Skip to playerSkip to main content
  • 6 months ago
Recording someone who I am longing to take a long slow dive into and drown in. My most sincere wish is to inhabit him, but I wouldn’t want to push any buttons or grind any gears… I just want to ride inside him as a passenger who is plugged into his matrix so I can feel his every sensation, think his every thought, taste with his tongue, see through his eyes, touch with his hands… I want to experience every urge and dirge that surges through him—then I can die happy - having fulfilled my life’s ambition. Haha! I am serious! My writing (such as it is) owes everything to him… most of what I have written was inspired by my musing on him and has even become a form of pastiche based on his inimical style… it’s not so much a conscious effort on my part, it’s just that I am infected with him, but I'm always a pale imitation, I’ll never do what he does, though… his brain is teeming with science, facts, myths, and madness... all manner of cultural germinations from the highest brow to lowest toe fungus. I think Jorge Luis Borges’ polymathic phantasmagoria may be the closest in terms of breadth and depth of eclectic and esoteric knowledge—although they each express themselves quite differently, they are both singular in that regard. That being said, despite his thermonuclear explosions, Albert is a very tender vittle, his capacity to empathize with humanity and his insights about life always leave me breathless with wonder…

Here is a poem of his I keep in my wank-bank. His writing is true spontaneous bop prosody… the way Kerouac always claimed to but never quite wrote. There is no editing… He just starts pounding on his phone’s virtual keyboard without cessation, no pausing to read, no less edit, what he writes. He says it’s not because of some writing manifesto he’s fulfilling but simply because he is a very busy Monkeyfist and hasn’t the luxury of time to prune and polish now, though one day he looks forward to doing so—which I know to be true… ubermensches are far too occupied saving the world to stop and dot an i or undangle a participle. I accompanied my reading with images from the great Bill Brandt as well as clips from the 1926 classic film, "A Page of Madness".

On the poet:

Albert believes "there is some shit you can’t unsee. Like a glassy eyed one-legged rooster pecking a brit Marine for fucking with it with fire. Ever since then that fucker has became his spirit animal. “Don’t tread on me” is their peaceful stance, “don’t fuck with me” with a flaming one-legged crazy rooster is all out war. A poor man’s phoenix. “Son, do not embarrass yourself. I will send your hit men time and mother fucking space home in body bags.There are only three sure things in life: death, taxes and me not giving a fuck. The only thing red and dead have to do with each other is rhyming. Yosemite Sam WOOW!!" gun noises, kick, flick off, nap, start again"

Category

📚
Learning
Transcript
00:00Make Me Do It by Albert A. Monkey Fist
00:06The greatest orgasm I ever had was in the downtown St. Louis library, in the genealogy section.
00:16Quiet as an alley rape, I rip out pages with my surname.
00:21Whole black forest villages came tumbling down.
00:25Go the fuck away. Why won't I fade?
00:28Like McFly in Back to the Future, I want everything to be blank.
00:34I want every time we meet to be the first and last time.
00:40A book is a poor man's time machine.
00:45A book is evidence that we are a crime.
00:49Who planted recorded history on us?
00:53Animals get away with murder.
00:55I am going to ditch it all in the river.
00:57Free us from those before us, and those that may come.
01:03Suicide was not good enough for me.
01:06I am a man in a bunker lit by flickering Christmas lights.
01:10Those Christmas lights are tiny projectors, projecting in every frequency.
01:15Someone is playing Hitler and Eva home movies on me like a screen.
01:21Red-cheeked Eva goes down to pick Adolf a tulip.
01:25I want everything to go down with me.
01:29Delusional men can't understand that the world may be better off without them.
01:34But I don't want endings.
01:38I want never-wazzes.
01:40I stuff the pages in my shoes for warmth.
01:43I will burn them later, like Chinese wishes, written in smoke.
01:49Bums.
01:50A city library is full of sub-literate bums.
01:55Yellow thoughts.
01:55Yellow cotton balls for guts.
01:58Track marks.
01:59Dead doll eyes.
02:01Moving orange into broken ghost-leg snakes.
02:06Stagger.
02:07Like an empty bug-eye.
02:09A maraca.
02:10Wrapped in stretched, see-through, gray-skinned.
02:12Of a dead-letter friend we vote to reject the skin grafts on the city.
02:18Hungry, striking, doomsday-clock-handed monks.
02:22Standing between sleep and reading.
02:25Between the black, asphalted snow streets.
02:27And a tumor in the city's memory.
02:30They have genealogy books, too.
02:33They think they are phone books.
02:35They take them to the phone booth.
02:37And try to call their ancestors, collect.
02:40They use their little boy voices on the phone.
02:43The last voice anyone loved.
02:48I read sex dreams of fucked-up women.
02:51I get hard, then repulsed.
02:54By fathers taking temperatures but never giving them back.
02:57Children left cold.
02:59I read about wind-up toy crystal cults that waited in closets with burlap sacks.
03:06I wrote the newspaper.
03:08I put myself between the lines, behind the scenes, changing the frequencies.
03:12I read Orwell's To Shoot an Elephant.
03:16I want to be the elephant.
03:19The wild that kills the tame.
03:21Ultimate goal of tame is to be inert.
03:24The ultimate goal of wild is to fuck something it shouldn't.
03:30And impregnate what we thought it couldn't.
03:32I will birth life out of these lifeless books.
03:35I hope the tomes die in the delivery room.
03:39I have $1.20.
03:42I have not ate today.
03:44I will read about food.
03:46I open the big art books.
03:49Dada.
03:50The wild that fucked what it shouldn't.
03:52But its children were stillborn.
03:55The surreal is a history of the wild.
03:58Old symbols the long-dead children of art and the living.
04:01The Greek is a boxer.
04:05The martyrs is the boxed lunch.
04:08Tools of death.
04:10A devil's cookbook.
04:11I feed on the cut and cooked martyr's flesh.
04:15The photo books.
04:18Arty sex.
04:19Black and white bodies.
04:21Gray tits and ass.
04:23Slopes.
04:24Curves.
04:25This geometry makes my blood flow Egyptian sky god blue.
04:29The wrong way.
04:31Never to come back.
04:32Like today.
04:35I run my fingers along her back.
04:38As if it were 4D.
04:41It's goose pimpled like shy stars.
04:44They come out.
04:46I am safe to her.
04:48She pushes back.
04:50I pluck that spot where the mandolin strings pass the sound hole.
04:55That spot.
04:57The tone.
04:58Brings me to my knees.
05:01Her eyes.
05:02She wants me to watch.
05:04She wasn't desperate porn.
05:06She was mother art.
05:08I must hold her tight as a falling city.
05:12She was a downed power line.
05:14That photo could see me.
05:16It spoke.
05:17You're not ready to abandon your body.
05:21You're not a wet pulpy newspaper in the grate of a rain gutter.
05:25You need me.
05:26I am better than the real thing.
05:30I smelt her on the page.
05:33I breathed her in deep to the bottom.
05:37I was the hookah plumbing to her purple smoke.
05:40She moved against the wind.
05:43My palm sweat gave me away.
05:45I gripped the desk for dear life.
05:49Her odor reprogrammed me.
05:52She left missing persons flyers.
05:55Hot lead poured into my brain holes.
05:59Silverfish formed and rewrote my unread history.
06:03She is my runaway nun.
06:05Cheating on Christ.
06:06Since her.
06:07I have never had a best friend.
06:10A lover.
06:12Show me some skin.
06:14Show me it all.
06:16Like a spider.
06:17In a shower.
06:18I will crawl up your drain.
06:21I held others like a lover.
06:23They held me like an alms bull.
06:26Catching a leak.
06:27At the entrance.
06:28Flanking the stairs.
06:29Stone lion eyes.
06:31Rolled back to see what was going on.
06:33She exploded in the unused part of my brain.
06:38The place primates gave up.
06:41When they lost much of their sense of smell.
06:46Sixth sense is the bored, senseless, caged part of the brain that once smelled.
06:51Reaching with ectoplasmic tendrils.
06:54It's a prisoner rattling a tin cup against the bars.
06:57It wants food for thought.
07:00Rhythmic thighs pinned up on its cell wall.
07:05It's a distraction.
07:08It's going to break out.
07:10Why is it trying to escape me?
07:13What are its plans?
07:14Its cell wall's a negative north wall in Luxor.
07:17All the wiring and smell thoughts are all still there.
07:23Thinking for themselves.
07:26An empty space with nothing to do but put doubt in you.
07:32One day, my red buttons button up on the right.
07:35The next, they are on the left.
07:38Vulnerable.
07:39Going down the stairs.
07:40I think of what I wanted to say.
07:42Too late.
07:44It's never too late.
07:45She's in all girls.
07:48Somewhere.
07:49I can bring her out.
07:51Her smell was a smell.
07:54Humans cannot pick up with their waking mind.
07:58That's the phantom that causes your dog to howl.
08:01What is it, boy?
08:03Monkey, you will never know.
08:07Memory.
08:08It's in the nose.
08:10Belief is in the nose.
08:12I can smell you.
08:15I am half reading and half asleep.
08:18Make me believe in you.
08:20What brought back this memory of when I had a name?
08:25I thought, don't tell them about the world.
08:28Their ideas are broken down into pieces that can fit in a tin can.
08:32They see in symbols, models, travel books, and pre-recorded natives' whale sex.
08:39Not the raw data that no machine, not even our soft machine, can tame into a fact after the native dance ends.
08:50Travelers go home and make sense, make symbols on bare-ass forges.
08:54While the homeless, those with nowhere to go, the animals and natives pay you no mind.
09:03They act natural, then supernatural.
09:06In a bar in Singapore, I watched for days every combination of every sex and all that lays between.
09:15They would put their hand down their own pants, skirt, their fingers glowed, dusty paprika red.
09:25Their fingers undressed into the noses of their partner.
09:30Empty astronaut suits returning from the holy of holies.
09:34Lifted, like dandelion seeds, into their unknown thoughts.
09:39Their shared hidden plots.
09:43It was smelling salts.
09:45They come alive, possessed by implanted pre-monkey blueprints of scent, before thunder and lightning.
09:54Can't you smell the divine decomposition?
09:59I would lift my glass.
10:01They would smile and wink.
10:03My white suit gave me away.
10:07I no longer want to be a saint.
10:09I was a voyeur, staring at the naked end.
10:15I give a look.
10:17They try to keep it.
10:18But it burns a brand that reads,
10:20Please be bad for me, because I can't.
10:24Be bad because good is a memory of a time that never happened.
10:28Like the duck and cover-up, the bruises with makeup 1950s.
10:35I can't.
10:36Because at that library, we agreed to be unreasonable.
10:41To write love letters, until someone came along to claim them.
10:47Till someone said,
10:49Compose yourself.
10:51This is what I want.
10:53And this is what I will give up.
10:57Thank you, God.
11:05Thank you, God.
Be the first to comment
Add your comment

Recommended