I'll Be Seeing You (William Dieterle, 1944)

REVISTA CINE TV ORION

"Both Living a Secret...each afraid to tell!". Mary Marshall, serving a six year term for accidental manslaughter, is given a Christmas furlough from prison to visit her closest relatives, her uncle and his family in a small Midwestern town. On the train she meets Zach Morgan, a troubled army sergeant on leave for the holidays from a military hospital. Although his physical wounds have healed, he is suffering from post-traumatic stress disorder and is subject to panic attacks. The pair are attracted to one another and in the warm atmosphere of the Christmas season friendship blossoms into romance, but Mary is reluctant to tell him of her past and that she must shortly return to prison to serve the remainder of her sentence.   Directors  William Dieterle,  George Cukor (Cukor was replaced by Selznick)   Stars  Ginger Rogers, Joseph Cotten, Shirley Temple.   Subs: English, Portuguese, Spanish.

Transcript

00:00:00A CIDADE NO BRASIL

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00:02:59Vamos lá.

00:03:29Vamos lá.

00:03:59Vamos lá.

00:04:29Vamos lá.

00:04:59Vamos lá.

00:05:29Vamos lá.

00:05:59Vamos lá.

00:06:29Vamos lá.

00:06:59Vamos lá.

00:07:29Vamos lá.

00:07:59Vamos lá.

00:08:29Vamos lá.

00:08:31Vamos lá.

00:08:33Vamos lá.

00:08:35Vamos lá.

00:08:37Vamos lá.

00:08:39Vamos lá.

00:08:41Vamos lá.

00:08:43Vamos lá.

00:08:45Vamos lá.

00:08:47Vamos lá.

00:08:49Vamos lá.

00:08:51Vamos lá.

00:08:53Vamos lá.

00:08:57Vamos lá.

00:08:59Vamos lá.

00:09:01Vamos lá.

00:09:03Vamos lá.

00:09:05Vamos lá.

00:09:07Vamos lá.

00:09:09Vamos lá.

00:09:11Vamos lá.

00:09:13Vamos lá.

00:09:15Vamos lá.

00:09:17Vamos lá.

00:09:21Vamos lá.

00:09:23Vamos lá.

00:09:25Vamos lá.

00:09:27Vamos lá.

00:09:31Vamos lá.

00:09:33Vamos lá.

00:09:35Vamos lá.

00:09:37Vamos lá.

00:09:39Vamos lá.

00:09:41Vamos lá.

00:09:43O que é que a doença é tudo healed, mas a doença em sua mente vai levar um pouco mais tempo.

00:09:48É por isso que os médicos deixaram você esse dia de 10 dias do hospital.

00:09:52Para mostrar para você que você pode ir para o mundo novamente e encontrar um lugar para você.

00:10:13O que é?

00:10:43Você não vai acabar com uma peça no ar, ou um tubo, ou um quarto com uma janela aberta.

00:10:49Você pode enfrentar essas coisas, Zack, se você acredita que você vai ficar bem.

00:10:54Stop pensando em você, Zack.

00:10:58Você vai ficar bem.

00:11:00Você vai ficar bem.

00:11:02Você vai ficar bem.

00:11:13Aqui você está.

00:11:30Bem-vindo, querida.

00:11:33Como foi o seu dia?

00:11:35Foi divertido.

00:11:37Você não mudou, Mary?

00:11:38Não, não.

00:11:40Obrigada, senhora.

00:11:41É bom estar aqui.

00:11:43Bem-vindo, querida.

00:11:45Muito feliz.

00:11:47Vamos lá.

00:11:49Você vai compartilhar a sua casa.

00:11:51Eu não quero quebrar ninguém.

00:11:52Não, não.

00:11:53Eu não quero quebrar ninguém.

00:11:54Eu não quero quebrar você.

00:11:55Eu quero quebrar você.

00:11:56Por favor, dê-me sua roupa.

00:11:58De qualquer forma, essa é a sua casa, antes que ela foi nascida.

00:12:03Além disso, eu acho que é uma boa coisa para ela.

00:12:05Ela é 17.

00:12:0717?

00:12:08E ela é muito...

00:12:10Ela é uma idade.

00:12:11Ela é muito boa.

00:12:13Ela é uma idade.

00:12:14Ela é muito boa.

00:12:15Como você.

00:12:16Sim, como você.

00:12:17Não há muitas coisas para falar.

00:12:19Mas, primeiro, você quer quebrar você...

00:12:23Olá, Mary.

00:12:24Eu estou muito feliz de ver você.

00:12:26Olá, Barbara.

00:12:27Eu nunca conheci você.

00:12:29Ela é uma beleza.

00:12:30Bem-vindo.

00:12:31Bem-vindo.

00:12:32Para você, Mary.

00:12:33Vamos para o meu quarto.

00:12:34Para o meu quarto.

00:12:35Para o meu quarto.

00:12:36Ainda é pequena.

00:12:37Muita maior.

00:12:38Não é muito grande.

00:12:39Muita...

00:12:42Oh, eu estou desculpando, Mary.

00:12:44Olha, só uma coisa.

00:12:47Nós sabemos que eu fui para a casa e que eu vou para o resto de dias.

00:12:51E não é de fato de dizer que não é assim.

00:12:55Não é bom que alguém diz o que ele diz o que ele diz.

00:12:57E não tenta de se desculparar.

00:12:59Você é uma bonita, Mary.

00:13:01Agora, vamos lá.

00:13:02Vamos lá.

00:13:08Essa é a minha casa.

00:13:10Eu não me lembro, Mary.

00:13:12Você era aqui antes?

00:13:14Quando você era só criança.

00:13:16Oh.

00:13:17Aqui nós estamos.

00:13:19Em toda a casa de casa.

00:13:21Isso é legal, Barbara.

00:13:23Nós ainda temos a nossa casa.

00:13:27Isso é onde eu dormiço?

00:13:28Vamos?

00:13:29Vamos lá.

00:13:30Vamos.

00:13:31Vamos.

00:13:32Vamos.

00:13:33. . .

00:14:03Ele shifting guard in the impediment tax cut-

00:14:15As a matter of fact, I was . . .

00:14:20Workin' up with this.

00:14:21I'll take y. . .

00:14:23You may as well tell me so we can both get it off our minds.

00:14:28Well, I. . . I just . . .

00:14:30Well you see . . .

00:14:32Em alguns outros países, eles dão especialistas para as pessoas para o comportamento.

00:14:36Bem, eu acho que é maravilhoso que eles têm essa confiança em você.

00:14:42Sim, eu acho que também.

00:14:46O que é que você tem?

00:14:48A água doce do que você tem?

00:14:50Você tem no meu mar.

00:14:51O que você tem?

00:14:56O que é que eu percebi?

00:14:57O que é que eu percebi?

00:15:01O que é que eu percebi?

00:15:03O que é que as pessoas têm?

00:15:05O que é que são?

00:15:08Marei?

00:15:09Eu acho que eu percebi.

00:15:16. . .

00:15:46not so much of you.

00:15:49As a matter of fact, selfish.

00:15:51I've been doing a lot of thinking in the past three years.

00:15:55What sort of things were you thinking, Mary?

00:15:59Coming out into the world!

00:16:03But even coming here, I had a feeling...

00:16:06Honey, you've got to stop being afraid!

00:16:09You've got to stop feeling that you're brandedid,

00:16:11like people were in the old days.

00:16:13You've done something!

00:16:15o dinheiro para a sociedade.

00:16:17Muitas pessoas gostam de deixar isso.

00:16:19Eu sei, mas...

00:16:20mas...

00:16:21todo mundo em uniformidade...

00:16:23todo mundo fazendo algo...

00:16:25eu...

00:16:27não me perdoe.

00:16:28Eu não me perdoe.

00:16:30E o sonho que eu tenho...

00:16:32para o futuro...

00:16:35é...

00:16:37é impossível.

00:16:39Muitas sonhos são, Mary.

00:16:41É só o sonho que acontece.

00:16:43Ninguém consegue exatamente o que ele quer.

00:16:45Uma das primeiras que você aprende...

00:16:47é fazer compromissos com seus sonhos.

00:16:49Mas eu não estou falando de palaces...

00:16:52e de rainbows, a senhora.

00:16:54Eu estou falando de uma casa.

00:16:56Uma casa como essa...

00:16:58com uma cozinha, uma cozinha...

00:17:00e uma espécie...

00:17:02e uma filha...

00:17:03e uma filha.

00:17:04Sim, eu tenho tudo isso.

00:17:06Mas eu costumava de palaces...

00:17:08e de rainbows.

00:17:10Mas você está feliz?

00:17:12Claro, porque...

00:17:13eu não me perdoe muito.

00:17:14Eu aceitava o que eu pensava...

00:17:16e fez isso.

00:17:17É algo que todos aprendem...

00:17:19mais tarde.

00:17:21Você tem que aceitar o que você pensa...

00:17:23é o que você pensa...

00:17:24e depois...

00:17:25você descobre o que é o primeiro melhor.

00:17:29Não, eu...

00:17:30não sei...

00:17:31como...

00:17:32que...

00:17:33é o carro, que é o carro.

00:17:34é o carro.

00:17:35É o carro.

00:17:36É o carro.

00:17:37É o carro.

00:17:38É para ela.

00:17:39Sim, por favor.

00:17:40Não, por favor.

00:17:41É para você.

00:17:42É para você.

00:17:43Sim, por favor.

00:17:44Mara, para você.

00:17:45Leve-se para você.

00:17:46Me perdi a mesa.

00:17:47Obrigada.

00:17:50Obrigada.

00:17:51Olá?

00:17:52Sim, isso é eu.

00:17:55Claro que eu meanti.

00:17:58Eu gostaria de. Mas sobre a sua irmã?

00:18:02Oh, isso é muito ruim.

00:18:05Eu gostaria de, mas...

00:18:09Espera um minuto.

00:18:11Aunt Sarah.

00:18:13Esse é um soldado que eu conheci no trem.

00:18:15Ele é muito bom.

00:18:17Ele veio visitar sua irmã e descobriu que ela foi para a California.

00:18:20E ele quer que eu venha com ele.

00:18:23E eu me perguntava se...

00:18:24Um soldado?

00:18:25Então, por que não perguntar para ele aqui?

00:18:27Posso eu, Aunt Sarah?

00:18:29Você perguntar para ele agora.

00:18:30E dizer para ele não ser tarde.

00:18:32Olá, Zack.

00:18:34Você deve vir aqui para o dia, Zack.

00:18:37Mas todos nós queremos você.

00:18:41Sim, e a Aunt Sarah diz para não ser tarde.

00:18:45É 617 Elm Street.

00:18:47Sim.

00:18:49Ok, tchau.

00:18:52Como você veio a reunião?

00:18:54Foi ele bem-vindo?

00:18:56Eu não sei.

00:18:57Você não sabia?

00:18:58Não, não se lembrou?

00:18:59Não, não se lembrou.

00:19:00Lá, você vai ficar em casa.

00:19:01Você vai ficar aqui em uma hora.

00:19:02Uau!

00:19:03Um soldado para o dia.

00:19:05Um soldado para a casa.

00:19:12Um soldado para casa.

00:19:14Acesse para a casa.

00:19:15Um soldado para oda.

00:19:16Amigo, né?

00:19:17Fui, carão.

00:19:18Tem.

00:19:19Oh, sim, ele está lá.

00:19:20Ah, bom.

00:19:22Obrigado.

00:19:26Olá.

00:19:27Bem-vindo, Mary, bem-vindo.

00:19:29Olá, Sr. Henry.

00:19:30Você está bem, bem-vindo.

00:19:32Obrigado.

00:19:33Eu estou feliz de ter você aqui, Mary.

00:19:35Eu quero dizer isso.

00:19:37Você deve ter feito muito bem para eles

00:19:40para dar você esse dia.

00:19:42Eu acho que é tudo bem.

00:19:44É só que eles não me veem exatamente como um criminoso.

00:19:48Não, claro, não.

00:19:50Eu não acho que você é um criminoso,

00:19:52senão eu nunca vou colocar o dinheiro para o seu trabalho.

00:19:55Eu acho que você pode, Henry.

00:19:56Ah, Sr.

00:19:59O que é feito é feito.

00:20:00Vamos não pensar mais sobre isso.

00:20:02Eu quero que você tenha um bom tempo quando você está aqui, Mary.

00:20:05Obrigado.

00:20:06Eu quero que você tenha gostado de qualquer um de nós.

00:20:08Ela vai, Henry.

00:20:09Nós convidamos os soldados para ela.

00:20:13Você foi?

00:20:14Sim.

00:20:16Bem, é tudo bem.

00:20:17É tudo bem.

00:20:22Oh!

00:20:23Eu me desculpe, eu pensei que era o Marcial.

00:20:25É.

00:20:26É.

00:20:27É a Miss Marcial aqui?

00:20:28Eu sou a Miss Marcial.

00:20:30Eu quero dizer, você é a Mary Marcial.

00:20:32Oh, Barbara, não te engança, jovem.

00:20:34Eu sou a Maria, não é?

00:20:36Você é a Maria?

00:20:37Sim.

00:20:38Essa é a minha filha, minha filha.

00:20:39Olá.

00:20:40Olá.

00:20:41Vou pegar a roupa e a roupa.

00:20:42Obrigado.

00:20:43Obrigado.

00:20:44Olá, Zack.

00:20:45Olá, Mary.

00:20:46Eu vou pegar a roupa e a roupa.

00:20:48Eu vou pegar a roupa.

00:20:49Eu vou pegar ele.

00:20:50Obrigado.

00:20:51Obrigado.

00:20:52Bem, não é?

00:20:53Eu vou pegar a roupa.

00:20:58Tem um dia.

00:21:03Eu vou pegar uma hora.

00:21:04Vamos com a minha filha, eu vou pegar.

00:21:05Oh, eu não sei.

00:21:06I need you.

00:21:07Oh, mother.

00:21:13Mrs. Swell, I haven't been in a real home like this

00:21:15in almost as long as I can remember.

00:21:19It's too bad about you missing your sister.

00:21:23Well, Mary,

00:21:24I'm in this house under false pretenses.

00:21:30I haven't any sister. I just made all that up.

00:21:32When you said you were getting off the train at Pine Hill,

00:21:38I had to make up some sort of excuse so I could get off with you.

00:21:43Ah, good evening.

00:21:47Uh, Uncle Henry, this is Zachary Morgan, my uncle.

00:21:51Happy to have you here, Sergeant.

00:21:52Thank you.

00:21:53Happy. Make yourself at home.

00:21:54Happy to do whatever we can for the armed forces.

00:21:57Man always feels these days, you know, he's not doing enough.

00:22:01How about a drink?

00:22:02Hey, I have some bourbon.

00:22:04No, thank you. I'm not drinking just now.

00:22:06Oh, well, let you know a little secret.

00:22:09Neither am I.

00:22:11That's a funny thing.

00:22:12People that have it, don't want it.

00:22:14Well, fine, fine.

00:22:15People that can't get it,

00:22:17you ought to see the act they put on my drugstore to get that stuff.

00:22:21Supper's ready.

00:22:23Come and get it.

00:22:27Hungry?

00:22:27Mary, use it over here.

00:22:35Zach, down there.

00:22:36Thank you.

00:22:37We thank you, God, for our daily bread.

00:22:47We will do our best to deserve it.

00:22:49We know that you are present here with us,

00:22:52that you are smiling upon our two guests,

00:22:55Mary and Zachary.

00:22:56Please look after all our dear ones

00:22:59and all the boys who are fighting for our country.

00:23:04Amen.

00:23:06You're not very used to saying grace, are you, Zach?

00:23:09No, in the army, I guess you don't have time.

00:23:10Well, didn't you even say it when you were a kid?

00:23:14Well, when I was a kid, I did.

00:23:15It's just sort of routine.

00:23:18You say it as if you meant it, sir.

00:23:19I do, Sergeant.

00:23:21Makes me want to say that I am grateful, too,

00:23:23for being here.

00:23:25Everything.

00:23:25Thank you, Zachary.

00:23:27You must be quite a soldier.

00:23:29I wouldn't say that.

00:23:31The Good Conduct Medal,

00:23:32two campaigns in the South Pacific,

00:23:34and the Purple Heart.

00:23:37For heaven's sake, Barbara,

00:23:39where'd you turn all that?

00:23:40Oh, a girl gets to know medals

00:23:41like she does boogie-woogie.

00:23:43But the Purple Heart,

00:23:45that means you were wounded.

00:23:46Barbara, stop asking questions.

00:23:48I'm sure Sergeant Morgan doesn't like it.

00:23:50Well, come on, Zach.

00:23:51Tell us how you got to be a hero.

00:23:52Barbara,

00:23:54after dinner, you go upstairs

00:23:55and take off some of that lipstick.

00:23:56Looks as if you fell in a pot of red paint.

00:24:00Go on, eat your soup, Sergeant.

00:24:02Before it gets cold, that's orders.

00:24:05You must have been disappointed

00:24:06not to find your sister.

00:24:08Well, Mrs. Marshall, I...

00:24:10Oh, uh, she took a defense job

00:24:12in California, didn't she?

00:24:16Are you mad at me, Zach?

00:24:18Huh?

00:24:18For asking all those questions.

00:24:20No.

00:24:23I'm not mad.

00:24:25You mad?

00:24:27No, I'm not mad.

00:24:28No.

00:24:29No.

00:24:30No.

00:24:35Ding, ding, ding.

00:24:36He don't talk, you can't go wrong.

00:24:39Listen to the Jackson song.

00:24:41Come to you, Jackson.

00:24:42Huh?

00:24:43Dad, I want to ask you a question.

00:24:44All right?

00:24:46Fire away.

00:24:46You know, you never told me anything about Mary.

00:24:51I mean, why she was sent to prison and why she...

00:24:53You can find out about that some other time.

00:24:56When you're a little older.

00:24:58But it can't be so secret.

00:25:00I don't see why I shouldn't know.

00:25:01Barbara, find out about that some other time.

00:25:04Just that Mary made a little mistake

00:25:06and that's all there is to it.

00:25:08But they don't send people to prison

00:25:09for just doing nothing.

00:25:11Now, look, Barbara,

00:25:11I'm trying to listen to the radio

00:25:13and work this puzzle

00:25:13and I can't take on any other jobs at the moment.

00:25:16But what if my friends ask me about her?

00:25:17What'll I tell them?

00:25:18They'll want to know what...

00:25:19Just tell them that Mary is your cousin.

00:25:22From that point on,

00:25:23they can mind their own business.

00:25:24And it seems to me that your business

00:25:25might be helping your mother out in the kitchen.

00:25:27Oh, Dad.

00:25:29Sometimes the way you talk to me,

00:25:30you make me feel like I'm an adopted daughter or something.

00:25:43and you make me feel like I'm an adopted daughter.

00:26:13I'll tell your father.

00:26:14I'll tell your father.

00:26:15That's not one Christmas present for you.

00:26:18Is the war really like that?

00:26:19I guess so.

00:26:21That's funny.

00:26:22Why?

00:26:23I mean that you should only guess so.

00:26:26Well, they have experts making those pictures.

00:26:30I guess that's the way they see the war.

00:26:32Beach a mile long,

00:26:34thousands of soldiers and tanks

00:26:36and machine guns and everything.

00:26:37I guess that's the way it is.

00:26:40But it wasn't that way for you, huh?

00:26:42It's just a difference in size.

00:26:45To a guy that's in it,

00:26:47the war is about ten feet wide

00:26:48and kind of empty.

00:26:51It's you and a couple of fellas in your company, maybe.

00:26:55Maybe a couple of Japs.

00:26:56It's all kind of mixed up.

00:26:59Sometimes it's all full of noise

00:27:01and sometimes it's quiet.

00:27:02It's all depends on what you're thinking about, I guess.

00:27:06It depends on how scared you are

00:27:08and how cold you are

00:27:10and how wet you are.

00:27:12I guess if you ask the hundred guys

00:27:14what the war is like,

00:27:15they'd all give you a different answer.

00:27:17Mary,

00:27:20you know what?

00:27:24I mean,

00:27:25usually you don't like to talk about it.

00:27:30I never said anything about it before,

00:27:32not to anybody.

00:27:34I'm sorry, I...

00:27:35I don't know.

00:27:37No, I feel kind of good.

00:27:40Let's go have a drink or something.

00:27:58Drive, sit back here.

00:27:59Had that booth reserved for you.

00:28:00Nothing's too good for the Army.

00:28:02No offense, man, sailor.

00:28:03Okay, my friend.

00:28:04You see, I'm an old Army man myself.

00:28:06Yes, sir.

00:28:08What do you have, Mary?

00:28:10Oh, a cup of coffee.

00:28:12Oh, come on.

00:28:13It's Christmas.

00:28:13The sky's the limit.

00:28:14Have a piece of pie with it.

00:28:18No, I'll just have a cup of coffee.

00:28:19Two coffees.

00:28:20Coming up.

00:28:21Two cups of chava.

00:28:22Sure you won't have anything else?

00:28:24Not after that wonderful dinner

00:28:25Aunt Sarah prepared for us.

00:28:27They're nice people.

00:28:29You're nice people, too.

00:28:30Hot java for the Army.

00:28:35Social era.

00:28:37There you are.

00:28:38Hey, soldier.

00:28:39You've certainly been places.

00:28:43Would you like some cream, Mary?

00:28:45No, thanks.

00:28:45You know, I was just a boy of 18

00:28:47over in France in World War No. 1.

00:28:50You know, they're kidding themselves.

00:28:52This is the same kind of war.

00:28:54You sure you won't have some cream?

00:28:55No, I don't use it.

00:28:57The Navy, Marine, Air Force, they're okay.

00:28:59But this one's gonna be one just like the last one.

00:29:01A soldier like you or me

00:29:02walking out on his own two feet

00:29:04and slugging it out.

00:29:07I took off some weight since my time.

00:29:09Used to be heavyweight champion of the regiment.

00:29:12Got a couple of funny medals.

00:29:17Yes, sir, when this thing starts,

00:29:18I try to sign up again.

00:29:19I tell them I want a chance

00:29:20to knock a couple of Jap heads together.

00:29:23You still do it, too.

00:29:24Squash them like eggs, I could.

00:29:25They won't let me fight.

00:29:28Why?

00:29:29On account of this tick in my face.

00:29:32Nothing touched me in that last war.

00:29:34I got a bit of shell shock.

00:29:35It left me with this.

00:29:36Nobody ever notices it.

00:29:38But that young doctor squirt,

00:29:40not dry behind his ears.

00:29:42He turns me down.

00:29:44I don't get it.

00:29:44I don't care.

00:30:02Well, you will say that.

00:30:03You're otro.

00:30:03No.

00:30:05Mãe, eu acho que você deveria saber algo.

00:30:27O que é, Zack?

00:30:28Bem, eu gostaria de dizer você.

00:30:38Você provavelmente vai pensar.

00:30:47Eu acho que eu posso fazer mais nada.

00:30:58. . .

00:31:28. . .

00:31:30.

00:31:36It's fun to think that I'm the pinup girl for at least five fellows.

00:31:39And it's part of the war effort.

00:31:41I keep up their morale.

00:31:43Maybe.

00:31:45Must be nice to be able to keep up somebody's morale.

00:31:47Well, I imagine you could write to a lot of them,

00:31:49you know, they just like to get me out from anybody.

00:31:53I mean, you don't have to know them Auffy, well, to ...

00:31:57O que eu quero dizer é que...

00:32:00Quando eu era 17, eu tive um problema de encontrar as palavras, também.

00:32:09É Zack estacionado aqui?

00:32:11O que eu estou na prisão não está acontecendo.

00:32:26Desculpe, Mary.

00:32:29Eu...

00:32:30Eu...

00:32:31Eu...

00:32:32Eu...

00:32:33Eu...

00:32:34Eu...

00:32:35Eu realmente não quero...

00:32:37Eu acho que é muito bom para você...

00:32:40Para conhecer alguém que foi em prisão.

00:32:44Ou talvez, quando você conhece me, você se sente diferente.

00:32:47Eu quero saber você, Mary.

00:32:49Eu realmente quero.

00:32:51Como você sabe sobre mim?

00:32:53Não muito.

00:32:54A mãe e a mãe ainda me trazem como um filho.

00:32:56Tudo é um grande secreto.

00:32:58Eu não acho que não é para você saber.

00:33:00Mas, eu acho que pode ajudar.

00:33:03Quando eu era sua idade, minha mãe morreu.

00:33:06Oh, eu lembro dela.

00:33:08Quando eu era jovem.

00:33:10Ela fazia roupa para mim favorita.

00:33:13Sim, ela era maravilhosa com as suas mãos.

00:33:17E, depois disso, meu pai entrou no negócio.

00:33:22E, quando ele morreu...

00:33:24Eu estava em casa.

00:33:26Eu fiz um trabalho muito bom para mim.

00:33:28E, quando eu me encontrei com muitos jovens.

00:33:30Um dos jovens que me encontrei.

00:33:32Um dos jovens que, eu pensava,

00:33:35que me deixava me daria tudo o que você quer dizer quando você é 20.

00:33:38E...

00:33:39E...

00:33:40E...

00:33:41Um dia, quando eu me liguei para o meu pai do meu pai,

00:33:44ele me convidou para uma festa em casa.

00:33:47Ele era jovem e eu comecei.

00:33:49Eu comecei com os jovens.

00:33:50Eu me enviou o meu pai do meu pai do meu pai.

00:33:53Eu recebi o dinheiro que eu recebi,

00:33:54e eu comprei um vestido de noite.

00:33:56Eu achei que era muito legal.

00:33:58Eu queria que fosse muito bom.

00:33:59Eu queria que ele fosse muito bom.

00:34:00Em frente de sua família.

00:34:01Ele me enviou um orquid.

00:34:03Um orquid branco.

00:34:04Um orquid branco.

00:34:05Um orquid branco.

00:34:06Um orquid branco que eu tinha.

00:34:07Eu estava usando.

00:34:08Um orquid branco,

00:34:10Quando a porta abriu, eu entrou o maior apartamento que eu já tinha visto.

00:34:14Eu pensava que era riqueza e elegante.

00:34:17Eu queria impressionar ele, então eu fui lá tarde.

00:34:20Eu queria fazer uma entrada só por mim, mas...

00:34:23ninguém estava lá.

00:34:25Eu deveria ter tempo para sair, mas eu não.

00:34:29Ele estava bebendo muito tempo antes que eu fui lá, eu acho.

00:34:32E ele continuou.

00:34:35Ele me disse que ele não encontrou ninguém.

00:34:39E o branco, e tudo isso, era apenas o jeito de me chegar lá.

00:34:45Eu...

00:34:47Eu tentava tirar o meu caminho, e...

00:34:50E quando não funcionava, eu deixava para ele.

00:34:54Eu não griei.

00:34:57Eu estava...

00:34:58Eu acho que...

00:35:00Eu tentava sair do ele, mas eu não podia.

00:35:04Ele estava em todo lugar.

00:35:06Então, ele estava mexendo assim como um grande tipo de medo.

00:35:09Uma vez eu me saíte de sair, mas ele me colocou e me pegou.

00:35:14Ele me pegou.

00:35:15Ele me pegou e me pegou.

00:35:16Ele me pegou.

00:35:17Ele me pegou.

00:35:18Ele me pegou lá.

00:35:19O meu quarto da sala de porta.

00:35:29Mary, como...

00:35:32O que é isso.

00:35:34Talvez eu não tenha me contado.

00:35:36Não, eu... eu estou feliz que você fez.

00:35:39Mas é errado.

00:35:41Eles não deveriam ter sentado para a prisão.

00:35:44Se eu tivesse sido feliz para sair antes de ser morto,

00:35:47e não haveria nenhum crime.

00:35:51Mas, depois...

00:35:53um homem foi morto.

00:35:56A juíza disse...

00:35:58manslaughter.

00:36:01Guilte.

00:36:03Bem...

00:36:05Isso significa seis anos.

00:36:17A mensagem do próximo.

00:36:19É...

00:36:23Maricê.

00:36:24Please forgive me, Mary.

00:36:47Oh, Mary, see who that is, will you?

00:36:52Hello?

00:36:54Oh, good morning, Zack.

00:36:58Well, well, if it's important, of course I can see you.

00:37:03Do you want to come here?

00:37:05Well, I'd rather not. I hate to keep barging in on your uncle's house.

00:37:10Mary, I want to talk to you about last night, and I need some time.

00:37:14Well, I have the time, plenty of time.

00:37:17Where do you want to meet?

00:37:18Well, I asked about here, and they say there's a bus that goes up to the lake.

00:37:23Well, it's pretty out there, isn't there? Aren't so many people.

00:37:26Well, you're on your own.

00:37:27Well, there are some people who are on your own, and I'll have to close this.

00:37:31It's not so bad, is it?

00:37:32Não é tão bom, não é?

00:37:47Não.

00:37:48Eu disse que não é um problema de gastar.

00:37:50É só um pouco aqui.

00:37:52Eu sei. Você está tentando me dar antes de tear.

00:37:54Oi, Chuck. Como você está?

00:37:57Oi.

00:37:57Bom dia, hein?

00:37:58Fine.

00:38:02Não é tão bonita.

00:38:06Tchau.

00:38:26Você está nascido tão longe?

00:38:28Sim.

00:38:29I was born in Maryland. You get used to Christmas time being cold and snowy.

00:38:34I don't know, this seems more like Christmas to me than the kind they have back east.

00:38:39I mean, this is more like the country where they celebrated the first Christmas.

00:38:44This reminds me of a lake I used to go to when I was a kid.

00:38:48Every spring I had a job repairing the boats.

00:38:59Mary, I want to tell you why I got mad at that man in the coffee shop last night

00:39:10and why I walked away from you after I threw that rock at the lamp post and missed it.

00:39:14I knew there must be some reason, but you don't have to tell me.

00:39:19Look, I was brought up in a home, an orphan's home.

00:39:23That's nothing to be ashamed of.

00:39:26It's not like being in prison or anything like that.

00:39:30No.

00:39:31Well, in the home there was a janitor.

00:39:35This fellow had been in the last war.

00:39:37He was a young guy.

00:39:41He was a shell-shock case.

00:39:45Whenever we could get our hands on any firecrackers,

00:39:48we'd bang him off and laugh at him when he jumped.

00:39:53Well...

00:39:56The fellow in the coffee shop reminded me of the janitor,

00:39:58and they both made me think of myself and what I'd be like in a few years.

00:40:04The only difference is that now in the hospital they have a fancy name for it.

00:40:08Neuropsychiatric.

00:40:11But the doctors must know a lot more about it now than they did during the last war.

00:40:15Maybe.

00:40:18They don't know something about me that I know.

00:40:20You see, before I became an engineer, I was an athlete, a pretty good one.

00:40:27I know what my timing used to be. They don't.

00:40:29And it's gone, Mary.

00:40:33Before this happened to me, I could have hit that lamppost all day.

00:40:36I don't know why I'm bothering you.

00:40:44Yes, I do. I know why I'm bothering you.

00:40:47Because I feel so much better when I talk to you.

00:40:49I like to be with you.

00:40:51I like to be with you, too.

00:40:52Mary, I want to talk about you. Listen, tell me.

00:40:55What?

00:40:56Well, for instance, how did you become a traveling sales lady?

00:41:01And what do you sell?

00:41:04Well, as I told you, I started out wanting to be a model.

00:41:10And after that, I got a job with a dress manufacturing company.

00:41:17And now I travel for them.

00:41:19Well, where do you travel? After your vacation, where do you go?

00:41:25Well, I go back to Dallas.

00:41:27And from Dallas, I go to New Orleans.

00:41:29New Orleans? I didn't answer as well.

00:41:32Well, you've been to New Orleans.

00:41:34Have you ever been to Florida?

00:41:36No.

00:41:37I go from New Orleans to Florida.

00:41:39New Orleans to Florida, right?

00:41:40Palm Beach.

00:41:50Mary, can you make me believe in myself the way you believe in yourself?

00:41:55Well, what makes you think I do?

00:41:57I can tell.

00:41:59The way you talk, the way you walk, the way you look, the way you hold your head.

00:42:06Well, maybe that's just make-believe.

00:42:08Why don't we go down here by the rock, huh?

00:42:22Like boats?

00:42:24Mm-hmm. You?

00:42:25Some little kid probably owned that boat.

00:42:28Thought it could take him all the way around the world and back.

00:42:30I wish it could.

00:42:32I wish we could get on it and sail away to...

00:42:35where it's like to go.

00:42:38Not, not to Florida or New Orleans.

00:42:42It's a place like the moon, maybe.

00:42:45With a good breeze and a good compass.

00:42:48Maybe we could find a place.

00:42:49Well, if it were a real boat and the moon a real place.

00:42:55Would you go?

00:42:58There's no harm in dreaming.

00:43:00I'd go.

00:43:14Uh-uh.

00:43:16I'm not going to have you run out on me again.

00:43:20Oh!

00:43:22Wow!

00:43:27Thank you, thank you. Fun and all.

00:43:29I never could figure out why the pudding never gets burned.

00:43:32I've never been able to figure that out either.

00:43:33Must be the alcohol and the brandy, huh?

00:43:35Nothing.

00:43:36Personally, I think it's a shame to burn good brandy.

00:43:39That quart I brought home last week was imported cognac.

00:43:42Oh, don't worry, Henry. I didn't burn up the whole quart.

00:43:44Oh, I wouldn't trust Mom with it, Dad.

00:43:46Maybe you're right.

00:43:47Remember last year how Ma got going on just a glass of sherry?

00:43:50Oh, now, I'm not going to listen to that again.

00:43:52You may not believe this about your dear Aunt Sarah, but last year she got high as a kite.

00:43:58They're trying to drag out a family skeleton, Mrs. Marshall. I won't listen to them.

00:44:01Oh, he's just one of those little things that happen. People start exaggerating.

00:44:06Exaggerate my eye. It's as true as I sit here. Last year, Mother and I had a glass of sherry to bring in the New Year.

00:44:12And then we went to a little gathering, all the way across town it was. Mother had her skirt on backwards, backwards.

00:44:19See here, Henry, if you're in such good voice, how about a Christmas carol?

00:44:23Aunt Sarah, something tells me you're trying to change the subject.

00:44:26Nothing of the sort. Christmas carols go with plum pudding, and that's what we're eating, plum pudding.

00:44:30Well, Sarah, you don't have to work so hard at it. I'm a pretty good baritone. I don't need much urging.

00:44:36Well, what'll it be?

00:44:37Oh, I think I like best. Come, all ye faithful.

00:44:40Fine, fine. Come, all ye faithful it is.

00:44:43Me, oh, no. Me.

00:44:46Oh, come, all ye faithful,

00:44:50Joyful and triumphant.

00:44:53O come ye, oh, come ye to Bethlehem.

00:45:01Come and behold him, born the King of angels.

00:45:09O come, let us adore him. O come, let us adore him. O come, let us adore him. O come.

00:45:18O come, let us adore him. O come, let us adore him. O Christ the Lord.

00:45:30Well, it feels pretty comfortable to have another man's voice around here at Christmas time.

00:45:34I'm sure Barbara's doing her best to arrange that for you, Henry.

00:45:38Mother.

00:45:39Oh, darling, maybe family jokes are in bad taste. They make the guest feel out of place.

00:45:44No, ma'am. I haven't felt so easy in a long time.

00:45:48The best Christmas dinner I ever had. Yesterday I was a stranger here.

00:45:53I mean, I felt like a prisoner inside myself.

00:45:57Now, just be at a home like this with people like you.

00:46:04Maybe some place I can come back to next month or next year.

00:46:09Did I say something?

00:46:15No, Zach, no. He's just a very sentimentalist.

00:46:17Excuse me, Father.

00:46:18Seriously.

00:46:19Christmas.

00:46:20Mary, what's the matter?

00:46:21Was there anything I said?

00:46:22Anything to do with this afternoon?

00:46:23No, it was just a combination of things. The pudding and the singing. And the very nice things you said.

00:46:29It was the first time my singing ever brought me by to tears. Maybe I'd better get out of here, hmm?

00:46:38That isn't polite to eat and run.

00:46:39I mean, Pine Hill, how to leave here alone.

00:46:40Yeah. You're just fishing. You want me to ask you to stay.

00:46:44Well, ask me. Please stay.

00:46:46Please stay.

00:46:50I'm not. No, I'm not.

00:46:51You're not. You're not.

00:46:52But the one of the things you said.

00:46:53That's not the very nice things you said.

00:46:55First time my singing ever brought me by to tears.

00:46:58Maybe I'd better get out of here, hmm?

00:47:00That isn't polite to eat and run.

00:47:01I mean, Pine Hill, how to leave here alone.

00:47:02Yeah. You're just fishing. You want me to ask you to stay.

00:47:08Well, ask me.

00:47:11Please stay.

00:47:12O dia, isso é louco. Não podemos ficar aqui toda noite.

00:47:22Eles têm que ter alguns minutos para conversar.

00:47:25Eles têm alguns minutos.

00:47:27Vamos lá, vamos lá.

00:47:29Vamos lá, vamos lá.

00:47:31Vamos dar uma mensagem primeiro.

00:47:33Bem, é tudo o púdico que eu vou comer.

00:47:37Vou comer outra vez.

00:47:39Vamos tocar o rádio.

00:47:41Está bem, está bem.

00:47:43Vamos lá.

00:47:45Vamos lá.

00:47:50É presente hora, presente hora.

00:47:52É presente hora.

00:47:53É presente hora.

00:47:54É presente hora.

00:47:55Vamos lá.

00:47:56É.

00:47:57É para mim.

00:47:59Olha só o que é.

00:48:01O meu Deus, eu sei.

00:48:03Eu sei o que é.

00:48:05Oh, é presente hora.

00:48:07Você não tem um outro.

00:48:08Eu vou mostrar para mim.

00:48:10Ele está.

00:48:11Eu vou mostrar para mim.

00:48:12Eu vou mostrar para mim.

00:48:14É isso.

00:48:15É isso que eu quero dizer?

00:48:16É isso.

00:48:17Eu espero que você goste.

00:48:18Eu espero que você goste, não é?

00:48:20Feliz de Natal.

00:48:20Obrigado.

00:48:21Obrigado.

00:48:38Oh, eu entendi, Mary.

00:48:40Quando Zack disse que ele era um estranho,

00:48:42você sentia que as palavras saíram de suas próprias.

00:48:44Pode ter acontecido, não é, garoto.

00:48:46Não é só uma espécie de Natal.

00:48:48Boa noite, Mary.

00:48:49Boa noite.

00:48:50Boa noite.

00:48:51Boa noite.

00:48:52Não esqueça de dar a luz, Sarah.

00:48:53Ok, querido.

00:48:54Então não se preocupa de fazer uma cena.

00:48:58Bem, eu não me preocupa sobre isso, Sarah.

00:49:02Eu estava me perguntando se eu não deveria falar sobre ele.

00:49:06Não por todo mundo.

00:49:09Você não acha que?

00:49:10Bem, por que?

00:49:11Bem, ele confia em mim.

00:49:14E...

00:49:15E...

00:49:16não parece legal.

00:49:17Oh, mas não há razão para isso, Mary.

00:49:20Ele vai estar aqui por alguns dias.

00:49:22Ele é solitário e você faz coisas agradáveis para ele.

00:49:26Não é a razão que eu vejo ele, Sarah.

00:49:30Porque...

00:49:31Eu gosto dele.

00:49:32Eu gosto dele.

00:49:33Eu gosto dele.

00:49:34Eu gosto dele.

00:49:35Eu gosto dele.

00:49:36Eu gosto dele.

00:49:37Mas...

00:49:38não é como se você vai casar ele.

00:49:40Não.

00:49:43Não é como se eu fosse casar ele.

00:49:47Eu não disse assim, amor.

00:49:51Eu sei.

00:49:54Boa noite, Mary.

00:49:55Não é como se você fosse casar ele.

00:49:57Não é como se você fosse casar ele.

00:49:58Não é como se você fosse casar ele.

00:50:01Eu tento, Sarah.

00:50:02Mas...

00:50:03não é como se você fosse casar ele.

00:50:05Eu apenas...

00:50:07me...

00:50:08me.

00:50:11Isso é muito bom.

00:50:13Agora, você está divertindo.

00:50:15Boa noite.

00:50:18Ei, vocês dois.

00:50:19O que está cozinhando?

00:50:20Não é como se você fosse casar ele.

00:50:23Lembre-se, Mary, eu não acho que não.

00:50:24Boa noite, meus filhos.

00:50:27Boa noite, Sarah.

00:50:30Ela não acha que não acha que o quê?

00:50:34Ela não acha que realmente há um Santa Claus.

00:50:50Não parece que o quê?

00:50:52Olha só.

00:50:53Eu amo isso.

00:50:59Você acha que é um long?

00:51:00Mas, para o ano de ano de ano, tem que ser long.

00:51:03Não é um pouco velho?

00:51:04Bem, por Deus, eu vou para a litação.

00:51:06Sim, eu estou bem sabendo da questão.

00:51:08Mas...

00:51:09essa coragem...

00:51:10Então, essa coragem...

00:51:11Então, é isso.

00:51:12Para você, a coragem de coragem.

00:51:14Essa coragem é uma coragem.

00:51:17Como você gostaria de tentar isso?

00:51:19Oh, isso é lindo.

00:51:20Sim, é um dos melhores designs que nós temos.

00:51:22Oh, não, mãe.

00:51:23Por favor, eu quero essa.

00:51:25Oh...

00:51:26Tudo bem, querido.

00:51:27Isso fits você perfeito.

00:51:28Oh, e isso é perfeito, também.

00:51:30Eu vou voltar.

00:51:38Você gosta desse, não, Mary?

00:51:40É lindo.

00:51:41Então, você vai ter.

00:51:42Oh, não.

00:51:43Não, não.

00:51:44Agora, você escuta para mim, Mary.

00:51:45Você não pode usar as roupas,

00:51:47mas hoje, você vai ficar cansado de mim.

00:51:49Hum, hum.

00:51:50Hum, hum.

00:51:51Hum, hum.

00:51:52Hum, hum.

00:51:53Hum, hum.

00:51:54Hum, hum.

00:51:55Hum, hum.

00:51:56Hum, hum.

00:51:57Hum, hum.

00:51:59Hum, hum.

00:52:00Helpar isso para mim, wah, hum.

00:52:01Hum, hum.

00:52:02Hum, hum, hum.

00:52:03Hum, hum.

00:52:04Hum, hum.

00:52:05Hum, hum.

00:52:06Hum, hum, hum.

00:52:07É assim, você vai ter feito, não acertar com ele.

00:52:09Herma, inf self, não cria isso até que nenhuma coisa.

00:52:11Uma vez mais.

00:52:12Vai ser uma forma de estilidade em três anos.

00:52:14Então vamos nos arreglar.

00:52:15Minha!

00:52:16Minha meia gostaria de usar esse vestido.

00:52:18Oh, vai ser bem.

00:52:19Vamos, querida.

00:52:20Tive um.

00:52:21Ok, vou tentar.

00:52:26Como você, Mrs. Marshall?

00:52:28Obrigado, minha.

00:52:29Lavender é ainda bem.

00:52:31Oh, mãe, ela vai ser muito bom.

00:52:34Obrigado.

00:52:35Agora, você vai lá e pôr seu pai.

00:52:37Ok.

00:52:38Obrigado.

00:52:40Você é tão maravilhoso.

00:52:41Você sabe como seu pai é.

00:52:43Agora, vamos lá.

00:52:50Quanto é esse vestido?

00:52:51R$69.

00:52:53Oh.

00:52:55Você pode tirar a carta, por favor?

00:53:01Aqui é R$30.

00:53:04E quando minha minha mãe me perguntou o preço,

00:53:06você diz que era R$39,00 para R$69,00?

00:53:09É um pouco.

00:53:11Obrigado.

00:53:12Obrigado.

00:53:16Pessoal.

00:53:17Quanto é que saia?

00:53:21R$39,00.

00:53:23Eu vou te dar.

00:53:24R$20,00.

00:53:25Quando eu te perguntar ao mesmo tempo,

00:53:26você diz que é R$19,00.

00:53:28R$19.

00:53:34Você gostou?

00:53:35Oh, querido, não é?

00:53:37Não é, querido?

00:53:38Foi feito para você.

00:53:41Ah, querido?

00:53:43Quanto é esse vestido?

00:53:45R$19.

00:53:46Oh, isso é maravilhoso!

00:53:54O que você está rindo?

00:53:58Não!

00:54:10Como você gosta do meu vestido?

00:54:12Muito pequeno, não é?

00:54:18Olá, Zack.

00:54:20Olá, Bárbara.

00:54:28Você não percebeu algo, Zack?

00:54:30Onde?

00:54:31Me?

00:54:32Ah...

00:54:33Você tem muito mais lipídico.

00:54:38Olá, Zack.

00:54:39Não é?

00:54:40Ah, eu...

00:54:41Ah, eu...

00:54:42Ah, eu...

00:54:43Ah, eu...

00:54:44Lieutenant Bruce, esse é o Sgt. Morgan.

00:54:46Ah, eu, meu, meu, meu, meu, meu, meu.

00:54:47Como você está?

00:54:48Não é um sgt.

00:54:49A sgt.

00:54:50A sgt.

00:54:51A sgt.

00:54:52A sgt.

00:54:53A sgt.

00:54:54A sgt.

00:54:55A sgt.

00:54:56A sgt.

00:54:57A sgt.

00:54:58A sgt.

00:54:59A sgt.

00:55:00A sgt.

00:55:03Não, pessoal.

00:55:04Estou aqui dentro de minha carroza com essa púl.

00:55:06Estou aqui em casa, meu.

00:55:07Estou tão tão ansante, rapido.

00:55:08Fui lá, Thena, pai.

00:55:09Fui lá.

00:55:10Fui lá, Fui lá, mamãe.

00:55:11Fui lá presidente.

00:55:12Fui lá para mim, Teu a alma.

00:55:13Eu posso cuidar de mim.

00:55:14Fui lá.

00:55:15Não é gelado.

00:55:16Fui lá, Todeu, macho.

00:55:17Fui lá, todeu, senador.

00:55:18Todeu, todeu, sgt.

00:55:19Todeu, todeu.

00:55:20Fui lá, todeu.

00:55:21O rapido.

00:55:22Aqui está um grande bem de um dos pontos de água para você,

00:55:24Todeu.

00:55:25Bem, vamos lá, Zac, antes de mudar o seu pensamento.

00:55:29Vou voltar, e minha roupa, e minha roupa, e...

00:55:35Sara!

00:55:37Agora, onde é ela?

00:55:39Sara, vamos lá?

00:55:40Henry, deixe a luz para você.

00:55:46Oh...

00:55:48Oh...

00:55:49Mrs. Marshall, isso é para você.

00:55:52Espero que você goste de amelias.

00:55:55Espero que você goste de amelias.

00:55:57Obrigado, Zac.

00:55:59Eu não tive uma coragem em anos.

00:56:01Henry, você vai para a casa?

00:56:03Vamos lá, Sara.

00:56:05Há um erro.

00:56:07Hum?

00:56:09Eu sabia que eu ia fazer isso.

00:56:11É o que acontece quando um homem se misturou e acha que ele não pode.

00:56:14Os amelias são para você, Mary.

00:56:16Tudo bem, Sara.

00:56:18Sara, vamos lá?

00:56:20Os comedias foram promos para mim, e eu não tenho.

00:56:22Não importa.

00:56:24Não importa o que essas foram ferramentas.

00:56:26Especialmente.

00:56:27Que pariu?

00:56:28Esticou em comando.

00:56:30Sarah.

00:56:52Oh, querida, deixa eu ver isso.

00:56:55Oh, Sarah.

00:56:57Vamos ter tarde.

00:56:58As flowers make you feel so like a party.

00:57:00Isn't that sweet of Zack?

00:57:02Sarah?

00:57:05Oh, Henry!

00:57:08You're always so impatient.

00:57:10Have you got the key?

00:57:11Oh, never mind!

00:57:15Tell me, Johnny, are you sure it's all right for a girl to go in the YMCA?

00:57:28Uh!

00:57:30Yeah!

00:57:31Uh!

00:57:32guy's probably right.

00:57:33Uh!

00:57:34KERRY거야hhh

00:57:38He was fascinated by Scabbquis

00:57:39Their little cry

00:57:41One day

00:57:46He is the new YMCA

00:57:48His relationship

00:57:50A light-er

00:57:51Period

00:57:52är

00:57:53Shot

00:57:54Oh, change your partners, do-si-do.

00:58:09Oh, fine.

00:58:10Oh, fine, fine.

00:58:14I don't know how it is, but every year at New Year's,

00:58:17I get so excited and sort of upset.

00:58:19I don't know what you mean.

00:58:20It's like being in on something big, something important.

00:58:24That's it, exactly.

00:58:31Back to your partners with the right and left grand.

00:58:35Thank you.

00:58:35Thanks, Mary.

00:58:36Thank you, Uncle Henry.

00:58:38Swell.

00:58:42I'll be seeing you in every lovely summer's day,

00:58:50In everything that's light and gay,

00:58:55I'll always think of you in that way.

00:58:58Mary, you know, two weeks ago,

00:59:00if somebody had told me I'd be dancing with a girl like you,

00:59:03you know what I'd have said?

00:59:04No.

00:59:04What would you have said?

00:59:05I'd have said, uh,

00:59:07I'd have said I wouldn't be dancing with a girl like you.

00:59:09I'd be looking at the moon,

00:59:12But I'll be seeing you.

00:59:19Cutting in.

00:59:20Hello, Mary.

00:59:21Hello.

00:59:22Maybe you don't recognize me in the outfit Uncle Sam gave me.

00:59:24No, I'm sorry.

00:59:25I don't.

00:59:25Charlie Hartman in the accounting department.

00:59:28Oh, yes.

00:59:29I'm terribly sorry.

00:59:30I'd forgotten.

00:59:31This is, uh, Sergeant Morgan.

00:59:32Uh, this is Charlie Hartman.

00:59:35How about a dance?

00:59:37Boy, am I surprised to see you, Mary.

00:59:59I didn't think you were trying to give me a brush.

01:00:01What happened?

01:00:02You know, I thought you were still...

01:00:04Well, I am.

01:00:05They, uh, they gave me a 10-day Christmas vacation.

01:00:09Oh, good.

01:00:10You're going to be around?

01:00:12Yes, Charlie, um, the fellow I'm with,

01:00:16he doesn't know about me,

01:00:18and I'd appreciate it very much if, you know,

01:00:22you wouldn't...

01:00:23Sure, Mary, forget it.

01:00:25Thanks, Charlie.

01:00:34Wait a minute.

01:00:38There I have it.

01:00:39Excuse me.

01:00:40Do I have a light for you?

01:00:40Oh, yes, Sergeant.

01:00:41Have a cigar.

01:00:42Oh, thank you, sir.

01:00:43You've been to the South Pacific.

01:00:45Yes, help him.

01:00:46Thank you.

01:00:46This is the kind of man we want to talk to.

01:00:48Let me introduce myself.

01:00:49I'm Senator Hugh D. Emmett.

01:00:51How do you do, sir?

01:00:52This is my friend, John Toomes.

01:00:54Glad to know you, Sergeant.

01:00:55Marshal.

01:00:56Executive Chairman of the Committee

01:00:57that raised the funds that made this party possible.

01:01:00Thank you, sir.

01:01:01Sergeant, we would like to get the point of view

01:01:03of the soldiers about several things.

01:01:05Soldiers?

01:01:06Yes.

01:01:07We would like to know from you what the soldier thinks.

01:01:10Thinks about what?

01:01:11Oh, thinks about political issues.

01:01:13Well, Senator, I don't know.

01:01:17What gives you the idea that just because a fellow

01:01:20puts on a soldier's suit,

01:01:21he thinks any differently from anybody else?

01:01:23Well, what does the soldier think?

01:01:28I'll tell you, I...

01:01:30Last time, some of us voted for Roosevelt

01:01:32and some of us didn't.

01:01:33Some of us, uh, weren't old enough to vote.

01:01:37Some soldiers think Labor's got a right to strike

01:01:39and some soldiers think Labor's got no rights at all.

01:01:42A lot of soldiers have got one idea

01:01:45about what should happen after the war.

01:01:47A lot of soldiers have other ideas.

01:01:49Me, I...

01:01:50I haven't the slightest notion

01:01:52what a lot of soldiers think.

01:01:55Senator?

01:01:56Thanks for the cigar.

01:01:57Mmm.

01:02:04Well, somebody gypped me with his watch 15 years ago.

01:02:07It's New Year's.

01:02:08Oh, what heavens?

01:02:08We got primary zag excuses.

01:02:10It's New Year's.

01:02:11It's New Year's.

01:02:12It's New Year's.

01:02:13It's New Year's.

01:02:14It's New Year's.

01:02:15It's New Year's.

01:02:16It's New Year's.

01:02:17It's New Year's.

01:02:18It's New Year's.

01:02:19It's New Year's.

01:02:20It's New Year's.

01:02:21It's New Year's.

01:02:22It's New Year's.

01:02:23It's New Year's.

01:02:24It's New Year's.

01:02:25It's New Year's.

01:02:26It's New Year's.

01:02:27It's New Year's.

01:02:28It's New Year's.

01:02:29It's New Year's.

01:02:30It's New Year's.

01:02:31It's New Year's.

01:02:32It's New Year's.

01:02:33A CIDADE NO BRASIL

01:03:03A CIDADE NO BRASIL

01:03:33A CIDADE NO BRASIL

01:03:35A CIDADE NO BRASIL

01:03:37A CIDADE NO BRASIL

01:03:39A CIDADE NO BRASIL

01:03:41A CIDADE NO BRASIL

01:03:43A CIDADE NO BRASIL

01:03:45A CIDADE NO BRASIL

01:03:47O que foi que ele disse sobre o cachorro?

01:04:06Não, ele está só parando no ano.

01:04:09Não é o que ele disse?

01:04:11Oh, ele disse.

01:04:12Você acredita que o cachorro nunca bebe?

01:04:16Não deixe o que você diz.

01:04:18O que é o cachorro é que você nunca sabe que você tem medo de ele.

01:04:21Isso faz ele.

01:04:23Você tem que tratar de ele como um amigo.

01:04:25Aqui.

01:04:37Você sabe o que eu quero dizer?

01:04:38Eu gostaria de ir para ele em um escuro.

01:04:40O que é isso?

01:04:46Turnover, o cara.

01:05:01clips.

01:05:10Zé, Zé!

01:05:22Dupe, dupe!

01:05:27Dupe!

01:05:29Dupe, dupe!

01:05:35Dupe, dupe!

01:05:40Dupe, dupe!

01:05:50Are you hurt?

01:05:52No.

01:05:54No.

01:05:55No, but he could have been.

01:05:57Well, I'm sorry.

01:06:10Are you all right?

01:06:11Mm-hmm.

01:06:13You know, you know something?

01:06:14What?

01:06:16The doctor's going to be very surprised when they see you.

01:06:18They'll probably send you back to active duty.

01:06:21That lemonade must have been spiked.

01:06:23No, I really mean it.

01:06:24Do you realize what you did tonight?

01:06:26I bet you couldn't have done that a week ago.

01:06:28What?

01:06:29Well, I watched you all evening when you were dancing and you never hesitated for words and your eyes didn't blink.

01:06:38And then when that dog attacked us, I've never seen anyone quite so fast on their feet.

01:06:41I didn't think about what I was doing.

01:06:42That's just it.

01:06:43You were so alert and keen and your timing was perfect.

01:06:48I hope you're right.

01:06:50I believe you own her.

01:06:52Mary, you told me that in eight days you can do a lot of believing.

01:06:59Well, you see, I'm the fellow that's on the radio that says life can be wonderful.

01:07:03You're wonderful.

01:07:05You're just saying that because you know I've got lots of money.

01:07:07You're wonderful.

01:07:08Because you know I've got very influential friends.

01:07:10Wonderful.

01:07:11Because of my social position.

01:07:21And Mary, I know I'm going to get well.

01:07:26I've got plans too, lots of them.

01:07:28I know I'm going to stay well too because you figure in all my plans.

01:07:33You've got to figure in them because...

01:07:36Without you, I'm back where I started. I'm sunk.

01:07:41Please don't talk about it tonight. I'm going to sleep.

01:07:45Okay.

01:07:47Tomorrow, before I go, I've got a lot of things to tell you.

01:07:51Good night, Zack.

01:07:54Happy New Year.

01:07:57I love you very much.

01:08:17Is that you, Mary?

01:08:18Are you all right?

01:08:19All right, Sarah. I love him so.

01:08:22What are you going to do?

01:08:24I don't know.

01:08:26He's going to ask me to marry him.

01:08:27He would have asked me tonight if I'd let him.

01:08:28Did you tell him?

01:08:29No.

01:08:30Are you going back on the train with him tomorrow?

01:08:31No.

01:08:32I'm going to catch a later train tomorrow night.

01:08:33Why don't you give yourself that extra time with him, Mary?

01:08:34Because I'm afraid to be alone with him, Aunt Sarah. I mustn't tell him.

01:08:37And I lied to him. I told him I was going to stay here a couple of extra days.

01:08:41Don't you think he's strong enough yet to know about you?

01:08:43Well, I can't take that chance, Aunt Sarah. He's getting well.

01:08:44And I want him to go back to the hospital, sure of himself and...

01:08:45Of course, I don't know anything.

01:08:46What I'm going to do is.

01:08:47I don't know.

01:08:48You know what?

01:08:49I don't know what to do with him.

01:08:50What are you telling me?

01:08:52I don't know what to do with him.

01:08:53You're all right.

01:08:54That's all right, country.

01:08:55Which is all right.

01:08:56I'm not sure that I'm going to take this time with you, Mary.

01:08:57You're all right, you're right.

01:08:58You're right, Mary.

01:08:59I'm not sure that I'm alone with you, Aunt Sarah.

01:09:00I've never told him.

01:09:01Vou ficar aqui um pouco de restos dias.

01:09:03Você acha que ele ainda é forte para saber sobre você?

01:09:06Eu não posso ter essa chance, Ame Sara. Ele está bem.

01:09:10E eu quero que ele vá para o hospital,

01:09:12seguro de si mesmo,

01:09:14e seguro de mim.

01:09:19Lembre-se, o que você tem que fazer

01:09:21pode ser o primeiro,

01:09:23mas pode ser o primeiro.

01:09:26Oh, Ame Sara, eu espero.

01:09:31Lânio,

01:09:33Música

01:09:39Lânio!

01:09:40Lânio,

01:09:42Lânio,

01:09:44Lânio,

01:09:46Lânio.

01:09:48Lânio,

01:09:49a um grande em rua,

01:09:51Sá Better Lânio.

01:09:53Lânio!

01:09:56Lânio!

01:09:57. . .

01:10:16Hold on, Zag. Hold on.

01:10:19Hold on, Zag. Hold on.

01:10:22You're just a little tired, that's all.

01:10:24You just got through with a lot of excitement, that fight with the dog took a lot out of you, that's why you're sweating, it doesn't mean anything.

01:10:31Sit down, Zag. Sit down.

01:10:34Sit down, Zag. Sit down.

01:10:45That's it. Sit down. Take it easy.

01:10:54. . .

01:11:01Don't get scared, Zag. Don't get scared.

01:11:04Maybe it is one of those things. They told you it might happen.

01:11:09. . .

01:11:11. . .

01:11:13. . .

01:11:14. . .

01:11:15. . .

01:11:16. . .

01:11:17. . .

01:11:18. . .

01:11:19. . .

01:11:20. . .

01:11:21. . .

01:11:32. . .

01:11:33. . .

01:11:48Hang on, Zack. Hang on.

01:11:50You know what you're going to have to go through?

01:12:03. . .

01:12:23It's sure banging away. It doesn't sound that loud.

01:12:26You're just thinking it does. That's all.

01:12:28The doc told you there's nothing wrong with your heart.

01:12:31Beating fast like that doesn't mean anything.

01:12:36This is it. You thought for a minute it wasn't, but it is.

01:12:39You're in for it now. So you're in for it now.

01:12:42You know the next step. You know what's coming now.

01:12:45It's tough to get hold of yourself, Zack.

01:12:47It's tough to get hold of yourself, Zack.

01:12:49Better call for a doc to let him get the hypo ready, or maybe a tub.

01:13:01. . . .

01:13:03A CIDADE NO BRASIL

01:13:33A CIDADE NO BRASIL

01:14:03Eight days. You must believe. You must believe. Must believe. Must believe.

01:14:11I made it. I made it. I made it.

01:14:41I made it. I made it. I made it.

01:14:47I made it.

01:14:49I made it.

01:15:23Three. I'm hungry.

01:15:27Good morning, Mr. Marshall.

01:15:29Oh, hello, Zack. Happy New Year.

01:15:31Thank you, Zack. Happy New Year to you.

01:15:32Have a good time last night?

01:15:33Oh, fine, fine. Best party I've been to since last.

01:15:37Have you had your breakfast yet?

01:15:39Yes, early.

01:15:40Well, here's the paper. Make yourself at home. Be with you in a minute.

01:15:43Thanks.

01:15:44Drive you down to the station. Hope you enjoy Barbara's melodious concert.

01:15:47Who are you babbling to?

01:15:48Zack.

01:15:49Oh, uh, Mary.

01:15:51Good morning, Mary. Good morning, Zack.

01:15:53Oh, good morning, Mrs.

01:15:55Hello, Mary.

01:15:56Hello, Zack. I was just in fixing some sandwiches for you to take with you.

01:15:59Thank you.

01:16:00Uh, Mary, don't you think you'd better go and get ready to go down to the station?

01:16:02Yes, I'll go get my hat and things. I'll be back in just a minute.

01:16:05Mary's fixing up a little box lunch for you. I want to get a string to tie it up with.

01:16:09You know how difficult it is to get anything to eat on the train these days.

01:16:12Very nice of you.

01:16:13Hello, Sergeant. Happy New Year.

01:16:14Good morning. Happy New Year. How was your party?

01:16:16Oh, solid. Solid. You going back to active duty, Zack?

01:16:20For a while, yeah.

01:16:21Gee, you look a lot better than you did a week ago.

01:16:23I feel a lot better.

01:16:24Do you think it was the Marshall Food that did it?

01:16:26Must have helped. I think it was mostly your cousin, Mary.

01:16:29She's awfully nice.

01:16:31I've noticed that, too. You know what? I think I'll marry her.

01:16:37Are you kidding?

01:16:38Not as far as I'm concerned. Of course, I don't know about her yet.

01:16:41Well, won't you mind waiting?

01:16:44Well, that's up to Mary, really.

01:16:47Things have worked out so well that I may not have to wait as long as I thought.

01:16:51Well, that's what the folks have always hoped for, that she won't have to serve her full term now.

01:16:55The fact that they let her out of prison for Christmas is a pretty good sign.

01:16:59You know, it wasn't until the other night when she told me how it all happened

01:17:03that I realized that it really isn't her fault.

01:17:06She's not a criminal. I mean, not like real criminals.

01:17:11Oh, it's too bad that you two can't go back on the train together.

01:17:15But then Mary isn't due in Eastern until 9 o'clock tonight.

01:17:18She wants to spend as much time with us as she can.

01:17:21And you can't blame her after being locked up for three years.

01:17:24Come on, Zack. We're gonna be late. Mary?

01:17:30Well, goodbye, Zack. Have a nice trip and come back real soon.

01:17:33I hate to say goodbye, Zack.

01:17:35Come on. We're gonna be late.

01:17:36Thank you again, Mrs. Marshall.

01:17:38Good luck.

01:17:39Thank you, Ken.

01:17:40You got the box? I'll get it. I'll get it.

01:17:42I hope you like chicken sandwiches.

01:17:57Zack, is there any special address or do I just write to you in care of the hospital at Easton?

01:18:06Yeah, I can at the hospital.

01:18:08You can write to me in care of Uncle Henry's address and they'll forward it to wherever I happen to be.

01:18:12Okay.

01:18:13Because I won't know what hotels I'll be able to stop at.

01:18:15Sure, sure. I understand.

01:18:30Boys!

01:18:43Goodbye, Mary.

01:18:45Goodbye, Zack. Here.

01:18:46Oh, thank you.

01:18:47Zack...

01:18:48Will you write to me?

01:18:49Sure, sure. I'll write.

01:18:50Zack, what's the matter? What's wrong?

01:18:52Oh, nothing. I'm not...

01:18:53Boy!

01:18:54Goodbye, Mary.

01:18:55Goodbye.

01:18:56Goodbye.

01:18:57Goodbye, Zack.

01:18:58Goodbye.

01:18:59Goodbye.

01:19:00Goodbye.

01:19:01Goodbye.

01:19:02Goodbye.

01:19:03Goodbye.

01:19:04Goodbye.

01:19:05Goodbye.

01:19:06What's the matter with Zack, Mary?

01:19:07That's kind of strange.

01:19:09I think I know.

01:19:11Zack!

01:19:12Zack!

01:19:13Zack!

01:19:14Zack!

01:19:15Zack!

01:19:16Zack!

01:19:20Zack!

01:19:21Zack!

01:19:26Mother!

01:19:27Look out here. Don't break any of those globes.

01:19:30Mother, if you'd been in Mary's place, wouldn't you have got along with Zack?

01:19:35Never mind, dear. Don't ask them any questions.

01:19:38Well, it's as long as Zack's wanting to wait for Mary till she gets out of prison.

01:19:41Prison?

01:19:42Barbara!

01:19:43Barbara!

01:19:44You didn't tell him.

01:19:45Wasn't...

01:19:46Wasn't Zack supposed to know?

01:19:48No.

01:19:52Why didn't anybody tell me?

01:19:54Why didn't you tell me, Mother?

01:19:56I'm sorry, dear.

01:19:57I should have told you.

01:19:58Mary's always treating me like a grown-up.

01:20:01I didn't want to hurt her and...

01:20:02I...

01:20:03I...

01:20:04I've done something terrible.

01:20:05Mary, I...

01:20:06I...

01:20:07I...

01:20:08I told you...

01:20:09Mary, I...

01:20:10I...

01:20:11I told you...

01:20:12I...

01:20:13I...

01:20:14I told you...

01:20:16I didn't want to hurt you.

01:20:30I...

01:20:31I didn't know...

01:20:32I told him.

01:20:36A CIDADE NO BRASIL

01:21:06I'm so sorry.

01:21:36Mary, I'm so ashamed.

01:21:49Mary, please forgive me.

01:21:56I love you, Mary, and I wouldn't want to hurt you, not for anything.

01:22:00Mary, I understand something.

01:22:10I understand something now that I never knew before,

01:22:14that you could make a mistake and do something dreadful without me.

01:22:20Oh, Mary, no.

01:22:34It's all right, Barbara.

01:22:35Mary, I'm so sorry.

01:23:05Mary, I didn't want to make you cry.

01:23:23Well, there's nothing wrong with crying at a time like this.

01:23:27The minute I got on the train, I knew why you didn't tell me.

01:23:29Nothing matters except that you're here.

01:23:34I'm terribly ashamed of walking out like that.

01:23:38I need you, Mary.

01:23:40I want to feel that you need me.

01:23:43Oh, I do, I do.

01:23:46I'll be right here.

01:23:49I'll be right here waiting.

01:23:50I'll be all well by then and ready to make a new start, too.

01:23:58Jose, I love you so much.

01:24:20I'll find you in the morning sun and when the night is new.

01:24:38I'll be looking at the moon, but I'll be seeing you again.

01:24:50I'll be looking at the moon, but I'll be seeing you again.

01:24:54how are you looking at the moon, but I'll be getting you again.

01:24:57I'll be seeing you again.

01:24:57You'll be seeing you again.

01:24:58I'll be getting you again.

01:24:59I'll be looking at the moon and I'm going to bed again.

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