look
39:14i've had a change of heart
39:27please
39:32no
39:33this way
39:44wow
39:45wow
39:46you really know how to tie the room together darling
39:49sterling has my location
39:51you have no idea what you're in for
39:53oh
39:54but i think i do
39:56you see
39:57when that timer goes off
39:59you
40:00and that little tracker
40:02and this entire place will go bye-bye
40:04and then that will pave way for the construction site
40:07of all hail designs
40:09he'll find me
40:11and when he does
40:12that's
40:13very
40:14unlikely cecilia
40:15now that sterling has this video
40:18no one's coming to save you
40:20screw you
40:22screw both of you
40:23oh
40:24oh
40:25oh
40:26but i
40:27almost
40:28have everything i need
40:29hmm
40:30his financials
40:31his accounts
40:32you see
40:33the only thing that is missing
40:35my dear
40:36is the contact for sterling's project mansion
40:40what
40:41what
40:42why does that matter
40:43well
40:45once i have the contact
40:47i can put in a bid
40:48under his
40:49therefore mercer will no longer have any names
40:53attached to any property
40:55that will never happen
40:58who's the client
41:02how much was the bid offer
41:06i don't know
41:08i don't know
41:09will you remember
41:12trust me
41:15even if i did
41:17i wouldn't tell you
41:19i don't know
41:20i don't know
41:21i don't know
41:22i don't know
41:23i need to know
41:24like
41:25i want to know
41:26so tell me who is the client he took care of my family I'm never going to sell him out
41:37unless you forget sweetheart you already gave me the plans so therefore you are already a
41:49betrayer promise I don't know anything well I can see that you're a lady of your word which makes it
41:59kind of harder to believe you so tell you what this is how it's gonna go you're gonna tell me
42:07and then you Pappy and little kitty can go free while Mercer designs burns to the ground or
42:19I could kill you right here right now and Mercer designs falls anyway
42:26okay decisions decisions wait no no I'll tell you I'll tell you anything you want to know please
42:34don't touch him I'll tell you
42:37tell me everything
42:49I don't I don't know a lot I just I know she's very private very secretive
42:59she only talks to Sterling she's an older conservative woman
43:05liar that night that I dosed Sterling with that sleeping elixir
43:11I found your little project mansion and that newly built BDSM room
43:17oh and then all the plans that I stole from Cecilia's bedroom
43:20they were for a nursery both rooms that an elderly woman wouldn't need in a new home
43:26you drugged him
43:28yes I drugged him
43:30and then I ransacked his mail
43:38that's where I found you
43:39your address
43:41and your little cat too
43:45well then
43:49looks like you chose
43:52oh
43:53oh I'm sorry my sweetness but
43:56our short little affair
43:58is over
44:00excuse me
44:01well
44:02obviously I don't need your services any longer
44:06besides
44:07I don't
44:09do
44:10witnesses
44:11Sterling help me please
44:19Sterling wait it's a trap
44:21Sterling please you have to help me
44:23watch out
44:23tell me how to disarm it
44:32now
44:34black wire
44:37you little bitch
44:45Nora stop
44:46put down the knife
44:47she kidnapped me I've been waiting here for hours for you
44:51put down the knife
44:53come on let me at her one last time
44:54she betrayed you
44:56she's the one who gave up the legacy one in the third floor
44:59wait how do you know about the legacy one project that was confidential
45:03that little bitch
45:04she told Vincent everything
45:07no
45:07she's lying
45:08it's all because of her
45:10she drugged you
45:14no I didn't you bitch
45:16when I thought I saw you with that woman
45:18then now you lost the designs
45:20no
45:21no it wasn't me
45:23okay Vincent made me do it
45:25he said he threatened my family
45:27I had no other choice
45:28I don't believe you
45:30arrest her
45:32no
45:33no
45:34no
45:35no
45:36no
45:37drop the knife
45:37come on here
45:38come on here
45:38come on
45:39they saved you please
45:42you have the right
45:43you're not silent
45:44anything you say
45:46can't move against you
45:47you don't get this
45:48my sir
45:49wait no not on time first
45:50I'm so sorry
45:52it's okay
45:52it's okay
45:53but I gave him your designs
45:55I didn't know what else to do
45:56I was trying to save them
45:57I didn't mean to
45:58you're safe
45:59you're safe
46:00okay
46:01Vincent won't be able to touch the project
46:03I'm so happy you found me
46:11I thought
46:12we'll always
46:13find you
46:14how
46:17because I know you
46:22that moment in the parking lot
46:25I knew
46:25from your eyes
46:27that you needed me
46:29I will always keep you safe
46:35hey
46:38hey
46:39would you two take it someplace else
46:41sorry
46:44Pappy
46:44I'll take you and Crump at home
46:46thank goodness you're okay
46:54I want to tell you something sweetheart
46:57I love Agnes
46:59I really mean it
47:01okay Pappy
47:02just get some rest
47:03I mean it Cece
47:05when a man knows
47:06he knows
47:07Agnes
47:11it's been a long time
47:12since I've met someone as caring as you
47:14and I'd like you to be my wife
47:16yes
47:19I love you Agnes
47:22Marley
47:30what are you doing here
47:31Miss Brooks
47:33mind coming with me
47:35will you give me a second
47:36I want to change first
47:37oh my God
47:40I love you
47:41what am I doing here
47:44for fuck
47:45my off
47:50kiss
47:50love you
47:50I love you
47:51love you
47:52love you
47:57I love you
47:58love you
47:59love you
48:01Come here.
48:23This is really beautiful.
48:28We work well together.
48:29I'm glad you think so, Cecilia.
48:34Yes, Sterling?
48:37I have something I need to tell you.
48:41About?
48:43There isn't a legacy, Kalaya.
48:46Well, there is, but...
48:49It's not who you think.
48:52I don't follow.
48:56It's me.
48:57What?
48:59This...
48:59This is my legacy.
49:04Come here.
49:05I need to show you something.
49:14I made this for you.
49:17Wait one second.
49:18I thought if we put them next to each other, it would create balance.
49:33But then you came in.
49:50You're kind.
49:54Old.
49:55Intuitive.
49:58Sterling.
50:00Beautiful.
50:02You gave this place a soul.
50:07Cecilia Brooks.
50:11Would you share the love we built together?
50:16Yes.
50:18Yes, Sterling.
50:18I said yes to you, to forever to, to every dream we're walking through.
50:37You.
50:38I'm going to be.
50:38Lucky for you.
50:39I'm going to be.
50:41I'm going to be.
50:42No.
50:42I'm going to be.
50:42No.
50:43I'm going to be.
50:44I'm going to have an inch.
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