- 8 months ago
Monstrosity is a 1963 American science fiction horror film produced by Jack Pollexfen and Dean Dillman Jr. and directed by Joseph V. Mascelli. The film stars Marjorie Eaton, Frank Gerstle, Erika Peters, and Xerxes the cat. It tells the story of a wealthy elderly woman who wants to have her brain transplanted into the head of a young woman. Actor Bradford Dillman, the younger brother of co-writer and producer Dean Dillman, Jr., narrated the film.
Monstrosity was broadcast on television under the title The Atomic Brain.
Plot: When atomic power is somehow harnessed to transplant brains, a wealthy elderly woman uses this power to hire two sexy, and one homely, foreign housekeepers with the idea of transplanting her old brain into the body of a sexy and gorgeous woman.
Credits
Marjorie Eaton as Mrs. Hettie March
Frank Gerstle as Dr. Otto Frank
Frank Fowler as Victor
Erika Peters as Nina Rhodes
Judy Bamber as Bea Mullins
Lisa Lang as Anita Gonzalez
Xerxes as The Cat
Margie Fisco as the Walking Corpse (uncredited)
Unnamed Actor as Hans (uncredited)
Unnamed Actor as the Night Watchman (uncredited)
Bradford Dillman as the Narrator (uncredited)
Monstrosity was broadcast on television under the title The Atomic Brain.
Plot: When atomic power is somehow harnessed to transplant brains, a wealthy elderly woman uses this power to hire two sexy, and one homely, foreign housekeepers with the idea of transplanting her old brain into the body of a sexy and gorgeous woman.
Credits
Marjorie Eaton as Mrs. Hettie March
Frank Gerstle as Dr. Otto Frank
Frank Fowler as Victor
Erika Peters as Nina Rhodes
Judy Bamber as Bea Mullins
Lisa Lang as Anita Gonzalez
Xerxes as The Cat
Margie Fisco as the Walking Corpse (uncredited)
Unnamed Actor as Hans (uncredited)
Unnamed Actor as the Night Watchman (uncredited)
Bradford Dillman as the Narrator (uncredited)
Category
🎥
Short filmTranscript
00:00:00Can death be outwitted? Is the secret of eternal life just around that corner?
00:00:08Today, medical science patches up mutilated bodies, transplanting human skin, eyes, limbs, even vital organs.
00:00:16Is the next step the transplantation of the human brain?
00:00:20Many scientists answer yes, but they pause and add a grim warning.
00:00:25For in the ancient folk legends, tales are told of blood-sucking vampires.
00:00:30Crawling out of graves to live on the bodies of helpless victims.
00:00:34Is man now doomed to produce a race of ever-living monstrosities, worse than the vampires of legend?
00:00:42Will ruthless men and women of great wealth and power readily buy or steal the living bodies of the young and beautiful,
00:00:48so their brains may live on forever?
00:00:51Such questions may seem fanciful, but at this very moment scientists are working on the answer to brain transplantation.
00:00:58And human bodies are used.
00:01:02This girl was buried in a nearby cemetery yesterday.
00:01:07Only a few hours ago her body was stolen.
00:01:10By Dr. Otto Frank and brought to this hidden laboratory.
00:01:17He has grafted a living animal's brain into this newly dead body.
00:01:20If the experiment works, the next step will be the transplantation of a human brain.
00:01:29The brain cells are being reactivated by an atomic fission produced in the cyclotron.
00:01:34Has he found the way to outwit death?
00:01:53Or has he created another?
00:01:55Or has he created another?
00:01:56Or has he created another?
00:01:58Or has he created another?
00:01:59I have R.I.S.T.U.S.M.S.M.S.M.?
00:02:30Deep below, Dr. Frank takes the chance of smashing his way into a newly sealed vault.
00:02:42His experiments cannot continue without another body.
00:02:45The watchman's mind was not on body snatches, just his usual nip.
00:03:03The watchman's mind was not on body.
00:03:33Inside the vault, a body waits.
00:03:42The watchman's mind was not on body.
00:03:51This is one of the doctor's mistakes, a monstrosity, an animal's brain grafted to a human body.
00:04:12Leaving the dead watchman, the monstrosity carried the girl's body out of the vault.
00:04:16It fears and obeys one master, Dr. Frank.
00:04:20The watchman's mind was not on body.
00:04:27This is a lovely memory.
00:06:29Where were the live, fresh bodies he'd been promised?
00:06:34He bitterly resents that every step forward depends on the whim of a miserly old woman brooding upstairs in her bedroom.
00:06:40And Hetty March wonders.
00:06:45Has she been a fool squandering money on this strange experiment?
00:06:50Money hoarded through a long, greedy lifetime, each day more money, each day death getting closer?
00:06:55Ah, but to start life again in a brand new body.
00:06:59Beautiful and young, no price can be too high for that.
00:07:02Can she really trust the doctor?
00:07:04Can she really trust anyone?
00:07:06Hasn't everyone tried to cheat her?
00:07:08Wanting her money while they smiled at her ugliness?
00:07:11But they never got a penny.
00:07:13Oh, how she made them sweat.
00:07:14Especially this old fool, companion and gigolo.
00:07:19How many years she's kept him dangling on promises.
00:07:23Well, sometimes it's convenient to have a man, especially when he comes cheaper than servants.
00:07:27Is that the Austrian girl?
00:07:31Lionel Rhodes, 18, no family, pleasing personality, whatever that might mean.
00:07:38Thick ankles, pimply face, but she always smiles when she's spoken to, very likely.
00:07:45Well, application forms for a servant girl don't usually include bust, waist and hip measurement.
00:07:50All three will be here tomorrow, and then you can choose.
00:07:54Early this evening at Greenhaven Cemetery, the body snatchers brutally murdered night watchman Robert Payne, 62,
00:08:00who evidently interrupted his killers during their ghoulish task.
00:08:04His neck was broken.
00:08:05The imprint of the huge pair of hands was found on his throat.
00:08:08It's the opinion of the police that the same gang that has previously...
00:08:11Ring for Dr. Frank.
00:08:15So that's what he was doing.
00:08:24Ring for Dr. Frank.
00:08:54so
00:09:24More of it. Hocus-pocus, Eddie.
00:09:40The doctor transplanted a brain from a live dog to a dead human body.
00:09:46You saw the creature walk out of that cylinder alive.
00:09:50How many failures since then?
00:09:52If they have your money, the bodies must be fresh.
00:10:01This specimen is excellent.
00:10:03And the police are looking for the body's stature.
00:10:05By the local cemetery, doctor, are you trying to blaze a trail to our door?
00:10:10The final test was essential for your protection.
00:10:13As for the police, if they come here, I hit the switch, a nuclear reaction is set off.
00:10:18Close the circuit breaker.
00:10:20And in a matter of minutes, this house and any evidence it might contain
00:10:25becomes a radioactive hole in the ground.
00:10:27Be careful!
00:10:28We can wait for that until after your operation.
00:10:31Well, nothing must go wrong.
00:10:33There's no sign of life.
00:10:40Watch.
00:10:42you're looking for a mess in the room, and see if you're 늦觉 on our way.
00:10:43There's no sign of words in this room, not a
00:11:09She likes but one thing, the brain.
00:11:23Pons was still living when he was dragged from that wrecked car.
00:11:27That's why we succeeded with the transplant.
00:11:30She seems alive.
00:11:32She is to a limited extent.
00:11:34She'll be able to move around,
00:11:36but the brain deterioration is too extensive for thought processes.
00:12:06Now, look at gate number 22.
00:12:10All aboard by 12 million people.
00:12:14Attention, please.
00:12:16Now, Mr. George Brown,
00:12:18please ask me more.
00:12:19I'll ask you more.
00:12:21I'll ask you more.
00:12:23Leave.
00:12:24Mr. George Brown,
00:12:26please ask me more.
00:12:29Mr. George Brown,
00:12:30please ask me more.
00:12:31Mr. George Brown,
00:12:33please ask me more.
00:12:35Say, pardon me, but how far is Hollywood from here?
00:12:54All right, let's see.
00:12:57Sixteen kilometers.
00:12:59About ten miles.
00:13:01Which way?
00:13:03That way.
00:13:05Are you going to Hollywood?
00:13:08No such luck.
00:13:10I'm what's known as a foreign domestic.
00:13:12The next 12 months I'll be scrubbing floors and making beds.
00:13:16But when my time's up, Hollywood will look out.
00:13:20That's strange.
00:13:21A foreign domestic agency paid my passage, too.
00:13:24I'm from Vienna, Austria.
00:13:27Oh, really?
00:13:27Mm-hmm.
00:13:28I'm from England.
00:13:29No.
00:13:30Is this your first trip?
00:13:32Yes.
00:13:33I'm a little excited.
00:13:34Please, I know you speak English very good.
00:13:39Are you going to work for Mrs. Marge, too?
00:14:03This sounds like a sister act.
00:14:05You, too?
00:14:11Nina Rode?
00:14:13Yes, sir.
00:14:15Anita Gonzales?
00:14:23Beatrice Mullins, eh?
00:14:24That's right.
00:14:26Are you Mr. Marge?
00:14:27No, I work for Mrs. Marge.
00:14:31Come along.
00:14:35Three new bodies.
00:14:36Fresh, live, young bodies.
00:14:39No families or friends within thousands of miles.
00:14:42No one to ask embarrassing questions when they disappear.
00:14:44Victor wanted which one Mrs. Marge would pick.
00:15:00The little Mexican?
00:15:01The girl from Vienna?
00:15:02Or the buxam blonde?
00:15:05Victor knew his pick.
00:15:06But he still felt uneasy.
00:15:08Making love to an 80-year-old woman in the body of a 20-year-old girl.
00:15:11It's insanity.
00:15:12Still, Hedy's plan to transfer her fortune to the new body had been brilliant.
00:15:18Unpleasant to think of what was going to happen to these girls, but a man has to consider his own future.
00:15:23What would happen to him if Hedy were to cast him off after all these years?
00:15:26Worm welcome, they hang out.
00:15:36Well, there's your new home, girls.
00:15:41Gives me the shivers.
00:15:43Aren't there any neighbors?
00:15:45No.
00:15:47Are there any other servants?
00:15:48No, but I don't think you're going to find it boring.
00:15:53No, but I don't think you're going to find it boring.
00:16:23Do what you think.
00:16:25I don't think you're going to find it boring.
00:16:25Take care.
00:16:28I don't think so.
00:16:32Don't believe in anything.
00:16:37Don't believe in anything.
00:16:42Can't help.
00:16:42What a jolly little place this is.
00:17:11What was that?
00:17:12No one's to leave this house without permission.
00:17:14Enough.
00:17:14Hurry along.
00:17:15Hurry up.
00:17:16Now go.
00:17:16No one's to leave this house without permission.
00:17:20No one's to leave this house without permission.
00:17:24No one's to leave this house without permission.
00:17:28No one's to leave this house without permission.
00:17:32No one's to leave this house without permission.
00:17:36No one's to leave this house without permission.
00:17:40Put down your luggage.
00:17:55No one's to leave this house without permission.
00:17:59No one's to leave this house without permission.
00:18:04No one's to leave this house without permission.
00:18:07Turn around.
00:18:19Slowly.
00:18:20Get the doctor.
00:18:22Get the doctor.
00:18:24Here we go.
00:18:55As with the other bodies stolen from cemeteries, the nerve endings of the brain were too far gone to receive a proper transplant.
00:19:01The experiment had failed to produce anything more than a walking, breathing, zombie-like creature.
00:19:06But the doctor permitted her to wander about the laboratory.
00:19:08She was quite harmless and, at times, even amusing.
00:19:13Charming, isn't it?
00:19:16Did you want something?
00:19:19Mrs. March is waiting for you.
00:19:21The girls have arrived.
00:19:22If she doesn't have a brain, there might be advantages.
00:19:29I want them examined immediately.
00:19:40Very well.
00:19:41This way.
00:19:42Victor, the doctor can conduct the examination perfectly.
00:19:53What an old spoilsport I am.
00:19:56Have you disconnected the phone?
00:20:00Can't I depend on you for anything?
00:20:03Won't it be nice when those girls start calling police, employment agencies, immigration authorities, consulates?
00:20:10There will be no phone calls.
00:20:20Idiot.
00:20:22She's useless.
00:20:23There is one more test I should make.
00:20:25Do anything you want with her.
00:20:27The other two?
00:20:28Perfect medical specimens.
00:20:31All right, Anita.
00:20:32Get dressed now and wait for the others.
00:20:33Mrs. March, I am now giving you notice.
00:20:48I do not care to work in this house any longer.
00:20:50I demand that...
00:20:51You have signed an agreement.
00:20:53If you have any objection, you will discuss them with the immigration authorities as provided for in your papers.
00:20:59But, Mrs. March...
00:21:01Later.
00:21:01Later.
00:21:03Stand up, my dear.
00:21:06I have the same measurements as Marilyn Monroe.
00:21:22The lucky girl?
00:21:24Yes?
00:21:25Allow me to be the first to offer congratulations.
00:21:30To both of you.
00:21:33For me?
00:21:39For me?
00:22:00Come on.
00:22:02Come on.
00:22:03Your room is in the basement, Anita.
00:22:19Nina.
00:22:19Your room is upstairs, right across from the top of the stairs.
00:22:27I'll have to show you.
00:22:28I'll have to show you.
00:22:28I think it will be lonesome down there.
00:22:57Nonsense.
00:22:58You'll be all right.
00:22:59Go on.
00:22:59Go on.
00:24:29Who is it?
00:24:39Who is it?
00:24:45Who is it?
00:24:57Who is it?
00:25:09He...
00:25:10Are you sure she's not in her room?
00:25:14Yes.
00:25:17Victor left a little while ago. Maybe she went with him.
00:25:19She didn't get out of this prison without permission, that's for sure.
00:25:26Yes.
00:25:27But she would have said goodbye.
00:25:30Why should she? We only met her yesterday.
00:25:33I don't blame her for not wanting to sleep in the basement.
00:25:40It's funny, though.
00:25:43Mrs. March wouldn't even listen when I asked to be dismissed.
00:25:47This house gives me the creeps.
00:25:57She doesn't even have any uniforms for us.
00:26:00What in the world do you think you're doing?
00:26:02He told us last night to clean and polish in here.
00:26:05Look at your hands.
00:26:06That will leave a stain on them.
00:26:09Now, now, don't argue.
00:26:10Go in and wash them immediately.
00:26:13You can put the things away after Nina cleans them.
00:26:15Mrs. March, where is Anita?
00:26:21Anita?
00:26:23Oh.
00:26:25She left.
00:26:27Last night.
00:26:28I would like to give notice, too.
00:26:31I will discuss it with you.
00:26:33Another time.
00:26:45Nina, Nina, come here this instant.
00:27:15Yes, Mrs. March?
00:27:21Your name, is it Nina?
00:27:24But Mrs. March, she's got polish all over her, and so I'm not doing anything.
00:27:27I don't want you running up and down stairs.
00:27:30Those pretty legs of yours will get ugly muscles.
00:27:34Send Nina to me.
00:27:36Yes, ma'am.
00:27:38I'll be in my room.
00:27:45I want to show you something.
00:28:06I want to show you something.
00:28:08Anita wouldn't leave without taking her clothes.
00:28:22I think we'd better get out of there, fast.
00:28:24Bea, I'd hate to go if she's still here.
00:28:27You'll go now if you go with me.
00:28:28Hey.
00:28:29This hinge is loose.
00:28:54Help me.
00:28:54Help me.
00:28:54Help me.
00:28:54Help me.
00:28:56Help me.
00:28:58Help me.
00:28:59Help me.
00:29:00Help me.
00:29:01Help me.
00:29:02Help me.
00:29:03Help me.
00:29:04Help me.
00:29:05Help me.
00:29:06Help me.
00:29:07Help me.
00:29:08Help me.
00:29:09Help me.
00:29:10Help me.
00:29:11Help me.
00:29:12Help me.
00:29:13Help me.
00:29:14Help me.
00:29:15Help me.
00:29:16Help me.
00:29:17Help me.
00:29:18Help me.
00:29:19Help me.
00:29:20Help me.
00:29:21Help me.
00:29:22Help me.
00:29:23Help me.
00:29:24Help me.
00:29:25Help me.
00:29:26Help me.
00:29:27Help me.
00:29:28One last experiment before Dr. Frank would be ready.
00:29:39But this was the most critical of all the experiments.
00:29:41For the first time, the grafting operation would be performed on a living human body.
00:29:47And the brain would come from the doctor's favorite cat.
00:29:52Anita was ready.
00:29:58It's me, Nina.
00:30:08What about your clothes?
00:30:12Never mind, let's go.
00:30:28She almost saw us.
00:30:46Let's wait a while to make sure we won't run into her.
00:30:48Let's go.
00:31:18Let's go.
00:31:20Let's go.
00:31:22Let's go.
00:31:24Let's go.
00:31:26Let's go.
00:31:28Let's go.
00:31:30Let's go.
00:31:32Let's go.
00:31:34Let's go.
00:31:36Let's go.
00:31:38Let's go.
00:31:44Let's go.
00:31:46Let's go.
00:31:48Let's go.
00:31:50Let's go.
00:31:52Let's go.
00:31:56Let's go.
00:31:58Let's go.
00:32:00Let's go.
00:32:02Let's go.
00:32:04Let's go.
00:32:08Let's go.
00:32:10Let's go.
00:32:12Let's go.
00:32:14Let's go.
00:32:28B.
00:32:38B.
00:32:49B.
00:32:58B.
00:33:02B.
00:33:38B. B. Where are you?
00:33:51Answer me.
00:34:05I'm here, Mrs. March.
00:34:08She's locked us in.
00:34:20Open it! I said open it!
00:34:23Mrs. March!
00:34:24Victor!
00:34:50Victor!
00:35:05Well, you took long enough.
00:35:07The lawyer will see you in the morning.
00:35:09I told you you were going to change your will.
00:35:17You'll have to check the basement door.
00:35:19It broke loose.
00:35:20You failed.
00:35:40She thinks she's a cat!
00:35:58Nice kitty.
00:36:03I see you still resent the way Mrs. March treats you.
00:36:23I can't say that I blame you.
00:36:25Kitty's always been very fond of me.
00:36:27Don't you?
00:36:29Does she have all the instincts of a cat?
00:36:34Watch.
00:36:35Watch.
00:37:00She ate it!
00:37:30Is that Anita?
00:37:41Where?
00:37:43Oh, I don't think so.
00:38:00Look out!
00:38:13Somebody help her!
00:38:30Back, Hans! Back!
00:38:47Hans! Hans!
00:39:00I still think you should have locked them up.
00:39:12They're not about to leave this house after what they've witnessed.
00:39:15They know Hans is outside there.
00:39:30Even if we could get past that creature outside, there's still the electric fence.
00:39:35But the phone's dead, but can't get help that way.
00:39:41If we could get the car...
00:39:45That's it!
00:39:46Victor!
00:39:48Victor!
00:39:50He likes me, I guess.
00:39:54If you could get the keys from him...
00:40:01B!
00:40:04I was having a little nightcap.
00:40:11Who do you think you are, pinching me?
00:40:14What?
00:40:16Maybe you'd like some company.
00:40:18Someone like me?
00:40:22That's more like it.
00:40:24Don't you like me, Victor?
00:40:28Don't you like me, Victor?
00:40:29Don't you like me, Victor?
00:40:42Wait.
00:40:43I feel it.
00:40:44Don't you like me!
00:40:56Hans is chained.
00:40:57Let's go outside.
00:40:58Outside?
00:41:01Think I'd like that.
00:41:13Victor! Victor!
00:41:43Victor!
00:41:50Victor!
00:41:59Victor!
00:42:05Victor!
00:42:09Victor!
00:42:11Victor!
00:42:15Victor!
00:42:17What are you doing up there?
00:42:19Anita, what's the matter with you?
00:42:21Don't you know me?
00:42:23Anita, listen to me!
00:42:25Oh!
00:42:27Oh!
00:42:29Oh!
00:42:31Oh!
00:42:33Oh!
00:42:35Oh!
00:42:37Oh!
00:42:39Oh!
00:42:41Oh!
00:42:43Oh!
00:42:55Oh!
00:42:57Oh!
00:42:59Oh!
00:43:01Oh!
00:43:03Oh!
00:43:04Oh!
00:43:05Oh!
00:43:06Oh!
00:43:07Oh!
00:43:08Oh!
00:43:09Oh!
00:43:10Oh!
00:43:11Oh!
00:43:12Oh!
00:43:13Oh!
00:43:14Oh!
00:43:15Oh!
00:43:16Oh!
00:43:17Oh!
00:43:18Oh!
00:43:19Oh!
00:43:20Oh!
00:43:21Oh!
00:43:22Oh!
00:43:23Oh!
00:43:24Oh!
00:43:25Oh!
00:43:26Oh!
00:43:27Oh!
00:43:28Oh!
00:43:29Oh!
00:43:30Oh!
00:43:31Oh, oh, oh, oh, oh.
00:44:01Anita.
00:44:13Anita, let me help you.
00:44:31Anita, wait.
00:44:47Take my hand.
00:45:01Anita.
00:45:06Anita.
00:45:08Anita.
00:45:23Astonishingly complex, isn't it?
00:45:25The human eye.
00:45:26That's the thing.
00:45:32See?
00:45:36She's unconscious, but she'll live.
00:45:39No.
00:45:40She will live.
00:45:42While Anita won't, she's dead.
00:45:50Nina, dear, come along with us now.
00:45:55You've had a bad shock.
00:45:58Get out of here, both of you.
00:46:02You stay with me.
00:46:03You stay with me.
00:46:04Why don't you do something for her?
00:46:05I've done what I can for now.
00:46:07I've done what I can for now.
00:46:08Later, an operation might be possible.
00:46:10Later, an operation might be possible.
00:46:11I'm preserving the eye.
00:46:12Let me show you.
00:46:13Come over here.
00:46:14I've done what I can for now.
00:46:15Later, an operation might be possible.
00:46:16I'm preserving the eye.
00:46:17Let me show you.
00:46:18Come over here.
00:46:19Let me show you.
00:46:20Let me show you.
00:46:21Come over here.
00:46:22Let me show you.
00:46:23Come over here.
00:46:25The cellular structure is being kept alive by these electrical vibrations.
00:46:26I use the same principle in keeping that hand alive.
00:46:27I've done what I can for now.
00:46:28I've done what I can for now.
00:46:29Later, an operation might be possible.
00:46:30I'm preserving the eye.
00:46:31I've done what I can for now.
00:46:32I've done what I can for now.
00:46:33Later, an operation might be possible.
00:46:34I'm preserving the eye.
00:46:35Let me show you.
00:46:36Come over here.
00:46:37The cellular structure is being kept alive by these electrical vibrations.
00:46:38I use the same principle in keeping that hand alive.
00:46:43He is a very lucky girl.
00:46:44You think that's ironical?
00:46:45Let me explain.
00:46:46I'm the only man alive today capable of restoring your friend's sight.
00:46:50Dr. Alexis Carell, who is the only man alive today capable of restoring your friend's sight.
00:46:53Dr. Alexis Carell, who is the only man alive today capable of restoring your friend's sight.
00:46:58Dr. Alexis Carell, who pioneered the transplanting of vital human organs, kept the portion of an animal's heart alive for many years.
00:47:19For this, he received the Nobel Prize.
00:47:23And I, who have so far surpassed his efforts...
00:47:28Surely you don't want to compare yourself with Dr. Carell.
00:47:32He was humane.
00:47:33I too fight to preserve life and to find the means to improve the lives of future generations.
00:47:38Your viewpoint is that narrow, ignorant one, held by the medical society today,
00:47:43which forces me to work in a place like this, to give in to the whims of a foolish old woman,
00:47:48because she can supply me with the funds I need to continue my work.
00:47:52You're going to be all right.
00:47:55Nina?
00:47:56Yes, Bea.
00:47:57I, I can't see.
00:47:58What?
00:47:59The joints are bandaged.
00:48:00Something happened.
00:48:01Don't think about it now.
00:48:02Listen to me, Bea.
00:48:03Are you listening?
00:48:04This is important.
00:48:05Yes.
00:48:06We must be ready if a chance comes.
00:48:07I remember now.
00:48:08It was Anita.
00:48:09She...
00:48:10Oh, my eye!
00:48:11My eye!
00:48:12My eye!
00:48:13My eye!
00:48:14My eye!
00:48:15My eye!
00:48:16My eye!
00:48:17My eye!
00:48:18My eye!
00:48:19Ha!
00:48:20Ha!
00:48:21Ha!
00:48:22Ha!
00:48:23Ha!
00:48:24Ha!
00:48:26Ah!
00:48:27I'd better leave.
00:48:28It's a chance to take effect.
00:48:31I'm a doctor, I'll take care of her.
00:48:33I'm sure you will take excellent care of her until your plans call for something else.
00:48:36Better leave. Did this chance take effect?
00:48:41I'm a doctor. I'll take care of her.
00:48:43I'm sure you will take excellent care of her
00:48:46until your plans call for something else.
00:48:50Or am I to be the next one, doctor?
00:49:03There.
00:49:04Got all the clothes?
00:49:06Yes.
00:49:06And made my hair appointment?
00:49:08I took care of everything on your list
00:49:11while you were talking with the lawyer.
00:49:14Hair appointment Monday, 10 a.m.,
00:49:16Charles of the Ritz,
00:49:18under Niner's name.
00:49:21I'll want Niner to model these later,
00:49:24after I've rested.
00:49:26You tell her.
00:49:27They're back.
00:49:41I'll have to leave you now.
00:49:43Remember, I'm going to try to get us out of here tonight.
00:49:46No.
00:49:47Forget about me.
00:49:49I won't go.
00:49:51B, don't talk like that.
00:49:54Mrs. March had not realized her new body had such a satisfactory shape.
00:50:12Perhaps not as spectacular as the English girl, but in excellent taste.
00:50:16She couldn't help being amused.
00:50:18The stupid girl was not only modeling Mrs. March's future wardrobe,
00:50:22but Mrs. March's future body.
00:50:25So firm, so nicely rounded in places man-like.
00:50:29You might have knocked when you came in, Victor.
00:50:37I'm sorry.
00:50:39Don't stop yourself showing my account.
00:50:42Does my, uh,
00:50:44aged lock-in-var disturb you?
00:50:47That's unkind.
00:50:48Shut up.
00:50:50You see, it's hard for a vain, stupid man
00:50:54to realize that he holds no attraction
00:50:57for a lovely young girl.
00:51:02You're not needed now, Victor.
00:51:06Close the door quietly when you go out.
00:51:10I'm not going to be needed at all.
00:51:14That's what you're saying, isn't it?
00:51:17After tomorrow, when...
00:51:18Victor!
00:51:20That's enough!
00:51:22Get out!
00:51:24If it's the way it's going to be, when what?
00:51:27Don't ask tiresome questions.
00:51:36That will be enough for tonight.
00:51:39I want us both to get some rest.
00:51:42Try to sleep.
00:51:43But Mrs. March...
00:51:44That's an order!
00:51:45Do as I say!
00:51:46You're not looking for me, are you?
00:52:12Why would a pretty young girl want to be around an old man?
00:52:17What did you try to tell Mrs. March?
00:52:20Hmm?
00:52:22So that's what you plan to do.
00:52:25Get rid of old Victor once you get all that money.
00:52:30The only thing is, of course, it won't really be you.
00:52:36Victor, please tell me.
00:52:38Try to make sense.
00:52:39I am telling you, tomorrow you'll be one of the richest women in the world.
00:52:47Here's a press release.
00:52:48It's in the mails now.
00:52:50To all the major news syndicates.
00:52:54Orphan girl sole heir to March millions.
00:52:58Nina Rhodes has a lucky star.
00:53:01Oh.
00:53:01I don't understand.
00:53:07The next press release will be March Mansion destroyed by fire.
00:53:13Cinderella girl.
00:53:14Nina Rhodes.
00:53:16Sole survivor.
00:53:18Only it won't be you.
00:53:21It's a pity, too.
00:53:23You're nice the way you are.
00:53:29Please don't let it happen.
00:53:32You could help me and Bea get away.
00:53:35When you're a rich woman,
00:53:37you wouldn't forget an old friend.
00:53:41A friend who'd saved your life, would you?
00:53:42No.
00:53:42Get out of the car.
00:53:51And stay there.
00:53:52Victor, Bea too.
00:53:53Bea must come too.
00:53:56Wait a minute.
00:53:58Just to make sure.
00:53:59Find this.
00:54:2130.
00:54:2930.
00:54:4930.
00:54:5130.
00:54:5630.
00:55:26You've got to come with me.
00:55:32No, I won't go.
00:55:34Why should I want to go on living like this?
00:55:38I'll get Victor to help me and we will carry you.
00:55:41Do you want something from Victor, dear?
00:55:59Sit down, my dear.
00:56:02I'm afraid you're wearing yourself out with all this rushing round.
00:56:06I don't like that.
00:56:07You realize she's mad, don't you, Dr. Frank?
00:56:11Relax.
00:56:12Hurry, doctor.
00:56:17I'll be ready for you shortly, Mrs. March.
00:56:21I'll be waiting.
00:56:22It's finally about to happen.
00:56:37You don't know what it's been like for me, living with this ugly body of mine.
00:56:50Knowing that any attention I received was not for me, but my money.
00:56:58Well, nobody got any of it.
00:57:10I've never known what it was like to be loved for myself alone.
00:57:17Why did you kill Victor, Mrs. March?
00:57:21Victor?
00:57:25Victor was a fool.
00:57:31I'm a practical woman, Dr. Frank.
00:57:35A businesswoman.
00:57:36I've never been a very practical person.
00:57:41I suppose that makes me a fool, too, in your eyes.
00:57:44Of course not.
00:57:45Relax, Mrs. March.
00:57:46Just relax.
00:57:48Relax.
00:57:49Relax.
00:58:06Relax.
00:58:07Relax.
00:58:08Relax.
00:58:09Relax.
00:58:10Relax.
00:58:11Relax.
00:58:12Relax.
00:58:13Relax.
00:58:14Relax.
00:58:15Relax.
00:58:16Relax.
00:58:17Relax.
00:58:18Relax.
00:58:19Relax.
00:58:20Relax.
00:58:21Relax.
00:58:22Relax.
00:58:23Relax.
00:58:24Relax.
00:58:25Relax.
00:58:26Relax.
00:58:27Relax.
00:58:28Relax.
00:58:29Relax.
00:58:30Relax.
00:58:31Relax.
00:58:32Relax.
00:58:33Relax.
00:58:34Relax.
00:58:35Relax.
00:58:36up are you good want to talk to you you signed a paper making vicky a legal guardian that's right
00:58:52isn't it i did something didn't i well it probably worked as well for me
00:58:59we could stay here none of this would have to be destroyed
00:59:08you're doing better aren't you let you try it on your own
00:59:15i wonder now if mrs march didn't intend blowing me up along with all the rest of this
00:59:20you're a very wealthy woman now nina what i must decide is how to keep you and your
00:59:32friends available but the least amount of nuisance to myself
00:59:38i could keep you under sedation not what your signature was required
00:59:43or i could replace your brain with one more amenable
00:59:51what about mrs march doctor mrs march no longer has a thing to say do you my dear
00:59:58completely recovered i'd say how do you feel
01:00:13i guess the transplant would be better it won't hurt
01:00:16dr frank had enjoyed this transplantation mrs march's brain winding up in the body of a cat
01:00:32poetic justice to think of autocratic mrs march scavenging in back alley garbage cans for her dinner
01:00:46but mrs march doesn't take things lying down
01:01:16and
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