00:01Depending on the neighborhoods that we're at,
00:03we're very spread out over blocks,
00:05with trailers on all these different streets.
00:07We need to be there when the camera's ready,
00:09because that's when anything could happen.
00:30When the actor goes to camera,
00:34it is very important to be there,
00:36and that's called establishing the outfit.
00:39Okay, SJ's dressing.
00:41The outfits are already set for the actors for that day,
00:44but we need to go into the trailers one by one
00:47and approve everybody.
00:49Sarah Jessica is usually in every scene,
00:51and that means a 5.30 call for her,
00:54and we try to be there when she's there
00:56in case she needs to talk about anything.
00:58I actually saw that dress, and I thought
01:00it was there for Charlotte.
01:02We had this line in the script.
01:04Oh, my gosh, this belt.
01:05We knew we had to find a dress that would marry with a belt,
01:08and that dress kept winning.
01:10That was a real surprise to me
01:12that Sarah Jessica chose that dress,
01:14because it's hot.
01:16That is a wiggle dress.
01:19Miranda's so often in workwear
01:22that it's nice to get dressed up.
01:25She's trying to figure out
01:27who she is in this moment,
01:29and her clothes are on fire.
01:31The color is so strong.
01:33The line of the dress is so beautiful.
01:35It's also just really easy to wear.
01:38She's not like Carrie,
01:40who's going to have a million really cool accessories.
01:43Can I start throwing bags at you?
01:45She had to find this dress,
01:47get some shoes and some earrings in the bracelet.
01:50A lot of functionality with some flair.
01:52Charlotte!
01:53Charlotte!
01:54When we're doing work things,
01:55we think, okay, well, what's Charlotte?
01:57A little bit more mature.
01:59These shoes, ooh.
02:00I didn't choose wisely.
02:01I have to say, my own fault.
02:03This dress, it seemed John.
02:05It had more cutouts than I kind of realized.
02:08What we had in our mind at the fitting
02:10was something graphic because of what happens.
02:13John!
02:14Not just mentioning the ladies at the gallery,
02:19what about the men?
02:21All right.
02:22Men's clothes are boring.
02:24Okay, Aiden.
02:27What's better for tonight?
02:28Number one or two?
02:30Do you want him in a dress shirt?
02:32Yeah, great.
02:33What's Adam wearing?
02:34We're going to do Adam's chocolate silk
02:37Millie low tan man shirt.
02:39Don't you know how I can do it in a t-shirt?
02:41For the gallery, too.
02:43Why, dear God?
02:45The idea with Adam is that he wore old t-shirts every day,
02:48which was the bane of existence for Molly.
02:51Guys, I'm not kidding about the t-shirts.
02:53I know you don't like it.
02:54I don't like t-shirts that have writing on them.
02:57I hate it.
02:58When Adam goes on the first date with Seema,
03:01we have him in a different outfit,
03:03and it is a whole new vibe.
03:08Final round, please, for Seema.
03:10When we did the gallery scene,
03:12we got eight, ten actors.
03:14And on top of that,
03:15you have a hundred people or more background.
03:17We see what everybody's wearing
03:19and make sure that we like everything that gets on camera.
03:21How's Cynthia? She's good.
03:23Molly and Danny's work does not stop at the fittings.
03:26They are on set with us.
03:27They make sure everything is the way it's supposed to be,
03:30and a little more.
03:31That is the last frontier of what you did in the fitting room,
03:36of what you did in the store.
03:38You need to be there when the camera's ready.
03:40We are ready to go.
03:43Last looks for everybody.
03:45Rolling.
03:46Rolling.
03:47Quiet all around.
03:48Here we go.
03:49And action.
03:52Bernie, how many handbags are in there?
03:58I don't think that's enough.
04:00I don't think that's enough.
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