- 2 days ago
Category
🎥
Short filmTranscript
00:00Mom.
00:15Mom.
00:17Mom.
00:22Oh, my God.
00:31Oh, my God.
00:37Oh, hey.
00:43Oh, boy.
00:47Okay, move forward, please.
00:58One of those glasses.
01:00Kitchen, left, left.
01:03Move it along, please, master.
01:05More glasses?
01:08Lights?
01:09Garden, straight ahead.
01:10Yes, not right now.
01:11Go back down.
01:12We need more wine, please.
01:13Yes, those glasses in the kitchen on the left.
01:16Just that.
01:16Any glasses, please, thank you.
01:19Come on, this is ridiculous now.
01:23Hello, you've reached Lucila's voicemail.
01:26I'm not available right now, but you can leave a message after the tone.
01:29So, you're just never speaking to me again or what?
01:32Hello, you're already out.
01:47I can't help you.
02:00What the hell are you doing? Get dressed, mate. Come on.
02:04No, I'm not going to go.
02:06Very funny. Even your sister's coming, so put that down, all right?
02:14I went ahead with this party to try and convince Oris,
02:17because this might be our last chance to close the deal.
02:20So you're coming.
02:23You've forgotten something.
02:27What? I don't know what you're talking about.
02:30Oh. What's the date?
02:35Um, I'm sorry.
02:37Mate, you know I'm sorry.
02:40Happy birthday.
02:43Come on, Jesus. Don't be mad at me.
02:45It's easy to forget stuff, you know?
02:47Stuff. You're already father of the year, huh?
02:50Here, take this.
02:52Here, just treat it like it's your party.
02:54There's DJ, fit girls, drinks. Go ahead. Enjoy.
02:57Look, I don't care about your stupid party, Dad.
02:59When I was your age, my dad had me in the fields, working.
03:05But I let you have freedom.
03:07Because you never knew what to do with me.
03:09You don't care who I am. You don't care what I do, Dad.
03:12That is enough.
03:15You had everything on a silver platter without lifting a finger.
03:17Is that your problem?
03:21That I forgot your birthday?
03:24Get over it.
03:29You have five minutes, all right?
03:30So, have you thought it through?
03:58Yes.
04:00I'm sure we have enough now to intervene.
04:02Alba, I know you're there.
04:22Alba, Alba, Alba, Alba, open.
04:38No?
04:39No.
04:41You have to go through?
04:46But if...
04:46...
04:53Oh, hi.
04:55No?
04:56Oh, my God.
04:58What am I doing?
04:59Well, I love you.
05:00Oh, my God, snap my hands.
05:02I can't...
05:03Oh, my God.
05:04Huh.
05:04Oh, my God.
05:06Thank you, have a good evening.
05:35Enjoy yourselves.
05:37Good evening, your name please?
05:39Uh, Alba Masier.
05:40Masier, Masier, Masier, Masier.
05:43Um, Masier, Masier, Masier.
05:45Oh dear.
05:46Um, I'm sorry that I can't find you.
05:49Um, uh, could you check again, please?
05:52Sorry, miss, would you mind moving over?
05:53Thank you. Max, how are you?
05:55Good, thanks.
05:56Well, you look fab, and here comes the stamp.
05:58Have a good night.
05:59Yeah, have fun.
06:01Uh, Alba Lasset.
06:02Oh, yeah.
06:04Nice try.
06:05Just check.
06:11Lasset.
06:12Oh.
06:13Well, uh, yes.
06:15Here you are.
06:16So, my sincerest apologies, miss Lasset.
06:19I must be confused.
06:20There you go.
06:21Okay, what have you mentioned before
06:22we move, too?
06:24Oh, look down.
06:25Like, if you want to go, go.
06:31All right, come on.
06:33All right.
06:34You're a tree.
06:36Jacob, look down.
06:40Wow.
06:41Good, צר厲 God.
06:44I've got plenty more armor.
06:45Oh, my God.
07:45Hey, man.
08:00Huh?
08:01Come.
08:03What are you doing?
08:04Look.
08:05How did you get in?
08:06Look.
08:09Do you think this is Matthew?
08:11Because we found a way to ignore in his creepy room?
08:13I'm not sure.
08:15I don't know.
08:15Maybe.
08:22What the fuck is this?
08:30We have to call the police.
08:33Alba.
08:34Alba.
08:36Alba.
08:38Alba, what are you going to do?
08:43Alba.
08:50Alba.
08:51Alba.
08:51Alba.
08:55Alba.
08:55Alba.
08:56Oh, my God.
09:26What does he want?
09:53Do you know why your boss is calling me?
09:55No idea. Sorry.
09:59My head's about to explode.
10:02And I'm not the one.
10:04It won't hurt.
10:07I have a bad feeling about tonight.
10:09Yes, hello?
10:23Yeah, yeah.
10:25Well, I'm on it.
10:26One sec.
10:37A toast?
10:38To what?
10:39Your new face?
10:41Thanks, but no thanks.
10:43I insist.
10:44What do you want?
10:49It could be a surprise, but I am in need of legal advice to get out of a situation that's a little complicated.
10:56Ah.
10:56Do you have time for a conversation?
11:00Out of all the lawyers in the area, I'm the one you chose.
11:03Is it possible you're trying to interfere with my defensive elbow by chance?
11:06I know we haven't always got on one, but, you know, it was always so complicated with your mother.
11:14It wasn't complicated.
11:16Your son abused her.
11:18You ignored her pain.
11:18And she was young, fragile.
11:22It was you who pushed her to abandon us.
11:25You see, this is what I admire you for.
11:28You don't let go, like a hyena.
11:30Did you know, when a hyena bites you, it gets aroused by the blood.
11:36You can shoot at it all you like, or rip a leg from it.
11:40It continues to bite.
11:43So the solution?
11:45You must kill it.
11:48Well, you're not wrong.
11:55What are you doing?
11:57Okay, wait here.
11:58Tell me if someone's coming.
12:18Hey, how are you?
12:26Yeah, great, and you?
12:26I'll call you soon, mate, okay?
12:28Sure.
12:30Smile, all right?
12:31Where's my mother?
12:40Edwin, go get her.
12:41Go on, go, go, go.
12:42Now, hurry.
12:42Oh, he's there.
12:45Matthew.
12:45How are you?
12:46Excuse me.
12:47Matthew.
12:47What?
12:48We have a problem.
12:49The caterer's threatening to stop working.
12:51Apparently, you never got paid.
12:52What's going on, Matthew?
12:53No, that's not possible.
12:54Lucy took care of it.
12:55Well, no.
12:56Apparently, I have to talk to you, because you're in charge now.
12:58No, no, she wouldn't say that.
12:59Call her up again.
13:00Well, I've called, and I just get her voicemail.
13:03By the way, where is she?
13:04I don't know.
13:07So what should I tell the caterer?
13:09That I'll pay him tomorrow, and if he packs up, his invoices and variants can go up his arse.
13:12Why are you all pissing me off tonight?
13:15Matthew, I think you might need to slow down on that.
13:18Just hit the brakes.
13:19Yeah.
13:21What the fuck is that?
13:25Come on.
13:25Here.
13:26I so should.
13:28I improvise.
13:28Omar.
13:29Omar.
13:30Selene.
13:31Thanks for coming.
13:33Thanks.
13:34Thanks for the invitation, though I was surprised to hear that you were going ahead with the party,
13:38given the recent tragic events.
13:39Well, it's sad, but you know what they say.
13:43Life goes on.
13:44Enzo.
13:45Selene explained that your problems with the succession are almost resolved.
13:49Exactly, Omar.
13:50Madam.
13:50The gun was found at that girl's place.
13:52It's all settled.
13:53She won't be getting her slice.
13:55Really?
13:56I hadn't been made aware.
13:57Good evening, Omar.
13:59Hello, Selene.
13:59Good evening.
14:00Beatrice, if it's not too forward, you look absolutely stunning.
14:03I told you that color would suit you.
14:06You look magnificent.
14:07Excuse me.
14:09You are?
14:10He's Jacques, the 93.
14:12My dear Matthew, I hope you'll soon be calling me your stepfather.
14:16Huh.
14:17You're remarrying already.
14:19Why already?
14:20I just need to make sure I'm available that day.
14:23In any case, we're happy to know of your interest in our plantation.
14:30Your plantation?
14:32By entering Beatrice's life, it's only natural that I've become involved in the company.
14:37I'd be delighted to discuss business with you and pick up where you left things after the tragic death of the recently departed Arno.
14:43Yes, of course.
14:47Will you excuse me?
14:51Are you kidding me?
14:53You said no more surprises.
14:54It's okay.
14:55Calm down, my darling.
14:56Okay?
14:56Calm down.
14:56You're sick, Matthew.
14:57Do you...
14:58Do you want some more champagne?
15:00Here.
15:02Selene.
15:02Hey, dickhead.
15:12Yoo-hoo.
15:13Adrian, you okay?
15:14Yeah, sorry.
15:15You okay?
15:16Mm-hmm.
15:17Nice shirt you're wearing.
15:18Dad must have forced you, I'm sure.
15:20What to what?
15:21Fuck him.
15:23What happened this time?
15:25Don't worry.
15:26Wait, hang on.
15:28It's your birthday, so...
15:29Well, go on, then.
15:34Here.
15:43It's an early limited edition.
15:46And there's a cheesy message from me in there.
15:53Okay, thanks.
15:56That's all you have to say?
15:58Sorry, but I don't remember this book.
16:00But it was Mom's favorite book.
16:02She used to read it to us every night.
16:04Remember, she would say...
16:05No, I don't remember.
16:07Mom is your obsession.
16:08She's not mine.
16:08Okay.
16:08Okay.
16:09Now...
16:21This...
16:32Okay.
16:32This...
16:33Beta-blockers.
16:53We'd take those when we got too high
16:54to slow down the heart.
16:59The good old days, huh?
17:00Do you regret it ever?
17:06Sometimes.
17:09How about throwing me out of a window?
17:10Do you regret that?
17:24Are you sure?
17:30I see you've made your peace with your biological family.
17:47Your father, Thierry Mathieu.
17:53He's in a coma after driving his car into a tree.
17:57Here's what we found in the passenger seat.
18:01It's your son's, right?
18:04I don't get it.
18:06Where is he?
18:08He's sleeping.
18:09At the site?
18:11Huh? Is he?
18:12Where do you think he is?
18:13I think I believe what I see.
18:14Come on, show me.
18:15No, no, no, no.
18:16Detective, stop right there.
18:17Don't even get started again.
18:19If this continues,
18:21I'll be filing a complaint for harassment.
18:23Your client's been lying all along.
18:25Well, you could.
18:26Someone had to the station,
18:27but we'll prove you wrong again.
18:28I'm sure you will.
18:29But I'm warning you,
18:30I am not done with you yet.
18:31Yes, sir, this is Nico.
18:36I'm listening.
18:37We finally managed to locate Lucas's car 12 clicks from here.
18:40We're on the move now.
18:41I'll send you the coordinates.
18:42I'm en route.
18:48Why didn't you tell me that you'd come?
18:51Who invited you here tonight?
18:56I know you're angry at me about Leo.
18:57Leo, I'm sorry,
18:58but we're going to have to talk about things at some point.
19:03Who's harassing you, huh?
19:08Watch it.
19:08I'm sorry, but I don't know.
19:15Let's go.
19:45I sincerely hope you aren't trying to escape our arrangement.
19:49Well, our arrangement does not grant you every liberty.
19:55All I want is to give you the brightest future, Beatrice.
20:02By manipulating me into selling the estate to property developers?
20:06I wouldn't do that. Who said that?
20:08No one did.
20:10That was just a test.
20:12But now I know.
20:15You think you can read my thoughts?
20:21Do you think I'm listening to you when you talk, my dear Jacques?
20:25Not at all.
20:26I just observe.
20:28Did you know when you lie, you blink so much more?
20:33You do.
20:34Always watch a player's eyes when you're at the casino.
20:42Those flowers won't outlive Anna.
20:46There's no future here for a horticultural business.
20:50Only the estate has any real value.
20:52We could become very rich, Beatrice.
20:58Jacques, I'd rather be penniless than live with you.
21:01It's over.
21:05In that case, your children will find out that your addiction was what ruined Anna.
21:10That you've known of Alba's existence for months and have been lying to them.
21:14They'll judge you.
21:15They'll reject you.
21:16You'll end up hated, alone, abandoned.
21:19Because that is how you've raised them.
21:21To hold no mercy for the weak.
21:37Mum.
21:38Wait.
21:39Wait.
21:39Please, Matthew, not right now.
21:41I've had enough.
21:42You've been dodging me.
21:43I don't want to talk to you.
21:44Leave me alone.
21:45Just tell me.
21:46What's going on?
21:47You gotta be serious about marrying Jacques and giving him a share of the company.
21:50Damn, come on.
21:51Oh, hey.
21:52Jacques the notary, yeah?
21:53You deserve better, Mum.
21:54I'm not obliged to explain my decisions to you, all right?
21:57No, I can tell something's off.
21:59But come on.
22:00What is this new hairstyle?
22:03It's like you're trying to look younger.
22:04It's awful.
22:05Did he ask you to do that?
22:07Hey, I know you.
22:08You're not telling me everything.
22:10Okay.
22:11Seeing how supplication would work, perhaps I'll use my good old anger.
22:15Have you seen how dilated your pupils are?
22:18Huh?
22:18I'm not an idiot.
22:20I know what you're putting up, your nose.
22:22You could never compare to your father, but now you're a druggie.
22:25You're at rock bottom.
22:28Mum.
22:29You shame us.
22:31Excuse me.
22:32Hi.
22:33I can see that I'm interrupting at a very bad time, but you're both needed, so we have to go.
22:37It's time.
22:41Come on, please.
22:43Be right there.
22:56You're about to see and see that.
23:06Yeah.
23:06Hey, look, if it's settled, why is she here, right?
23:28Good evening, good evening.
23:38Thank you, thank you, thank you, thank you very much.
23:41Where's Lucy?
23:42I'm delighted to welcome you here this evening to celebrate our family, our patrimony.
23:48Truly, thank you for being here.
23:50Obviously, my thoughts this evening are with my poor dad.
23:58And, sorry, if I'm honest, being his son could prove difficult at times.
24:12And I'm sure Arno would say that being my father wasn't easy for him either.
24:16Anyway, we were different.
24:18Sometimes he annoyed me so much I could have killed him, I swear.
24:24No, I didn't kill him.
24:25Come on, you know I, I, I loved him.
24:29Of course, I loved my dad.
24:34We all sort of love our dads, don't we?
24:36Thank you, my dear Matthew, for those very, um, moving words.
24:58Our company has gone through some dark times, but the future ahead of us could not be any brighter.
25:08My dear, I think that you have some happy news to share tonight.
25:13Well, I'll do it then.
25:23Beatrice and I are getting married.
25:26What if it is this?
25:27Now we know why you're going to ask the killer.
25:37Now we know why you're going to ask the killer.
25:49Mom?
25:49It's okay, it's okay.
25:50It's okay, it's okay.
25:51Just breathe.
25:52Champagne?
26:10I thought it might be an hallucination, but it is you.
26:13Um, we should talk about the inheritance.
26:20Ah.
26:22I won't slap you this time, I promise.
26:24I've come in peace.
26:25I won't drink champagne as I find it gives me heartburn.
26:28Well, uh, what else would you like?
26:31Oh, nothing.
26:32I've drunk enough, it wouldn't be wise of me.
26:39Actually, uh, perhaps, I seem to remember that Arno had hidden away somewhere a magnificent
26:44Arminiac.
26:46I'll be right back.
26:47Don't go anywhere.
26:48Okay.
26:48Okay.
26:48Okay.
26:48Okay.
26:48Okay.
26:48Okay.
26:50Okay.
26:50Okay.
26:50Okay.
26:51Okay.
26:51Okay.
26:51Okay.
26:52Okay.
26:52Okay.
26:53Okay.
26:54Okay.
26:55Okay.
26:56Okay.
26:56Okay.
26:57Okay.
26:57Okay.
26:58Well, I hope it's good news.
27:01Look who's returned.
27:10Thank you for the support.
27:14I ran into Omar.
27:15He barely said hello.
27:17Yeah, the Operation Reconquer didn't really...
27:24It was a failure.
27:26I'm sorry.
27:27I'm sorry.
27:32Lucy.
27:33Don't do that.
27:35No, sincerely.
27:36I am sorry to hear you.
27:37I'm sorry.
27:38I'm sorry.
27:40Sorry that you now know that not all things work exactly the way you wanted to.
27:45And I'm sorry that you now know that not all things are about you.
27:48Come on.
27:49I get it.
27:50I know that I'm an asshole.
27:52You know, I've spent my entire life just being treated like a doormat while you're on your pedestal.
27:58And you'd never, never even begin to consider helping me.
28:02Never.
28:02Well, that's brilliant.
28:11Well, that's brilliant.
28:12At least you agree with my children.
28:15I'm a shit dad, I'm a shit brother.
28:21It seems I'm also a shit son.
28:24So now what?
28:25What do we do?
28:26We change things.
28:27Radically, Matthew.
28:29And for that to happen, I need to know I can trust you.
28:46There's someone you should meet.
28:50Is that it?
29:15What are you doing?
29:27Listen, madame, let's say I...
29:30You should not be in here.
29:31Now get out.
29:34Get out!
29:39No, you stay with me.
29:53It's not what you think.
29:56Au contraire, this is exactly what I think.
30:02Don't do this, please.
30:05I don't have a choice.
30:08You better go now.
30:18You better go now.
30:23I won't go now.
30:25You better go now.
30:33You better go now.
30:35You better go now.
30:37Yes.
31:07Alba.
31:09Alba.
31:10What the hell are you doing?
31:12I'll be back.
31:13Start the car.
31:37I'll be back.
32:07Oh, my God.
32:37Bye.
32:39Jack?
32:41Call an ambulance!
32:45You okay?
32:47Jack, stay with me.
33:07Good evening, Beatrice.
33:19Do I know you?
33:21I'm a doctor.
33:23I'm here with your daughter.
33:25Lucy?
33:27Oh, you're here.
33:31Hi, Mom.
33:41I'm sorry about Jack.
33:43Me too.
33:45Two men have died.
33:49They're beginning to add up.
33:57Here.
33:59You'll feel better.
34:01Thanks.
34:11I'm glad you're here.
34:17I have a confession to make to you both.
34:19Lately, I haven't been...
34:25...honest.
34:29Do you see what you just did there?
34:31Nothing happened.
34:33We just looked at each other.
34:35Sure.
34:36Just looked.
34:37I've always felt like I'm sitting an exam with you two.
34:41It's been like this all your lives.
34:45One would think it is the children who are supposed to be scared of disappointing their parents, but it's quite the opposite.
34:53Now, the parents are scared of their children.
34:57What are you trying to say exactly, Mom?
34:59I don't know.
35:05That I'm protecting you.
35:11That I love you.
35:13The way...
35:15I certainly...
35:19Your dad.
35:23So much guilt.
35:27What did you give me?
35:33What did you give me?
35:35Don't worry.
35:37This is standard procedure for ensuring that the transfer happens smoothly.
35:43The transfer?
35:49You know I warned you.
35:53It's going to be okay, Mom.
35:57It's all right.
35:59It's all right.
36:01It's all right.
36:03It's all right but I've caused that.
36:05It's all right.
36:07Okay.
36:09You've reached Lucas Levine's voicemail.
36:11I'm not available right now.
36:13Mom?
36:15Hi. You've reached Lucas Levine's voicemail. I'm not available right now.
36:24Mom?
36:25Shh. Shh. It's okay. They'll confine us. Breathe nice and slowly.
36:30Slowly. That's it.
36:45There. Look. Right there.
37:11Leo? Mom!
37:14Leo! Mom!
37:17In here! Mom! We're in here!
37:20Leo! We're in here! Mom! We're in here!
37:25He's in here! Mom! We're in here!
37:28Move!
37:30Mom! Mom!
37:32I'm here. I'm here. I'm here. It's okay.
37:36I'm here. It's going to be okay. It's okay.
37:47Alba. Alba. Alba. Alba. Alba.
37:51It's him.
38:00I'm sorry.
38:01I'm here.
38:03I'm sorry.
38:04I'm sorry.
38:05I'm sorry.
38:06I'm sorry.
38:07I'm sorry.
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