- 19/6/2025
Pelicula clásica de los años setentas asesino serial.
Categoría
🎥
CortometrajesTranscripción
00:01:44¿Cómo puedo hacer esto?
00:01:46¿Tiene que el dinero?
00:01:48¿Alguna teléfono?
00:01:52¿Se desapareció hace unos minutos?
00:01:56No sé dónde está.
00:01:58No sé dónde está ella.
00:02:00Ella dijo que no tenía nada.
00:02:02¿Cómo te crees que una maldita que siempre está guardando a nosotros?
00:02:05Vamos, vamos a ver.
00:02:28¿Cómo te crees que una maldita que siempre está guardando a nosotros?
00:02:58La maldita que siempre está guardando a nosotros.
00:03:28La maldita que siempre está guardando a nosotros, ¿eh, Ana?
00:03:35La maldita que siempre está guardando a nosotros, ¿eh, Ana?
00:03:47Make a tape for it.
00:03:54La maldita que siempre está guardando a nosotros, ¿eh, Ana?
00:03:58La maldita que siempre está guardando a nosotros, ¿eh, Ana?
00:04:02La maldita que siempre está guardando a nosotros, ¿eh, Ana?
00:04:06La maldita que siempre está guardando a nosotros, ¿eh?
00:04:16¡Suscríbete al canal!
00:04:46¡Suscríbete al canal!
00:05:16¡Suscríbete al canal!
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00:06:43Oh
00:07:06Each one of you must obey my commands each one of you must die
00:07:11You do not live for yourself, but for me, in me and through me
00:07:28Here let me help you
00:07:30You're lucky we didn't kill you today
00:07:33If it wasn't for Satan we would have
00:07:36Don't worry in a few weeks. We'll be back to normal. I
00:07:40Guess we need you
00:07:42No one else around here takes the chances you do to get the stuff
00:08:09Attention all passengers, launch a late flight number 436 arriving from New York, Miami, Lima and Santiago
00:08:18The departure from Montevideo and Rio will be in 30 minutes
00:08:23Attention all passengers, launch a late flight number 436 arriving from New York, Miami, Lima and Santiago
00:08:31The departure from Montevideo and Rio will be in 30 minutes
00:08:35All passengers will please check the baggage immediately and have their tickets now with anything that's a lot in Chile office
00:08:43Oh
00:09:02Luna Airlines flight number
00:09:04Olympic number 636
00:09:13Mama decrease in 2018
00:09:16oooo
00:09:18Alexander Klox
00:09:21Alexander Klox
00:09:23Alexander Klox
00:09:25Alexander Klox
00:09:27Alexander Klox
00:09:29Allow me to stay
00:09:31All passengers embarking from Monche Lane, flight number 436, please proceed to the main passenger terminal.
00:09:48All those passengers continuing on to Montevideo and Rio, there will be a 30-minute wait.
00:09:54Why not rest for a few hours? We can meet Orestes later on tonight.
00:09:58I think that's a good idea, don't you, Terry?
00:10:02Oh, shut up, Mac. I've been sitting in that plane for nine hours.
00:10:07I've got a splitting headache and the heat is killing me. All I want to do is go to sleep for a few hours.
00:10:14You don't understand, dear. Of course I know you're tired.
00:10:18But this is the guy who's putting up half the money for the whole picture. He's big.
00:10:23Max Marsh doesn't need anyone to raise money for him. You can take care of it yourself.
00:10:28Mr. Marsh and Miss London, would you mind if I asked you a few questions?
00:10:43You know I mind. You know I don't give out any interviews.
00:10:46Is there any truth to the rumor that you intend to be married here?
00:10:49We've come here to make a picture, that's all.
00:10:51And in this new film, will Miss London be following current trends? Will she be doing any nude scenes?
00:10:58Miss London is under exclusive contract to me. And if I want her to stand on her head, that's what she'll do.
00:11:04I would not.
00:11:05Miss London is an actress. She'll do anything necessary to give a good performance in this film or any other.
00:11:11Mr. Marsh, can I ask you if you...
00:11:11That's all I see with the studio any time.
00:11:13Oh, come on. Tell her hard.
00:11:17Max.
00:11:22Your attention, please.
00:11:25Will the security officers please go to the lower level of the restaurant?
00:11:29Will the security officers please go to the lower level of the restaurant?
00:11:34Your attention, please.
00:11:36Will the security officers please go to the lower level of the restaurant?
00:11:41El estudio tiene este carro para ti.
00:11:46Ok.
00:11:50Vamos a probarlo.
00:11:58¿Es este calor normal para este momento de año?
00:12:01Absolutamente.
00:12:03No sé si voy a poder estar en el momento.
00:12:06Sé que voy a estar enfermo.
00:12:07Yo siempre estoy enfermo cuando es este calor.
00:12:11No sé si lo gustan.
00:12:21¿Es muy cerca de aquí?
00:12:23Si es, te vas a ir.
00:12:25No puedo tomarlo.
00:12:26Bueno, vamos a ver.
00:12:28Estamos casi ahí.
00:12:30No, es solo tres bloques.
00:12:41No, no, no.
00:12:57No, no, no.
00:12:58No, no.
00:12:58No, no, no.
00:12:58No puedo estar aquí.
00:13:00No, no.
00:13:00No, no.
00:13:00No, no.
00:13:00No, no me voy a dejar nada.
00:13:02Let me get myself together.
00:13:07It's not easy to leave you alone, Terry.
00:13:11Okay.
00:13:13I don't want you to think that Maximilian Marsh can't control himself.
00:13:19You're a dear, Max.
00:13:24You know I can't refuse you anything, Terry.
00:13:27Have a good rest today and tonight.
00:13:29And in the morning, you can meet Orestes and the others at the studio.
00:13:33But be there at 10 sharp.
00:13:35I'll be waiting for you.
00:13:59I want to place a call to Punta del Este.
00:14:05An hour and maybe two to get through.
00:14:09Yes, all right.
00:14:10I'll be here all day without question.
00:14:14That's sure.
00:14:14I'll be here.
00:14:15I'll be here.
00:14:16I'll be here.
00:14:17Gracias por ver el video.
00:14:47Gracias por ver el video.
00:15:17Gracias por ver el video.
00:16:47Gracias por ver el video.
00:17:17Gracias por ver el video.
00:17:48Hello?
00:17:50Terry!
00:18:26¡No!
00:19:32Zatan, I can't stay there!
00:19:34Now this actress, Terry London,
00:19:36came in from New York.
00:19:38He's with her now.
00:19:40Good.
00:19:42I sent you there to bear his child.
00:19:44There must be a child. Perhaps she can provide it.
00:19:48She won't live with him. Not while she's working on the movie with this Max Marsh.
00:20:14Let me come and live with you, Satan. I'm tired of pretending.
00:20:26No. I want you there. I want them to get used to you. I want them to trust you.
00:20:37But I always want to be with you, Satan.
00:20:39Satan. No one can be with me always. You do not know yet the way we live.
00:20:53I will change men's destiny. First, we will get rid of this Marsh.
00:21:02The rest follows. After he is dead, the two of them will create the victim for myself.
00:21:09Sacrifice.
00:21:26With this ablution, I wash away all sense of guilt.
00:21:31All sense of shame.
00:21:33All sense of the false morality you have been living with.
00:21:37In these waters, you will find a new life, totally unlike the old.
00:21:43All things from the past soon will be dead, and from these muddy waters will spring a new existence.
00:21:49Your soul will be cleansed and dedicated to me, and it will serve me.
00:21:55I will serve you, Satan.
00:22:10I will serve you, Satan.
00:22:11I will serve you, Satan.
00:22:21I will obey you and do anything for you.
00:22:23I will gladly kill for you.
00:22:25Hey, look!
00:22:46Come on!
00:22:50All right, Satan.
00:22:52We're above heart two.
00:22:55Hey, look!
00:23:00Hey!
00:23:01¡Suscríbete al canal!
00:23:31¡Suscríbete al canal!
00:24:01¡Suscríbete al canal!
00:24:31¡Suscríbete al canal!
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00:26:00¡Suscríbete al canal!
00:26:02¡Suscríbete al canal!
00:26:04¡Suscríbete al canal!
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00:26:08¡Suscríbete al canal!
00:26:10¡Suscríbete al canal!
00:26:12¡Suscríbete al canal!
00:26:14¿Qué tipo de vida es eso?
00:26:17Este Maximiliano Marsh.
00:26:18Todo lo hace es fotos de sexo.
00:26:20Todo lo que está interesado es los grandes bosques.
00:26:23Eso es lo que el público paga para ver,
00:26:25incluyendo mi propia.
00:26:26¿Crees que quiero hacer su fotos?
00:26:29¿Qué quiere Terry?
00:26:31Lo que sea que sea que puedo dar.
00:26:33Mi padre tiene muchas millones de marques,
00:26:36todas las que pueden ser mi.
00:26:40¿Por qué te pregunto cuando no tienes que?
00:26:42No esperas que tú entiendes.
00:26:46Tú realmente no me conocen.
00:26:48Pero tengo que intentar ser algo de mí mismo.
00:26:53Estoy cansado de tomar manos y de vender.
00:26:56Para mí, incluso una foto de marques es algo de un paso hacia arriba.
00:27:00Y voy a hacerlo de mí mismo.
00:27:02Eso significa algo de mí.
00:27:12¿Qué te pregunto?
00:27:27¿Qué te pregunto?
00:27:28palabras, palabras.
00:27:31Esto es un sorprendimiento.
00:27:33No veo más nunca más.
00:27:35Estoy muy contento.
00:27:37i came to tell you something i hope it's something i don't know already
00:27:45no it's something very important terry is pregnant and she's going to be living here
00:27:52with me as your wife no but under the circumstances we both feel that uh
00:27:58well when we talked it over this afternoon we both said that you mean she said that i should
00:28:04get out we both did
00:28:07i'm sorry max
00:28:19okay we'll try it once more
00:28:27after the carnival
00:28:30so
00:28:38Gracias por ver el video.
00:29:08Gracias por ver el video.
00:29:38Gracias por ver el video.
00:30:08Gracias por ver el video.
00:30:38Gracias por ver el video.
00:31:08Gracias por ver el video.
00:31:38Gracias por ver el video.
00:32:08Gracias por ver el video.
00:32:38Gracias por ver el video.
00:33:40Gracias por ver el video.
00:33:42Good.
00:33:44Gracias.
00:34:46Gracias.
00:35:18Gracias.
00:35:20Gracias.
00:35:22Gracias.
00:35:54Gracias.
00:35:56Gracias.
00:35:58Gracias.
00:36:00Gracias.
00:36:02Gracias.
00:36:04Gracias.
00:36:06Gracias.
00:36:08Gracias.
00:36:10Gracias.
00:36:12Gracias.
00:36:14Gracias.
00:36:16Gracias.
00:36:18Gracias.
00:36:20Gracias.
00:36:22Gracias.
00:36:24Gracias.
00:36:26Gracias.
00:36:28Gracias.
00:36:30Gracias.
00:36:32Gracias.
00:36:34Gracias.
00:36:36Gracias.
00:36:38Gracias.
00:36:40Gracias.
00:36:42Gracias.
00:36:44Gracias.
00:36:46Gracias.
00:36:48Gracias.
00:36:50Gracias.
00:36:52Gracias.
00:36:54Gracias.
00:36:56Gracias.
00:36:58Gracias.
00:37:28Gracias.
00:37:58Gracias.
00:38:00After you changed places with this other girl, Angelica,
00:38:04you never saw Marsh again?
00:38:08No.
00:38:10Not until...
00:38:12The morgue.
00:38:13Early this morning.
00:38:15Yes.
00:38:16And you never saw this other girl, Angelica, either?
00:38:21Huh?
00:38:22No.
00:38:23You don't think she had anything to do with it, do you?
00:38:25She was only trying to help me.
00:38:30Have you ever seen this knife?
00:38:36No.
00:38:37Or any like it?
00:38:41Seven people were murdered last night,
00:38:44each with a knife like this.
00:38:46Each was found with a knife like this embedded in his back.
00:38:51Please stop.
00:38:52I don't know anything about knives or what happened last night.
00:38:54How many times are you going to go over this thing?
00:39:00I'm sorry.
00:39:02I forget the strain you must be under.
00:39:06Officer Ortega,
00:39:08will you please escort Miss London back to her home?
00:39:13That won't be necessary.
00:39:14I'll take her.
00:39:16We're through with our questions.
00:39:19We find nothing suspicious.
00:39:21Oh, thank God.
00:39:25Come on, Terry.
00:39:26I'll take you home.
00:39:44Shall I take you back to the hotel?
00:39:46Yes, please.
00:39:47You can't just brood, Terry.
00:39:49It's the worst thing you could do.
00:39:53I don't know what to do.
00:39:56Well, come to my place at Punta del Este.
00:39:59It's near Montevideo.
00:40:00There you can be near me,
00:40:02and perhaps by being together,
00:40:03you can forget about what has happened.
00:40:05Forget, Marge.
00:40:06Forget the whole ugly business.
00:40:08I want to be near you.
00:40:09Oh, forget Max?
00:40:11Yes, why not?
00:40:12You're alive now.
00:40:14Not him.
00:40:16What else can I do now, Horst?
00:40:19Okay, but let's get going fast.
00:40:21You're...
00:40:22¡Suscríbete al canal!
00:40:52¡Suscríbete al canal!
00:41:23Father, this is Terry London. I met her at Hans Alba's place in New York. I wrote you.
00:41:28And you thought enough of my son to fly 6,000 miles here with him?
00:41:36No, no. She came to act in a film here in Buenos Aires.
00:41:40Not the film where they slit the director's throat, I hope.
00:41:48Pardon me. I didn't realize. It was very stupid to me.
00:41:52Ah, forget it. As a matter of fact, that's what we're all trying to do.
00:42:01Come on, Terry. Let's get dressed.
00:42:02We must get to know each other better tonight.
00:42:06Thank you.
00:42:07Thank you.
00:42:09Thank you.
00:42:11¡Suscríbete al canal!
00:42:41Is there no other way of getting the necessary permission?
00:42:44Sending the lot to a less objectionable country, where they can later be passed on?
00:42:51It had to be done this month, though it is useless to them.
00:42:54Yes, of course I should have known.
00:42:56I was within hours of signing when they pulled the rug out from under me.
00:43:01Excuse my ignorance. I'm very fascinated with it.
00:43:04But I don't have the slightest idea what you're talking about.
00:43:07Oh, excuse me, my dear, but my father was speaking of a large deal to supply machine guns to an Arab nation, but it's all phoned through.
00:43:15Oh, I didn't know you were in munitions.
00:43:18The Frank Arms Company is only one of the many enterprises I control.
00:43:22Surely you don't find that shocking.
00:43:24No, not at all. It's just that, um, I hope you don't take offense at this.
00:43:32It's disturbing to hear a German supplying arms to an enemy of the Jews.
00:43:37Terry!
00:43:38No, no, no, no, no, no! I've heard this many times before!
00:43:43And I'm not offended.
00:43:45Horst is always trying to prevent me from hearing what people think.
00:43:50But we'll ignore him this once.
00:43:52Something you may not get another chance to do.
00:43:56You are shocked by German machine guns killing Jews in this day and age, are you?
00:44:01Is that any worse than German guns killing Arabs?
00:44:04Many of the troops of General Dayan are equipped with the finest guns that Germany produces now.
00:44:12And he uses them.
00:44:14Does that make him less of a butcher than, say, Eichmann?
00:44:20The analogy is hardly appropriate.
00:44:25Angelica, I had no idea you would come in.
00:44:28I just came to collect my things.
00:44:30I didn't mean to disturb you.
00:44:32But we overheard your conversation on the way out.
00:44:37It's very clear that my uninvited houseguests disapprove of my way of life.
00:44:43You were speaking of butchers?
00:44:46Yes, and the similarity between them.
00:44:49I've always thought the profession of butcher is an honorable one.
00:44:52What would we do without them?
00:44:54They have chosen the profession that is beneficial to us all.
00:44:57They slaughter and chop up their victims so that the rest of us may have the wherewithal to live.
00:45:02From them we get life.
00:45:03But the man that sells him the knife he uses to slash the dumb animal's throat
00:45:07does nothing but profit from the blood that is spilled.
00:45:10You can ask what the butcher would do without the knife.
00:45:13That indeed would be terrible.
00:45:15Mankind would starve.
00:45:16No, we need those knives.
00:45:19Just as we need undertakers for the dead.
00:45:21Just as the carcass of a bull and the pampas need jackals.
00:45:25But I, for one, do not like jackals.
00:45:27So, you don't like jackals.
00:45:28How dare you enter my home and talk to me like this.
00:45:31Who are you?
00:45:33I am who am.
00:45:36That's blasphemy.
00:45:37Get out.
00:45:38Good night.
00:45:39Good night.
00:46:09Good night.
00:46:40They're gone.
00:46:43But they'll be back.
00:46:45Come on.
00:46:46We'll wait until dark.
00:46:47Let me up.
00:47:12Lousy bastards.
00:47:14Let me up for Christ's sake.
00:47:17Come on.
00:47:18I've had enough of this joke.
00:47:19Let me up off of here.
00:47:20Let me up.
00:47:21Come on, you bitches.
00:47:28I've had enough.
00:47:29Let me up.
00:47:32What name did you just call upon?
00:47:34Oh, stop it.
00:47:35Oh, stop it.
00:47:35Stop it.
00:47:36Whose name?
00:47:38Whose name?
00:47:40Answer.
00:47:41Christ.
00:47:42Jesus Christ.
00:47:43Let me up.
00:47:50Let me up.
00:47:51You filthy pigs.
00:47:52Wait till I get my hands on you.
00:47:54Give me a couple of minutes and I'm going to plunge this knife into your heart and cut it from your body.
00:48:12Who do you call on now?
00:48:14Who's the only one who can save you from my knife?
00:48:19Satan.
00:48:20Satan.
00:48:21Satan.
00:48:22Oh, please.
00:48:23Please stop.
00:48:24Satan.
00:48:25Satan.
00:48:26Satan.
00:48:26Satan.
00:48:29That's enough.
00:48:30Let her up.
00:48:56There is only one more thing you must do to be one of us.
00:49:00You will submit to me here now like an animal to its mate.
00:49:05Yes.
00:49:06You will submit to me and the pain.
00:49:11Yes.
00:49:26You will submit to me and the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain in the pain
00:49:56no
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00:51:40¡Ah!
00:52:10¡Ah!
00:52:40¡Ah!
00:52:41¡Ah!
00:52:42¡Ah!
00:52:43¡Ah!
00:52:44¡Ah!
00:52:45¡Ah!
00:52:46¡Ah!
00:52:47Let's see now.
00:52:49Milk, salami, macaroni, cepita, camelo, ice cream, and tomato juice.
00:52:58I don't know what happened to the bread delivery today.
00:53:02Monica never came.
00:53:04Well, she said she had to see the doctor.
00:53:06She probably went there.
00:53:08There's a lot of flu going around.
00:53:11You have to be so careful.
00:53:13The best thing is to take a little nip before going to bed at night.
00:53:23Here you are.
00:53:38You better do what we want.
00:53:40Without any complaints.
00:53:41Why should we?
00:53:42Because of this.
00:53:43Oh!
00:53:44Oh!
00:53:45Oh!
00:53:46Oh no!
00:53:47Oh!
00:53:48Oh no!
00:53:49No na'
00:53:50Oh my God.
00:53:51What are you doing?
00:53:52What are you doing?
00:53:53¡Vamos!
00:54:02¡Vamos!
00:54:04¡Vamos!
00:54:05¡No vamos a darles demonios!
00:54:07¡Gios mío!
00:54:11¡Bien!
00:54:11¡Vamos!
00:54:12¡Ting codes!
00:54:13¡Ahora!
00:54:14¡Ahora!
00:54:15¡Ahora!
00:54:16¡Ahora!
00:54:16¡Ahora!
00:54:16¡Ahora!
00:54:17¡Ahora!
00:54:17¡Ahora!
00:54:18¡Ahora!
00:54:19¡Suspechamos el fiscal!
00:54:20¡Ahora!
00:54:21¡Ahora!
00:54:23I don't think we need a gun for this one.
00:54:33What on earth is going on here?
00:54:54You girls should be ashamed of yourselves.
00:54:57Waving guns around like that.
00:54:59What kind of a joke is this?
00:55:01This kind, Grandma.
00:55:11Mama! Mama!
00:55:14You murdered her!
00:55:16You murdered her!
00:55:22Mama! Mama! Mama!
00:55:24Mama!
00:55:30Don't move! You're staying in here with us!
00:55:32Good God! What's going on?
00:55:34You girls are crazy!
00:56:04Why do you kill us?
00:56:17Poor woman!
00:56:18Why murder us? We have done nothing!
00:56:21For the love of God, go away and leave me alone!
00:56:25If you leave now, I promise to tell...
00:56:30No one!
00:56:31No one!
00:56:32Now, what are we going to do with him?
00:56:36Angelica, this one's for you.
00:56:38one's for you.
00:56:39Are you sorry now you...
00:56:55¿Estás triste ahora que has dado a mí?
00:57:10No.
00:57:11Ser tu servidor es, en realidad, libertad.
00:57:15Yo necesito más que nadie puede.
00:57:17¿Cómo se puede llamar a eso?
00:57:19Es lo que quiero.
00:57:21Lo he elegido, lo he elegido, y estoy feliz.
00:57:25¿Estás feliz, entonces, en bondad?
00:57:34Desde que era una pequeña mujer, siempre he estado en bondad.
00:57:43El owner de la farmada donde vivía me seduced me cuando era 12.
00:57:47Cuando era 17, me había convertido una tienda regular.
00:57:51Afraid de él, pero fascinado por él.
00:57:53Él era cruel y, pero poderoso.
00:57:57Yo estaba con él cada día, una de las malas, una de las malas, una de las malas, una de las malas.
00:58:01Él me fascinó y me repulsó.
00:58:03I would often think of that day, years ago, when my father had gone to town.
00:58:15Something happened that changed my feelings entirely.
00:58:18I lost my turtle in the tall grass and was looking for it.
00:58:23Tortuga!
00:58:25Tortuga!
00:58:25Tortuga!
00:58:25Don't you have anything to say?
00:58:40Don't you have anything to say?
00:58:40Don't you have anything to say?
00:58:41Don't you have anything to say?
00:58:41Don't you have anything to say?
00:58:45Don't you have anything to say?
00:58:48Angelica!
00:58:49Come over here!
00:58:52Come over here this instant!
00:58:57Stupid little bitch!
00:58:59He was looking for my father
00:59:03Who had disappeared again
00:59:04He was regularly disappearing
00:59:06We would find him drunk under a tree
00:59:09Or hiding in the barn with his bottles
00:59:11Luis, the owner, would get mad
00:59:13When he had to go milk the cows himself
00:59:15Papa!
00:59:17Papa!
00:59:23Angelica, where is he?
00:59:25Where's your father?
00:59:26He should be doing this work
00:59:27You and your father give me nothing but trouble
00:59:43Your father is becoming a nuisance
00:59:45Do you want me to throw him out?
00:59:47No, no
00:59:48Ah, easy for you to say no
00:59:52What does a lazy father of yours do every day
00:59:54Except get drunk
00:59:55Your whole family is useless for anything
00:59:58Why don't I just get rid of you all?
01:00:04Come here
01:00:04Come here and I'll show you how
01:00:06Here
01:00:06Your sister knows how to please me
01:00:09It's time you learn too
01:00:11If you don't
01:00:15I'll break both his legs when I find him
01:00:18Oh no
01:00:32Tell me
01:00:33Please don't touch me like that
01:00:35Please
01:00:37Please
01:00:38Oh please
01:00:39My brother watched
01:00:41As I was raped
01:00:43Almost every time he touched me
01:00:46I thought back to that day
01:00:47But one night
01:00:49As he stirred from sleeping
01:00:50I felt his hands on me
01:00:52And I felt repelled
01:00:53More than I had ever felt before
01:00:55I heard footsteps in the hall
01:01:09Coming close to our door
01:01:11I didn't know it
01:01:12But it was father
01:01:14Pig
01:01:18Filthiest of all animals
01:01:19I will cut your heart from your body
01:01:21And feed it to the dogs
01:01:22Father
01:01:28Father
01:01:29Oh
01:01:29Oh no
01:01:30No
01:01:31The next day it rained
01:01:35And Luis took his revenge
01:01:49He hung my father's disembodied hands
01:01:52In front of the house
01:01:52In front of the house
01:01:53For all to see
01:01:53The next day
01:01:56My brother followed Luis
01:01:58Into the jungle
01:01:58Oh no
01:01:59Oh no
01:02:00Oh no
01:02:01Oh no
01:02:02Oh no
01:02:02Oh no
01:02:03Oh no
01:02:03Oh no
01:02:04Oh no
01:02:04Oh no
01:02:05Oh no
01:02:05Oh no
01:02:06Oh no
01:02:06Oh no
01:02:07Oh no
01:02:07Oh no
01:02:08Oh no
01:02:08Oh no
01:02:09Oh no
01:02:09Oh no
01:02:10Oh no
01:02:10Oh no
01:02:11Oh no
01:02:12Oh no
01:02:13Oh no
01:02:13Oh no
01:02:14Oh no
01:02:14Oh no
01:02:15Oh no
01:02:16Oh no
01:02:17Oh no
01:02:18Oh no
01:02:19Oh no
01:02:20Oh no
01:02:21Oh no
01:02:22Oh no
01:02:23Oh no
01:02:24Oh no
01:02:24Oh no
01:02:25Oh no
01:02:26Oh no
01:02:27Oh no
01:03:34Believe me, you don't yet know my wife.
01:03:37She's absolutely insatiable.
01:03:44Antoni always likes to embarrass me.
01:03:51You don't mind her, then, having an affair with me.
01:03:54Not with you, not with any other man.
01:03:57And believe me, there's been a lot of men.
01:04:00Do I mind it?
01:04:01On the contrary, it provides me with my main amusement.
01:04:08Come on.
01:04:10Come on.
01:04:12Let's amuse Antonio.
01:04:15I don't want Terry to see.
01:04:17But it's better if she sees you.
01:04:20We'll go back to the servants' quarters.
01:04:27Antonio, you stay here.
01:04:33Can I have just one little peek?
01:04:35No.
01:04:36Stay there.
01:04:37Stay there.
01:04:38Stay there.
01:04:39Come on.
01:04:40Stay there.
01:04:41Get out.
01:04:43Come on.
01:04:44Come on.
01:04:45Stay there.
01:04:46Come on.
01:04:47Come on.
01:04:48Come on.
01:04:49Come on.
01:04:50Come on.
01:05:55Does he always keep it locked?
01:05:59No, I've never seen it locked before.
01:06:05Ah, there's Jaime.
01:06:07Jaime.
01:06:09Jaime.
01:06:11Oh, Miss Angelica.
01:06:21It must be six months since we've seen you.
01:06:25Where have you been?
01:06:27Jaime, I've just come back.
01:06:29With my friend, Anna.
01:06:31To say hello to Horst and pick up a few things.
01:06:33That I left here six months ago.
01:06:37Ah, Jaime, you know how close we've been.
01:06:39And I'm leaving in a few days.
01:06:41Just let me up for a few minutes.
01:06:43My friend, Anna, can stay here for a few minutes.
01:06:47Please, Jaime, huh?
01:06:49Well, all right.
01:06:51I guess it'll be okay.
01:06:59Do you have a cigarette, Jaime?
01:07:03Oh, yes, let me see now.
01:07:05I had some over here on the bench.
01:07:09What on earth did I do with them?
01:07:11What on earth did I do with them?
01:07:13What on earth did I do with them?
01:07:15What on earth did I do with them?
01:07:17What on earth did I do with them?
01:07:19What on earth did I do with them?
01:07:23¡Suscríbete al canal!
01:07:53¡Suscríbete al canal!
01:08:53¡Suscríbete al canal!
01:09:23¡Suscríbete al canal!
01:09:53¡Suscríbete al canal!
01:10:03¡Suscríbete al canal!
01:10:05¡Suscríbete al canal!
01:10:07¡Suscríbete al canal!
01:10:09¡Suscríbete al canal!
01:10:11¡Suscríbete al canal!
01:10:13¡Suscríbete al canal!
01:10:17¡Suscríbete al canal!
01:10:19¡Suscríbete al canal!
01:10:29¡Suscríbete al canal!
01:10:31¡Suscríbete al canal!
01:10:33¡Suscríbete al canal!
01:10:37¡Suscríbete al canal!
01:10:39¡Suscríbete al canal!
01:10:41¡Suscríbete al canal!
01:10:43¡Suscríbete al canal!
01:10:45¡Suscríbete al canal!
01:10:47¡Suscríbete al canal!
01:10:49¡Suscríbete al canal!
01:13:29¿Eso es él?
01:13:33Sí.
01:13:35¿Eso es él?
01:13:36Sí.
01:13:37Sí.
01:13:38¿Y dos van a ir y nosotras?
01:13:58¡Eso es dynamite!
01:13:59No, no, no, no.
01:14:29Gracias por ver el video
01:14:59Gracias por ver el video
01:15:29Gracias por ver el video
01:15:59Gracias por ver el video
01:16:59Gracias por ver el video
01:17:29Gracias por ver el video
01:18:59Gracias por ver el video
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