- 6 months ago
مدي 1 تي في : مع ميا فرح - 11/07/2025
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03:58Of course, it's a music career, but it's also a strong woman who is fighting, who is fighting, etc.
04:09Do you have a relationship with your life?
04:15Of course, I can say that I have a relationship with my life, but it's also to give a homage to the women who work, who work, etc.
04:29Why do you want to talk about it?
04:31For example, sometimes you can talk about the women, if you're in the art field, you can talk about all the diversification, entertainment, etc.
04:44Exactly, exactly.
04:46There was a puppet in the clip, and she said, do you want to talk about it?
04:51Yes.
04:52What's the meaning of this image?
04:55The image is a woman who has a lot of injections.
05:00Yes.
05:01Yes.
05:02Yes.
05:03Yes.
05:04The image is a woman who has a lot of injections.
05:05Yes.
05:06Yes.
05:07Yes.
05:08Yes.
05:09Yes.
05:10Yes.
05:11Yes.
05:12Yes.
05:13Yes.
05:14Yes.
05:15Yes.
05:16Yes.
05:17Yes.
05:18Yes.
05:19Yes.
05:20Yes.
05:21Yes.
05:22Yes.
05:24Of course, meaning for the 20 or 24 years ago, she's a woman, She also took a long time to meet her, etc.
05:29Yes.
05:30Yes.
05:31Yes.
05:32Yes.
05:33Yes.
05:34Yes.
05:35Yes.
05:36Yes.
05:37Yes.
05:38Yes, I get into 20 or 24 years of life, but also what happens?
05:42Personnellement, at the age of 25 years.
05:45Just because scientifically speaking,
05:48and the doctors, etc.,
05:52they recommend it at the age of 25.
05:54It's true that when we do this,
05:57whether it's adults,
05:58especially in the domain,
05:59it's not really, really, really comfortable,
06:02as we say.
06:03It's not really comfortable.
06:04Yes, of course.
06:04There are people who are in the age of 25.
06:06What do you think of 25 years ago?
06:08What do you think of 25 years ago?
06:10Well, I'm natural,
06:13but I'm also a skin booster,
06:16Botox, baby Botox,
06:17PRP.
06:18PRP.
06:19It's very important to take care of yourself.
06:22Okay.
06:23And how do you get the results?
06:26Alhamdulillah.
06:27Okay.
06:28Okay, very good.
06:28So it's not over,
06:30because the body is coming from the person
06:34who gets a lot of problems.
06:36Okay, okay.
06:37But it's important that someone
06:39will be working with the medical people,
06:41with the dermatologists,
06:42with the dermatologists,
06:43and if they're young or young people,
06:46they will be working with the baby.
06:47With the baby.
06:48Because they need to accept this.
06:50Okay.
06:51Okay.
06:52Let's talk about this.
06:52It's a trip.
06:53It's a trip.
06:54It's a trip in the world.
06:55Yeah.
06:56In fact, a trip came to me,
06:58the idea of writing this song.
07:00And I saw how people interact with the DJ,
07:06etc.
07:07And it attracted my attention.
07:09I thought, why don't I work in the house?
07:12Because when you're talking about this,
07:14it's a trip in the Moroccan.
07:15Okay.
07:16I'm talking about the American.
07:17Okay.
07:18So, you're talking about the Arabian or the Anglican?
07:20I'm talking about the Anglican.
07:21Okay.
07:21You're talking about the Indian?
07:22Yes.
07:23Okay.
07:23How do you see this clip?
07:25Inchallah, of course.
07:27Inchallah, of course.
07:28So, it's a project?
07:29Yes, of course.
07:30Of course.
07:31I'm talking about it.
07:32I'm talking about it.
07:33I'm talking about it.
07:34But it's coming on the way, Inchallah.
07:37Okay.
07:38Very good.
07:39Let's see, Mia.
07:40How do you do freestyle in the studio?
07:43Do you have a home studio?
07:44Yes.
07:45Home studio.
07:46And these videos that you do freestyle in your home studio,
07:50do you see a lot of viewers?
07:52Yes.
07:53How do you see this new style?
07:56Yes.
07:57So, the freestyle is going to help you with the ability.
07:59Like, I don't want to be in the studio.
08:02You're working with a project from A to Z.
08:05This is what makes people happy to see the young people who don't want to live in the
08:09way or they don't want to live in the way or they don't want to live in contact with
08:14their own songs.
08:15They don't want to live in the first place.
08:16They don't want to live in the first place.
08:17They don't want to live in the first place.
08:18But they don't want to live in the first place.
08:19What do you do to do to do to do home studio?
08:22Home studio is also an investment of personal work.
08:29Home studio is also an investment of professional work.
08:33I've never heard of that for when I started music in a few years.
08:38Okay.
08:39But, I didn't want to live in the first place.
08:42But with the time, the best thing to be able to do is home studio,
08:47and the commitment to work in the project.
08:50But in a few years, it's always a product, an arrangement, a master, etc.
08:56So in the home studio, you start the job, you advance the process, and then you professionalize the process.
09:02First of all, do you have a new vision of your vision,
09:07of the artistic direction?
09:10What do you want to do in your life?
09:14So, as a person,
09:19before I went to the music, I was very timid,
09:23timid with the staff,
09:25and I couldn't take off the camera, etc.
09:28So, I started writing a book,
09:31and I saw a person in my life, and at the same time.
09:35On the day of the day, I started writing the artistic direction,
09:38and I started writing the English and the language.
09:41Why?
09:42Because I started writing one day,
09:44and I didn't write the French in my second language.
09:48and I started writing the English.
09:50I started writing the English.
09:51For the next one, I would say,
09:54it's an ego trip.
09:55Ego trip.
09:57I started writing the style.
09:59And I mixed the rap and the song.
10:03Because the song, the song, the song, is a style,
10:05the rap, is a style.
10:06I tried to invent something that came between the two.
10:09Okay.
10:10So, what did I write?
10:11What do you think about the first one?
10:12What is the role of your career?
10:13What is your role of your career?
10:14Yes.
10:15To create a new character,
10:17what is your role of your new style
10:19and the new style of the new theme in my life?
10:22Farah?
10:23It's true that we try to adapt and adapt.
10:27Because it's true that when I get a sense of comfort,
10:31and when I say something,
10:33especially that the rap,
10:34in general,
10:35is related to the human.
10:37When I say that the rap,
10:40you're attacked a little bit from the beginning,
10:42you're critiquing,
10:43but with the time,
10:45people who love,
10:46they understand what's British,
10:48what's their message,
10:50and what's their meaning of the German language.
10:53Did you feel that the feedback,
10:55the criticism,
10:56was it an antiques,
10:57or was it a nightmare?
11:00It was a nightmare,
11:01it was a nightmare.
11:02It was a nightmare.
11:03We started to go back a little bit
11:05and we started to get a little bit
11:06about this issue.
11:07It's a nightmare,
11:08yes.
11:09It's a nightmare,
11:10and I know that you've been talking about
11:12a lot of negative comments.
11:14Do you know how did you do with them?
11:16How did you get them?
11:17How did you get them?
11:18How did you get them?
11:20How did you get them?
11:21Yes.
11:22In the first one,
11:23I was able to answer a few times,
11:24just if I didn't know
11:26what you felt like
11:27I was going to get them
11:28or I was going to get them
11:29and try to answer
11:30only to get the message to you.
11:33It's automatic.
11:34It's not that you can say
11:35that you can't understand the fan
11:36with your tongue.
11:37You can understand your mind.
11:38Yes.
11:39We know that the public
11:40and the Greek people
11:41are not afraid.
11:43and the other one
11:44I don't understand.
11:45I'm going to get a little bit
11:46to accept the vision of you.
11:49Okay.
11:50So,
11:51I don't think so much
11:52about the negative comments.
11:54I don't think so.
11:55It's okay.
11:56It's okay.
11:57It's okay.
11:58We're going to try
11:59to get the negative
12:00and get the positive
12:01in the book.
12:02Okay.
12:03What you said,
12:04I wanted to say
12:05a normal person.
12:05What can I say?
12:06Well…
12:07yeah.
12:08I don't know if you had a problem.
12:09I didn't have trouble.
12:10You didn't have trouble!
12:11You didn't have trouble!
12:12Why did you start?
12:13Yes,
12:14I started to say
12:15a freestyle
12:16very simple
12:17and a double passage.
12:18Maybe that's
12:19a double passage.
12:19Yes,
12:20a double passage!
12:22And a double passage!
12:23I wanted to get to the
12:24right,
12:26and not to go to a camp.
12:27And I learned
12:28that.
12:29I started
12:31We are already in two or three events, and we are going to do one of the projects,
12:37I, I, I, I, I, and Minerva.
12:40But we are not going to do the relationship with the Lebanese,
12:43but the person who sees this artist as a jury in an emissary
12:50and does criticise a rapist or another,
12:56I think it's not professional,
12:59but I don't want to do that.
13:01But you have an experience,
13:03and you have an experience,
13:05and you are talented.
13:06Yes, of course.
13:07So you have the right to judge each other?
13:11Of course, you have the right to judge each other,
13:13but judge each other,
13:15you have the right to judge each other.
13:19Yes.
13:20But if you use the artistic direction of another person,
13:23I think it's great.
13:25Yes.
13:26You have the right to judge each other,
13:30and you are trying to provoke a lot of things,
13:33and you are trying to make the right to judge each other.
13:36You have the right to judge each other.
13:38I think that's the right to judge each other.
13:39Yes, very good.
13:40Maybe you are trying to judge each other,
13:41and you are trying to judge each other?
13:42Maybe you are trying to judge each other?
13:44Yes.
13:45It's true that I was waiting to see each other.
13:47Yes.
13:48I think the right to judge each other,
13:49and that's the right to judge each other.
13:50But the truth is that it's more than the person.
13:51You can't judge each other?
13:52Yes.
13:53No, not.
13:54Yes.
13:55You are trying to judge each other?
13:56Yes.
13:57Yes.
13:58Yes.
13:59You are trying to judge each other?
14:00Yes.
14:01Yes.
14:02Yes.
14:03Yes.
14:04Yes.
14:05Yes.
14:06Yes.
14:07That's it.
14:08What do you think about the statistics, the statistics, and the statistics?
14:11It's true that the manager is not going to be able to do it.
14:16I'm going to be able to do it.
14:19It's true.
14:20I'm going to be able to do it a little bit.
14:23Do you want to say that the film is going to be able to do it?
14:28Do you want to invest in the film?
14:32We can say that, yes.
14:34Do you want to do it until now?
14:36Well, it's true that I'm going to be able to do it.
14:41I've been able to do it in the country and the other people in the country.
14:46So, I'm going to be able to do it a little bit.
14:51I'm going to be able to do it a little bit.
14:55And I hope that's the best of all of you.
14:58I hope that you'll be able to do it.
14:59There are a lot of events, a lot of festivals.
15:01Do you want to go to the next few days?
15:02Do you remember the dates of your date?
15:05I have a souvenir of your fest.
15:07Your fest.
15:08Your fest.
15:09It's true that I'm going to be able to do it a little bit.
15:12The love of the people.
15:13I'm going to be able to do it a little bit.
15:15It's true.
15:16But the love of the people.
15:18The love of the people.
15:19The love of the people.
15:20I don't know.
15:21I don't know.
15:22I don't know.
15:23Do you remember the love of the community?
15:25I don't know.
15:26I love you and I have a good energy.
15:28I'm going to be able to do it a little bit.
15:30Sorry.
15:31I got a great energy.
15:32And you've been able to do it a lot.
15:33You've been able to do it a lot.
15:34You've been able to do it a lot.
15:35You've been able to do it 30 years.
15:36Yes.
15:37So, you've got a nice souvenir.
15:38Yes.
15:39What is the new one?
15:40The new one?
15:41The new one is OP.
15:43It's OP.
15:44Yes, it was a very good song.
15:48I had a feature with artists here and rappers in the foreign country.
15:54What do you want to do with the EP?
15:56The EP we'll call it in October.
15:59Okay, very good.
16:00We'll give you a sneak peek, a feature from this.
16:03What's the feature?
16:04You're looking for a patchwork.
16:06I'm looking for a patchwork.
16:07One or one?
16:08No one.
16:09Come on.
16:10I'll call you double H.
16:12Double H is a Moroccan rap that is often in Flandre.
16:19I'm looking for a style.
16:21I'm looking for a style of the UK, vibes, drill.
16:26Drill, right?
16:27Drill, right?
16:28You're looking for a style.
16:30Is there something important for you?
16:33Do you want a style?
16:34Do you want a style?
16:35Yes, of course.
16:36It's a very important one.
16:39It's very important.
16:41It's a style of style of design and trying to fit a style of clothes before your clothes start?
16:49Not just one of these details.
16:50Remember that Councillor?
16:52Yes.
16:53Do you want a style of clothes for shopping?
16:55I'd like to try.
16:56Do you want a style of clothing?
16:57I want a style of clothing.
16:58I want a style of clothing.
16:59I want a style of clothing.
17:00So I want the clothing to keep all of it.
17:02And I want an style of clothing.
17:03Yes, it's a style of clothes for clothing.
17:05How do you invest a lot in the clipage and how do you do it?
17:09It's not that.
17:10It's because the music has a lot of investment.
17:14You need to invest in the clip, in the recording, in the mix, in the mastering, in the beats.
17:22It's a lot of things that come out.
17:24We had the featuring, but we didn't have the prod.
17:28What are the producers and the composers?
17:31What are the teams that work with the EP?
17:34The EP is still working on it.
17:37We have a lot of companies, and we have a lot of companies.
17:42We work with them, and we have a lot of companies.
17:46We have a lot of producers, and we have a lot of producers in the region.
17:53We have a lot of producers.
17:58Russian producer, on the range of people.
18:00Russian producer,
18:03he's called Gillie Beats..
18:04He surrendered�� gate cactus.
18:05Jei cactus is working with Travis Scott.
18:16Okay.
18:17Mia, what can we do today to meet you as an influence?
18:22Yes, I can see you as an influence.
18:25What are the other things you want to do?
18:27The other things you want to do is music.
18:30You want to do music?
18:32Why do you want to go to the class?
18:34No, I want to go to the class.
18:36I want to go to the class.
18:38What do you want to do?
18:40When you want to go to the rap and the street,
18:42you want to go to the rest of your life.
18:44You understand?
18:46Even if you want to go to the class,
18:48you can continue in the direction of your work.
18:51You can feel that the person who tries to learn the Lego,
18:55or the career, or the image,
18:58you need to get out of the room and say,
19:00I am here.
19:02I have the right to go.
19:04I have the right to go.
19:06But the artist is not the right to go.
19:07You have to go to the Jam Show.
19:10How do you see the level of the previous ones
19:13and the previous ones in Jam Show?
19:15Where?
19:16For real.
19:17For real?
19:18For real.
19:20For real?
19:21For real, I go to Kamil.
19:22or I'll tell you, I won't lie.
19:24But I've noticed
19:26this month, that has groups of people,
19:28who have a lot of people,
19:30but with the case of the jury,
19:31etc.
19:32But there are profiles that you can see on the camera,
19:36there are other things that you can see on the show.
19:40So I'm not sure if you have a profile.
19:43You can also offer, you can also offer,
19:45and you can also see the EP,
19:47and Mia can give you a moment to the end.
19:50Thank you, thank you again for your time.
19:53I'll see you again on the screen for a second time.
19:57I'll tell you a new year, the EP,
20:01and I'll be in the next one,
20:03and I'll be happy with you,
20:04and I'll give you something to you,
20:06and I'll be happy with you.
20:07Thank you, I'm Mia Farah.
20:09I'll be with you, I'm Ismaa Benjiloun.
20:11I'll be with you at the Batchwork.
20:27Batchwork.
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