- 9 months ago
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30Okay, bye.
00:00:37Bye.
00:00:43Hello.
00:02:00The center of the plot, i.e. when the main characters come together, basically it's about human chemistry.
00:02:12Well, Martin, Deadly Silence was the most successful novel that was...
00:02:16When I get inspired, the writing tempo inevitably accelerates.
00:02:29In fact, I know normally writers take about nine months, some two, three years.
00:02:34Tell me, why particularly a story about diplomats?
00:02:38Because when I was, oh, about 19, I used to travel a lot to...
00:02:42You're a Rolls Royce driver.
00:02:51No, other people drinking champagne and driving Rolls Royces.
00:02:56You seem to have an obsession with lifestyle.
00:02:58No, no, no, I don't have an obsession.
00:03:00I simply feel that it's part of my job to write...
00:03:03The catharsis of human endeavor that you concentrate on so basically in your writing.
00:03:10Yeah.
00:03:10It's obviously a favorite theme of yours, isn't it?
00:03:11Yes.
00:03:12Perfect evening.
00:03:33The center of the...
00:03:54The center of the...
00:04:02What?
00:04:03What?
00:04:05What?
00:04:17What?
00:04:18What?
00:04:19The center of the...
00:04:19The center of the...
00:04:20All right.
00:04:21Well, I started...
00:04:22We don't usually have talents, you know.
00:04:25No, no, no, I tell a lie.
00:04:26We have the...
00:04:27The time...
00:04:28Took me about six months.
00:04:30Six months, I thought it took you three.
00:04:32Five weeks, you know, Commander and Mrs. Burstall,
00:04:35where no one can get at them out of harm's way.
00:04:39Oh, it's so chesty, the Commander.
00:04:43So chesty.
00:04:46Now, what shall I do about lunch?
00:04:50I could do a nice steak and kidney.
00:04:53No, I haven't decided yet.
00:04:55I don't know anything.
00:04:57Well, when will you know?
00:04:59Later.
00:05:09About 19, I used to travel a lot to southern France
00:05:12and to Rome, you know, and Paris also.
00:05:15And I actually got to know a lot of people
00:05:18and it always interested me very much.
00:05:21The champagne light.
00:05:34It's a session with lifestyle.
00:05:49No, no, no, I don't have a...
00:05:51More coffee, please.
00:05:56The catharsis of human endeavor that you concentrate on so basically in your writing.
00:06:12Yeah.
00:06:13It's obviously a favorite theme of yours, isn't it?
00:06:14Yes.
00:06:15So, let's go.
00:06:16I have very much money.
00:06:20Let's go.
00:06:21Let's go.
00:06:25Oh, I can't.
00:06:26I couldn't say.
00:06:28This is what you need.
00:06:30I'm going to be a journey.
00:06:32I can't believe it.
00:06:33I can't believe it.
00:06:34But I have a boy.
00:06:35That's a good friend I see.
00:06:37That's a good friend, I love you.
00:06:38Oh, darling, where are you?
00:07:03How are you, darling?
00:07:05How are you?
00:07:08Are you all right?
00:07:09Yes, why not?
00:07:10I was worried.
00:07:11Worried?
00:07:12Yes.
00:07:13Well, don't be.
00:07:24Oh!
00:07:25It's only...
00:07:26I'm sorry.
00:07:40Good morning, Vox International. Can I help you?
00:07:42Leo Schumann, please.
00:08:04Leo Schumann, please.
00:08:06Just one minute. Hold the dial.
00:08:11Hello?
00:08:12Paul Martin, Leo.
00:08:13Paul, thank goodness you rang.
00:08:14How's it?
00:08:17Yeah.
00:08:18Do your best for me, darling, will you?
00:08:20All right.
00:08:21I've got a few people out from New York,
00:08:23and I want them to read it.
00:08:24It's running your back.
00:08:25Oh, come on.
00:08:26You'll be a great deal for your speeches.
00:08:28Leo, where is the typist?
00:08:31I feel if I can dictate.
00:08:33Pace up and down.
00:08:34Yes, here's a tool.
00:08:35You'll be there for God's station.
00:08:37Look, I'll check.
00:08:38I'll call your racer.
00:08:39I'll put a rocket up that bloody agency.
00:08:41Thanks, Leo.
00:08:49To harass.
00:08:50To worry.
00:08:52To importune.
00:08:56Rot.
00:08:58Die.
00:08:59No.
00:09:00Oh, no, no, no, no.
00:09:01I tell a lie.
00:09:02We had the...
00:09:04Five weeks, you know, Commander and Mrs. Percival.
00:09:19Where no one can get at them out of harm's way.
00:09:20Oh, you get so chest-
00:09:21Oh, you get so chest-
00:09:22Oh, you get so chest-
00:09:25Oh.
00:09:30You get the-
00:09:32Oh, you get so chest-
00:09:33No one can get at them out of harm's way.
00:09:36Oh, it's so just...
00:10:03Well, when will you know?
00:10:10Later.
00:10:24Who?
00:10:29Fine.
00:10:33Everything else, all right?
00:10:34Thanks, Leo.
00:10:35Don't thank me. Just complete the book. Remember, if it's a good one, we're in line for a critic's pride and don't you forget it.
00:11:03Don't be shy.
00:11:05I want to know.
00:11:06You might be shy of this, don't be shy.
00:11:09Then you walk out of the boat.
00:11:11This is your view.
00:11:15This is your view.
00:11:17Let's see.
00:11:18Let's go.
00:11:20TV shows the stars.
00:11:22It's a beautiful star.
00:11:25Come on.
00:11:26This turns into the stars.
00:11:28That's a beautiful star.
00:11:30How about jumping on the back of my jackie, or how about that, eh?
00:11:50Come on, cow.
00:11:54Mr. Martin?
00:11:59Mr. Martin?
00:12:11We have a lot of hard work to get through.
00:12:13Fine.
00:12:14Haven't I met you before?
00:12:16No.
00:12:18No, for a moment I thought you looked familiar.
00:12:30I'm a general freelance worker.
00:12:34I once used to work for a cookery expert for a time.
00:12:37A cookery expert?
00:12:38Yes.
00:12:39She ran a weekly column in Home Lover magazine, all about canalumni and carved brains, things
00:12:45like that.
00:12:46Carved brains?
00:12:47Yes, that sort of thing.
00:12:49Issues.
00:12:50Really?
00:12:51But you've never worked on a novel before.
00:12:53No, I haven't.
00:12:55But you're quite used to a strict routine, of course.
00:12:58Of course.
00:13:00You've seen her one day.
00:13:15Yeah, well, she loves me, doesn't she?
00:13:18I don't know what to do.
00:13:20I don't know what to do.
00:13:21Well, I'm not right.
00:13:22I think I'm just okay.
00:13:24Oh, my God!
00:13:43You always fight that dirty.
00:13:47Paul, darling, where are you?
00:13:49Someone who does.
00:13:55Does what?
00:13:57Does. Tidies up for you. Cooks.
00:14:00Oh, yes, yes. There's one of those.
00:14:03Why all these questions?
00:14:06Sorry.
00:14:09But I will give you my routine, so you know.
00:14:12It never alters while I'm writing.
00:14:15I get up at eight.
00:14:16My first cup of coffee I always have in the dining room.
00:14:21The blue truck.
00:14:23The second cup of coffee?
00:14:24Yes.
00:14:25Well, don't be.
00:14:26Rest of the morning.
00:14:28Lunch I like to keep simple.
00:14:30Then we work through until six.
00:14:32It's a period of intense concentration for me.
00:14:35Intense concentration.
00:14:37You see?
00:14:38If you say so.
00:14:40Suzanne?
00:14:41What?
00:14:42A small point.
00:14:43I'd be grateful if you'd keep...
00:14:46I'm going to come.
00:14:47You're not.
00:14:51I think you could.
00:14:52I think you'll do it.
00:14:54F?"
00:14:56The last cup of coffee?
00:14:58I've heard a few.
00:15:00I don't know.
00:15:02I'm going to take a few.
00:15:03And now I'm going to...
00:15:05Are you ready?
00:15:06The last cup of coffee?
00:15:08I'm going to put a few.
00:15:10You're ready?
00:15:11I can't buy the coffee.
00:15:12I'm ready.
00:15:13Oh, my God.
00:15:43Your bedroom is upstairs, at the end of the corridor.
00:16:13Good morning, Books International. Can I help you?
00:16:23Leo Schumann, please.
00:16:30How far is this place from anywhere?
00:16:32Far enough.
00:16:33They turned in at the end of the drive, comma.
00:16:41Yes, I know.
00:16:45It was lustful, point.
00:16:48Wet.
00:16:49And...
00:16:50Semi-colon.
00:16:55Possessive, but with calm.
00:16:59Quotes.
00:17:01Leo, where is the typist?
00:17:04I feel if I can dictate.
00:17:06Pace up and down.
00:17:11Point.
00:17:13End paragraph.
00:17:13Good.
00:17:17Do you mind if I unpack?
00:17:19What?
00:17:20I said I'll make some coffee.
00:17:22To harass, to worry, to importune, to pursue, to persecute.
00:17:44Rot.
00:17:51Rot.
00:17:52Die.
00:17:53Ow.
00:17:58Mmm.
00:17:59Mmm.
00:18:00Mmm.
00:18:01Mmm.
00:18:02Mmm.
00:18:04Mmm.
00:21:05Yeah, thanks.
00:21:06Are you sure?
00:21:07No, thanks.
00:21:09This will be my second book.
00:21:18The more successful you get,
00:21:21the more they want the next one.
00:21:23The more they're prepared to pay,
00:21:25and the longer it takes you to write.
00:21:28The more impatient this whole lot of idiots become.
00:21:33But you've only written two books.
00:21:36It's still the same.
00:21:44Are you quite sure we haven't met before?
00:21:47Quite sure.
00:21:48That's the second time you've asked me that.
00:21:57Does that upset you?
00:21:59No, not in the slightest.
00:22:02Not in the slightest.
00:22:06No, not in the slightest.
00:22:08No.
00:22:09No.
00:22:10No.
00:22:11No.
00:22:11No.
00:22:12No, no.
00:22:12No.
00:22:13No.
00:22:14No.
00:22:15No.
00:22:16Who's the inscription to?
00:22:20A friend.
00:22:46A friend.
00:23:16Come back.
00:23:46Come back.
00:23:56People about.
00:23:58I don't trust them.
00:24:00But we have a lot of hard work to get through.
00:24:02Fine.
00:24:04Haven't I met you before?
00:24:05No.
00:24:16No.
00:24:34For a moment I thought you looked familiar.
00:24:47General freelance work.
00:24:50I once used to work for a...
00:24:54All these people coming and going.
00:24:56I really don't know what Commander and Mrs. Percival would say.
00:25:00I've never seen so many strange faces in all my life.
00:25:04Oh.
00:25:05The front of glasses and the corner cupboard.
00:25:10And I keep the small mats in the kitchen.
00:25:14And the carvers.
00:25:21Doesn't look very nice to me, but there you are.
00:25:24Is there anything else?
00:25:26No.
00:25:28But you're quite used to a strict routine, of course.
00:25:32Of course.
00:25:36Yes.
00:25:37That's exactly what I mean.
00:25:39I see.
00:25:40And I'm supposed to keep an eye on the house.
00:25:42I look after things for the Commander.
00:25:45Yes.
00:25:46I know that.
00:25:47You don't...
00:25:51I don't like it at all.
00:25:52The advert in the Times was very, very exact.
00:25:55My job is to run the house.
00:25:58There she is.
00:25:59Your bird.
00:26:00Yeah.
00:26:01Let's go see how important he is.
00:26:03Buy she one day?
00:26:04Yeah.
00:26:05Well, she loves me, doesn't she?
00:26:12The other day.
00:26:13Oh, my God.
00:26:14Well, she's not.
00:26:15Yeah, she's not.
00:26:16Oh, my God.
00:26:17Yeah.
00:26:18You're not.
00:26:19Yeah, she's not.
00:26:20Oh, my God.
00:26:21Hey, get up.
00:26:23Oh, my God.
00:26:24Oh, my God.
00:26:25Oh, my God.
00:26:26Oh, my God.
00:26:27Oh, my God.
00:26:28Oh, my God.
00:26:29I actually feel happy this evening.
00:26:37Good. I'm glad.
00:26:39I don't know.
00:26:41Perhaps it's the weather.
00:26:45That the book may be in line for the Pulitzer Prize.
00:26:50We did well today.
00:26:54It is what I call the immaculate pattern of life.
00:26:58What's that?
00:27:00Well, I suppose it's well described by referring to it as the Tranquil...
00:27:09Well executed. No snags. Nothing.
00:27:13Nothing unexpected to put you off.
00:27:17A bit boring, though.
00:27:19Boring? The exactness of...
00:27:21Your own deal? At the house?
00:27:23Whatever I...
00:27:25We are really getting to know each other well.
00:27:28You make me feel relaxed.
00:27:30Someone who does.
00:27:32Does what?
00:27:34Does. Tidies up for you. Cooks.
00:27:37Probably you saw a lot of the countryside on your walks this morning.
00:27:40Why all these questions?
00:27:51But I will give you my routine. So you know.
00:27:53I get up at eight.
00:27:54I've mixed up with coffee. I always have a...
00:27:55Always having to escape.
00:27:56Get away from people.
00:27:57People...
00:27:58People...
00:27:59If I'd taken the study, I would like you to bring...
00:28:00I tell a lie. I actually started it in Paris.
00:28:01Then rest of the morning. Lunch I like to keep simple. Then we work through until six.
00:28:04It is then when I have my first drink. Always...
00:28:05It is.
00:28:06It's the price you pay for being remarkably good at your job.
00:28:08Get away from people.
00:28:10People...
00:28:11If I'd taken the study, I would like you to bring it.
00:28:15I tell a lie.
00:28:17I actually started it in Paris.
00:28:19Then rest of the morning.
00:28:21Lunch, I like to keep simple.
00:28:23Then we work through until six.
00:28:25It is then when I have my first drink.
00:28:28Always.
00:28:29It is.
00:28:31It's the price you pay for being remarkably good at your job.
00:28:35Dinner, always light.
00:28:44Drink Burgundy.
00:28:46Not Paris.
00:28:48After dinner,
00:28:50relax.
00:28:52It's quite a simple routine.
00:29:05That's why I'm here.
00:29:16Straw Hill.
00:29:19The house on Straw Hill.
00:29:22Straw books.
00:29:26Made by...
00:29:28Straw bricks.
00:29:30By straw men.
00:29:35Fire,
00:29:42mirrors два's.
00:29:43Aw.
00:29:45I...
00:29:50Sorry.
00:29:51Oh, my God.
00:30:21Oh, my God.
00:30:51Oh, my God.
00:31:21Your bedroom is upstairs.
00:31:29At the end.
00:31:59Oh, my God.
00:32:29They turned in at the end of the drive, comma.
00:32:32It was neither tender nor affectionate.
00:32:48It was lustful point.
00:32:56Wet and...
00:32:58Semi-colon.
00:33:12Possessive?
00:33:14What?
00:33:15Key?
00:33:16Yes.
00:33:17It's gone.
00:33:19And there's only one person that could have taken it.
00:33:23Who?
00:33:23You.
00:33:25Why should I take the key to your bedroom door?
00:33:28Why should I?
00:33:29Anyhow, we have a deadline, remember?
00:33:32Where's Mrs. Aston?
00:33:37Oh, she's about someone.
00:33:39It's forming on the windscreen and the russed sky.
00:33:44Point.
00:33:45An ironical setting, after all there had been.
00:33:49Point.
00:33:51End paragraph.
00:33:52Once.
00:33:55Not now.
00:33:56Divorced?
00:33:58No.
00:33:59Do you mind if I unpack?
00:34:01What?
00:34:02No.
00:34:04Surprising.
00:34:05Surprising?
00:34:06Well, for a moment I thought...
00:34:07Well, I do.
00:34:08Perhaps later, when we're finished.
00:34:25Page after page.
00:34:32Who needs sympathy and understanding?
00:34:35Here.
00:34:36What's in one?
00:34:37Suzanne?
00:34:38It's me.
00:34:42Would you like to come down to the country?
00:34:44I don't know.
00:34:45I don't know.
00:34:46I don't know.
00:34:47I don't know.
00:34:48I don't know.
00:34:49I don't know.
00:34:50I don't know.
00:34:51I don't know.
00:34:52I don't know.
00:34:53I don't know.
00:34:54I don't know.
00:34:55I don't know.
00:34:56Yes.
00:34:57It's been quiet here without you.
00:35:24Mr.
00:35:25He?
00:35:27Why don't you use their car.
00:35:29It's much better for his secretary.
00:35:31Take it, Terry.
00:36:01Take it, Terry.
00:36:31Take it, Terry.
00:37:01And you'll be returning Wednesday week.
00:37:31You look very, very good indeed.
00:38:01Take it, Terry.
00:38:31Take it, Terry.
00:38:33Take it, Terry.
00:38:38Take it, Terry.
00:38:45Take it, Terry.
00:38:52Take it, Terry.
00:38:59Linda!
00:39:00Linda!
00:39:01Take it, Terry.
00:39:08I don't understand.
00:39:10I don't understand.
00:39:11Perhaps she fancies you.
00:39:17I don't understand.
00:39:18I don't understand.
00:39:19Linda!
00:39:24I don't understand you.
00:39:31I love her.
00:39:33I don't understand you.
00:39:34I don't understand you.
00:39:35I love you.
00:39:36I love you.
00:39:37I love you.
00:39:38Let's go.
00:39:41It's a good time.
00:39:44Lidner!
00:39:48Warm comer.
00:40:03So fearfully this last week.
00:40:06Stop!
00:40:08in his arms, then Angus's tongue darting here.
00:40:38A rousing bear.
00:40:44Suzanne?
00:40:47Suzanne?
00:40:48The Stradivarius, or...
00:40:54Suzanne.
00:41:03Point.
00:41:08Urgently moving point.
00:41:24Yes, done for the minute.
00:41:40Are you sure?
00:41:52Good evening.
00:41:56You're sure?
00:42:06Good evening.
00:42:08Good evening.
00:42:24Oh, good evening.
00:42:32Oh, good evening.
00:42:33A fantastic job.
00:42:35The more successful you get, the more they want the next one.
00:42:41The more to the...
00:42:45Hello! Hello! Police!
00:43:15Are you quite sure we haven't met before?
00:43:19Quite sure.
00:43:33You are a very attractive girl.
00:43:41Not in the slightest.
00:43:43Scream!
00:43:45Your imagination!
00:43:47What do you think you're doing?
00:43:49Doing?
00:43:51Yes! Doing!
00:43:53I'm sorry, but the door to your room was open.
00:43:55I didn't mean...
00:43:57You didn't mean...
00:43:59The door of your room...
00:44:01First.
00:44:03Half a million dollars.
00:44:05Right.
00:44:07Who's the inscription to?
00:44:09Say what you want. It serves a purpose.
00:44:11Believe what you like.
00:44:13If you will go...
00:44:19Oh, come on now, Paul.
00:44:21Calm down.
00:44:23Tell me what the matter is.
00:44:25Then I can tell you what you want to know.
00:44:33Recognize you at the station when you first met me.
00:44:35Where's Suzanne?
00:44:37Asleep.
00:44:41And then let's finish.
00:44:43Not now.
00:44:45You have two pages to go.
00:44:47I can't.
00:44:49Yes, you can.
00:44:51Page 435.
00:44:53All right?
00:44:55I can't.
00:45:01The heat of their bodies.
00:45:03The warmth of their bodies.
00:45:09And the plane sunk from an orange sky.
00:45:11As...
00:45:15No. Standing. Nothing.
00:45:17No. Waving goodbye.
00:45:19Try something different. It won't work.
00:45:28Done.
00:45:29Final.
00:45:30Last.
00:45:31Finished.
00:45:47No.
00:46:04I'm going to kill you, Mr. Martin.
00:46:08Kill you.
00:46:09Why?
00:46:11Because you're a...
00:46:15Full point.
00:46:17The end.
00:46:18Get it?
00:46:29Remember?
00:46:30Yes.
00:46:33I think you do.
00:46:37The first novel.
00:46:40No.
00:46:41No.
00:46:46No.
00:46:53No.
00:47:07No.
00:47:08No.
00:47:09Oh, I don't want anyone to get into a panic while I'm over it.
00:47:39I don't want anyone to get into a panic.
00:48:09I don't want anyone to get into a panic.
00:48:39I don't want anyone to get into a panic.
00:49:09I don't want anyone to get into a panic.
00:49:39I don't want anyone to get into a panic.
00:50:11I don't want anyone to get into a panic.
00:50:13I don't want anyone to get into a panic.
00:50:15I don't want anyone to get into a panic.
00:50:17I don't want anyone to get into a panic.
00:50:19I don't want anyone to get into a panic.
00:50:21I don't want anyone to get into a panic.
00:50:23I don't want anyone to get into a panic.
00:50:25I don't want anyone to get into a panic.
00:50:29I don't want anyone to get into a panic.
00:50:31I don't want anyone to get into a panic.
00:50:33I don't want anyone to get into a panic.
00:50:35I don't want anyone to get into a panic.
00:50:37I don't want anyone to get into a panic.
00:50:39I don't want anyone to get into a panic.
00:50:41I don't want anyone to get into a panic.
00:50:45There is so much work to be done with the book.
00:50:47I think it might be as well to keep interruptions to a minimum.
00:50:50AHHHHHH!
00:50:52you mean you don't want me around yes that's exactly what i mean i see and i'm supposed to
00:51:05keep an eye on the house i look after things for the commander
00:51:08you don't want me around no well i must say this i'm very unhappy about it the commander wouldn't
00:51:21see that everything is under control now all this is very upsetting i'm very unhappy about it
00:51:34very unhappy indeed
00:51:51feel content i actually feel happy good i'm glad or our good work today that the book may be in line
00:52:11for the pulitzer prize
00:52:12we did well today you must be pleased too surely of course well i suppose it's well described
00:52:22by referring to it as the tranquil sequence carefully planned well organized well executed
00:52:29no snags nothing nothing unexpected to put you up a bit boring though boring exactness in life is the
00:52:41whole point of our being you make me feel relaxed this is very reassuring for me
00:52:49tell me probably you saw a lot of the countryside wasn't it beautiful
00:52:56success can bring you problems of course you're always having to escape
00:53:12get away from people people who want you to do them favors i tell a lie i moved it to new york then
00:53:33london now here i've rented this place just to get away from prying people
00:53:46where it is it's the price you pay
00:53:52sometimes i feel that the whole time
00:54:02to get me
00:54:03they're always after me checking me down
00:54:08You have to keep your eyes open.
00:54:25They could be anywhere.
00:54:33That's why I'm here.
00:54:36Destroy.
00:54:38It's made by straw men.
00:54:52Oh.
00:54:55Sorry.
00:54:57I'm sorry.
00:54:58I'm sorry.
00:54:59I'm sorry.
00:55:00I'm sorry.
00:55:01Let's go.
00:55:31No!
00:56:01Let's go.
00:56:31Let's go.
00:57:01Let's go.
00:57:31Let's go.
00:58:01Let's go.
00:58:31Anyhow, we have a deadline, remember?
00:58:38Where's Mrs. Aston?
00:58:40Oh, she's about someone.
00:58:41Do you have a boyfriend?
00:58:53Not currently.
00:58:55Married?
00:58:57Divorced?
00:58:58No.
00:59:00He was killed.
00:59:01Do you like girls?
00:59:04No.
00:59:05Surprising.
00:59:07Surprising?
00:59:09Well, for a moment, I thought...
00:59:11Well, I don't.
00:59:12Well, I don't.
00:59:12Well, I don't know.
00:59:24I don't know.
00:59:26I don't know.
00:59:28I don't know.
00:59:33I don't know.
00:59:38Who's writing this book? You or me?
00:59:43Who has all the strain, creating an understanding?
00:59:56Suzanne? It's me.
01:00:02Yes.
01:00:04It's been quiet here without you.
01:00:06I've missed you, too.
01:00:08All right.
01:00:09Yes.
01:00:1012.30 train.
01:00:1112.30 at the station.
01:00:15No.
01:00:16You're the secretary.
01:00:36Stop making that noise, please.
01:00:38Where's the key?
01:00:39It's much better for his secretary.
01:00:41Thank you, Terry.
01:01:11All right.
01:01:12How do you do?
01:01:13How do you do?
01:01:14How do you do?
01:01:15How do you do?
01:01:16How do you do?
01:01:18How do you do?
01:01:46How do you do that?
01:02:04Sure. Tomorrow.
01:02:06Yes, Leo.
01:02:08Right.
01:02:12Okay.
01:02:14Okay.
01:02:18And you'll be returning Wednesday week.
01:02:44You're rushing around like nobody's business.
01:02:48Do I? Am I?
01:02:52Quite a takeover.
01:02:54Takeover?
01:02:56With Mrs. Watson, he doesn't like peppery food.
01:03:00Oh, really?
01:03:02Well, you mustn't forget I'm only the hard hand round here.
01:03:04The general dog's body, in fact.
01:03:06Um, I'll remember about the matter.
01:03:12Really look good, you know?
01:03:14Good.
01:03:16You look very good.
01:03:18Good, indeed.
01:03:28They look good.
01:03:30So good.
01:03:32Really good.
01:03:34You look good.
01:03:36I'm going to find it.
01:03:38You're open.
01:03:40You're open.
01:03:42You're open.
01:03:43Come in.
01:03:45You're open.
01:03:48You're open.
01:03:50You're open.
01:03:52You're open.
01:03:54Oh, my God.
01:03:57Oh, my God.
01:04:24Linda!
01:04:36Paul?
01:04:40I don't understand.
01:04:42Perhaps she fancies you.
01:04:46Linda!
01:04:54Linda?
01:05:02Linda?
01:05:04Linda?
01:05:08Linda?
01:05:12Linda?
01:05:16Linda?
01:05:24Linda?
01:05:33Linda?
01:05:45Linda?
01:05:47Suzanne.
01:06:06Suzanne.
01:06:16Suzanne.
01:06:46Come on.
01:07:16Come on.
01:07:38Oh!
01:07:40Oh!
01:07:42Oh!
01:07:44Oh!
01:07:46Oh!
01:07:48Oh!
01:07:54Oh!
01:08:06Hello. Hello.
01:08:08Police!
01:08:12Oh!
01:08:14Oh!
01:08:16Oh!
01:08:18Oh!
01:08:20Oh!
01:08:24Oh!
01:08:26Oh!
01:09:00What was that?
01:09:04What was that?
01:09:05What?
01:09:06That's cream.
01:09:07Your imagination.
01:09:10What do you think you're doing?
01:09:12Doing?
01:09:14Yes!
01:09:15The door to your room was open.
01:09:16I didn't mean...
01:09:17You didn't mean...
01:09:20The door of your room.
01:09:22And the knife?
01:09:24Oh, you found that, did you?
01:09:26I always carry it.
01:09:27Self-protection.
01:09:29Oh, come on.
01:09:30Say what you want.
01:09:31It serves a purpose.
01:09:34Believe what you like.
01:09:35If you will go...
01:09:36And the photograph?
01:09:38The photograph of me?
01:09:40Oh, come on now, poor Theresa.
01:09:43Then I can tell you what you want to know.
01:09:51The photograph of your agent, Leo.
01:09:52How did you think I was going to recognize you at the station when you first met me?
01:09:57Where's Suzanne?
01:09:58Come on.
01:09:59Asleep.
01:10:01Not to be disturbed.
01:10:03There's no one I can trust.
01:10:05Come on.
01:10:06Yes, you can.
01:10:09Page 435.
01:10:12All right?
01:10:12Come on.
01:10:13This sweaty, with the smell of a million people all going their different ways.
01:10:18Stop.
01:10:18The sweaty smell of many nations.
01:10:22The heat of their bodies.
01:10:24Warmth of their bodies.
01:10:30Sure.
01:10:31Orange.
01:10:31Their love.
01:10:34Their hate.
01:10:35Saying goodbye.
01:10:36No.
01:10:37Standing.
01:10:38Nothing.
01:10:39No.
01:10:40Try.
01:10:40It won't work.
01:10:42Try.
01:10:42It won't work.
01:10:45No more.
01:10:47Forever.
01:10:48Finished.
01:10:49Abandoned.
01:10:50Complete.
01:10:52Done.
01:10:54Final.
01:10:55Last.
01:10:56Finished.
01:10:57Finished.
01:10:59I finished it for you.
01:11:12I'm going to kill you, Mr. Martin.
01:11:32Kill you.
01:11:33Fraud.
01:11:35F-R-A-U-D spells fraud.
01:11:39Full point.
01:11:41The end.
01:11:42Get it?
01:11:48Linda Hindstadt.
01:11:56Remember?
01:11:58Yes.
01:12:00I think you do.
01:12:04The first novel.
01:12:12Half a million dollars.
01:12:15Half a million dollars.
01:12:15Half a million dollars.
01:12:19Half a million dollars.
01:12:20Half a million dollars.
01:12:21Half a million dollars.
01:12:21Half a million dollars.
01:12:22Half a million dollars.
01:12:22Half a million dollars.
01:12:23Half a million dollars.
01:12:24Half a million dollars.
01:12:24Half a million dollars.
01:12:25Half a million dollars.
01:12:25Half a million dollars.
01:12:26Half a million dollars.
01:12:26Half a million dollars.
01:12:27Half a million dollars.
01:12:27Half a million dollars.
01:12:28Half a million dollars.
01:12:28Half a million dollars.
01:12:29Half a million dollars.
01:12:29Half a million dollars.
01:12:30Half a million dollars.
01:12:30Half a million dollars.
01:12:31Half a million dollars.
01:12:32Half a million dollars.
01:12:32Half a million dollars.
01:12:33Half a million dollars.
01:12:34Half a million dollars.
01:12:35Half a million dollars.
01:12:36Half a million dollars.
01:12:37Half a million dollars.
01:12:38Half a million dollars.
01:12:39Half a million dollars.
01:12:40Oh, oh, oh, oh, oh, oh.
01:13:10Everything's under control.
01:13:13Just keep on taking the tablet sugar and keep that page of energy going.
01:13:18Oh, it'll be a good one.
01:13:40Oh, oh, oh, oh, oh.
01:14:10Oh, oh, oh, oh.
01:14:40Oh, oh, oh.
01:14:45Oh, oh, oh, oh, oh.
01:14:50Oh, oh, oh, oh.
01:14:54Oh, oh.
01:14:57Hold it, hold it. Hold it right there.
01:15:23Now, just do as... just put your hands on your head.
01:15:29Half a million dollars out of that book and you never even wrote it.
01:15:33Not one word. Not written by my husband.
01:15:38You stole it from him, saying you'd sell it for him.
01:15:43You even had the nerve to dedicate it to him, remember?
01:15:47And then you got rid of him.
01:15:50You drove him to suicide while you stole his work.
01:15:56I've got the lot on you, Mr. Martin. The lot.
01:16:03I want my fun.
01:16:08I want your guts.
01:16:11Please. Don't shoot. Please.
01:16:15I beg you. Please.
01:16:30Oh, no. It can't be.
01:16:34It can't be.
01:16:39Okay.
01:16:41Please leave me.
01:16:44To his side.
01:16:57Please!
01:16:58Please, stop.
01:16:59I'll see you next time.
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