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  • 6 months ago
The Haunting of Margam Castle (2020) is a suspense-filled mystery set in an old and imposing castle in Wales. A group of investigators arrives to explore unexplained activity within its walls, but what they find challenges their understanding of the unknown. With a chilling setting and dark atmosphere, the film offers a tense journey through history, secrets, and belief.
the haunting of margam castle, margam castle movie, 2020 mystery film, suspense thriller, paranormal mystery, old castle story, eerie atmosphere, wales setting, investigative team, unexplained events, quiet horror, psychological suspense, indie thriller, dark setting moviethe haunting of margam castle, margam castle movie, 2020 mystery film, suspense thriller, paranormal mystery, old castle story, eerie atmosphere, wales setting, investigative team, unexplained events, quiet horror, psychological suspense, indie thriller, dark setting movie
Transcript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:59CastingWords
00:02:29Oh, my God.
00:02:59Oh, my God.
00:03:29Oh, my God.
00:03:59Oh, my God.
00:04:29Oh, my God.
00:04:59And what are the characteristics?
00:05:02Positive belief in ESP, practicing a mental discipline such as meditation, and artistic ability.
00:05:10And what's the average success rate for Gansfeld experiments?
00:05:12We have a hit rate of just over 32%.
00:05:15The participants have always varied in ability.
00:05:18As Annie said, those who have the compatible characteristics always perform better than those who don't.
00:05:24Dean Michaels, an unexpected pleasure.
00:05:30Jeez, it's like some kind of surrealist nightmare in there.
00:05:34Poor Shops.
00:05:35They're being paid for the study.
00:05:37Oh, well, that means you can torture them as much as you like.
00:05:41I'd like to see you and Dr. Barron in my office when you're done.
00:05:46Fine.
00:05:46What's that?
00:05:54That has teeth.
00:05:56The kind of bite I need to bring more funding in.
00:06:00Are we struggling?
00:06:02Let's cut to the chase.
00:06:04Your department budget is going to be slashed unless we have more exciting research to present to investors.
00:06:11Is that really true, Dean?
00:06:13I mean, what kind of scientific research is exciting to a layman?
00:06:16The kind that brings publicity and glamour.
00:06:21Most of your findings are derivative research done in the 70s and 80s.
00:06:27And that's not enticing to people with deep pockets.
00:06:31This is the sort of thing your department should be focused on.
00:06:43Margum Castle.
00:06:45Yeah.
00:06:45It's a place in Wales.
00:06:48You ever heard of Wales before?
00:06:50Yeah.
00:06:51Good, because I want you both to go there.
00:06:54Conduct some experiments, collect data, all the stuff you guys live for.
00:07:00And then what?
00:07:03We're going to present your findings to the media.
00:07:06Generate a bit of publicity for this institution.
00:07:08It'll be a lot easier to attract funding when we have a car celebra with the university's name attached to it.
00:07:18Are you serious?
00:07:19Would you rather have your budget slashed?
00:07:23Are those the only options?
00:07:26Look, federal and state funding is pitiful for a university of our size.
00:07:32You know that.
00:07:32We rely on those extra dollars from wealthy donors.
00:07:37Media coverage for something we're involved in will pique their interest.
00:07:42So, what are we supposed to say to the media when we get back?
00:07:49Oh, talk about the ghosts you've seen.
00:07:52Of course, it'd be even better if you captured one on camera.
00:07:55What if we don't see anything?
00:07:57Are we supposed to lie?
00:08:00Lying is such a strong word.
00:08:03Let's call it embellishment.
00:08:07So, even if we don't encounter anything of a supernatural nature,
00:08:12you still want us to come back here and tell the press we did?
00:08:16Do you like your job, Holzer?
00:08:20Yes.
00:08:21Is there a good way to make sure you still have one next semester?
00:08:31Do we understand each other?
00:08:35I guess.
00:08:36You know all that stuff that Michael's fed us back there is bull, right?
00:08:53You think?
00:08:55Yeah, there's always some ulterior motive with that guy.
00:08:58He's probably the one who wants the publicity.
00:09:00He loves the limelight.
00:09:02You've never seen eye to eye.
00:09:03Boy, I bet he's getting a kick out of giving me such a shitty assignment.
00:09:08It may not be so bad.
00:09:10Staying in some dank old castle in the middle of nowhere?
00:09:14Please.
00:09:15I'm all for it.
00:09:17I got thermal imaging cameras and electronic voice recorders
00:09:20I'd love to use in a place with that much history.
00:09:23Probably a lot of residual energy in there.
00:09:25I think we might get some interesting readings.
00:09:27If nothing else, it'll be fun to take the team overseas.
00:09:32You guys ever been to the UK?
00:09:34No.
00:09:35Nope.
00:09:37Do you want to?
00:09:39Yeah.
00:09:40Why not?
00:09:41See, Annie.
00:09:42Look, if you're not going to do it for me, at least do it for the kids.
00:09:47Michaels didn't give me much of a choice, did he?
00:09:49Do they have Wi-Fi in Wales?
00:09:51You know, Brent, I think you should be focused on more important things.
00:09:56Like what?
00:09:57You need to look the part of a parapsychologist when we go over there.
00:10:01Maybe get a haircut.
00:10:06Actually, what you need is a big coat.
00:10:08Castles are freezing.
00:10:09Yeah, that's for sure.
00:10:10I don't know if you're not going to do it for sure.
00:10:40I don't do it for sure.
00:11:00The greatest elements of the future is
00:11:24The greatest elements of the future is
00:11:32The greatest elements of the future is
00:11:34The greatest elements of the future is
00:11:40The greatest elements of the future is
00:11:50The greatest elements of the future is
00:12:56Holy crap, this place is a shithole.
00:13:05It's no worse than some places back home.
00:13:08Well, I've been to the UK a few times and there's one thing you guys got to know about the Brits.
00:13:13They have fucked up teeth.
00:13:14Nice.
00:13:16Well, some do, but no.
00:13:19It's that they are absolutely obsessed with the weather.
00:13:22Anytime you talk with a Brit, they'll bring it up.
00:13:26The sky could be light gray or dark gray or any sort of gray in between, and they will speculate about when it's going to change like they're meteorologists.
00:13:35And then when the sun does come out, it's like it's the second coming.
00:13:39We should grab a bite to eat before we go to the castle.
00:13:46Yeah, good idea.
00:13:47I'm starving.
00:13:48I'm starving.
00:14:17All right, love.
00:14:25What are you after?
00:14:27Some menus would be great.
00:14:30Here you go.
00:14:32What's Welsh rarebit?
00:14:43Oh, well, that's a classic dish around these parts.
00:14:47It dates back to the late 18th century, and it was originally called Welsh rabbit.
00:14:53So it's rabbit then?
00:14:55No, no, there's no rabbit in it.
00:14:58No.
00:14:59So why was it called Welsh rabbit?
00:15:01Oh, I don't know.
00:15:03You know what these chefs are like.
00:15:04They give all sorts of fancy names and stuff, don't they?
00:15:07What's in it then?
00:15:10Well, so you've got a lump of cheese.
00:15:12You've got eggs, milk, pinch of salt, pinch of pepper.
00:15:17You blend it all together, chuck it on some bread, stick it in the oven, bake it.
00:15:22Cheese is melted, cheese is melted, and you can do a variety of things with it too.
00:15:27Put a fried egg on it, and then it becomes a buck rabbit.
00:15:31Or, better still, you can stick a tomato with it, and it becomes a blushing bunny.
00:15:37It's a funny name, isn't it?
00:15:41But, I'll level with you here, love.
00:15:45It's really posh cheese on toast.
00:15:48All right.
00:15:50I'm sold, I'll have one of those.
00:15:53That is the only thing I understand on the menus, though, me too.
00:15:58Why not? I'll have one of those too.
00:16:00Another one here.
00:16:01Well, looks like Welsh rarebit for all of us.
00:16:09Good choice, eh?
00:16:11Idris, meet that five Welsh rabbits.
00:16:14No need to shout.
00:16:16I'll do them now in a minute.
00:16:23So where are you lot from then, eh?
00:16:25New York.
00:16:28America, eh?
00:16:31I've never been there myself, but I've heard it's all right.
00:16:35Yeah, we like it.
00:16:39So what do you do? What are you doing here?
00:16:42We're parapsychologists.
00:16:44It's shrinkers, is it?
00:16:47No.
00:16:48We study paranormal phenomenon.
00:16:50We're spending the night at Margum Castle.
00:16:54Oh, no.
00:16:57No.
00:16:58You don't want to go out there.
00:17:01Really?
00:17:03Why?
00:17:06Many say it's cursed.
00:17:11Well, I'm...
00:17:12A lot of places have a legend.
00:17:16Oh, no.
00:17:17No.
00:17:20This is more than a legend.
00:17:21No.
00:17:22No.
00:17:22No.
00:17:22No.
00:17:23No.
00:17:23No.
00:17:24No.
00:17:24No.
00:17:25No.
00:17:25No.
00:17:26No.
00:17:26No.
00:17:27No.
00:17:27No.
00:17:28No.
00:17:28No.
00:17:29No.
00:17:29No.
00:17:30No.
00:17:30No.
00:17:36If you had any sense, you'd turn back.
00:17:40Stay away from the castle.
00:17:43Oh, Jesus.
00:17:44You, too.
00:17:45They've laid dormant for many years, but now they are awakening.
00:17:50yeah okay thanks a lot who are they they're waiting for you they've always been waiting
00:18:20you
00:18:50Which one of you is in charge?
00:19:16I am.
00:19:18Right.
00:19:19My name is Enos.
00:19:21I'm the caretaker.
00:19:23I'm Annie Holzer.
00:19:24Good to meet you.
00:19:25Hi.
00:19:26Dr. Daniel Barron.
00:19:28Doctor?
00:19:30What's a doctor want to spend the night here for?
00:19:33Oh, no, I'm not a medical doctor.
00:19:36I got a minor in parapsychology while earning a bachelor's degree in psychology at Franklin Pierce.
00:19:41We're just here to do some research.
00:19:44What are you researching?
00:19:45We're investigating claims of paranormal sightings in the building.
00:19:49There have been plenty of those down the years.
00:19:55Hey, do you get any phone signal around here?
00:19:58No.
00:19:59No Wi-Fi either, I guess.
00:20:02Nothing like that.
00:20:03How come?
00:20:04Well, there are no phone masts for miles.
00:20:08Locals don't like to get too close.
00:20:11Yeah, we met a few of them earlier.
00:20:15They're a bit twitchy about this place.
00:20:17With good reason.
00:20:18I'll be back in the morning.
00:20:38All the best to you.
00:20:39You're not going to give us the tour?
00:20:41Oh, I'm sure you can find your own way around.
00:20:50You didn't want to stay too long?
00:20:52Yeah.
00:20:54This place sure does spook everyone.
00:20:56Holy shit.
00:21:19It's like something out of a Dracula movie.
00:21:22Pretty creepy, right?
00:21:23Speaking of which, what's with the new fatigues?
00:21:27Oh, Annie said I should look the part.
00:21:31Yeah, but the waistcoat?
00:21:33Dude, she wanted you to look like a parapsychologist.
00:21:36Not fucking Aladdin.
00:21:38Is it too much?
00:21:39Just a little.
00:21:41The haircut's good though, right?
00:21:44Sure.
00:21:45If you came here to sell insurance.
00:21:48You know, you're mean when you're sober.
00:21:51Well, speaking of which.
00:21:53Is that weed?
00:21:53Uh, keep your voice down.
00:21:56Where'd you get it?
00:21:57I have my sources.
00:21:59Where the hell did you get it on the plane?
00:22:02You really don't want to know that.
00:22:05Okay.
00:22:08Oh, sorry.
00:22:09Yeah.
00:22:09Yeah.
00:22:10Kurt.
00:22:12Sorry, I thought about you, kid.
00:22:16Hello?
00:22:19Mr. Morton?
00:22:19Yes.
00:22:20No, please.
00:22:21Oh, come on.
00:22:22Call me Hugh, please.
00:22:23Yeah, we spoke on the phone.
00:22:26Dr. Daniel Barron.
00:22:27It's great to put a face to the name.
00:22:30This is my colleague and leader of our research team, Annie Holzer.
00:22:34Annie, how nice to see you.
00:22:35Good to meet you.
00:22:36As you can see, I brought somebody with me.
00:22:38I'd like to introduce you to Edith Withers.
00:22:41She's a very well-known psychic comedian.
00:22:43Fabulous to meet you.
00:22:45Likewise.
00:22:46Hi.
00:22:48So, what do you feel you can contribute to our research?
00:22:51Well, I understand your studies are of the paranormal variety.
00:22:55That's right.
00:22:56Perhaps someone who communicates with the world of the spirit could be a worthwhile resource?
00:23:01That's not usually how we collect our data.
00:23:05I understand that.
00:23:08But a different perspective could be useful.
00:23:10Okay, let's give it a try.
00:23:18Oh, thank you.
00:23:20I've always been fascinated by this castle.
00:23:23I hear it has a remarkable residual energy.
00:23:26Um, what is your objective here?
00:23:29I mean, if you don't mind me asking, you...
00:23:31Well, like I said on the phone, we're a parapsychology team just looking to study and collect data.
00:23:38I was sort of wondering whether or not you had some kind of, uh, specific hypothesis that you were going to...
00:23:45Nothing specific.
00:23:46We're open-minded about the conclusion.
00:23:48Oh, good.
00:23:49I'm so pleased to hear because, you know, a lot of people sort of over-sensationalize about it all, right?
00:23:57Shall we take a look around?
00:23:58Yeah, that'd be great.
00:23:59Yeah, that'd be great.
00:23:59Yeah.
00:23:59That'd be great.
00:24:28Oh, shit.
00:24:32Oh, shit.
00:24:35Nice job.
00:24:35Do you want me to go check it out?
00:24:39Camera on the north side corridor is down. Who hooked that one up?
00:24:48Oh, shit.
00:24:50Nice job.
00:24:52Do you want me to go check it out?
00:24:53Don't bother. I'll do it. Just stay here and watch the monitors.
00:25:02Apple polisher.
00:25:03What?
00:25:04Will you jump right in there offering to fix my mistake?
00:25:07What a kiss ass.
00:25:08Don't bite me.
00:25:14Forgive my ignorance, Edith, but what is it exactly that you do?
00:25:21I mean, I've seen mediums and movies and things, but I'm guessing there's more to it.
00:25:27I act as an intermediary between the world of the living and the world of the spirit.
00:25:32Right. But, um, are there different categories of mediumship?
00:25:38There are usually two types of mediumship, mental and physical.
00:25:43So, what kind of medium are you?
00:25:45I specialize in the mental side of mediumship. I walk through a house and I tune in to the residual energy that's there.
00:25:57There. So, have you ever been involved in an investigation like this before?
00:26:01Ten years ago, I was invited to join a team of ghost hunters who were investigating Pendle Hill.
00:26:09That's where the famous trials of the Pendle witches were held in 1612.
00:26:14Have you ever heard of them?
00:26:16No.
00:26:17No.
00:26:17They were the most famous witch trials in British history.
00:26:21Ten women were accused and executed by Matthew Hopkins, the witch finder general.
00:26:28I found being in Pendle Hill a most disturbing experience.
00:26:34Why's that?
00:26:36When I connected, I realized that the women weren't practicing dark witchcraft at all.
00:26:45They were simply women like me who were practicing their skills.
00:26:50That's what I found so disturbing.
00:26:55Had I lived in the 1600s, perhaps I'd have been burned at the stake.
00:27:01Have you had any prior experience in this castle?
00:27:06I've never been invited to any events or studies here.
00:27:10I think the locals would rather leave this place well alone.
00:27:15When was the castle first built, Hugh?
00:27:17The Talbot family constructed it over a 10-year period from 1830 to 1840.
00:27:24The young man, the Talbot patriarch, Christopher, he traveled across Europe for years and he returned to South Wales in 1830.
00:27:34And he was the one who redeveloped the whole family estate.
00:27:38When was the first report of supernatural activity here?
00:27:42Well, the whole Talbot families, they lived here until 1941.
00:27:47And then they sold it to David Evans Bevan, good Welsh name.
00:27:53Anyway, he sold it soon afterwards.
00:27:54He said that it was, you know, too big for what he wanted.
00:27:57But his relative said that the real reason he sold it was because he was, you know, very, very disturbed by all the noises he heard every evening.
00:28:10Like children running up and down the corridors.
00:28:13And David's son said he saw a little girl darting in and out of rooms.
00:28:18And she was always wearing Victorian dress.
00:28:23So, are we to assume that children died here during that era?
00:28:28Yes.
00:28:29I think that's safe to assume.
00:28:31I think that's safe to assume.
00:29:01Uh!
00:29:02Uh!
00:29:20Uh!
00:29:29Uh!
00:29:30Uh!
00:29:31I don't know.
00:30:01I don't know.
00:30:31I don't know.
00:31:01I don't know.
00:31:31I can't believe we didn't put a camera in that room.
00:31:39We have one in there now.
00:31:41I sense a lot of consternation from a child who lived in this castle.
00:31:52A little girl.
00:31:53She lived mainly in one room.
00:31:59It was a room filled with toys.
00:32:03But for her, it was a room filled with loneliness.
00:32:06What era are we talking about?
00:32:1318... 1871.
00:32:18What was her name?
00:32:21Abigail.
00:32:24Did she... did she die there?
00:32:27Yes.
00:32:31In that room.
00:32:35What?
00:32:36What happened?
00:32:37What?
00:32:45What?
00:32:48When?
00:32:50What?
00:32:50It's over, Catherine. I want you out of here.
00:33:12Don't say that, please.
00:33:14I mean it. I have had enough. Just get out.
00:33:17I'm taking Abigail with me.
00:33:19No, you're not.
00:33:20She's staying here with me.
00:33:22No! She's not!
00:33:24This is your final warning.
00:33:26If you're still here when I get back, there'll be hell to pay.
00:33:30Just get out!
00:33:32Ah!
00:33:34Ah!
00:33:36Ah!
00:33:38Ah!
00:33:40Ah!
00:33:42Ah!
00:33:44Ah!
00:33:46Ah!
00:33:48Ah!
00:33:50Ah!
00:33:52Ah!
00:33:54What's next!
00:33:56Ah!
00:33:58Ah!
00:33:58Ah!
00:34:00Ah!
00:34:01Ah!
00:34:01Ah!
00:34:02Ah!
00:34:02Ah!
00:34:03Oh!
00:34:03Ah!
00:34:03Ah!
00:34:04Ah!
00:37:05The bride and the child are buried on the property.
00:37:11They're tormented souls trapped within the walls.
00:37:14I'm going to the bathroom.
00:37:26Have fun.
00:37:28You sure you're okay?
00:37:38I said I'm fine!
00:37:40All right.
00:37:41Just asking.
00:37:42I'm sorry.
00:37:45It was just creepy.
00:37:49That's the first time I've seen an apparition in person.
00:37:53Really?
00:37:55We don't do much field work like this.
00:38:00I mean, I've been to haunted sites before, but...
00:38:05never one with such tangible supernatural energy.
00:38:09Well, yeah, it's always scary seeing something that's not supposed to be there.
00:38:14Well, it's not just that.
00:38:15It's said that when the ghost of a deceased person appears to someone, the ghost retains the personality from when the person was living.
00:38:26And it's said that most of the time that communication is of a peaceful nature, but I didn't feel that.
00:38:36All I felt was anger, bitterness, injustice, and that's what scared me.
00:38:48I thought that when we died, we'd be at peace, and now I know that if we don't die happy, we're stuck with that anger for eternity, and that's hell.
00:39:18Hey, guys.
00:39:19So, let's hear it.
00:39:20Here it is.
00:39:22Let's get started.
00:39:52Kerk?
00:40:08Lydia?
00:40:11Brent, is that you?
00:40:22Hey, were you guys watching the corridor on the south side?
00:40:35No.
00:40:36Okay, but you're recording though, right?
00:40:38Yeah.
00:40:39Good, I need you to wind it back and check something for me.
00:40:41What happened?
00:40:42Um, writing appeared in the bathroom.
00:40:45Was it your mom's phone number?
00:40:46I'm not kidding around, Brent.
00:40:49A message appeared in the mirror.
00:40:50What did it say?
00:40:52Uh, it's said to get out.
00:40:55We don't have a camera in the bathroom.
00:40:57I know that.
00:40:58But when I came out into the hallway, I saw a figure.
00:41:03Alright, I'll check it out.
00:41:05Okay, thanks.
00:41:06It's freaky, isn't it?
00:41:07Seeing something like that.
00:41:09Yeah.
00:41:10Makes you think you're going crazy.
00:41:12Yeah, I guess.
00:41:14That's strange.
00:41:16What?
00:41:17Look at the monitor.
00:41:19That's playback.
00:41:21What?
00:41:21What?
00:41:22What?
00:41:25What?
00:41:56I don't doubt you both saw apparitions.
00:42:01It's just frustrating our cameras haven't captured anything.
00:42:04I checked the heat sensors.
00:42:07They detected a sudden drop in temperature during both sightings.
00:42:10That's something, at least.
00:42:12I get the impression that won't be our last encounter tonight anyway.
00:42:17Of course, you know, you haven't come across the most famous ghost in the castle,
00:42:22a man called Robert Scott.
00:42:24He was a gamekeeper way back in 1898.
00:42:28Why is he the most famous?
00:42:48You!
00:42:51You are not allowed on this land!
00:42:54No!
00:43:07You!
00:43:07You!
00:43:13You!
00:43:13Oh, my God.
00:43:43Oh, my God.
00:43:55Robert Scott was not a forgiving man in life, and nothing has changed in his death.
00:44:00He's a bitter and vengeful entity who will punish anyone who invades his territory.
00:44:05You know the big staircase by the entrance hall?
00:44:08That's where he's seen. He's, you know, carrying the axe and his face is blech.
00:44:14Some spirits choose to reveal themselves to the living in the way they died.
00:44:19That's why Scott still bears the scars of that fateful battle.
00:44:27I'm going for a walk. I need some fresh air.
00:44:32I'll, uh, I'll go with you.
00:44:47Edith, there's something I wanted to ask you.
00:44:50Yes?
00:44:50I'd always believed that when we passed over, that the pain of life would be washed away.
00:45:00That we would genuinely rest in peace.
00:45:03Sounds like that's not the case.
00:45:08No, not for everyone.
00:45:10But that's a scary idea, isn't it?
00:45:14That even in death, the anger of life may stay with us.
00:45:19There are many different beliefs out there, but most cultures agree
00:45:23that the reason that ghosts remain behind is unfinished business.
00:45:28Whether it's avenging a murder or some other desire.
00:45:31There are many different beliefs out there.
00:46:01You seem a little agitated back there.
00:46:16Running around a castle with some psychic chasing ghosts?
00:46:20Seems like something a reality TV crew would do
00:46:22more than a team of educated parapsychologists.
00:46:26You know, I can't help but feeling that a lot of what we're experiencing
00:46:29could be power of suggestion.
00:46:33What about all the monitors cutting out?
00:46:35That was probably just Brent and Kirk screwing up.
00:46:41Hey.
00:46:43What inspired you to become a parapsychologist?
00:46:48Why are you asking me that now?
00:46:51I'm nosy.
00:46:51It was so long ago, I don't remember.
00:46:57Really?
00:47:00Well.
00:47:02Maybe I don't feel comfortable sharing.
00:47:08In all our years working together, have...
00:47:11Have I ever given you any reason to believe that I'm not a good guy?
00:47:14I guess not, but...
00:47:21This is not the happiest story.
00:47:26I can take it.
00:47:27I never had a very good relationship with my parents.
00:47:38It was my brother, Kenny, who was always there for me,
00:47:42giving me advice,
00:47:44protecting me, showing me the love that our parents never did.
00:47:49One day when we were teenagers,
00:47:54he was getting ready to go on a road trip to Mexico with his friends.
00:47:59I had this terrible feeling.
00:48:02Before he left,
00:48:04he told me he'd always be there for me.
00:48:09The next day we got the call.
00:48:13There'd been a car crash.
00:48:15Kenny and his friends were killed.
00:48:16I had to go to the coroner's and identify the body.
00:48:20My parents wouldn't go.
00:48:26I wish the last memory I had of him was while he was still alive,
00:48:31but seeing him at the mortuary,
00:48:37it often flashes through my mind a lot.
00:48:43Cold and lifeless he looked.
00:48:46He wants me.
00:48:51Jesus.
00:48:54That's terrible.
00:48:57I still miss him so much.
00:49:01He was everything to me.
00:49:03That's why I took an interest in parapsychology.
00:49:10I thought that it would make me less scared of dying.
00:49:15Sounds silly, I know.
00:49:17No, not at all.
00:49:21It's hard for me to get close to someone.
00:49:23Well...
00:49:24You're meant to get close to someone.
00:49:32I think it just...
00:49:35kind of happens...
00:49:37organically.
00:49:40You know,
00:49:40the universe has a...
00:49:44funny way of working these things out.
00:49:46I wish you'd get back.
00:49:56Yeah.
00:49:56So,
00:49:57yeah,
00:49:58yeah,
00:49:58cause...
00:49:59So,
00:50:00I'm gonna ask you for a minute poop.
00:50:02She's been working.
00:50:07I know she's able to do everything in her room,
00:50:08but I can't help you.
00:50:10So,
00:50:10you know she's good.
00:50:11Just...
00:50:12Now,
00:50:12let me go.
00:50:13Winter.
00:50:14For real,
00:50:15let me go.
00:50:16Now!
00:50:16Let me go.
00:50:17Next.
00:50:17Sure,
00:50:18let me go.
00:50:19One minute poop.
00:50:19You know,
00:50:20let me go.
00:50:21tecnologiaê±°ë“ .
00:50:21Member course besu 선물 to fame.
00:50:53In the evening by the moonlight, when the donkeys' work was over,
00:51:01we would gather round the fire till the whole cake is was done.
00:51:10Then we all would eat our supper, after that we'd clear the kitchen.
00:51:18That's the only time we had to spare, to have a little fun.
00:51:30Hunter Dave would take the fiddle down, that hung upon the wall.
00:51:39Hunter Dave would take the fiddle down, that hung upon the roof.
00:51:45He would take the fiddle down, and be careful.
00:51:49There's a lot of fun that would take the fiddle down.
00:51:52He would take the fiddle down.
00:51:55I was ready to take the fiddle down.
00:51:58I saw the fiddle down.
00:52:00I tried to cut the fiddle down, but I didn't know who I was.
00:52:03I don't know.
00:52:33I don't know.
00:53:03I don't know.
00:53:33I don't know.
00:53:34I don't know.
00:53:35I don't know.
00:53:36I don't know.
00:53:37I don't know.
00:53:39I don't know.
00:53:40I don't know.
00:53:41I don't know.
00:53:42I don't know.
00:53:43I don't know.
00:53:44I don't know.
00:53:45I don't know.
00:53:46I don't know.
00:53:47I don't know.
00:53:48I don't know.
00:53:49I don't know.
00:53:50I don't know.
00:53:51I don't know.
00:53:52I don't know.
00:53:53I don't know.
00:53:54I don't know.
00:53:55I don't know.
00:53:56I don't know.
00:53:57I don't know.
00:53:58I don't know.
00:53:59I don't know.
00:54:00I don't know.
00:54:01I don't know.
00:54:02I don't know.
00:54:03I don't know.
00:54:04I don't know.
00:54:05I did.
00:54:06I don't know.
00:54:07I don't know.
00:54:08I don't know.
00:54:09I don't know.
00:54:10I don't know.
00:54:11I don't know.
00:54:12I don't know.
00:54:13I don't know.
00:54:14I don't know.
00:54:15I don't know.
00:54:16I don't know.
00:54:17I don't know.
00:54:18I don't know.
00:54:19I don't know.
00:54:20I don't know.
00:54:21I don't know.
00:54:22I don't know.
00:54:23I don't know.
00:54:24I don't know.
00:54:25I don't know.
00:54:26I don't know.
00:54:27I don't know.
00:54:28I don't know.
00:54:29I don't know.
00:54:30I don't know.
00:54:31I don't know.
00:54:32I don't know.
00:54:33These big places always have hidden compartments and passages.
00:54:54Maybe they'll lead us to a secret exit.
00:54:57Have you ever heard of anything like that in this place, Hugh?
00:54:59Yeah, well, actually, there was an employee who worked here for many, many years.
00:55:03Now, he claimed that there was a secret vault down in the grounds there
00:55:07and contained some of the castle's historic artifacts.
00:55:10And he also said that from the vault, there was another tunnel leading to the outside.
00:55:16It was constructed in case the Tolbert's ever had to, you know, get out of the castle undetected.
00:55:21I don't see anything like that on the blueprints.
00:55:24Yeah, I know. It's supposed to be secret, wasn't it?
00:55:26Well, if it's such a secret, how come that employee knew about it?
00:55:29Sounded very logical to me when he told me anyway.
00:55:31All right.
00:55:31Our only option is to search this castle.
00:55:35Find out if there really is a secret door that leads to a vault.
00:55:38We have no proof there's even a vault, let alone an escape route inside it.
00:55:41It's not on the blueprints. It's just hearsay.
00:55:44What other choice do we have?
00:55:46All we've got up here are bars on the windows and locked doors.
00:55:49We tried to break them down. They won't budge.
00:55:51I believe there is a vault.
00:55:53But I must warn you that the spirits will do everything they can to stop us finding it.
00:56:01Shit.
00:56:03Is it just this room or the whole building?
00:56:07All the lights are off out here, too.
00:56:10I think the whole building's down.
00:56:12Did you pack the flashlights?
00:56:13Yeah. They're in a bag over there.
00:56:29We'll search the rooms.
00:56:30Find this secret passage if we can.
00:56:33You stay here.
00:56:34Keep an eye on the equipment.
00:56:36I haven't heard Lydia knocking.
00:56:40Do you think she's still outside?
00:56:45I don't know.
00:56:47Maybe she went back to town to get help.
00:56:48That's what we're hoping for.
00:57:05Okay. Let's search.
00:57:09Daniel and I will take that room.
00:57:11Hugh and Edith, you take the one opposite.
00:57:12Anyone finds anything, come back to the corridor and call out.
00:57:16And leave the doors open so we can hear each other, okay?
00:57:18Yeah, okay. Fine.
00:57:19Yes, yes, yes.
00:57:20I didn't see this room earlier.
00:57:41Yeah, me neither.
00:57:45There's something really familiar about this place.
00:57:50I feel like I've been here before.
00:57:53I feel like I've been here before.
00:58:20Wait.
00:58:21Wait.
00:58:21I don't know.
00:58:51I mean, where on earth are we?
00:59:06Bexal Hill.
00:59:08It's the castle toying with us, playing on our fears, bringing the past into the present.
00:59:21Edith Withers, the mark of Satan is upon you.
00:59:35You must burn.
00:59:51Who is that?
01:00:08It's my brother.
01:00:10It's my brother.
01:00:26You can't have much of this place.
01:00:29It's just something that it's not.
01:00:31It's not your best class.
01:00:33You can't have much of this place.
01:00:35I love this place.
01:00:40Your satanic ways are an affront to common decency.
01:01:01And it is just that you suffer for them.
01:01:07You must, your Garrett does not ruin your family life.
01:01:12This is Man's Tree attime.
01:01:13In the past, we have 24 hours to씩 humanitarians.
01:01:16There are two people who carry out the house full of pictures.
01:01:18You must be taken away from the house full of pictures and look into the calf.
01:01:22Please, just wait.
01:01:24Please, just wait for theieving appearance.
01:01:26geben you to an illusion.
01:01:28There's no doubt going out.
01:01:30Do what they do doing?
01:01:33You must definitely feel like my propulsion.
01:01:34Open them up just right through the reste.
01:01:36Stern!
01:01:42Do your duty!
01:02:06Don't forget to subscribe to the channel!
01:02:12Don't forget to subscribe to the channel!
01:02:16What the hell happened?
01:02:39Psychological warfare.
01:02:41The castle's using our fears against us.
01:02:45Was that Kirk?
01:03:15The castle's using our fears against us.
01:03:20The castle's using our fears against us.
01:03:24The castle's using our fears against us.
01:03:30The castle's using our fears against us.
01:03:45No!
01:03:47She's gone, Hugh!
01:03:49Come on!
01:03:50Come on!
01:03:51Look!
01:04:06Help me!
01:04:10Come on!
01:04:11Come on!
01:04:12Look!
01:04:13Help me!
01:04:15Come on!
01:04:16Come on!
01:04:17Come on!
01:04:18Come on!
01:04:19Come on!
01:04:20Come on!
01:04:21Come on!
01:04:22Come on!
01:04:23Come on!
01:04:27Come on!
01:04:36Come on!
01:04:37Okay, go.
01:05:03Okay.
01:05:04This could be it.
01:05:15Do you know how to pick a lock?
01:05:16No, do you?
01:05:17No, but I don't see any keys around here, so we have to try.
01:05:28Look at this place.
01:05:29This must be worth a fortune.
01:05:31This isn't the fucking Antiques Roadshow.
01:05:36What are you doing?
01:05:38It's got a key.
01:05:39If it's got a key, there's something valuable inside.
01:05:41We're not here to loot the fucking place, Hugh.
01:05:44We need to get the hell out of here.
01:05:45Now help us get this door open.
01:05:50Oh, my God.
01:05:52What?
01:05:55Necronomicon.
01:05:58Is that supposed to mean something to us?
01:05:59This is one of the most famous occult books in the whole world.
01:06:02It's got enormous powers.
01:06:04Earlier, Edith said she sensed something of significance was in the vault.
01:06:08Something spirits didn't want us to find.
01:06:10Could this be it?
01:06:11Yeah, it could be.
01:06:12I mean, I heard that they collected historical artifacts.
01:06:14I never thought they had this.
01:06:16Could we potentially use it to ward off the spirits?
01:06:19I think we could.
01:06:20Well, maybe we shouldn't be messing around with something like that.
01:06:23Well, we've got to try something, haven't we?
01:06:25Maybe we can use this book to lift the spirits and make our escape.
01:06:49Don't do it.
01:06:50You're a mess.
01:06:51Don't do it.
01:06:52Don't do it.
01:06:53You're all right.
01:06:54Don't do it.
01:06:55Don't do it.
01:06:56Don't do it.
01:06:57Don't do it.
01:06:58It's not that you'll see the other spirit.
01:07:00Those spirit's flotten us in this place, fight water by water and fire by fire,
01:07:05I'm not at all.
01:07:07My exalted life, that's all I have seen.
01:07:10My exalted life.
01:07:12Your spirits threaten us in this place.
01:07:14Fight water by water and fire by fire.
01:07:17Banish those souls into nothingness
01:07:20and remove their powers until the last trace.
01:07:23Let these evil beings flee through time and space,
01:07:27by earth, by wind, by water, and by fire.
01:07:31Banish the darkness and bring forth the light.
01:07:34Oh, evil spirit, in the name of the Holy One, I cast thee to hell.
01:08:04Oh, evil spirit, in the name of the Holy One, I cast thee to hell.
01:08:34Oh, evil spirit, in the name of the Holy One, I cast thee to hell.
01:09:04Oh, Enos, thank God you're here.
01:09:13Listen, it's been a total disaster.
01:09:15We need to get the police out here right now.
01:09:24Why is he ignoring us?
01:09:25I don't know.
01:09:27Enos, are you listening?
01:09:29We had no phone reception.
01:09:31We couldn't call anyone.
01:09:32We've been stuck in here all night.
01:09:38Enos, this isn't funny.
01:09:41Answer us, for Christ's sake.
01:09:58We've encountered a lot of poltergeist phenomenon.
01:10:20Enos, this is getting ridiculous.
01:10:22Enos, speak to us.
01:10:23Let's go.
01:10:24Let's do this.
01:10:24Lord?
01:10:25Let's go.
01:10:25Amen.
01:10:26Let's go.
01:10:28Let's go.
01:10:29Let's go.
01:10:29Let's go.
01:10:32Let's go.
01:10:33Let's go.
01:10:34Oh, my God.
01:11:04Oh, my God.
01:11:08Hey.
01:11:10Hey.
01:11:14Hey.
01:11:16Hey.
01:11:18Hey.
01:11:20Hey.
01:11:26Hey.
01:11:30Hey.
01:11:32Hey.
01:11:38Hey.
01:11:42Hey.
01:11:44Hey.
01:11:46Hey.
01:11:50Hey.
01:11:54In the evening by the moonlight
01:12:08When the darkies' work was over
01:12:12We would gather round the fire
01:12:16Till the whole cake is was done
01:12:21Then we all would eat our supper
01:12:25After that we'd clear the kitchen
01:12:29That's the only time we had to spare
01:12:35To have a little fun
01:12:41Hunter Dave would take the fiddle down
01:12:47That hung upon the wall
01:12:50While the silvery moon was shining
01:12:54Clear and bright
01:12:58How the old folks would enjoy it
01:13:06They would sit all night and listen
01:13:11As we sang in the evening
01:13:19By the moonlight
01:13:27In the evening by the moonlight
01:13:29You could hear the stars
01:13:37In the evening by the moonlight
01:13:39You could hear the banjos ringing
01:13:43How the old folks would enjoy it
01:13:49They would sit all night and listen
01:13:57We sang in the evening
01:14:03By the moonlight
01:14:07How the old folks would enjoy it
01:14:25How the old folks would enjoy it
01:14:35How the old folks would enjoy it
01:14:37They would sit all night and listen
01:14:43And we sang in the evening
01:14:51And we sang in the evening
01:14:53By the moonlight
01:14:57And we sang in the evening
01:15:15VIOLIN PLAYS
01:15:45VIOLIN PLAYS
01:16:15VIOLIN PLAYS
01:16:45VIOLIN PLAYS
01:17:15ORGAN PLAYS
01:17:45ORGAN PLAYS
01:18:15ORGAN PLAYS
01:18:45ORGAN PLAYS
01:19:15ORGAN PLAYS
01:19:45ORGAN PLAYS
01:20:15ORGAN PLAYS
01:20:45ORGAN PLAYS
01:21:15ORGAN PLAYS
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