- 2 days ago
find Your Series here :
https://www.mytvchannel.org/archive.html
https://www.mytvchannel.org/archive.html
Category
📺
TVTranscript
00:00piano plays softly
00:08piano plays softly
00:15piano plays softly
00:27Harry?
00:41What is it, Paul?
00:44I think he's arrived.
00:45Right. Give him time to make the exchange, then move in.
00:48Okay.
00:49And remember, I want a positive identification.
00:52I want his face, a description.
00:54Don't worry. I'll do better than that.
00:55I'll give you the complete man.
00:57Don't rely on it. Whoever he is, he's elusive.
01:00Don't take any chances, Paul.
01:02Okay.
01:03I'll give you the second day.
01:04I'll give you the second day.
01:05I'll give you the second day.
01:07I'll give you the second day.
02:41Caroline, I can't see.
03:11I can't see.
03:42But don't be fooled by this.
03:43I can pour a drink without too much trouble.
03:46But if I walk around the room, I tend to bump into the furniture.
03:50As you may see...
03:51Yeah, watch it.
03:52Now I suppose I just have a natural aptitude for pouring drinks.
03:57Anyway, it won't be for much longer.
03:58The doctor says a week at most.
04:00Yes, meantime I just sit around here getting crazy from boredom.
04:04All you know you have to stay here.
04:05You are the only witness we have.
04:07But why here?
04:08I have a dozen friends in London who'd be glad to put me up.
04:11Because Harry says so and because he's right.
04:13A big anonymous hotel is the safest place for you.
04:15Cheers.
04:16Cheers.
04:17Oh, I suppose you're right.
04:20How are we doing on the case anyway?
04:22Well, as soon as those bandages come off, he'll be able to pick out a face from our rogues gallery.
04:26If he's in the rogues gallery.
04:27Oh, he'll be there.
04:28Drug running is a business for old hands.
04:31In the meantime, Harry is trying from the other end where the drugs come from.
04:34Beirut, huh?
04:34Yes, I'm taking him to the airport this morning.
04:36Oh, that reminds me I had better go now.
04:40Uh, Paul.
04:42Hmm?
04:43Next time you feel bored, just try and imagine what it would have been like.
04:48I mean, now you're temporarily blinded with a powder burn, but next time an inch or two.
04:52Either way and goodbye sight.
04:55Thanks for cheering me up.
04:57Oh, and tell Harry.
05:01I hope he enjoys the sights.
05:03I will.
05:03Ciao, Carl.
05:04Ciao.
05:24That's him.
05:27Okay.
05:34Bye.
05:34Bye.
05:47Okay.
05:48Bye.
05:49Bye.
05:49I should make it with time to spare.
06:03Shouldn't think this will take more than a day or so.
06:05That must be him.
06:07What time do you land in Beirut?
06:09Beirut.
06:10Six o'clock.
06:11See how timed it right?
06:12Why is he the way we got a free hand?
06:13Why?
06:15Backtrack the source of supply.
06:17It might get a few people sweating.
06:18But our best hope is here.
06:22Clear identification once of all gets a second.
06:25He was blinded.
06:28But it's only a matter of time.
06:29I told you he saw us.
06:30All right.
06:32You told me, Azon's told me.
06:33Now, will you keep quiet so I can study this thing?
06:36Oh, sure, sure.
06:38It may take some time going through all the mug shots,
06:40checking, double-checking,
06:41but we'll nail them eventually.
06:44Anyway, while you're away, I'll get to the end of it.
06:46Uh, they've gone out of range.
06:48Did you get enough?
06:54It may take some time going through all the mug shots,
06:56checking, double-checking.
06:59Going through all the mug shots,
07:01checking, double-checking.
07:03Going through all the mug shots, checking, double-checking.
07:24Going through all the mug shots, checking, double-checking.
07:35Going through all the mug shots, checking, double-checking.
07:38Going through all the mug shots, checking, going through all the mug shots, checking, double-checking.
07:45If you've got to listen so much, play some other part of the tape, do you hear me?
07:56If I have to listen to that phrase again, I think I'll just about go crazy.
08:00Going through all the mug shots, checking, double-checking.
08:05That was great.
08:09It sounds just like him.
08:11Good afternoon, Mr. Azon.
08:16How's it all going, then?
08:18Well, it's not quite there yet.
08:21But it will be.
08:22Hello?
08:37Caroline?
08:38Harry, where are you?
08:40Back in my apartment.
08:41Your apartment?
08:42But I just took you to the airport.
08:44I know, I know.
08:45But something came up.
08:46I'll explain as soon as you get here.
08:48Make it fast, huh?
08:52Who is it?
09:07It's me, Suki.
09:08I've forgotten my key.
09:10Mr. Rule.
09:22Harry?
09:37Won't keep you a moment.
09:39Where's Paul?
09:40At the hotel.
09:43What happened?
09:43Why did you cancel your trip?
09:45I had a call just before I boarded the plane.
09:48It must have been important.
09:49It is.
09:50Now, listen carefully.
09:52I picked up the phone.
09:54I called you.
09:55You came here immediately.
09:56See anything wrong in that?
09:58Harry, I don't understand you.
09:59What do you mean?
10:01You don't see anything wrong, huh?
10:03No, of course not.
10:04Please, Harry, just tell me what's happening.
10:05I'll tell you, Caroline.
10:09Don't believe everything you hear.
10:12She bought it.
10:14She bought it!
10:15Yes, indeed.
10:16And if you can fool the Contessa, you can fool anyone.
10:21Before you join the game, Contessa, you may as well know who's holding the aces.
10:28Greg?
10:28Now, you cooperate with us, Contessa.
10:38Otherwise, Greg here will react and the little lady will soon be extremely dead.
10:42Do you understand?
10:44Good.
10:47Good little mimic, isn't he?
10:49He ought to be playing the halls.
10:51Just a little knack I was born with.
10:52Oh, a good ear, a tricky larynx, that's all you need, isn't it?
10:55Well, that's...
10:57Right.
11:03Now, I don't have to paint a picture, do I, Contessa?
11:05It would be foolish to try anything.
11:07Yes, I suppose it would.
11:08I'm glad you understand.
11:09What do you want?
11:10Just a quiet chat, that's all.
11:13Then what was the point of this charade?
11:17Charade?
11:18My dear Contessa, I need this man to be Harry Rule,
11:23to get a little information from someone who won't give it to anyone but Harry Rule.
11:27Now do you understand?
11:28Up to a point, but your optimism astounds me.
11:30Well, how are you going to conduct the conversation, from here to the shower cabinet?
11:34No, right out here in the open.
11:36Oh, don't be such a fool.
11:38Harry's well known.
11:39As soon as anyone sees this man.
11:42Ah.
11:44Now, you're beginning to get the drift.
11:45Hello, Paul.
11:49I'd like to have a little talk with you, Paul.
11:53Hello, Paul.
11:56I'd like to have a little talk with you, Paul.
12:02Oh!
12:03Oh, not again.
12:07One, two, three.
12:09Mm-hmm.
12:15Oh, good evening.
12:28This is Harry Rule.
12:30Can you put me through to Paul Boucher?
12:33No?
12:34Okay.
12:37Yeah, try this one.
12:38I know what you're thinking, Contessa.
12:42You think we're not going to find Boucher.
12:44Oh, but you're wrong, you know.
12:46We are.
12:48Do you know why?
12:50Doubtless you will tell me.
12:51Because he has to be in a hotel somewhere.
12:53You told us that much.
12:55It must be a safe place.
12:57And somewhere where they know Harry Rule.
12:59Hello, Harry Rule here.
13:00Harry Rule.
13:01Yes, I'm fine, thanks.
13:26That happens in all ages.
13:28It's just a matter of liberation.
13:29Look, uh, my friend, you okay?
13:34I think I'd like to have a word with him.
13:37Thanks.
13:49Hello?
13:50Paul?
13:50Harry, I thought you were in...
13:52Yeah, I was.
13:52Something came up.
13:54Paul, I have to see you.
13:56Yeah, I need to see you here.
13:59Yes, at the apartment.
14:00Paul, don't...
14:06I'll send someone to pick you up.
14:08You won't know him.
14:08His name is Greg.
14:10Well, sure, Harry, if it's important.
14:11But why the Russians?
14:12Who is...
14:13I'll be expecting you.
14:19All right, Greg, quick as you can.
14:20Mm-hmm.
14:28Mm-hmm.
14:39All right, Ciro.
15:09I know where you are.
15:10Harry?
15:16It's a joke.
15:18It's a joke.
15:30You do one more trick like that.
15:33Just one.
15:39Get up, you.
15:50My lip.
15:51You cut my lip!
15:52Was it all right?
15:53Yeah.
15:54It's all right.
15:55But you could have ruined everything.
15:56It's your own fault.
15:57What, you think this is a kid's party?
15:58He ought to put something on that.
15:59It's all right.
16:00There's some iodine in the bathroom.
16:01No, wait.
16:02It's all right.
16:03You were holding all the aces.
16:05All the same.
16:06We'd better go with her.
16:07All the same.
16:08We'd better go with her.
16:09All right.
16:10All the same.
16:11We'd better go with her.
16:12All still.
16:13All still.
16:14Ah!
16:15Ah!
16:16All the same.
16:18Oh!
16:20Oh!
16:28Oh, yeah!
16:29Ah!
16:33Oh!
16:34Oh, no!
16:35Oh!
16:37Oh, man!
16:39I told you not to try anything I won I thought I might improve his tricky
16:53larynx all right I should have done that a long time ago all right try it try it
17:20uh hello Paul Harry here it's no good
17:38hello Paul Harry here
17:41hello Paul Harry here Harry here okay
17:57yeah that's lucky it's especially lucky for you now you listen
18:03soon Greg will be coming here with Boucher I'm gonna say this just once I shall have a gun
18:12trained on this girl all the time just one word one tip off to Boucher and the girl gets it first
18:20did you get that yes I've got it all you've got to do is play along with the conversation that
18:28Harry here is gonna have with Boucher you will not speak unless you're spoken to
18:35forgot that yes now you're really making sense
18:39poor Boucher yes Greg's the name uh-huh you ready yes I'm ready
18:55what do you want from him
19:15Paul Boucher what do you expect to get from him
19:25information supposing he doesn't have it to give
19:29oh he's got it all right and we'll get it from him
19:35I don't mean to say we can uh beat it out of him I think he's too much of a pro for that but uh
19:40we'll get it out of him in our own way information
19:47you're curious aren't you cats and women they're always curious
19:54now you see Boucher saw me any moment he could go into a witness box and point the finger at me
20:03why bring him here you're going to kill him anyway so why here because he has to talk first
20:07what about about the other man
20:12see we should have killed him then but there was this other man took a shot at us
20:17I got a glimpse of him as he ran from the car to help Boucher
20:20I only got a glimpse of him you understand but it might have been the same for him he might have
20:23got a glimpse of me and even now he might be looking through photographs from my face
20:27this other man he wasn't Harry rule is our real danger
20:38here they are get away from that window will you do you want to dip him off are you forgetting he
20:43can't see he can't see anything I must say you're not exactly talkative are you I'm not paid to talk
20:51look we're here
21:03Hello, Paul.
21:11Hi, Harry.
21:12Come on in, come on in.
21:19Say hello to Caroline.
21:21Caroline?
21:24Hello, Paul.
21:25Hi.
21:27Sit him down, Greg.
21:28It's all right.
21:33Like a drink, Paul?
21:35No, thanks.
21:36It's becoming a sort of occupational hazard.
21:39Listen, this must be pretty important, huh?
21:42Very.
21:43Okay.
21:44Shoot.
21:45Well, that night at the car park, Paul,
21:47there's a lead there somewhere to the man we're looking for.
21:50You think so?
21:50Seemed pretty straightforward to me.
21:52Well, I'd like to go over it again.
21:54From the top.
21:55Now, you tell me about it.
21:57Tell as you would to a stranger.
22:00As though I never heard it before.
22:01You brought me all the way over here just to ask me that.
22:05Why don't you ask Caroline?
22:06She knows as much as I do.
22:06I...
22:07I think he wants to hear it from you, Paul.
22:11That's right.
22:13I'd like to hear it from you.
22:15All right.
22:15If you think it'll help.
22:17Now, let's see.
22:18I saw the man arrive, and I went in after him.
22:21Now, further back than that, Paul.
22:23Now, right from the beginning.
22:25From the moment you arrived.
22:26Whatever you say.
22:27Well, it was, uh, Wednesday the 25th.
22:32A dark night.
22:32No moon.
22:33Not the ideal circumstances for surveillance.
22:36I drove into the car park.
22:37Now, come on, Paul.
22:38You're not telling it right.
22:39You drove in.
22:41You parked the car.
22:45Makes it sound as though you're doing the whole thing yourself.
22:47Listen, what is this, Harry?
22:48You were there, too.
22:49It's the fine details I'm interested in.
22:51All right, all right.
22:52So, we both drove in.
22:53We both parked the car, right?
22:54That's not good enough, Paul.
22:56Look, I want this formal.
22:58Like a good police report.
23:00And I want names.
23:02Oh, for heaven's sake, Harry.
23:03You know perfectly well it was Caroline and I.
23:06Contessa.
23:08You.
23:10Who's that?
23:11Who else have you got in here, Harry?
23:13The Contessa in shoe-first uniform.
23:16Now, why can't I think of that?
23:18Harry?
23:19Caroline, what's going on here?
23:20You're in a trap, Paul.
23:21We all are.
23:22Yeah, now the trap's sprung.
23:24What's happening here?
23:25You'll soon know when the bullet hits you.
23:28But first, you.
23:30You.
23:5110 o'clock.
24:00Okay, Paul.
24:01Over here.
24:02Straight ahead.
24:03Caroline.
24:18Caroline.
24:18Caroline.
24:19I'm here at 2 o'clock.
24:21No, no, don't shoot.
24:22It's all over.
24:23Where is Harry?
24:31What happened to him?
24:32He was here.
24:33And you shot him.
24:34What?
24:34It's all right.
24:35You shot the voice, not the man.
24:37Where is Harry?
24:41In Beirut, I should imagine.
24:43Hello.
24:51Your overseas calls, sir.
24:53Caroline?
24:55What are you doing there?
24:55I wanted to talk to Suki.
24:59What is it?
24:59What are you laughing at?
25:01I'm sorry, Harry.
25:02It's just that it's so good to hear your voice again.
25:06What's going on there?
25:08What are you laughing at?
25:09Huh?
25:13Can't you stop laughing long enough to answer me?
25:16Let me talk to Suki.
25:19What's going on there?
25:21Hard to hear what?
25:22Huh?
25:28In the avenues and alleyways
25:31Where the soul of the man is easy to buy
25:36Everybody's wheeling
25:38Everybody's stealing
25:40All the lower living high
25:43Every city's got them
25:46Can we ever stop them?
25:48Some of us are gonna try
25:50And they're gonna stay
25:52And they're trying to stop them
25:52And they're gonna talk to Suki.
25:53To be very soon, they're gonna be
25:53If you let me know
25:55And they're gonna be
26:06Bye-bye.
26:08ilenor
Recommended
25:53
|
Up next
25:51
26:05
26:07
25:50
25:46
25:46
26:06
26:12
25:46
26:04
43:30
26:09
25:57
26:03
25:55
25:43
43:17