- há 4 meses
Philo Vance, accompanied by his prize-losing Scottish terrier, investigates the locked-room murder of a prominent and much-hated collector whose broken Chinese vase provides an important clue.
Director
Michael Curtiz
Stars
William Powell, Mary Astor, Eugene Pallette
A precursor of the Thin Man series, with the great William Powell and the great Michael Curtiz.
Director
Michael Curtiz
Stars
William Powell, Mary Astor, Eugene Pallette
A precursor of the Thin Man series, with the great William Powell and the great Michael Curtiz.
Categoria
🎥
CurtaTranscrição
00:00:00A CIDADE NO BRASIL
00:00:30A CIDADE NO BRASIL
00:01:00A CIDADE NO BRASIL
00:01:30A CIDADE NO BRASIL
00:01:32A CIDADE NO BRASIL
00:01:34A CIDADE NO BRASIL
00:01:36A CIDADE NO BRASIL
00:01:38A CIDADE NO BRASIL
00:01:40A CIDADE NO BRASIL
00:01:42A CIDADE NO BRASIL
00:01:44A CIDADE NO BRASIL
00:01:46A CIDADE NO BRASIL
00:01:48A CIDADE NO BRASIL
00:01:50A CIDADE NO BRASIL
00:01:52A CIDADE NO BRASIL
00:01:54A CIDADE NO BRASIL
00:01:56A CIDADE NO BRASIL
00:01:58A CIDADE NO BRASIL
00:02:00A CIDADE NO BRASIL
00:02:02A CIDADE NO BRASIL
00:02:04A CIDADE NO BRASIL
00:02:06A CIDADE NO BRASIL
00:02:08A CIDADE NO BRASIL
00:02:10A CIDADE NO BRASIL
00:02:12A CIDADE NO BRASIL
00:02:14A CIDADE NO BRASIL
00:02:16A CIDADE NO BRASIL
00:02:18A CIDADE NO BRASIL
00:02:20A CIDADE NO BRASIL
00:02:22A CIDADE NO BRASIL
00:02:24A CIDADE NO BRASIL
00:02:26A CIDADE NO BRASIL
00:02:28Os campainos americãos.
00:02:32É tudo bem, senhor.
00:02:34A smile, por favor.
00:02:36A cupira, por favor.
00:02:38Isso é ótimo.
00:02:40Vocês não são trofés.
00:02:42Olha aí.
00:02:44Obrigado, senhor.
00:02:46Obrigado, senhor.
00:02:48Eu posso ir agora?
00:02:50Eu posso estar em um pedaço, mas este pedaço está ficando em meu nervo.
00:02:52Não se preocupe, querido.
00:02:54Nós vamos ter bastante tempo para o dia.
00:02:58Boa dele.
00:03:00A doce para oído.
00:03:02Volta o meio.
00:03:04Esses são dois.
00:03:06É a porta número 728,
00:03:20a blue ribbon won by Gillespie of Heather Stone.
00:03:22Dundee Deviler é o seu torno.
00:03:24And Midlothian gentleman recebeu o especial.
00:03:26Better luck next time, Mr. Vance.
00:03:30Don't be down hard, Captain. You're still champing with me.
00:03:33Maybe we'll have better luck in Italy, huh?
00:03:35Tough luck, Vance. I was hoping to have the pleasure of greeting you tomorrow.
00:03:38Oh, thank you very much, Mr. Cole.
00:03:40Perhaps you'll get stiffer competition from Sir Thomas MacDonald.
00:03:43Perhaps.
00:03:46We'll borrow Misty Moan for a second.
00:03:48But, Miss Mike, you know, Mr. Hart, you don't want anyone to borrow his dog.
00:03:51Come along and protect him, if you like.
00:03:56That's enough, Sir Thomas. I wouldn't take off another whisky.
00:04:04I think you're right, Sandy.
00:04:06Get ready. Hold it.
00:04:08Thanks.
00:04:09Hey, Gilly and Larry.
00:04:10Hello, Hilda.
00:04:11Hello, Tal.
00:04:12Well, what's the idea?
00:04:13I thought we'd do a little private judging.
00:04:14I don't imagine your uncle would particularly approve of this.
00:04:16I'm sure he wouldn't, though.
00:04:18Hold him a minute, Sandy. Let's take a good look at him.
00:04:20All right.
00:04:21Come on, I'll take it.
00:04:22What do you do?
00:04:23Well, what do you think?
00:04:33I think it's a pretty close thing.
00:04:35But I'm not worried.
00:04:36Eh, Sandy?
00:04:37I think you're very safe, sir.
00:04:39Here we are, sir.
00:04:41What the devil do you think you're doing, Hilda?
00:04:43Well, I...
00:04:43How do you do?
00:04:44How do you do, sir?
00:04:44I just wanted to prove that you're going to lose money to Tom
00:04:47when these two get into the ring tomorrow.
00:04:48And have you proved it to your satisfaction?
00:04:49So much so that I want you to loan me $1,000 to place on Gilly.
00:04:53Hilda!
00:04:54That's a cheek for you.
00:04:55Wants to bet against me with $1,000 of my own money.
00:04:58I wasn't asking you for your money.
00:05:00I merely want you to loan me some of mine.
00:05:02As long as I control the purse strings,
00:05:03you're not going to do any betting against me.
00:05:06You'll be grateful that I've saved a few thousands of your fortune someday.
00:05:09But don't raise your hopes too high, Hilda.
00:05:12Bring that dog out here.
00:05:13I shouldn't let him worry you, my dear.
00:05:18You know how I hate him, Tom.
00:05:20Things he's done to me.
00:05:22I despise him.
00:05:24Darling.
00:05:26Now, let's see.
00:05:28Where did I put that?
00:05:29Ah.
00:05:31There it is.
00:05:33Unsolved murders.
00:05:34You know, I almost forgot it.
00:05:37I wouldn't have been able to sleep a wink tonight,
00:05:39wondering who murdered who and why.
00:05:40How any intelligent man can read that drivel is beyond me, Brisbane.
00:05:45What time does that Chicago train go?
00:05:46Five o'clock.
00:05:48Well, it's 4.15.
00:05:49Oh, you've got plenty of time.
00:05:50Yes, I know, but I want to get out of here before Archie gets home.
00:05:54Good afternoon, sir.
00:05:55Afternoon.
00:05:57Is my brother at home?
00:05:58Yes, sir. He's upstairs.
00:05:59Tell him I want to see him.
00:06:00Yes, sir.
00:06:03Your taxi's waiting, sir.
00:06:05All right, there's the bag.
00:06:06Did you get those reservations?
00:06:08Yes, sir.
00:06:09And, uh, Mr. Archer told me to tell you he wants to see you, sir.
00:06:12Oh, he did, eh?
00:06:14You tell him I don't want to see him.
00:06:16Tell him I said so.
00:06:17In those words, sir?
00:06:19Exactly.
00:06:20Unless you can think of something stronger.
00:06:22Yes, sir.
00:06:24Of course.
00:06:26Of course, it's none of my business, Brisbane.
00:06:28But I wouldn't talk that way in front of Gamble.
00:06:30I don't trust him.
00:06:32I just couldn't resist it.
00:06:33I'd like to see the look on Archer's face when he tells him.
00:06:37I wouldn't.
00:06:38How the deuce can you stand it here?
00:06:40Why, there wouldn't be enough money in the world to compensate me for being Archer Coe's secretary.
00:06:45Oh, he's not as bad as all that.
00:06:46Say, you'd better be getting along.
00:06:47There's such a thing as carrying loyalty too far.
00:06:49Don't forget, I overheard a few of his choice remarks to you.
00:06:52When you dared to suggest that you were in love with Hilda and wanted to marry her.
00:06:55I'm afraid you're taking Archer a little too seriously, old man.
00:07:02Did you deliver my message?
00:07:04I thought it best to wait till you were safely away, sir.
00:07:08Do you mind dropping me off?
00:07:09I have an engagement with Hilda for dinner.
00:07:11Come ahead.
00:07:11Come ahead.
00:07:12All aboard, Albany Express, Stamford, Bridgeport, New London, New Haven, West Philly, Florence, Boston.
00:07:36Here is Sir Thomas MacDonald New.
00:07:42What's the matter, Sandy?
00:07:43Something terrible has happened, sir.
00:07:44Gilly's gone.
00:07:45What?
00:07:45And I cannot find him.
00:07:47They have taken him off the bench, sir.
00:07:49Well, he couldn't have got loose.
00:07:56He didn't break that lock himself, either.
00:07:58I haven't been away from that dog for ten minutes all day, sir.
00:08:01I just went into the restaurant to get a wee sandwich, and when I come back, he was gone.
00:08:06Sir Thomas?
00:08:06Yes?
00:08:08I think we found him, sir.
00:08:09Where?
00:08:10Out in the alley, sir.
00:08:12This way, sir.
00:08:24Gilly.
00:08:25He's dead.
00:08:31I'll kill the man who did this.
00:08:38Listen, Tom, you mustn't do anything until you're sure.
00:08:40Oh, please.
00:08:41I've got my own ideas.
00:08:44Oh, I know Uncle Archer's mean and cruel, but I can't believe he'd do a thing like this.
00:08:57Hello?
00:08:58Well, I'm sorry, but Mr. Archer Coe isn't here.
00:09:03Your dog dead.
00:09:06I'm terribly sorry.
00:09:09I'll try to locate him at once.
00:09:10Go away from me, you.
00:09:21Go away from me, you.
00:09:24Get out of here.
00:09:26Get out.
00:09:28I suspected it when I saw you together this afternoon.
00:09:31You're nothing but a two-timing...
00:09:32Get out of my apartment.
00:09:33Get out.
00:09:34From now on, it is your apartment.
00:09:39All yours.
00:09:40I'm getting out for good.
00:09:42Oh, Mr. Coe.
00:09:54My dear friend, I...
00:09:55Yes, I see you are.
00:09:57Pardon me?
00:09:58Yes.
00:09:58Oh, I am, how do you say it?
00:10:01Panto allegory.
00:10:02I came to see you.
00:10:03I received a cable from Milan authorizing me to complete the deal for your Chinese collection.
00:10:07and confirming the price of $117,000.
00:10:11Means decorations and all that sort of thing from a very grateful government, I suppose.
00:10:15Oh, no memento.
00:10:16But it's no good now, of course.
00:10:18I've changed my mind.
00:10:19Oh, but you have promised me you can't go back on your word.
00:10:21What will I tell my people?
00:10:22What will I say?
00:10:23Pity you didn't think of this before.
00:10:24You might have been a little more discreet, eh, Grassy?
00:10:27But you have signed a contract with me.
00:10:28Too bad for you.
00:10:29It's still at my home, in my safe.
00:10:31Oh, but you will.
00:10:31Most certainly destroy it.
00:10:33Tonight.
00:10:35I'll tell you what I'll do.
00:10:36I'll give you Miss Delafield for nothing.
00:11:06Hey, Liang.
00:11:15At it again, eh?
00:11:16I was led to believe that a cook's place is in the kitchen.
00:11:18The next time I show you.
00:11:19I have been expecting my dismissal, Mr. Cole.
00:11:21We have served our purpose, these priceless treasures and I.
00:11:25I overheard Mr. Reed saying you were preparing to sell this whole collection.
00:11:29You've been listening at the keyhole, have you?
00:11:30You cannot sell them, Mr. Cole.
00:11:33Do you think I would have dishonored my ancestors, perjured my soul, cheated my own countrymen to acquire these for you?
00:11:39Had I not believed that you would reverence them as I do?
00:11:42That's the worst of your race.
00:11:43A pack of mawkish sentimentalists about your ancestors.
00:11:46I don't need you tonight.
00:11:47Go on, get out.
00:11:47I would suggest you consider most carefully before you sell.
00:12:17BANG!
00:12:47Mr. Cole
00:12:51Mr. Cole
00:12:57Breakfast, Mr. Cole
00:13:04Breakfast
00:13:17Mr. Reid, Mr. Reid, Mr. Reid
00:13:23What is it, Amble?
00:13:25Mr. Cole, Mr. Archer Cole has killed himself
00:13:28Killed himself? When, how?
00:13:30He's sitting in there like, and the door's bolted
00:13:33You're positive?
00:13:34Yes, sir, in his bedroom
00:13:36Phone the police
00:13:37Yes, sir
00:13:38Hello?
00:13:48Give me police headquarters, quick
00:13:53Homicide, Sergeant Miller speaking
00:13:56Wait a minute, wait a minute, I don't get you
00:13:58Take it easy
00:13:59All right, none of your question
00:14:01Suicide
00:14:02Suicide?
00:14:04Wait a minute, you're not gonna run out on this hand
00:14:07Yep
00:14:08Who?
00:14:10Archer Cole
00:14:1298 East 71st Street
00:14:14Okay, I got you
00:14:15Is that it, Sergeant?
00:14:16Yeah
00:14:17Well, goodbye, Ernest
00:14:19Sergeant Heath, to you, Cub
00:14:21Kick in with that six-bitch
00:14:22Oh, relax, will you?
00:14:24This is your case, Sergeant
00:14:26You better get the boys out
00:14:2898 71st Street?
00:14:30That's right
00:14:31All right, come on, Sniff
00:14:32Tell Dr. Ramis to hurry right out to 98 East 71st Street
00:14:36Did you say East, Sergeant?
00:14:38East?
00:14:39Yes
00:14:40I got it
00:14:41Daily Mail?
00:14:42Give me city desk
00:14:43Calling car 18, car 18
00:14:44Oh, Times
00:14:45Charlie Adler
00:14:4698 East 71st Street
00:14:47Last night, Archer Cole committed suicide
00:14:49Proceed immediately and call your station for instruction
00:14:51Fire and warmer with lights amounted winds from New York vicinity today and tomorrow
00:15:01Yes
00:15:02And now for the latest news flashes
00:15:04Archer Cole, the well-known sportsman and collector committed suicide last night at his home, 98 East 71st Street
00:15:10His body was discovered by the butler at 8th this morning when he took up a breakfast tray
00:15:15No reason has been advanced for this action as Mr. Cole was in excellent health and had no financial trouble
00:15:20Yes
00:15:21No news has been received from the clues of the accident
00:15:23Is the land phone still connected?
00:15:28Yes, sir
00:15:29But it will be disconnected in about two minutes, sir
00:15:31I see
00:15:32Hello
00:15:38Hello
00:15:39Hello, Markham
00:15:40Hello, Vance
00:15:42I thought you were on your way to Italy
00:15:44I am
00:15:45Well, I say, Markham
00:15:47I just heard about Archer Cole
00:15:49Yes
00:15:50Too bad he had to bump himself off like that
00:15:52That's why I called you
00:15:53Are you sure that he did bump himself off?
00:15:55Well, his butler tells us he's sitting in a locked room with a revolver in his hand and a bullet in his head
00:16:00I don't know what else you'd call him
00:16:02I don't want to butt into your affairs, but aren't you a bit hasty in jumping to that conclusion?
00:16:07Hasty? Why?
00:16:08Well, if you knew Archer Cole, you would know that suicide is almost a psychological impossibility for him
00:16:14Psychological, Bosh
00:16:16Two and two make four, don't they?
00:16:18Well, how do you know you have two and two?
00:16:20Just let me point out to you
00:16:21Oh, point out the Statue of Liberty
00:16:23Say, Vance
00:16:24Hello?
00:16:25Hello?
00:16:26The land phone has been disconnected, sir
00:16:28Oh
00:16:35Uh, will you have my luggage brought up?
00:16:36Yes, sir
00:16:37Steward
00:16:38Uh, just have them send it ashore
00:16:39I've decided not to sail
00:16:41Sir?
00:16:43Vance, you've been right about a lot of cases in the past
00:16:45But I can't help smiling at you getting off that boat and giving up a swell trip all because of a hunch
00:16:51As a matter of fact, Markham, it was more than a hunch
00:16:54Huh?
00:16:56It just so happens that I talked with Archer Cole only yesterday
00:16:59What?
00:17:00Where?
00:17:01The Long Island Kennel Club
00:17:04Now I can't conceive of a man on the verge of suicide being very deeply concerned over winning a championship at a dog show, can you?
00:17:11No
00:17:12What do you mean?
00:17:13Simply this
00:17:14As late as yesterday afternoon
00:17:16Archer Cole was looking forward with the keenest anticipation to winning a blue ribbon from Sir Thomas McDonald's today
00:17:21Sir Thomas McDonald's
00:17:23Say, wasn't it his dog that was found dead last night?
00:17:25Right
00:17:26And Archer Cole found dead this morning
00:17:29You suppose there might be some connection there?
00:17:31I don't know
00:17:33But if someone were to try to kill Captain McTavish, I'd probably turn murderer myself, wouldn't I, Captain?
00:17:42Hello, Mr. Markham
00:17:43I got your message to hold everything up
00:17:45What's the idea?
00:17:48Hello, Mr. Vance
00:17:49Good morning, Sergeant
00:17:50Well, it's been a long time
00:17:52Several years
00:17:53I might have known it would be you
00:17:55The world's champion troubleshooter
00:17:57Now, come on, boys
00:17:58Come inside
00:17:59Well, Chief, this is another just open and shut case
00:18:04Mr. Reed, the secretary
00:18:06This is Gamble, the butler
00:18:08Yes, sir
00:18:09Mr. Markham, the district attorney
00:18:10How do you do, sir?
00:18:11And, uh, Mr. Vance
00:18:13How do you do?
00:18:14Everything just as was?
00:18:15Well, they said they haven't touched anything
00:18:17We thought it best to leave everything intact, sir
00:18:19Good
00:18:20Where's the room?
00:18:21Upstairs
00:18:22This way, please
00:18:23You, uh, been in Mr. Coe's service long?
00:18:30About three months, sir
00:18:32And before that?
00:18:33Why, uh, unfortunately I was unemployed, sir
00:18:36This is it, sir
00:18:42Yep, he's there, all right
00:18:43Just like I told the police on the phone
00:18:45I tried the door, found it locked, looked through the keyhole
00:18:47And there he was, dead
00:18:52I think this is a job for you, Sergeant
00:18:54Certainly, Mr. Vance
00:19:01Well, Hennessy
00:19:02What are you standing there for, your health?
00:19:04This takes beef
00:19:05All right
00:19:06Congratulations, Sergeant
00:19:07What is this, a bedroom or a museum?
00:19:20More junk here than a Chinese junk house
00:19:23I trust I did the right thing, sir, by not breaking down the door
00:19:37I realized I could be of no help to him
00:19:39Oh, he's been quite dead for hours
00:19:41Womped himself off, that's plain enough
00:19:44Certainly looks that way, Vance
00:19:46I'm afraid your trip was spoiled for nothing
00:19:48I think not, Markham
00:19:49This may prove far more interesting than a trip to Europe
00:19:53Do you carry a gun?
00:19:55No, sir
00:19:56Do you?
00:19:57Uh, yes, sir
00:19:58But only at night for the protection of the household
00:19:59Is that it?
00:20:00Why, I...
00:20:01Come on
00:20:02No, that was Mr. Archer's
00:20:03But, uh, he always kept it in a desk drawer downstairs
00:20:04I saw it yesterday morning as I was putting away some papers
00:20:05Oh, you did, eh?
00:20:06Did, uh, Mr. Coe generally keep his room in the room?
00:20:07No, sir
00:20:08No, sir
00:20:09No, sir
00:20:10No, sir
00:20:11You carry a gun?
00:20:12No, sir
00:20:13You carry a gun?
00:20:14No, sir
00:20:15You?
00:20:16Uh, yes, sir
00:20:17But only at night for the protection of the household
00:20:18Is that it?
00:20:19Why, I...
00:20:20Come on
00:20:21Did, uh, Mr. Coe generally keep his windows locked?
00:20:24Why, no, sir
00:20:25As a matter of fact, he was a great believer in fresh air
00:20:28Ah, indeed
00:20:29I wonder if these gentlemen would mind waiting downstairs
00:20:32Well, certainly not
00:20:33I'm sorry we had to damage your door
00:20:35That's quite all right
00:20:36It's easily repaired
00:20:37I'll have it attended to at once, sir
00:20:38Hennessy
00:20:39See that no one leaves the house without my permission
00:20:41All right
00:20:42It's as plain as a nose on your face
00:20:46This guy locked himself in here and blew out his brains
00:20:49I wish I could agree with you, Sergeant
00:20:51How the devil could it be anything but suicide?
00:20:54It was all very well for you to theorize before we got here, Vance
00:20:59But now that you've seen this and there are no signs of a struggle
00:21:02And the door bolted on the inside and no means of entrance to the room
00:21:06Ah, no other means of entrance
00:21:08All right you are, Sergeant
00:21:10But we can hardly call a second story window a means of entrance
00:21:17And nothing here that even a human fly could crawl up
00:21:20So why should Archer Cole lock his windows?
00:21:23Particularly if he was a fresh air enthusiast
00:21:25I'm afraid your reasoning is not altogether convincing
00:21:28Well, perhaps so, but
00:21:30Doesn't it strike you as rather odd
00:21:32That a man should suddenly decide to commit suicide
00:21:34While changing from his street clothes to pajamas?
00:21:36Well, why not?
00:21:37A man debating suicide might get partially undressed
00:21:40And walk up and down for hours trying to make up his mind
00:21:43Yes, he might walk up and down for hours
00:21:45But not with one shoe half off
00:21:47No, Markham
00:21:48Something stopped him as he was removing that shoe
00:21:51This was supposed to suggest suicide
00:21:53But someone miscalculated
00:21:56But you can't get away from that bolted door
00:21:59I wish I could
00:22:00Well, the way you figure it out
00:22:02The man was murdered
00:22:04As soon as the killer is gone
00:22:05He gets up
00:22:06Goes and bolts the door
00:22:07Plants himself in a comfortable chair
00:22:09With a loaded gun in his hand
00:22:10To suggest
00:22:11Suicide
00:22:12That's a swell theory
00:22:14Swell theory
00:22:20Hello, Gamble
00:22:22What is this?
00:22:23What's happened?
00:22:24Something terrible has happened, Miss Lake
00:22:26Hilda
00:22:27What is it, Raymond?
00:22:28What is it?
00:22:29It's your Uncle Archer, Hilda
00:22:31He killed himself last night
00:22:34Where?
00:22:35They're upstairs
00:22:48Hey, don't touch that body, Miss
00:22:52Oh, Mr. Vance
00:22:53How do you do, Miss Lake?
00:22:55This is Mr. Markham, the district attorney
00:22:57How do you do?
00:22:58Miss Lake is Coe's niece
00:23:00I'm sorry, Miss Lake
00:23:01But you mustn't touch anything
00:23:02Until the medical examiner arrives
00:23:04It's against regulation
00:23:06Is it also against regulations
00:23:07To tell me what's happened?
00:23:08We arrived only a few moments ago
00:23:09We...
00:23:10Found your Uncle as you see him
00:23:12It has every appearance of suicide
00:23:14I doubt it
00:23:16Do you know of anyone
00:23:17Who would have reason to kill your Uncle?
00:23:20Yes
00:23:21I had for one
00:23:24Why, Miss Lake?
00:23:26Because he stood in the way
00:23:27Of everything I wanted
00:23:28He made my life miserable
00:23:29Because he held the purse strings
00:23:31And because...
00:23:33Because he was jealous
00:23:34Of every man who came near me
00:23:36I was afraid of him
00:23:38Oh, the horrible nights
00:23:41I've spent in this house
00:23:47Are we to accept your comments
00:23:48As a confession of murder, Miss Lake?
00:23:49Look here, Markham
00:23:50That's ridiculous
00:23:51Please, Raymond
00:23:52I think I can handle this situation myself
00:23:55When we found your Uncle, Miss Lake
00:23:57The door was bolted from the inside
00:23:59Bolted inside?
00:24:03Oh
00:24:05Maybe he did shoot himself
00:24:09Can't you make up your mind?
00:24:10Do you know of anyone else
00:24:11Who felt as you do about your Uncle?
00:24:13Practically everyone he came in contact with
00:24:15He was ruthless
00:24:16He wanted his own way in everything
00:24:18I imagine there are plenty of Chinese
00:24:20Who will be glad to know
00:24:21That his collecting days are over
00:24:22Ask our cook
00:24:24I shall
00:24:26Can you think of anyone else?
00:24:28Well, Uncle Brisbane
00:24:29Shared my feelings toward him
00:24:30I'm sure
00:24:31Where is this Brisbane guy?
00:24:32Maybe he decided
00:24:33To do something about it
00:24:34That's impossible
00:24:35He's on his way to Chicago
00:24:37He left on the five o'clock train
00:24:38Yesterday afternoon
00:24:39He'd be just about
00:24:40Getting there by now
00:24:41Well, you'd probably like
00:24:43To wire him, wouldn't you?
00:24:44Why, yes, of course
00:24:46Is that all?
00:24:48Before the present
00:24:49Yes
00:24:55Suppose we check up
00:24:56Enough of Brisbane
00:24:57On that Chicago train
00:24:58Won't take me
00:24:59But a minute
00:25:06Hello?
00:25:07Come on, Snitkin
00:25:08Get your feet off the boss's desk
00:25:09And jump down to Grand Central
00:25:16All right
00:25:17I get you
00:25:30Yes, Mr. Heath
00:25:31Langham Hotel, Chicago
00:25:33Yes, sir, I'll watch the call
00:25:35Hold the wire, please
00:25:37Oh, yes, Mr. Heath
00:25:39We're expecting Mr. Brisbane
00:25:40Called this morning
00:25:41Oh, yes, he
00:25:42He wired for a reservation last night
00:25:44Thank you
00:25:46Goodbye
00:25:47Yeah
00:25:48He took the five o'clock train
00:25:49All right
00:25:50Good
00:25:51You know, there's a few things
00:25:52I'd like to find out
00:25:53About this girl
00:25:54Hilda Lake
00:25:55Why are you always
00:25:56Trying to check up on me?
00:25:57I'm not trying to check up on you, Hilda
00:25:59I want to help you
00:26:01Well, you know how I feel about you
00:26:03You know that I love you
00:26:05But lately you seem to have changed
00:26:06Every time I want to speak to you
00:26:07About marriage
00:26:08You evade me
00:26:09What's on your mind?
00:26:11Oh, nothing, nothing
00:26:13Raymond, I never said I'd marry you
00:26:16But I thought that now we
00:26:18Well, that
00:26:19That I could take you away from here
00:26:21You might as well know now as later
00:26:23When all this is cleared up
00:26:24I'm going to marry Tom McDonald
00:26:26Oh
00:26:28Oh, try to understand, Raymond
00:26:30I'm sorry
00:26:32Oh, don't tell me
00:26:34Come on, don't you
00:26:35Keep quiet
00:26:36Oh, suicide, my eye
00:26:37With the DA himself and Vance on the guard
00:26:38It's suicide and that's that
00:26:40Oh, come on, have a cigar
00:26:41It's still suicide
00:26:45Hey, wait a minute
00:26:48Are you a reporter?
00:26:49No, I'm Sir Thomas and Ronald
00:26:51I'd like to talk to the officer in charge here
00:26:52Oh, come on inside
00:26:59Tom!
00:27:03Why didn't you stay away from here?
00:27:04And leave you to face this thing alone?
00:27:05But you promised me last night you wouldn't come here
00:27:07Won't you go, please?
00:27:08I can bluff it through
00:27:09I don't want the police asking you questions
00:27:11I know all the answers
00:27:12Oh, but please go for my sake
00:27:13Well, let's forget about it, shall we?
00:27:14It's too late now
00:27:15In any case, the police are guarding every entrance
00:27:17Wait a moment
00:27:18You can cross through that yard and get to your apartment
00:27:20No one will see you
00:27:21Take the first boat to England
00:27:22I'll join you as soon as I can
00:27:24Watch out for those newspaper vans, Sir Thomas
00:27:26They're even deadlier than the police
00:27:28I had no intention of leaving
00:27:30Ah, good
00:27:31Oh, by the way, I was sorry to hear about the death of your dog last night
00:27:35Oh, thanks
00:27:36You didn't by any chance discuss it with Archer Coe, did you?
00:27:40No
00:27:41If I had, I might have killed him
00:27:43Well, did you?
00:27:45That's your problem
00:27:47Right in here
00:27:50I want to see
00:27:51You mean you're a doctor?
00:27:52How about a statement?
00:27:53Give me a chance
00:27:54Oh, wait a minute
00:27:55I'm a doctor, not a magician
00:27:56Ha, ha, almost falling funny
00:27:58Go on, now, scram
00:27:59Wait a minute
00:28:00Wait a minute, shall
00:28:01Hello, Dad
00:28:02Hello
00:28:03Hello, Kelsey
00:28:04Where have you been?
00:28:05Haven't seen you for a long time
00:28:06Working hard
00:28:07What chapters are long?
00:28:08Did you walk all the way?
00:28:09You always pick on me at mealtime
00:28:11I was in the middle of cakes and sausage
00:28:13What have you got?
00:28:14Just plain suicide
00:28:16This guy locked himself in the room
00:28:18Bumped himself off
00:28:19Suicide?
00:28:20Then why didn't you let me finish my breakfast?
00:28:21Hello, Doc
00:28:22Hello, Markham
00:28:23All you need is an order
00:28:24To remove the body
00:28:25You told me that over the phone
00:28:26I could have sent my assistant
00:28:28Mr. Markham told me to phone you personally
00:28:30Don't crab at me about it
00:28:31I'll give you the approximate hour of the death
00:28:33If you want it
00:28:34That's big hearted of you, Doc
00:28:35And the routine autopsy
00:28:37We can do tomorrow
00:28:38As it's just a case of suicide
00:28:40Why do you jump to that conclusion, Doctor?
00:28:43I know a dead man when I see one
00:28:46Besides, the door was bolted
00:28:47I know, the door was bolted from the inside
00:28:49But what about the body?
00:28:50Hadn't you better have a look at it?
00:28:52I was going to
00:28:53I'm a doctor
00:28:55Not a detective
00:28:56This man is dead with a bullet hole in his right temple
00:28:59He's holding a gun in his right hand
00:29:01Just the kind of wound that might have been self-inflected
00:29:04The position is natural
00:29:06And the door was locked on the inside
00:29:08Well
00:29:10Let me see
00:29:11That's strange
00:29:13Did you find something to disturb you, Doctor?
00:29:16Plenty
00:29:17There's blood in his mouth
00:29:19And he's got a skull fracture from some club-like instrument
00:29:23Now what about the bullet wound in his temple?
00:29:25There's no blood there
00:29:26That's so
00:29:29Gentlemen
00:29:33When that bullet entered this man's head
00:29:36He had been dead for hours
00:29:38Can you place the time of his death?
00:29:42I'd say from eight to twelve hours ago
00:29:45Would you say that the revolver was placed in his hand
00:29:47Before rigor mortis set in?
00:29:48Yes
00:29:49Did he die from the effects of the blow on the head?
00:29:52No
00:29:53Probably rendered him unconscious for a while
00:29:54But that wouldn't have killed him
00:29:56Not powerful enough
00:29:57The blow didn't kill him
00:29:58The bullet didn't kill him
00:29:59And yet he's dead
00:30:00Suppose we try to find out just what did kill him
00:30:03Glad you thought of that, Mr. Vance
00:30:05It's not a bad idea
00:30:06Perhaps I'd better take another look
00:30:09All right, boy
00:30:14Let's pick up these clues before they get messed up here
00:30:17All right
00:30:18Thank you
00:30:19Just a minute, doc
00:30:20Please
00:30:21Ready?
00:30:24Give me a hand, sergeant
00:30:26Help me lift the body over to the bed
00:30:27Where do you want to put it?
00:30:28All right, boy
00:30:29The regular room
00:30:30Lift the body over on the bed
00:30:31Lift the body over on the bed
00:30:32Around the handle
00:30:33Around the body
00:30:34Around the body
00:30:35Let's get that
00:30:36We can fly
00:30:37All right, jeez
00:30:38We got a whole
00:30:39We're a little black powder
00:30:40Here we go, boy
00:30:41Let's get it
00:30:42All right
00:30:43Lift him easy
00:30:44Easy
00:30:45There he is
00:30:46Now then
00:30:47Just lift him all that way
00:30:48All right, that's it
00:30:49That's it
00:30:50There couldn't have been much of a struggle
00:30:51His hair isn't even must
00:30:53Maybe somebody slugged him and then combed his hair
00:30:56By George
00:30:57Now I've got it
00:30:59Stabbed
00:31:00Below the left shoulder blade
00:31:02Near the spine
00:31:04There's no external bleeding
00:31:06Internal hemorrhage, huh?
00:31:08That's it
00:31:09What do you think of the suicide theory now, sergeant?
00:31:12Well, it's slightly complicated for him to shot, slug and stab himself
00:31:16Particularly in the back
00:31:18Yeah, it's very complicated
00:31:20Or Markham
00:31:21Yes
00:31:22You see, there's no hole in the back of his pajama jacket
00:31:25So he couldn't have been wearing that when he was stabbed
00:31:27To get this
00:31:28There's a hole in the back of his coat
00:31:31And another in his waistcoat
00:31:33Bloodstained
00:31:34He must have been fully dressed when he was attacked
00:31:37That lets me out
00:31:38I've finished
00:31:39I suppose you want a quick autopsy
00:31:40Yes
00:31:41Get that body down to the morgue as soon as possible
00:31:43Good day, gentlemen
00:31:44Good day
00:31:45Hey, now
00:31:46Yes
00:31:47Do you think there's any possible chance of that being suicide?
00:31:50What?
00:31:51All right, all right
00:31:52Just a fair question, big boy
00:31:53Go on home and get your hotcakes and sausage
00:31:55You need the strength
00:31:56Ten a second
00:31:57Yeah
00:31:58Right
00:31:59Right
00:32:00Any report on that wire?
00:32:01Not yet, Sarge
00:32:08Send a wire to this guy, Markham
00:32:0998 East 71st Street, New York City
00:32:11And tell him, um...
00:32:13Brisbane Coe, not aboard this train
00:32:16Wallace, conductor
00:32:17Train number seven
00:32:18Sit down
00:32:19Sit down
00:32:25What time did Brisbane Coe leave for Chicago?
00:32:28In time to catch the five o'clock train, sir
00:32:31How do you know he caught the five o'clock train?
00:32:33I phoned for the reservation
00:32:35Brought him his walking stick and overcoat
00:32:37And put his bag in the taxi
00:32:39Ah
00:32:40Did you remain in the house all evening?
00:32:42Why, no, sir
00:32:43I went out about 6.30
00:32:44It was a servant's night off
00:32:46Everyone was out to dinner
00:32:48Mmm
00:32:49Did you notice anything unusual in Mr. Brisbane's manor when he left?
00:32:52Oh, now that you mention it, he was distracted and...
00:32:55And very irritable
00:32:56Mmm
00:32:57You say you gave him his stick?
00:32:59Yes, sir
00:33:00What kind of stick?
00:33:01His favorite
00:33:02An ivory-handled one
00:33:03He never went anywhere without it, sir
00:33:05You're quite sure he took that particular stick with him?
00:33:08Positive
00:33:09I handed it to him myself, sir
00:33:11Did you see him when he returned here last evening?
00:33:13Returned?
00:33:14Yes
00:33:15I didn't know he had returned, sir
00:33:17Then whose ivory-headed stick is that hanging over that chair in the hall?
00:33:20Sit down
00:33:21I swear I don't know
00:33:22Sit down
00:33:23Steady, Gamble
00:33:24Steady
00:33:27Is this it?
00:33:29Is it?
00:33:30Er, yes, sir
00:33:31I can't understand it
00:33:32I suppose you saw nothing of his bag?
00:33:34Why, no, sir
00:33:35Well, if he brought his cane back here, what did he do with his bag?
00:33:38Ah, very good, Sergeant
00:33:40That's just the point
00:33:41He undoubtedly left it somewhere
00:33:42But where?
00:33:43I should think the most logical place would be the check room at the Grand Central Station
00:33:47What kind of a bag was it?
00:33:49Just an ordinary pigskin bag, sir
00:33:51With his initials BC on it
00:33:53Is that it?
00:33:55Yeah, that looks like it
00:33:59There's your police department receipt
00:34:01What kind was this check?
00:34:03445
00:34:04Thanks, pal
00:34:05Okay
00:34:09Well, here it is
00:34:11Put it here
00:34:12Did you examine the contents?
00:34:13No
00:34:14I brought it right up here
00:34:15I'll open it
00:34:16Did you find out what time this was checked?
00:34:18Yeah
00:34:19There you are
00:34:20445
00:34:22He must have gone direct from the house to the station
00:34:25Did the attendant remember who left this?
00:34:27No
00:34:28He said there were so many of them
00:34:29But most of the time
00:34:30He didn't even notice the people
00:34:32Well, there's
00:34:33Shaving kit
00:34:34Shirts
00:34:35Underwear
00:34:36Socks
00:34:37Collars
00:34:38Slippers
00:34:42Nothing in there that a man wouldn't ordinarily take with him on a short trip
00:34:46Except this, perhaps
00:34:48Unsolved murders
00:34:50That's a swell book to take to Chicago
00:34:53That's rather odd, isn't it?
00:34:54Yes
00:34:55More than that
00:34:56Gentlemen, the mist is beginning to rise
00:34:59I think I know at least a part of what happened here last night
00:35:03How about this?
00:35:05Let's say that Brisbane Coe started for Chicago on a night when he knew that no one but Archer would be at home
00:35:11He missed his train purposely
00:35:13Checked his bag at the station and returned here to kill his brother
00:35:16To make a perfect alibi, he planned to take a later train to Chicago
00:35:20But something stopped him
00:35:22And something stopped Archer Coe before he could remove his shoes last night
00:35:26You see what I mean?
00:35:27Those shoes of Archer's
00:35:28That bag of Brisbane's
00:35:30His stick hanging there in the hall
00:35:31That shouldn't have been there
00:35:34Say, just a minute
00:35:38Oh, uh, Gamble
00:35:40Where did Mr. Brisbane usually put his half an overcoat when he came in?
00:35:43He always hung them in the closet, sir
00:35:45Uh, which closet?
00:35:46This one
00:35:50Oh!
00:36:00Mr. Brisbane
00:36:03Well, Mr. Vance
00:36:05Where are we now?
00:36:08I should say somewhere in the middle of the Gobi Desert
00:36:10Hello!
00:36:20What?
00:36:22Again?
00:36:24I'm right in the middle of my lunch
00:36:26First you interview with my breakfast, then you ruin my lunch
00:36:29Don't you boys ever eat?
00:36:30No!
00:36:31I'm on a diet
00:36:32Oh, all right
00:36:33All right
00:36:38Hello!
00:36:39All right, I'll attend to that later
00:36:41Get me the wagon and the fingerprint gang
00:36:49Just a minute, fellas, one side, please
00:36:50Just a moment, please
00:36:52Ready?
00:36:54That's all
00:36:55All right, go ahead
00:36:56Here
00:37:00Here
00:37:01He's been dead for hours
00:37:02And me thinking all the time he was playing parson
00:37:04No
00:37:06Well, there are too many people in the world anyway
00:37:09Mr. Vance
00:37:10This is just ordinary junk
00:37:12I'm afraid so
00:37:14And I'd rather hope for something important
00:37:16Which one of the two victims died first, Arthur?
00:37:18Archer Coe, I think
00:37:19This one, a little later
00:37:20And the weapon?
00:37:21The same
00:37:22Sharp and narrow
00:37:24Checking
00:37:26Ty can list these
00:37:27I think I'd better fingerprint everything inside and outside here
00:37:29Right, Captain
00:37:30Hennessy
00:37:31Yes?
00:37:32Look for a sharp and narrow weapon
00:37:33Right
00:37:36Found something?
00:37:37Well, it looks like fishing tackle
00:37:39It's tackle, all right, but not fishing
00:37:42Markham, we're dealing with a shrewd brain
00:37:45The technique of this crime was very cleverly worked out
00:37:48But something went wrong
00:37:49Sergeant
00:37:51Here's your order for the removal of the body
00:37:52Thanks, Doctor
00:37:53So long
00:37:54I want food
00:37:56Well, nobody's stopping you
00:37:57And if you've got any more corpses, bring them out now, will you?
00:37:59I can't be running up and down here all day
00:38:01What do you mean running up and down all day?
00:38:03With that swell car the city gave you?
00:38:05Oh
00:38:07Nothing upsets the doctor
00:38:17I have to go
00:38:18I can't wait
00:38:19With that
00:38:20I can't wait
00:38:21No
00:38:23There is no
00:38:25Remember
00:38:26We did
00:38:27Do
00:38:29You
00:38:30know
00:38:31Let's go
00:38:33Good
00:38:34You
00:38:35Once
00:38:36You
00:38:37You
00:38:38Your
00:38:40You
00:38:41You
00:38:42Obrigado.
00:39:12Obrigado.
00:39:16Algo, Captain, どういうのにと手に入ってくるの?
00:39:19Well, if you hurry up and solve this case maybe I can go home.
00:39:23Come on.
00:39:32I can handle everything if I don't get too much interference.
00:39:35Oh, Markham!
00:39:36Yes?
00:39:37You're just in time for a demonstration.
00:39:39I think I can show you how Brisbane Co. used this fishing tackle.
00:39:45He started for Chicago and Billy used to provide an alibi.
00:39:48He had other plans in this room. Watch this.
00:39:52Notice the vent pin which is hooked on the bolt handle?
00:39:56This is attached to the string I am now pulling through the keyhole.
00:39:59If you follow the string, you will see that it passes around a pin in the wall.
00:40:03This acts as a pulley and is also attached to a string passing through the keyhole.
00:40:07You see, the bolt is now being forced into its socket.
00:40:11On my word.
00:40:13I now pull the first string through the keyhole and then the second string.
00:40:17And with it comes the pin, leaving no evidence.
00:40:20Alibi in.
00:40:23It worked?
00:40:24Yes, it worked.
00:40:25Well, that explains that, then.
00:40:27Very clever.
00:40:28It could have been done that way.
00:40:30But if Brisbane killed Archer Co., who killed Brisbane and hung him in the closet?
00:40:35Why did he do it?
00:40:36That's what we want to find out, isn't it?
00:40:39Exactly.
00:40:39Yeah.
00:40:41Gentlemen, two persons planned the murder of Archer Co.
00:40:45Two?
00:40:45What?
00:40:46But their paths crossed.
00:40:48Brisbane was one of them.
00:40:49The other?
00:40:49I've got it.
00:40:50The Chinese cook, they're full of those tricks.
00:40:53Forget this.
00:40:55Dr. DeRima said that Co. was struck over the head with a blunt instrument.
00:40:58This poker would answer that description, wouldn't it?
00:41:00Yes, and that certainly looks like dried blood.
00:41:03It certainly does.
00:41:05But what about those short, coarse hairs?
00:41:08They don't look like coarse.
00:41:10No.
00:41:11Well, Mr. Vance, why didn't you find that when you looked in there this morning?
00:41:16It wasn't in there this morning.
00:41:19Besides, it doesn't belong in this room.
00:41:20It belongs downstairs in the library.
00:41:22Is that you, Captain?
00:41:37What's the matter with you?
00:41:41What is it, Captain?
00:41:47What is it, Captain?
00:41:48Do you have anything wrong down there?
00:42:04Oh, good boy, Captain.
00:42:06This dog's been struck a nasty blow.
00:42:10That explains the coarse hairs on the poker.
00:42:12Whose dog is this?
00:42:14I don't know.
00:42:15I mean, I've often seen it in the vacant lots.
00:42:17Just tell the truth, Gamble.
00:42:20Yes.
00:42:21Why don't you?
00:42:23It belongs to the lady next door, sir.
00:42:29Hennessy, get that fellow to her bets as fast as you can, will you?
00:42:31Yes.
00:42:37Easy, boy.
00:42:38Easy.
00:42:39Easy, boy.
00:42:40Easy.
00:42:43Now, Gamble, let's have the name of the lady next door.
00:42:45Doris Delafield.
00:42:46Yes, I'm Miss Delafield.
00:42:49Won't you sit down, gentlemen?
00:42:50Thank you.
00:42:51I'm sorry I didn't win you a trophy at the dog show.
00:42:53You're quite a fancier, aren't you?
00:42:55Yes, somewhat.
00:42:56I'm interested in one of your dogs.
00:42:58The Doberman.
00:42:59You mean Figaro?
00:43:00I wonder if I could have a look at him.
00:43:02I'm terribly sorry.
00:43:04You know, he slipped his leash last night and ran away.
00:43:06I've notified the police.
00:43:08My maid's been scouring the neighborhood trying to find him.
00:43:11Well, did she inquire at Mr. Coe's house next door?
00:43:16Well, I don't know.
00:43:18You and Mr. Coe have been good friends, haven't you?
00:43:23I know him.
00:43:24Why?
00:43:25Your dog was found in his house this morning, badly wounded.
00:43:30What?
00:43:31Have you any idea how he got there?
00:43:34No.
00:43:35Do you suppose he would follow someone into the house?
00:43:38Why, I hardly think...
00:43:39I don't know.
00:43:39So, what are you driving at?
00:43:46Mr. Archer Coe and his brother were murdered last night.
00:43:51Murdered?
00:43:52I was afraid that...
00:43:54Just a moment.
00:43:58Hello.
00:43:59Is that Miss Doris Delafield's apartment?
00:44:02Would you please tell Miss Delafield
00:44:04that we couldn't get the reservations for her and Mr. Grassi on A deck
00:44:07and ask if B deck would be satisfactory?
00:44:10Miss Delafield will not be sailing.
00:44:13You can cancel a reservation for them both.
00:44:16Both?
00:44:18Do you mind telling me whom the other reservation was for?
00:44:22I refuse to answer that question.
00:44:25Would it be Mr. Grassi?
00:44:27But I am Mr. Grassi.
00:44:29And if I didn't cancel those reservations, who did?
00:44:32What?
00:44:33Miss Delafield.
00:44:34Oh, no, no, no, she didn't.
00:44:35No, really, there's been a mistake.
00:44:37As soon as I can find out about this, I'll call you back.
00:44:45I don't think you'll find Miss Delafield at home just now.
00:44:49And as for the cancellation of your steamship reservations,
00:44:51we regret very much that it was necessary.
00:44:53Who are you?
00:44:56This is Mr. Markham, the district attorney.
00:44:58I'm honored, but I'm afraid I don't quite understand.
00:45:01It's about this.
00:45:02As a matter of fact, Mr. Coe didn't commit suicide.
00:45:06He was murdered.
00:45:07Murdered?
00:45:08Would you mind coming along with us?
00:45:10Just a little matter of comparing fingerprints.
00:45:15No, not in the least.
00:45:16Don't speak.
00:45:16Don't listen.
00:45:17No, not in the least.
00:45:29I don't give up.
00:45:37And I'll try to put this to my house.
00:45:39Eu acho que é tudo.
00:46:00Você tem algo ainda?
00:46:01O que foi tirado da porta é muito estranho para identificar, mas este é muito claro.
00:46:06Parece que é que é de Liang, o chinês cook.
00:46:36Any luck?
00:46:42No, não há yet.
00:46:43Tem que estar aqui em algum lugar.
00:46:45I'm positive que a dagger que tinha no Licoes
00:46:47é uma cheia.
00:46:50Está bom, mamãe?
00:46:51Não, não.
00:46:51O que é isso?
00:47:21Não é?
00:47:22Não é?
00:47:23Não é?
00:47:24Não é?
00:47:25Não é?
00:47:26Não é?
00:47:27Não é?
00:47:28Não é?
00:47:30Não é?
00:47:31Não é?
00:47:32Não é?
00:47:33Não é?
00:47:34Eu estou dizendo que o homem está morto.
00:47:36Não estou a dizer nada, mas a verdade.
00:47:38É o caso da minha experiência.
00:47:47Você tem algo, Cap?
00:47:49Sim, senhor.
00:47:50Plenty.
00:47:58Oh, uh, Mr. Reed.
00:47:59Oh, yes, Mr. Van.
00:48:00Would you, uh, step in for a moment, please?
00:48:02Why, certainly.
00:48:06Slocke?
00:48:07No, thanks.
00:48:08Did you, uh, notice that the ting-yao was missing?
00:48:12Missing?
00:48:13Why, it was here yesterday evening.
00:48:18At what time?
00:48:19At about 6.30 or 7 o'clock.
00:48:23I came back to talk to Mr. Cole.
00:48:24About what?
00:48:26Well, as a matter of fact, I...
00:48:28I wanted to quit my job as his secretary.
00:48:30Oh, you'd been having some difficulties with him?
00:48:33It was rather a personal matter.
00:48:35I wanted his permission to marry Miss Lake.
00:48:37What did he say to that?
00:48:38Hmm.
00:48:39He ordered me out.
00:48:40You went?
00:48:41Yes.
00:48:42Where?
00:48:43I went to find Miss Lake.
00:48:44I thought she was at the Kennel Club.
00:48:45But I had a puncture on the way, so it was rather late when I got there.
00:48:48She'd already left with Sir Thomas McDonald.
00:48:50Then I came home and went directly to bed.
00:48:52Did you hear anything or see anything when you came into the house?
00:48:55No.
00:48:56But after I'd been in bed for a while, I heard some noises downstairs.
00:48:59I opened the door and looked down.
00:49:01But it was only Liang, the Chinese cook, coming in.
00:49:04Was he, uh, customarily noisy in entering the house?
00:49:07Oh.
00:49:08As a matter of fact, it's the first time I ever heard him come in.
00:49:10Indeed.
00:49:12Well, I think that's all.
00:49:13Well, I think that's all.
00:49:15Well, that's all.
00:49:16Well, that's all.
00:49:17Well, that's all.
00:49:18Well, that's all.
00:49:19Well, that's all.
00:49:20Well, I think that's all, Mr. Reed.
00:49:22Thank you.
00:49:23Thank you.
00:49:24If there's anything I can do to help, let me know.
00:49:25Right, right.
00:49:26Good night.
00:49:27Good night.
00:49:31I think I'd check up on that Kennel Club alibi.
00:49:33I will.
00:49:34You might have those fragments checked for fingerprints, if you will.
00:49:37Yes.
00:49:38Meanwhile, I'll do a little exploring in the kitchen.
00:49:50Well, Mr. Vance.
00:49:51I thought, get Markham.
00:49:52All right.
00:49:53Mr. Liang, I believe.
00:49:54You're the cook.
00:49:55Me cook.
00:49:56Now, you can drop the pitch in English.
00:49:57That isn't necessary with me.
00:49:58Where did you go to school?
00:49:59Columbia University.
00:50:00Ah, that's considerable education for a cook, isn't it?
00:50:01Mr. Ko employed.
00:50:02me because I know a great deal about Chinese porcelain.
00:50:03Ah, I see.
00:50:04That's a very lovely piece of tin yau, isn't it?
00:50:05How did you get broken?
00:50:06I don't know, sir.
00:50:07I found the pieces in the glass.
00:50:08I found the pieces in the glass.
00:50:09Oh, I know.
00:50:10That's a very lovely piece.
00:50:11I know.
00:50:12And I got to the glass.
00:50:13Well, it's a very good knife.
00:50:14Mr. Liang, I think.
00:50:15Mr. Liang, I believe.
00:50:16You're the cook.
00:50:17Me cook.
00:50:18You can drop the pitch in English.
00:50:19That isn't necessary with me.
00:50:20Where did you go to school?
00:50:21Columbia University.
00:50:22Ah, that's considerable education for a cook, isn't it?
00:50:24Ah, isso é um pequeno peço de Tinhao, não é?
00:50:28Como ele ficou broken?
00:50:30Não sei, senhor.
00:50:31Eu encontrei a peça na bolsa da libra.
00:50:34Você quer me, Vance?
00:50:35Ah, sim.
00:50:37Você tem que ver, Margo?
00:50:39Mais um pouco de sangue.
00:50:41Aparentemente, o matador deixou a peça de um dia para hidrá-lo.
00:50:44Mas ele deixou muito bem, e a peça broke.
00:50:47Quando você encontrou esses peças?
00:50:49Isso, amanhã.
00:50:50Isso, amanhã?
00:50:51Você acha que não foi ontem na noite?
00:50:53A pouco de 8 horas, não é?
00:50:55Não, senhor.
00:50:56Eu não consegui em até tarde.
00:50:58Eu acho que Mr. Reed ou Mr. Gamble vai te dizer.
00:51:02O que time você encontrou a polka?
00:51:04A polka?
00:51:06Sim, a polka.
00:51:07O que você encontrou em um chinês no chão de Mr. Archer?
00:51:09O que eu não sei o que você quer dizer.
00:51:13Ah, sim, você está.
00:51:14Eu estava em um dos de dentro da sala quando você encontrou.
00:51:17Vamos lá, Vance.
00:51:18Você vai falar?
00:51:19Eu não sei o que você está.
00:51:21O que eu tenho que ter feito?
00:51:21O que eu tenho que ter feito?
00:51:23O que eu tenho que ter feito?
00:51:24O que eu estou?
00:51:24O que eu falei?
00:51:24O que eu estou?
00:51:26Quando eu voltou ao meu quarto aqui,
00:51:28ao 8 horas de noite,
00:51:29Ah, eu pensei assim.
00:51:31Eu ouviu rindo, mufladas no escritório.
00:51:34Então, um son de um som de um som de um caçamento.
00:51:36I stood at my door here and listened
00:51:39Then I heard footsteps
00:51:41Cross the kitchen and go out the back door
00:51:44And then?
00:51:46I walked up the corridor
00:51:47And everything was very quiet
00:51:49I opened the library door and looked in
00:51:52The furniture was overturned
00:51:54The poker was there
00:51:56The desk was disarranged
00:51:58And the valuable tengu vase was broken
00:52:00I thought there must be something wrong
00:52:03So I went upstairs and looked into Mr. Coe's bedroom
00:52:06He was dead
00:52:08Fearing that I might be suspected
00:52:10I went back to the library
00:52:12And picked up the broken pieces of the vase
00:52:14And together with the poker
00:52:16I took them to my room
00:52:18And knowing that you were alone in the house
00:52:20You were afraid you might be suspected
00:52:21So you hid the weapons and left
00:52:23Yes sir
00:52:24You returned to the house about midnight
00:52:27And purposely made a lot of noise
00:52:29So as to establish your alibi, is that right?
00:52:32Yes sir
00:52:32All right then
00:52:33Where'd you put the dagger?
00:52:35I did not find the dagger
00:52:36Don't give me that
00:52:37What did you do with it after you stuck it and archer goes back?
00:52:40I've got it Mr. Markham
00:52:41Yes?
00:52:41What?
00:52:42Fingerprint on this broken fragment
00:52:43Belongs to the Italian
00:52:44Eduardo Grassi
00:52:45Well Mr. Vance
00:52:50Looks like somebody else miscalculated
00:52:53Yep
00:52:58It fits
00:52:59That doesn't prove anything
00:53:00What about this?
00:53:08Where did you get it?
00:53:09It was in Archer Cole's pocket
00:53:11What were you doing outside the drawing room window last night?
00:53:14Why?
00:53:15I wanted to be sure that he was alone
00:53:17Why?
00:53:18For weeks we had been negotiating for the sale of his collection to the museum at Milan
00:53:22It meant everything to me
00:53:24He kept raising the price but on Monday we came to an understanding
00:53:27And I cabled the museum that I had succeeded
00:53:30And last night he turned me down
00:53:32Because he saw me with Miss Delafield
00:53:34Let me explain
00:53:38Archer was extremely jealous of me
00:53:40Well you can't blame him for that
00:53:42You went there to threaten him didn't you?
00:53:45Which I had every right to do
00:53:46I told him I would use any means to make him fulfill his contract
00:53:49He laughed at me
00:53:50Said that he would smash every piece in his collection before he'd let me have it
00:53:54So you picked up the poker and did a little smashing on your own account eh?
00:53:58I did not
00:53:59Let me have the fragment will you
00:54:00Thank you
00:54:01You know how that was broken?
00:54:04Tignore vase
00:54:05With blood stains on the inside
00:54:07And your fingerprint on the outside
00:54:09I don't know
00:54:11Sergeant
00:54:12I think you better book him
00:54:13Right
00:54:13Thank you
00:54:14Come on
00:54:16Let's get out of that monkey suit
00:54:18Let's get going
00:54:20Come on
00:54:21Don't worry I'm not running away
00:54:22You telling me
00:54:23I suspected the Italian all along
00:54:31Exactly
00:54:33But why should Grassley also stab Brisbane?
00:54:37And what about the Doberman?
00:54:39You see Markham we have nearly all the pieces of the puzzle
00:54:41But none of them seems to fit
00:54:42Here we are
00:54:43This isn't it
00:54:46This is the basement
00:54:47I know
00:54:48Come on
00:54:49I just want to see
00:54:52See where this goes
00:54:53See where this goes
00:55:05Oh, bom dia, senhor.
00:55:18Gamble.
00:55:20Bem, por favor,
00:55:21como você tem que usar esse nome?
00:55:24All meu tempo, senhor.
00:55:27Dubar está vendo Gamble's fingerprints
00:55:28na identificar o que ele se torna a ser.
00:55:32Não Gamble?
00:55:33No.
00:55:33O Atlântico Eddy.
00:55:35Ele trabalha com os dois lados.
00:55:37Honestamente, Sr. Vance, eu não tenho feito a tricca em cinco anos.
00:55:40Não, está tudo bem, Eddy.
00:55:41Eu só quero saber que nós somos amigos.
00:55:44Sim, alguém entrou na porta e entrou em uma das fronteiras.
00:55:57Bom, Miss Deverfield.
00:55:59Não se preocupe, men. Eu estou acostumado aqui.
00:56:02Eu acho que você conhece seu caminho aqui bem.
00:56:05As a district attorney, você é responsável por este caso, não é?
00:56:08Sim.
00:56:09Eu estou cansado de detectives.
00:56:11Eu estou cansado de ser espiedade.
00:56:13Você quer saber quem matou Archer Coe, não é?
00:56:15Naturalmente.
00:56:17Eu fiz.
00:56:18O que?
00:56:19Sim.
00:56:20E não tem um juízo que me convidou quando eles me ouvir a história.
00:56:24Você não acredita me, não?
00:56:26Você perguntou como meu filho, Figueroa, poderia entrar na casa.
00:56:31Ele estava seguindo me.
00:56:33Ele estava defendendo me quando ele foi atacado.
00:56:36Então, onde você matou Mr. Coe?
00:56:38Em seu quarto.
00:56:40O tipo de roupa do que você usou?
00:56:42A roupa?
00:56:43O que tem que fazer com isso?
00:56:45É isso?
00:56:46É isso.
00:56:49É isso.
00:56:50É isso.
00:56:51Quando eu estava lutando com Archer, meu bag caiu no chão.
00:56:53E tudo está fora.
00:56:57Não é isso, Miss Delafield.
00:56:58É um erro.
00:56:59É um erro.
00:57:00Não é um erro.
00:57:01Eu não sabia que você era tão fome de Mr. Grassi.
00:57:03Mr. Grassi não tem nada a ver com isso.
00:57:05Me dá para o station.
00:57:07Eu não vou dizer nada mais até que eu vejo um atendimento.
00:57:08Eu vou fazer um atendimento.
00:57:09Help!
00:57:10Help!
00:57:11Help!
00:57:12Help!
00:57:38Há um atendimento de sombra, senhor!
00:57:44Isso é isso, senhor Vance?
00:57:45Sim, é isso.
00:57:58É.
00:57:59Muito bem.
00:58:02Você tem uma comida.
00:58:03Você tem uma comida.
00:58:04Você faz um tempo agora.
00:58:06Agora, você me tirou de dentro da noite, e esse cara não está até mesmo morto.
00:58:10Por que você não põe isso em sua report, Doc?
00:58:13Os meus dedos nunca vão pegar no papel da silk, mas eles funcionam perfectamente.
00:58:19Onde está você, Sgt?
00:58:20Onde está o vento.
00:58:22Obrigado.
00:58:23Está tudo bem, Sr. Vance.
00:58:26São três crimes com a mesma arma, Markham.
00:58:31Tom, o que é isso?
00:58:34O que aconteceu?
00:58:35Eu não sei, Sgt?
00:58:36Eu não sei, Sgt?
00:58:37Sgt?
00:58:38É sério, Dr?
00:58:39Oh, não.
00:58:40Eu me deu três grains de ametolde para quietar os nervos.
00:58:43Ele vai tudo bem.
00:58:44Eu vou ter um quarto aqui até eles terminarem.
00:58:50Pôr, Darlene.
00:58:52Eu gostaria de ter você misturado em tudo isso.
00:58:54Você não deveria vir aqui.
00:58:56Vamos ver isso aqui.
00:58:57Eu não vou deixar você.
00:58:59Não podemos sair daqui daqui.
00:59:01Nós vamos amanhã.
00:59:02Todos juntos.
00:59:03Então, o que você acha disso, Doc?
00:59:06Bom, o truss punctuou a medial bacillic vein
00:59:08e causou a hemorrhagem.
00:59:10Could a wound have been self-inflicted, Doctor?
00:59:13Eu sou o City Butcher,
00:59:14não o Detectivo.
00:59:16Não me bother com any murders
00:59:18depois de três amanhã.
00:59:19Eu vou para o World Series.
00:59:21Ei, Doc.
00:59:22Faltam-me a score entre vocês, vou?
00:59:25Get these people out of this.
00:59:26O que estão esperando?
00:59:28Eu quero te perguntar um pouco.
00:59:30Você disse que quando você foi
00:59:32você não viu nada, hein?
00:59:33Sim, sim.
00:59:34Foi escuro.
00:59:35Foi escuro.
00:59:36Eu ouviu um escuro.
00:59:37E entrou um escuro.
00:59:38Um escuro.
00:59:39Um escuro.
00:59:40Um escuro.
00:59:41Um escuro.
00:59:42Um escuro.
00:59:43Um escuro.
00:59:44Um escuro.
00:59:46Um escuro.
00:59:47Um escuro.
00:59:48Um escuro.
00:59:49Um escuro.
00:59:50Um escuro.
00:59:51Uma escuro!
00:59:52Um escuro!
00:59:54Um escuro.
00:59:54Um escuro.
00:59:55O escuro um escuro!
00:59:56Course isso!
00:59:57Para uma muva de la vida dele!
00:59:58Um escuro!
00:59:59A questão de financeiro?
01:00:01Um escuro!
01:00:01Um escuro.
01:00:05schedule agora.
01:00:06Vou ser escuro!
01:00:08É um escuro!
01:00:10Eu gostaria de questioná-lo agora, em sua condição.
01:00:14É engraçado.
01:00:22Você vê o que eu vejo em Archer Coe?
01:00:29Eu acredito que quem der Coe foi de esta casa...
01:00:33provavelmente de esta casa.
01:00:35Bem, eu acho que eu posso encaixar a este jigsaw puzzle.
01:00:46Aqui é a East 71st Street.
01:00:48Este é a Coe House, a yard,
01:00:51e a Apartment House next door.
01:00:53Agora, vamos lá.
01:00:55Este é o McDonald's Apartment.
01:00:58Direito ao opposite é a window de Archer Coe's bedroom.
01:01:02Underneath McDonald's Apartment,
01:01:05é a cozy little nest de Miss Delafield
01:01:07e a temporary guest, Mr. Grassi.
01:01:10Este é o elevador.
01:01:12E aqui são as stairs que lead diretamente à a back entrance.
01:01:15De lá, é fácil de reachar a back entrance
01:01:17da Coe House, across the yard.
01:01:19Agora...
01:01:22É a front hall,
01:01:24e aqui é a library.
01:01:26E aí?
01:01:27E aí?
01:01:28E aí?
01:01:29E aí?
01:01:29E aí?
01:01:30E aí?
01:01:31E aí?
01:01:33E aí?
01:01:34E aí?
01:01:36O caso de que ele tinha sabido isso quando ele entrou na porta doida.
01:01:41Ele era tão tentado no que estava planejando fazer,
01:01:45que ele deveria ter deixado a porta doida.
01:01:48Porque de uma cidade em que vacant lot
01:01:51veio um dog, um doberman pincher,
01:01:54belonging a Doris Delafield.
01:01:57Ele viu a porta doida e entrou em.
01:02:01Meantem que o killer estava movendo a porta doida,
01:02:06making sure que Archer Cole era alone.
01:02:10Ele sabia exatamente onde ele estava indo
01:02:13e exatamente o que ele estava indo fazer.
01:02:16Ele veio tão silencioso que ele deveria ter assustado Archer Cole
01:02:20quando ele olhava e olhava claramente a porta.
01:02:23É o meu conjeito, gentlemen,
01:02:25que a terrível argumento estava no lugar.
01:02:28Archer Cole must have struck him.
01:02:31E, as ele fell back,
01:02:32ele pegou o pôquer
01:02:33como a primeira arma que entrou em sua mão.
01:02:35Ele pegou Archer Cole na cabeça.
01:02:38Cole collapsed across the desk,
01:02:40com os seus hands groping
01:02:42no drawer da desk para o seu canto.
01:02:44Então, em uma brilhada de um momento,
01:02:47o killer saw a chinesse dagger.
01:02:49Ele pegou ele
01:02:51e pegou Archer Cole em cima.
01:02:54Cole probably fell to the floor.
01:02:57No.
01:02:59Meantime, our Doberman Pinscher
01:03:01was coming closer and closer,
01:03:03probably attracted by the sound of the struggle in the library.
01:03:05As the killer opened the door to escape,
01:03:07he saw the Doberman Pinscher in the hall
01:03:09coming toward him.
01:03:11He again picked up the poker
01:03:12as the dog entered the room.
01:03:14True to the instinct of his breed,
01:03:16the dog sensed an enemy.
01:03:18He leaped.
01:03:19A killer struck,
01:03:21A killer struck, and the dog fell, badly wounded.
01:03:24Now he tried to hide the dagger in the ting-ya-vae.
01:03:27He dropped it too hard, and the porcelain broke into bits.
01:03:31He picked up the dagger again, and went out the same way he came in.
01:03:39Meanwhile, Koh slowly regained consciousness, and pulled himself to his feet.
01:03:44You remember, gentlemen, that Dr. Dorema said Koh died of an internal hemorrhage.
01:03:49And that is the key to the whole situation.
01:03:53Archer Koh, already a dying man, walked upstairs.
01:03:57And what is even more terrible, he did not know that he had been stabbed.
01:04:02He went to his room, and feeling a little faint probably,
01:04:05he removed his coat and vest, and hung them in the closet where we found them.
01:04:10He put on his pajama top, and went to the window, and raised the shade.
01:04:15Can you imagine the killer's emotions when, from some place in the apartment house,
01:04:22across the vacant lot, he looked over and saw the man he thought he had killed,
01:04:28standing there at the window?
01:04:30He knew then that he had to go back and complete his job to save himself.
01:04:35Feeling very faint by now, Archer Koh went from the window to the chair beside his desk,
01:04:42where he sat down.
01:04:45There, he started to remove his shoes.
01:04:48You remember just how we found him.
01:04:51In the very act of removing them, before he could get one of them entirely off,
01:04:56he died.
01:04:57I don't think he ever knew what killed him.
01:05:02Now we come to the most awful part of the tragedy.
01:05:07Brisbane Koh came back to the house with a cleverly worked out plan for killing his brother.
01:05:12He also knew that it was the servant's night out, and that he would not be disturbed.
01:05:19He went down the hall to the library,
01:05:21and from the drawer of the desk, he took Archer Koh's own revolver,
01:05:25and put it into his pocket.
01:05:27Then, turning out the light on the desk, he went out of the room.
01:05:31He hung his stick over the chair in the hall,
01:05:34and tiptoed up the stairs,
01:05:36and into Archer Koh's room.
01:05:39He saw his brother sitting in his easy chair,
01:05:42apparently asleep.
01:05:44I can see him tiptoe across the room.
01:05:48And from somewhere, just across the desk,
01:05:51he took out the revolver,
01:05:52and with careful aim,
01:05:53he pulled the trigger.
01:05:59Meantime, the killer,
01:06:01believing that he had only wounded Archer Koh,
01:06:04came back by the same route to finish his job.
01:06:08Then Brisbane closed the window,
01:06:10lowered the shade,
01:06:12and returning to the body,
01:06:14he carefully placed the gun in Archer's hand,
01:06:17as though it had been suicide.
01:06:19Then, he went to the door,
01:06:23and with the two pieces of string,
01:06:26the pins,
01:06:27and the darning needle,
01:06:29he was able to bolt the door on the inside,
01:06:33just as I showed you.
01:06:35A very clever device, gentlemen,
01:06:37which he had discovered
01:06:39in the book of unsolved murders,
01:06:41which we found in his suitcase.
01:06:45Then, gentlemen,
01:06:46Brisbane went on down the stairs,
01:06:48little knowing what awaited him there.
01:06:51The killer mistook Brisbane for Archer Koh,
01:06:54and drove the dagger into Brisbane's back.
01:06:57Then, to hide the body,
01:07:00he dragged it into the closet.
01:07:03I doubt if he even discovered his mistake
01:07:06until the next day.
01:07:08That's great.
01:07:09But who did all that?
01:07:11Well, you can search me.
01:07:13I'm going astray.
01:07:15You can include me in that, Sergeant.
01:07:17Haven't you got any ideas at all, Vance?
01:07:19Markham,
01:07:20it's a maze of conflicting clues.
01:07:22Any one of seven people might have done it.
01:07:24But we couldn't convict seven people, Mr. Vance.
01:07:27You couldn't convict one
01:07:28with the evidence you've got.
01:07:30Gentlemen, I'm afraid we're completely stopped.
01:07:33Licked.
01:07:38Well, I hate to admit it,
01:07:39but it looks that way.
01:07:41Vance, in all the years we've worked together,
01:07:42I've never heard you say that before.
01:07:45I know. I'm sorry, Markham.
01:07:47Well, what are we going to do about it?
01:07:49I don't know.
01:07:50Are you sure you checked up on all the alibis?
01:07:52Every one of them.
01:07:53And you've gone over the fingerprint situation
01:07:55with your boy?
01:07:56Yes, sir.
01:07:57Well, we've slipped up somewhere, Sergeant.
01:07:59But there must be something
01:08:00that we can get our teeth into.
01:08:03Markham.
01:08:06I suggest that you dismiss this case.
01:08:08What?
01:08:09Dismiss it?
01:08:10Yes, turn all the suspects loose.
01:08:12I can just see all the newspapers in this town
01:08:15screaming for a new district attorney.
01:08:17Well, we can probably cover you up,
01:08:18all right, Mr. Markham.
01:08:19I've said it was suicide all along.
01:08:21Yes, I know.
01:08:22We could put that solution on it,
01:08:23but I hate to do it.
01:08:25All right, Sergeant.
01:08:26Go ahead.
01:08:27Turn him loose.
01:08:27Turn him loose?
01:08:28Yes.
01:08:30Well, Mr. Vance,
01:08:31this is once we're both stuck.
01:08:32When you give up, Vance,
01:08:38I'm sunk.
01:08:40Oh, I haven't given up.
01:08:42I have another idea.
01:08:43What?
01:08:44That works.
01:08:45I'll have your killer for you
01:08:46in half an hour.
01:08:47I'm going to arrange
01:08:48a little meeting with him now.
01:08:49What?
01:08:50But you let me dismiss
01:08:51all the suspects.
01:08:52That's just what I wanted you to do.
01:08:53Hello?
01:09:04Uh, this is Mr. Vance.
01:09:07I hope I haven't disturbed you.
01:09:10See, I wonder if you'd do me
01:09:12a little favor.
01:09:13Mr. Markham.
01:09:13Yes.
01:09:14I'll see you in a minute.
01:09:17That suicide story
01:09:18might work all right
01:09:19for Archer Coe,
01:09:20but I forgot all about Brisbane.
01:09:21Well, never mind about that now.
01:09:24Just release the suspects
01:09:25as I told you.
01:09:27All right.
01:09:29That's it.
01:09:31Yes?
01:09:32That's right.
01:09:33At 4.30.
01:09:34And just get him
01:09:36into an argument.
01:09:38Oh, I'll have him with me.
01:09:39I'm depending on his instinct.
01:09:41That's right.
01:09:42Thanks.
01:09:44If we can catch him
01:09:45off his guard,
01:09:46I think he'll give himself away.
01:09:48Come on, Markham.
01:09:49We've got to get there
01:09:49before 4.25.
01:09:52Mr. Vance.
01:09:55They're in the library now.
01:09:57Oh, darling,
01:09:58let me help you.
01:09:59All right, dear.
01:09:59Thank you.
01:10:00Well, it's the first time
01:10:21we've used bloodhounds
01:10:22in police work
01:10:23since I wore
01:10:23high-button shoes.
01:10:24And red flannel underwear?
01:10:25Oh, I'll always wear
01:10:27red flannel underwear.
01:10:28So do I.
01:10:29I want your bridal suite
01:10:30on the...
01:10:31on the coronia.
01:10:34They're sailing at midnight.
01:10:35That's right.
01:10:36Thank you.
01:10:37Sailing at midnight.
01:10:39Lady MacDonald,
01:10:41is it the title
01:10:42that dazzles you so much?
01:10:43Or is it the fortune
01:10:44she'll inherit
01:10:45that makes her so attractive,
01:10:45Sir Thomas?
01:10:46Raymond, are you crazy?
01:10:48It isn't the first time
01:10:49a fortune has bought a title.
01:10:50It so happens
01:10:51I'm not in need of a fortune.
01:10:52Possibly you are.
01:10:53Raymond, you've no right
01:10:53to interfere this way.
01:10:54No right?
01:10:54Well, I'll take that right.
01:10:56You think you're both
01:10:56sailing at midnight?
01:10:58Well, it won't work.
01:10:59You're going all right,
01:11:00Sir Thomas,
01:11:00but you're going along.
01:11:01Really?
01:11:01Yes, and you're going now.
01:11:02Rush!
01:11:03No!
01:11:16Raymond!
01:11:21Ah, the poker again, huh?
01:11:28Take him off!
01:11:29Take him off!
01:11:31No!
01:11:33Take him off, will you?
01:11:39Will you take him?
01:11:41Help!
01:11:47Here, hold him.
01:11:48Why did you kill Archicol?
01:11:49Why did you kill him?
01:11:50I didn't mean to kill him.
01:11:51But you did, eh?
01:11:52I tell you,
01:11:52I didn't mean to kill him.
01:11:54He struck me
01:11:54when I told him
01:11:55I wanted to marry Hilda.
01:11:56And I lost my head.
01:11:58I hit him with a poker.
01:11:59I don't remember
01:12:00anything after that.
01:12:01What about Brisbane?
01:12:02It was a terrible mistake.
01:12:04And MacDonald?
01:12:05I still would kill him
01:12:07if I could.
01:12:09There's your man, Sergeant.
01:12:12You made a fatal mistake,
01:12:13Reed,
01:12:13when you reached
01:12:13for that poker.
01:12:14Somebody swiped
01:12:15my bracelets.
01:12:17You dropped them
01:12:17in the pantry.
01:12:18Oh.
01:12:19All right, Hennessy.
01:12:20Leave down booking.
01:12:21Right.
01:12:22I want to thank you
01:12:23very much
01:12:23for your cooperation.
01:12:24Not at all.
01:12:26It was Sir Thomas
01:12:26I telephoned
01:12:27from your office, Markham.
01:12:28He very cleverly
01:12:29helped to stage
01:12:30this little scene.
01:12:31We have to thank
01:12:32the dog for the rest.
01:12:34Well,
01:12:35we did it again,
01:12:36Mr. Vance.
01:12:38Congratulations, Sergeant.
01:12:39Thank you.
01:12:40I'll certainly mention you
01:12:41in my story
01:12:41to the papers.
01:12:43Thank you.
01:12:44Oh, that's all right,
01:12:45Mr. Vance.
01:12:45Oh, that's all right.
Recomendado
1:48:07
|
A Seguir
45:53
1:37:00
1:22:28
1:31:57
1:13:48
1:24:56
57:03
1:38:52
1:44:29
1:35:18
1:31:51
1:38:57
1:34:52
1:37:20
Seja a primeira pessoa a comentar