- 6/21/2025
Shirin Farhad - Episode 15 - 21 June 25 [ Farhan Saeed & Kinza Hashmi ] Master Paints, PEL
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00:00Oh
00:30Every thing is worth it
00:32Every thing is worth it
00:34What a mess?
00:36No one is wrong with the people
00:38The direction of the people
00:40I want to get married from Shamsa
00:43I want to give her one chance to stay alive
00:46She's not right
00:48Shamsa?
00:50Shamsa?
00:52Shamsa?
00:54You're making a film
00:56Good
00:58Then you can do everything else
01:00We have been blessed
01:04Shiri
01:06Shiri
01:08Yes
01:10I have to leave the bus
01:12I have to leave the bus
01:14I have to leave
01:16Nothing happened to me, Shamsa
01:18Everything happened
01:20Just
01:22Just
01:24Just leave the bus
01:26I have to leave the bus
01:28It's not easy
01:30She's used to be used to be
01:32And
01:34I have to leave the bus
01:36I have to leave the bus
01:38I have to leave the bus
01:40I have to leave the bus
01:42I have to leave the bus
01:44I have to leave the bus
01:46I have to leave the bus
01:48You have to leave the bus
01:50I have to leave the bus
01:54But
01:56You have to leave the bus
01:58You're getting
02:00Now what do you think?
02:05You have to leave a conversation with me, Shamsa.
02:10You ask me to tell me.
02:14I'm not sure.
02:18How are you doing?
02:20I'm going to reach out to you, Shamsa.
02:23Why?
02:25I'm waiting for you to wait.
02:29What is it?
02:40Yes, what is it?
02:47Yes, sir.
02:49Let's go.
02:51Let's see the dialogue.
02:53The screen is small.
02:55Sir, the story has changed a little.
03:00Is it better?
03:02It's better.
03:04It's better. It's close to the truth.
03:06So, in this case, it's not true.
03:09I don't know.
03:11I don't know.
03:12I don't know.
03:13I don't know.
03:15I don't know.
03:17How many people?
03:19How many people?
03:2010, 20, 50, 100, 500,000.
03:25The story of the film is full of the world.
03:29How many people do?
03:30How many people do?
03:32Sheely ваши failures?
03:34I wonder if his salary.
03:35The story of the hawaii
03:36It may not.
03:37He mostly ends up being something offensive.
03:40Your personality is great.
03:43Right on.
03:45Your character wants to make the shape,
03:47asking for that…
03:49Well...
03:51It's...
03:52It's really not a lot of character.
03:53Insecure.
03:55Hasadwali, Lalachwali, a little short-cut girl.
04:01And her traits don't have to be in a hundred years.
04:05Yes, sir.
04:06Go and rest.
04:08We will be doing these sessions at night.
04:12Yes, sir.
04:15Good night, sir.
04:18Good night.
04:20Hello, hello, hello my dear Rosie.
04:23Hello.
04:24Sorry, did you have to stop us?
04:27No, no.
04:29You have to wait to see the people who are watching.
04:32And the people who are watching us look really good.
04:38If you guys came here, take the script and tell you.
04:43Yes, I know.
04:47It's only the issue of the producer.
04:50It's also the issue of the producer.
04:58People are ready to put money on us.
05:01Not in our film.
05:03Hmm.
05:04Yes, but I don't feel bad if you're talking about it.
05:07Because I know.
05:09You've come to the store.
05:12The producer said that you have a producer.
05:17I don't have to try too many times.
05:18But if you're trying to make it for you.
05:19You're trying to do so much.
05:20You're trying to do so much.
05:21But if you're trying to make it for us, you're trying to do so.
05:22But you, you all have to put your name on your name, right?
05:30But if you want to make a decision,
05:32it may be that we sign the Sultan's film.
05:38Really?
05:41If you want to make a film with us,
05:44then take the producer.
05:47We sign the film?
05:54Hmm?
05:56Yes.
05:59Okay, tell me what you will be, tea or coffee?
06:03Tea.
06:06Selene!
06:17If you want to make a decisionий,
06:22then come here.
06:23.
06:30.
06:37.
06:41.
06:46.
06:51Hey, Master, you have given the rest of all of them on the chok.
06:55No sir, but you can see that...
06:59You know that you have a good fortune, but that was very good.
07:06Yes sir, but he didn't tell us.
07:11It was a very bad surprise, so we can't do that.
07:21There were two times he had a question for him, but he didn't give him the answer.
07:28What do you mean?
07:29He's writing a poem.
07:32I've heard that if the writers are a victim of someone, he's a victim.
07:37I don't know, what's going on now?
07:40He's been very difficult to control his feelings, uncle.
07:43How did Phil get hit?
07:46Why?
07:47Are you doing a flop?
07:49No, no, no, no, no, no.
07:51I was saying that he doesn't have a divorce of films.
07:54He doesn't have value.
07:56Who has said that?
07:57People are doing the work.
07:59Muhammad Ali Zewa, Sabiyah Khan, Santosh, everyone is doing work.
08:04Then, then, you should also have a chance of the Shiri and Faraad.
08:07It's impossible.
08:10Why?
08:17Where are you going?
08:19I'm going to the hospital, and the shop owner of Abdus Salam is inside.
08:23Oh, give me God!
08:25How did he go?
08:26Where did he go?
08:27He went to college?
08:28He went to college.
08:29He went to the village in the hospital.
08:31He went to the hospital.
08:32He went to the hospital.
08:33Ahmed is also opening his shop in the studio.
08:36What?
08:37Yes, he is in the joint.
08:39Now, that place is clean for him?
08:41I don't know.
08:43Will we see?
08:44Trust me.
08:46There is no need for him.
08:49I have to see.
08:51Let's see.
09:02Do you know who's the story?
09:04I didn't write my story.
09:07My story was the story.
09:10The story was the story.
09:12But it's just so much.
09:18Peace be upon you.
09:20Peace be upon you.
09:21What are you doing?
09:23I'm better.
09:25Why did you hurt me?
09:27I met you from the night.
09:29And I met you from the two.
09:31Do you have any pain?
09:33Never, never, never.
09:35Now you don't eat food everywhere.
09:40Where are you from?
09:42Where are you from?
09:43I'll take an autograph.
09:44I'll take an autograph.
09:45I'll take it.
09:46I'll take it.
09:47I'll take it.
09:48Just one minute.
09:49You're welcome.
09:50I'm going to give you a pity for your father-in-law.
09:55How are you?
09:58Your brother-in-law.
10:00Yes, he does.
10:02It's easy to do.
10:05People do it.
10:07Some of the other people do it.
10:15He's also here for you, writer-sahab.
10:20I'm going to work with you.
10:22The love is always difficult.
10:25Whatever you get, you'll get.
10:31There's no way to go.
10:33But it's better to go.
10:35You don't like it.
10:37You don't like it.
10:39You don't like it.
10:41Everything is all love.
10:43This is...
10:45You can see me.
10:53You can see me.
10:54You don't like it.
10:57You don't like it.
11:00I don't have a problem.
11:01I have to put in my head.
11:07You have to keep the rest of your head.
11:10Don't be afraid of this.
11:13Don't give me a chance.
11:15Let's get away from the end of the night.
11:17Why don't I just tell you?
11:19What do you think is something that I want to do?
11:22Let's get away from the night.
11:25It's a little bit easier than you.
11:26and their power is not going to be the same.
11:31What is it?
11:34What is it?
11:35I'm standing in front of you,
11:37but the new ones will be more than you.
11:41I'll go to the film.
11:44Where are you?
11:48I don't know.
11:51I'll go to the film.
11:55You do, you do,
11:57you do,
11:59You do not cry
12:01the days and nights
12:03You will remain in your thoughts.
12:09He wants to leave.
12:10So, you have to laugh with.
12:12He's been well-known.
12:13Stayed, Vahidah.
12:15When did he come out?
12:16He's not going out.
12:17Which one of her love is?
12:18Yes, there is love.
12:20Don't say to her.
12:22Shiri!
12:24Shiri!
12:34What happened?
12:36Nothing.
12:38Why did you come here?
12:40I didn't see far away.
12:44What happened?
12:48Yes, love with you.
12:52I love you too.
13:02Shiri!
13:03Shiri!
13:04Can you come here?
13:05Yes, ma'am.
13:06Let's go here.
13:08Let's go.
13:10Let's go.
13:12Hello, uncle.
13:14How are you here?
13:16You wanted to be with Shiri in college?
13:20Yes, uncle.
13:21The college was a good job.
13:23I'm here.
13:24I'm here.
13:25I'm here.
13:27It's okay.
13:28Yes.
13:29Yes.
13:38You can go.
13:39Your daughter is inside.
13:40No.
13:41If you meet your friends,
13:43if you see me,
13:44then the rest of your friends will be able to meet.
13:46No.
13:47No.
13:48No.
13:49I'm here.
13:50No.
13:51No.
13:52Yes.
13:53No.
13:54No.
13:55And cut!
13:57What do you say?
13:59Sir, let's change something.
14:01Why?
14:03What do you say?
14:05Sir, let's change something.
14:07Why?
14:09What's your fault in your life?
14:11No, there's no such thing.
14:13But you're keeping the original names.
14:15I want to go away.
14:17No.
14:19No.
14:21I've written two great films on the table.
14:25But I'm telling you this.
14:27The film that comes to the earth,
14:29tells me a truth.
14:31You'll be honest.
14:33You'll be honest.
14:35You don't need acting.
14:37Is it just this?
14:39It's the other way.
14:41It's the same.
14:43It's the same.
14:45It's the same.
14:47It's the same.
14:49I'm telling you.
14:51Sir, I'm telling you.
14:53I'm telling you.
14:55I'm telling you.
14:57I'm telling you.
14:59I'm telling you.
15:01I'm telling you.
15:03Come on. Grow up, Sherry.
15:05You can change your passion.
15:07You'll be alone.
15:09Hello, Sir.
15:10Hello, Rosie.
15:12I haven't disturbed you guys.
15:14I've kept everything.
15:16I'm telling you.
15:18Come on.
15:19Come on.
15:25Sir, we're from your cello.
15:27It's time for a day.
15:29I'm offering you a film.
15:32Okay.
15:34This is my pleasure.
15:36What did you do with me?
15:38What did you do with me?
15:39Vamp's character.
15:40Negative?
15:42You talked about me.
15:43But you were very insecure.
15:45You were very insecure.
15:47He's doing it.
15:49He's doing it.
15:50He's doing it.
15:51He's exposed.
15:52He's a very complicated character.
15:54Who is he?
15:56Who is he?
15:57You are.
15:58I mean, there's a big name in the other cast.
16:03You're giving new people.
16:05You're giving new people.
16:07You're giving me a chance.
16:08You're giving me a chance.
16:09You're giving me a chance.
16:10Yes.
16:11I'm giving you a chance.
16:12Yes.
16:13I'm the heroine of this film.
16:18What?
16:21No, Sir.
16:22You told me that you're giving me a chance.
16:24You're giving me a chance.
16:25In front of me, you're giving me a new girl.
16:27Enough, Rosie.
16:28Don't forget to all the members.
16:29You're giving me a chance.
16:30Don't forget about me.
16:31Don't worry.
16:32Don't worry about me.
16:34Don't worry about me.
16:35Don't worry about me.
16:36I need you.
16:37You're saying something.
16:38What?
16:39You're saying something.
16:40I'm gonna die.
16:41I've been waiting for you.
16:42Don't worry about you.
16:43I'm waiting for many years.
16:44I've been waiting for you.
16:45Don't worry about you.
16:46I'm going to get any future.
16:47Let me be back.
16:48I won't do anything.
16:49But whatever you're saying.
16:51And do whatever you're talking about,
16:53I'm going to die.
16:54Now I'll be going.
16:55Okay, I had to talk about a need for you, but I'm alone.
17:18And why are you telling me all these things?
17:21Sir, don't worry about me.
17:24We're going to have a friend of mine.
17:26If you're going to have a friend of mine, I'm going to tell you.
17:30I'm going to tell you.
17:31It was the fact that it was the case.
17:33And it was the case.
17:35I'm going to take care of it.
17:38That's the money.
17:40You can buy something to buy and buy something.
17:44I'm going to shoot a film.
17:47I'll handle it.
17:49I'll handle it.
17:50I'll handle it.
17:52I'll handle it.
17:54I'll handle it.
17:55I'll handle it.
17:56I'll handle it.
17:57I'll handle it.
17:58I'll handle it.
17:59What do you think?
18:01Will you get a job?
18:03It was a question that you had to do.
18:06What?
18:08Really?
18:09You can't go for the wrong thing.
18:10You can't handle it.
18:11You can't handle it.
18:12You can't handle it.
18:13You're going to run all three minutes.
18:14You can handle it.
18:15You're going to handle it.
18:16You're going to have to get a job.
18:18If you want me to buy a shop, then you will be able to buy a shop.
18:30What did you do with our work?
18:34I wanted you to meet with me.
18:39In fact, my brother and brother have fought together with my brother.
18:46So, tell me.
18:53Beesht India Company has been a long-term relationship.
18:58Sir, we have been fighting for a long time.
19:04We were not born before we fought.
19:08We are not fighting for our and our shiering.
19:23We are going to cut our shop.
19:26We are going to have to do it.
19:28But the rule is that in our together,
19:33the shiering is standing.
19:38Yes.
19:48I am very proud of you.
19:53I was impressed with my friends and family.
19:59I never learned anything.
20:02If you want to make a smile, then love.
20:06Why are you so much so much for me?
20:15The person who loves us,
20:19He loves us.
20:21He loves us.
20:23He loves us.
20:25And I love him.
20:27He loves us.
20:29He loves us.
20:31Bhaeru Kamoht Tulwoshe
20:36Tum to raastah hon
20:38Makeru na hi saamjhat
20:41And I think
20:44Unkei khabon ke khub saurat
20:46Heeree soneye
20:47Or moti se jari
20:48Salakho ki kaiti
20:50Na un salakho kukoo kaat sakti hain
20:53Na unse kadam bahar rakh sakti hain
20:57We will forgive others but ...
21:03...
21:04...
21:05...
21:06...
21:08...
21:13...
21:20...
21:22...
21:27Shiri?
21:51Tom?
21:53You're going to come?
21:55Yes, that's what I wanted to do.
22:05Ahmed, come on.
22:08I'll show you the whole studio.
22:12No, I didn't.
22:14I just wanted to tell you about it.
22:17First of all, I told you that I've opened the shop.
22:20You know what?
22:22My mother's name is the man voice.
22:24As a father, I was the one that called You Devon,
22:27and she was the one that wouldn't be.
22:29I would love you.
22:30I was the one who ordered you to.
22:31Through you, am I,
22:32I'm Wilson.
22:33Well, I thought it was great,
22:34that's what you wanted to do.
22:36I felt there was no money.
22:38I felt like it was like a friend.
22:41Yeah, yes, yes.
22:47I'll try everything.
22:49I'll try everything.
22:50I'll try everything.
22:51Do you want to close the house from the door?
22:53Yes, sir.
23:13Who are you?
23:17What are you doing?
23:19Oh my God, what's going on?
23:23What are all these things? Who did it?
23:26I'll see too.
23:31Saifuddin, Saifuddin, come here.
23:34What?
23:39Who put this on?
23:46I'll see.
23:49I'll see.
24:05Who can do this on?
24:08I'm not.
24:10He's been with us today.
24:12If he's been with us,
24:14why are you doing this on our love?
24:16How do you feel?
24:18You're going to be ill.
24:20If you do this on our way,
24:22you'll be there.
24:23And he'll be there.
24:24But he'll have to come.
24:25He'll be there.
24:26Shiri?
24:27Now, see what I'm doing.
24:29Your marriage will be very necessary.
24:32I'm losing this film bill.
24:34You've got to save your love in your house.
24:37I'm saying, do it.
24:39No one can do anything.
24:42No one can do anything.
24:44No one can do anything.
24:46You see.
24:47You were talking about something.
24:58If...
25:00Come here.
25:11Which job is for that?
25:15Do it.
25:17I'm looking for someone else.
25:23When he was gone, his hands were empty.
25:30If you're a woman,
25:33what would happen to you?
25:36We've told you before.
25:39What happened?
25:41he turned into a hole and came and ran into the hole.
25:55Mahasri Sant,
25:58see.
26:01Who are you doing?
26:03Who is it?
26:10I am, Ahmed.
26:12The entry of it was complete.
26:15Okay, you stop.
26:17What is it?
26:20I don't want to talk to you.
26:23How did you come here?
26:25He tried to come inside.
26:27What happened?
26:29Sheerim, go inside.
26:31Ahmed, go here.
26:35That's a good thing.
26:37I was able to take care of it.
26:39I was able to take care of it.
26:41Ahmed, let me leave you.
26:43I'm not talking about it.
26:45Look, it's so funny.
26:47I opened a shop in the studio.
26:49I was able to give you a gift.
26:51Yes, son.
26:53You know why you opened the shop?
26:55And the pool is gone.
26:57He's been trying to do it.
26:59Just, Sheerim.
27:01I'm tired.
27:03I'm tired.
27:05I'm tired.
27:07Ahmed, come here.
27:09Sheerim, go inside.
27:11Ahmed, it's better for you to go here.
27:13I'm telling you, my brother.
27:15Ahmed, I told you to go here.
27:17You're right.
27:19I said, you're okay.
27:21The drama of Ahmed is the best.
27:23It's not bad for you.
27:25No guilt, my brother.
27:27You're wrong with me.
27:29I'm telling you, Abbo.
27:31We are taking care of my family.
27:33We are going there to go.
27:34We will sorry to come.
27:35We will come there to you.
27:36Then we can pass.
27:37We can't do it. There's no respect for such people.
27:40We don't have respect for such people.
27:42We don't have respect for such people.
27:44They also know how many hundreds of money they have.
27:46Tell me, ten thousand.
27:48I've never given up for ten.
27:50When this film started,
27:52it's all that happened.
27:54These people just want us to be scared.
27:57You'll have to be scared, Saifuddin.
27:59Here, there's no respect for such people.
28:01You're afraid of shock.
28:03If I got something,
28:05I'll have to go.
28:07You're afraid of shock.
28:09You're afraid of shock.
28:11You are afraid of shock.
28:13I'm afraid of shock.
28:15I think you'll have to announce your film.
28:18We have to make a decision.
28:21We've made a decision.
28:23Don't think about it.
28:24The actors are the actors.
28:26You can do it.
28:28Who are the actors?
28:30Who is the actor?
28:32My actor.
28:34Very good.
28:36Very good.
28:37Very good.
28:38Very good.
28:39Very good.
28:40Very good.
28:41Very good.
28:42Very good.
28:43Very good.
28:44Very good.
28:45Very good.
28:46Very good.
28:47Very good.
28:48Very good.
28:50That's why I'm a photographer.
28:51Salty, you're your assistant.
28:52Shiri's love.
28:54You're your support.
28:55You're your support.
28:57What are you doing?
28:59I'm your support.
29:00You're your support.
29:01Very good.
29:03You're your support.
29:05You're your support.
29:06You're your support.
29:07You're my support.
29:09You're your support.
29:10The details are you?
29:11You're on your behalf.
29:12I'm a home.
29:13There is also a press.
29:14I'll show you the news tomorrow tomorrow.
29:16Don't leave one day.
29:21We'll meet with writers.
29:27That's what the law is.
29:43I'll show you the news tomorrow tomorrow.
30:02I've known that you're here to be your daughter.
30:08What are you doing here?
30:10There are no news here.
30:13There are no news here.
30:16This is our work.
30:18This is our work.
30:20What are you doing here?
30:24We'll do it for you.
30:26I didn't see you before.
30:29Thank you very much.
30:31No.
30:32It's not.
30:33It's not.
30:34You're wrong.
30:36You're wrong.
30:38You're wrong.
30:40Yeah.
30:43Yeah.
30:44Film.
30:46Is it an assistant?
30:48It's an assistant.
30:49It's not that.
30:50This is not that.
30:51we will have to go to the press conference in the head of the press conference.
30:55I was talking about a new film.
30:59We had a meeting.
31:05I don't know how to write.
31:07The thing is that...
31:09...to work and work is not a bad thing.
31:13I don't know anything about you, brother.
31:15I am very grateful.
31:17I was talking about compensation.
31:23And there is nothing.
31:25You don't have to do anything for me.
31:29There is a very angry party.
31:31After that, we will get another film.
31:33Carrier start.
31:39You must think.
31:41You will get everything.
31:43You will get everything.
31:47Something comes.
31:49Sometimes, you can think that everything is good.
31:51Something comes out.
31:53They are coming.
31:55They are coming.
31:56It's all for me.
31:57The time has come.
31:59They will go and ask.
32:01Something like that.
32:02It's all for me to ask.
32:03Shamsen.
32:04Something came.
32:05Tell you.
32:06Yes.
32:07You came.
32:08Yes.
32:09Yes, my brother.
32:11What was he asking?
32:14No, I asked you, I asked you.
32:19What happened?
32:22Kushni,
32:24you're the brother that you and Shiri were telling me about the news.
32:28What did you do here?
32:32Kushni, I'm going to keep your mind.
32:34Brother, go ahead.
32:36Kushni, Shamsa, I was asking for forgiveness.
32:39I'm coming, okay?
32:41Now come.
32:49Abbu, I'm going to the studio.
32:52Stop, son. I'll go. I'll get you to meet him.
32:57Sultan, you've promised me.
32:59If something happens, you should know.
33:03I'll tell you, I'll tell them.
33:05I'll tell you, I'll tell you, I'll tell you.
33:10You'll tell me, I'll tell you.
33:12You'll tell me, I'll tell you.
33:14No.
33:15Sultan, I'll tell you, you'll need to meet him today.
33:19Okay, I'll be in the studio.
33:22I'll be rehearsing, there'll be a photo session.
33:25I'll ask him to meet him.
33:26If you'll meet him,
33:28then you'll send him to me.
33:30Okay?
33:35What happened?
33:48What happened?
33:52This is probably going to be the end of the day.
34:06What was that?
34:09Yes, Abbu.
34:11You don't even see who can happen.
34:14You don't put a candle in love.
34:17She also has a lot of pride in her life.
34:24With the love and love,
34:26there is no love for her.
34:28Look at my mother.
34:30She's gone to me.
34:39I've been back with a girl since 7 years ago,
34:41Mr. Danny.
34:44Mr. The peak of her career.
34:47Yes.
34:48Let's go.
34:49And two black coffees.
34:50Yes.
34:51Abdukutu abhi bhi farahad pari shak hai.
34:55Naapvali insaan hai nam.
34:57Aparai arz se bahad hain nikal takte hoa.
35:00Lekin sach baat ye hai.
35:02Mujhe deni se dar lag raha hai.
35:04Taar akshi cheez hai.
35:05Insan ko.
35:06Mohtat rakta hai.
35:08Lekin aga dar se insan ka mzor padhna churno ho jaya.
35:10Tho bho thịp nahi hai.
35:12Sir, aap bataayin.
35:14Kya karongi?
35:15The film.
35:16Or kya?
35:19Lekin deni kya chahate hai amazhi?
35:22Yeh film karna chahate hai amazhi.
35:24Unhne aur koi saign ni kar raha hai STA.
35:27Yeh film haasil karne ki har mumpim košish karayga.
35:46Naam te ra mera raha raha jayega.
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