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00:00Satsang with Mooji
00:30Oh, my God.
01:00Go ahead, please. You're through now.
01:06The contract is on.
01:09Right.
01:19Is there any mail for me?
01:21Oh, yes, sir. Just one.
01:24Thanks.
01:30Oh, my God.
01:59Oh, my God.
02:29Oh, my God.
02:59Oh, my God.
03:01Oh, my God.
03:03Oh, my God.
03:05Oh, my God.
03:07Oh, my God.
03:09Oh, my God.
03:11Oh, my God.
03:13Oh, my God.
03:19Oh, my God.
03:21Oh, my God.
03:28Oh, my God.
03:29Oh, my God.
03:31Oh, my God.
03:33where did you learn speed reading so you know my page for the last 10 minutes
03:56what you're not reading that book are you do I unsettle you you find it hard to concentrate
04:06you mean do you find me unattractive
04:24rude objectionable
04:27the weakest sex to piety more pro
04:34oh please apologize
04:37I wish you wouldn't stare at me
04:40I'm sorry
04:41it's just that I'm interested in people
04:43I'd like to delve
04:46tell me
04:49are you afraid of a verbal molesting by
04:53by a man you don't know
04:55they're serving coffee in the restaurant car if you'd like some sir
05:04oh thank you when can I have lunch
05:06from 1215 sir
05:08do I have to book
05:08no sir the train's practically empty
05:11thank you
05:12what's your name
05:16Amelia
05:18Amelia
05:18and darkness came down on the city and field
05:24and Amelia was praying for George
05:28who's lying dead on his face with a bullet through his heart
05:32that's some vanity thing
05:36yes yes I know
05:40it's stuck because of the name
05:42well stay and talk
05:43we may find we have things in common
05:46do you like being a librarian
05:57oh yes it's nice
05:58you meet all sorts of people
06:00next month we're starting a mobile unit
06:02go around to the little villages
06:04taking the old people books
06:05oh yes
06:10yes
06:11that was something just for the train
06:14I don't normally read that sort of
06:16thing
06:18do you like coffee
06:22no no thank you
06:26thank you
06:56thank you
07:15thank you
07:17thank you
07:21thank you
07:25I don't know.
07:55I don't know.
08:25The money will be there as arranged.
08:27And our decision.
08:28Where do you live?
08:43Redford.
08:45Oh.
08:46I'm getting out there.
08:47Maybe we can have a drink.
08:50Fine.
08:52No.
08:53I really don't think I can.
09:01Lunch is being served now, sir.
09:04Where are we?
09:04We're just coming into Redford, sir.
09:10No, no, no, no.
09:13Look, I'm sorry.
09:41For what?
09:42I don't know why, but you just made me nervous.
09:45I've never met anybody like you.
09:46You're, uh...
09:47Different?
09:50Can I give you a lift somewhere?
09:51No.
09:53No, I have to make a phone call.
09:55Oh, that's all right.
09:56I'll wait for you.
09:56I said no.
09:59What's wrong?
10:01You're wrong.
10:03You're one of the grey, lifeless people
10:05whose life is a sludge
10:08through which they drag themselves.
10:11Porter?
10:12Take this lady's bag, will you?
10:15Yes, sir.
10:21Bye-bye, love.
10:23See you.
10:23Yeah.
10:23Bye-bye, love.
10:45Bye-bye.
10:50It's not my train.
11:20My name's Shadbolt.
11:27Ruel, Harry Ruel.
11:29Yeah, I know.
11:33I chose the name myself.
11:35Shad, mythical god of light, bolt, thunderbolt, lightning.
11:40Bolt of light from the heavens.
11:43Shadbolt.
11:45I'm a professional assassin.
11:51You're my target.
12:15All right.
12:21On your feet.
12:22Catch the wall.
12:23Move!
12:24Who sent you?
12:41Well, now.
12:43The ironical thing is, I don't know.
12:45The voice on the phone.
12:47Heyman picked up at the last stop.
12:49I've got no idea.
12:50I thought that she could tell me.
12:55We've got about 30 minutes.
12:58Far than you have.
13:04No, no.
13:06Don't even think about it.
13:08You'd be dead before you got up your seat.
13:12How much are you getting?
13:15You want to double it?
13:17Mm-hmm.
13:18Are you going to tell me that I've made a big mistake and I got the wrong man?
13:21Well, don't waste your breath.
13:30I said there was 30 minutes.
13:33There has to be time for a cigar.
13:36There has to be a reason.
13:52What do you mean?
13:54I've been thinking.
13:56You've obviously got a carefully conceived plan.
14:00So why come in here ahead of time?
14:03Why risk it?
14:04And go on, carry it through.
14:07You said 30 minutes.
14:09That would put us just outside of London.
14:12It's north of Carlton.
14:14The line's under repair around there.
14:16Major reconstruction.
14:18And the train slows down.
14:20Mm-hmm.
14:21Ten miles an hour.
14:23It's Sunday.
14:24There'll be nobody working.
14:25No one around.
14:27You just pull the trigger and jump.
14:30Right.
14:31And if I need to, which is most unlikely.
14:33The girl will say I got out of Redford.
14:36The girl?
14:37Mm.
14:38I wanted her to remember me, so I was very careful to make a very good impression.
14:43All planned out.
14:45Mm.
14:46Love perfection.
14:49Well, why wait?
14:50Why lengthen the odds?
14:52I mean, why pull out that gun now?
14:54I wasn't going anywhere.
14:56Why?
14:57You're very special.
14:58Special?
14:59Very unique.
15:00Of course.
15:01I'm the only one you could tell.
15:02And you've got one great glaring weakness.
15:05Vanity.
15:06You had to tell someone what a clever boy you are.
15:07You just had to tell someone about your marvelous plan.
15:09And I thought...
15:11You're an amateur.
15:12And a loser.
15:13You're not the first man I've killed, you know?
15:14You're not the first man I've killed, you know?
15:15Last time was in a cafe.
15:16I was in a cafe.
15:17I was in a cafe.
15:18You were in a cafe.
15:19And you were in a cafe.
15:20You were in a cafe.
15:21You were in a cafe.
15:22You were in a cafe.
15:23You were in a cafe.
15:24You were in a cafe.
15:25And you've got one great glaring weakness.
15:26Vanity.
15:27You had to tell someone what a clever boy you are.
15:28You just had to tell someone about your marvelous plan.
15:29And I thought...
15:30You're an amateur.
15:32And a loser.
15:34You're not the first man I've killed, you know.
15:43Last time was in a cafe.
15:45A roadside pull-in.
15:47He tried to run, but I caught him.
15:50He was sitting in his chair.
15:53His mouth was setting.
15:55Set like a razor blade in his white face.
16:02Okay, on your feet.
16:04Move!
16:06Go on, pick it up.
16:08On the coat.
16:09Get it.
16:13Hold it.
16:14Do you believe in life after death, Mr. Rule?
16:28Comfort those who sit in darkness.
16:31And in the shadow of death.
16:34To guide our feet into the light of the sun.
16:38That's a даль's Anna!
16:41Yes, my friend sure he could do it.
16:42Come here.
16:43Thisры will let us take care of their fault.
16:45No reason why.
16:46Get it on the phone.
16:47Don't let us know what's right now in the video.
16:48Let's do it.
16:49To live.
16:50This remote, we have to be aaneel.
16:51It's already done getting warm tables up,
16:52That's aÙ‰shire unit.
16:53Emeritoри.
16:54We have to go sit down,
16:55around four feet of thebirds.
16:56urai,
16:57every day after death.
16:58That Lurevon clouds up 29th on 6th пришell.
17:29Mr. Ruth!
17:59There's no escape, Mr. Ruth!
18:14There's no other miles!
18:16Perfect!
18:18Perfect!
18:46Thank you!
19:16Thank you!
19:46Thank you!
20:16Thank you!
20:46Thank you!
21:16Thank you!
21:46Thank you!
22:16Thank you!
22:46Thank you!
23:16Thank you!
23:46Thank you!
24:16Thank you!
24:46Thank you!
25:16Thank you!
25:46Thank you!
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