Igra sudbine Epizoda 1439,Igra sudbine 1439,Igra sudbine 1440,Igra sudbine Epizoda 1439, Igra sudbine Epizoda 1440,Epizoda 1439 Igra sudbine ,Epizoda 1440 Igra sudbine
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00:54.
00:56Who did you see?
00:58Gabriel and Alex in the interview with Magda.
01:04You saw them?
01:06Okay.
01:08I think it was a bit weird that you didn't see in that interview.
01:12Thank you for asking me about my job.
01:15Not always, of course.
01:18Okay.
01:20And what do you say?
01:24I tell you, Vanja, that you and I have to explain something.
01:32Do something else, Gorane?
01:34Do something else.
01:36Look, look, look, look, look, look, look, look, look, look.
01:40I'm not yours.
01:42Okay, I'm here to see what's happening here.
01:46I see everything is the same.
01:48The sea, the sea, the sea, the sea, the sea, the sea, the sea, the sea, the sea.
01:52And where is Mile?
01:54Mile was a little indisponible.
01:56Yes.
01:58Indisponible.
02:00I'm glad you can see that the sea is working today and that he's still running around.
02:04Do you think you can drink anything?
02:06I don't want anything to drink.
02:08I want to tell you what you're saying.
02:12What do you mean?
02:14What do you mean?
02:16You don't know what I'm talking about.
02:18I don't know.
02:20Why do you believe for Olgou?
02:22I believe for Olgou.
02:24Yes.
02:25You believe for Olgou.
02:28Ivana Isuviše.
02:29I'm an amateur.
02:30I believe for anyone, even for Olgou.
02:33You don't want to run away.
02:35You don't want to run away.
02:37I'm not going to lie.
02:38I'm not going to lie to you.
02:40Only that you know that this way can't be able to.
02:43Okay.
02:44I don't know what to do.
02:45I need to wait.
02:46I'm not waiting.
02:47Okay.
02:48Wait.
02:49I want to tell you something important.
02:50I have seen you with Magdon.
02:54That's right.
02:55I've seen you with Magdon.
02:56And I've seen you with.
02:57It's crazy, I just wanted to talk about it.
03:09This is Mr. Žile.
03:10Sarah is in order.
03:14Good evening.
03:16Good evening.
03:18What is the problem?
03:20There is no problem.
03:23Why can't I go there?
03:25I want to talk a little bit.
03:29I want to say something.
03:30Ah, tell me.
03:33You see, we are in contact with you.
03:38Is it Mido?
03:39I pray.
03:41Is it Pianović Ljubomoran?
03:45I?
03:49You see, I'm Ljubomoran.
03:51Is it Mido?
03:53Pianović Ljubomoran.
03:55Pianović Ljubomoran.
03:57Pančeta, just to tell you.
03:58I'm just in the last time.
03:59I'm a little out of our hands.
04:01Yes.
04:03Good.
04:04I see.
04:05I see.
04:06And he says,
04:07that after the opportunity,
04:10one or two times in the world.
04:13From the world.
04:15From the sky.
04:17From the sky.
04:18When you expect it.
04:20And now,
04:21it's yours.
04:23Do you expect it?
04:24Do you expect it?
04:25Do you expect it?
04:26Yes.
04:27So, everything that happens to us now,
04:29you're going to tell you about the situation and the fate?
04:33No.
04:34I can't say it.
04:36It's true.
04:38But,
04:39maybe I should give you a chance.
04:41I don't really need you to give me anything.
04:45Who gives you?
04:46I don't give you anything.
04:47I just don't give you anything.
04:48I just remember you.
04:49I'm looking for you.
04:50I'm looking for you.
04:51No, I'm looking for you.
04:52I don't really need you.
04:53Okay.
04:55Then,
04:56I don't have anything else to tell you.
04:59That's all right?
05:00That's all right.
05:01Can I go now?
05:03I lazy.
05:08I told you…
05:09Yes.
05:13How was that funny,
05:14my secretdetNiceOpercal?
05:22What were any Lamb that I asked?
05:24I don't think that,
05:25but that one's best out.
05:27That's the best.
05:29I had to share this in mind as I thought and and mitochondriaвед ok there.
05:32I really don't have a chance to get into it where you have to get into it, but the chef does not get into it.
05:40Don't talk about numbers. Tell me what's going on.
05:45What's going on? I've been doing it so I know my number.
05:50And what's wrong?
05:52I really don't have a chance to get into it where you have to get into it, but the chef does not get into it.
05:59It's more darkly.
06:29I have a chance to get into it.
06:32But it's often mine.
06:34And everything is not clear.
06:37It's not true.
06:39It's not true.
06:41...
07:16Ca' on a lullet, tu sais, eu vei, gente, a miss volta ao ti.
07:25Sonhos surpirei.
07:46To be continued...
08:16Ajde!
08:28Čekaj, pa nemoj da prekidaš.
08:30Ne, pa nema ništa. Ja si čula vrat, izašla.
08:33A dobro možda se vrati.
08:35Neće, neće se vratiti. Mislim da je ovo sve što smo večera smogli da čujemo.
08:42Opet ništa nismo saznali konkretno.
08:44A nismo.
08:46A dobro, ajde, sad nam je jasno da iza njih barem stoje neki ozbiljni igrači.
08:52Hm, da.
08:54I još samo da saznamo koji su to ozbiljni igrači i stvar gotova.
09:00Kako?
09:01Pa ne znam kako, mislim, moramo da saznamo.
09:06A možda je samo dovoljno da slušamo i da sačekamo da se oni sami izlanu, da kažu neko ime, prezime.
09:14A mislim se to neće ljesiti.
09:16A nije baš to sigurno.
09:18A dobro je ako se desi neće skoro se desi.
09:20Da.
09:22A mi moramo da uradimo nešto, nešto konkretno.
09:26Da.
09:28Mislim da znamo kako možemo da dođemo do imena tih velikih igrača.
09:34Slušam.
09:52Izvini, jel možeš da ponoviš pitanje?
09:54A, naravno.
09:55Jel imaš dečke?
09:58Slušaj, Lazare.
09:59Ne želim da zvučim neprijatno, ali to da li ja imam dečka ili nemam, to je moja privatna stvar.
10:05U pravu si, izvini, ali znaš već.
10:09Mislio sam da se super zabavljamo i onda sam pomislio da nije neprimereno da ti postavim to pitanje.
10:15Ali ovo je poslovni sastanak i mislim da je baš neprimereno.
10:19U pravu si. Povlačem pitanje.
10:22Dobro.
10:23Već je kasno morala bih da krenem i hvala ti na obavljenom poslu.
10:27Hvala tebi, uradili smo super posao.
10:30Da, važi. Lako noć.
10:32Lako noć.
10:33Vidimo se.
10:34Vidimo se.
10:35Šta? Šta? Šta pitaš mislim? Šta? Šta bre što? Pitam, pitam jednostavno. Pitanje kako izgledam taj moj sekret obožavati. Kaži mi lepo.
10:46Pa šta da ti kaže mislim? Kaži mi nešto lepo svojim rečima. Ajde.
10:49Kako izgleda kao?
10:51Pa šta bre što? Pitam, pitam jednostavno. Pitanje kako izgledam taj moj sekret obožavati. Kaži mi lepo.
11:00Pa šta da ti kaže mislim? Kaži mi nešto lepo svojim rečima. Ajde.
11:05Kako izgleda kao?
11:06Podpomogni se rukama ako treba. Ajde.
11:08Kako izgleda, mislim. Pa mislim da si ti mene već jedno pitalo.
11:13Jesam.
11:14Pa pa četan nije se ga zagledao onako od glave do pete, razumiješ mislim. Dobro.
11:21Ajde nešto, kaži nešto.
11:23Pa mislim čovjek je onako svoj. Čovjek je svoj na svom.
11:31Pa znači da je normali, da je libeli, razumiješ? Normal, zdrav čovjek.
11:37Jao, daj bre, reci mi nešto konkretno bre. Šta mi pričaš ko da piše dete sastav u osnovnoj školi? Kaži nešto.
11:46Dobro, Pančeta, šta konkretno?
11:48Pa da, konkretno, reci mi, kakav je, jel Čelav, jel ga ima, jel može da me...
11:57Uj, kako, nemoj, Pančeta, pa nemoj moliti, ta pitanja nije su za mene.
12:02Pa nego za koga, koga da pitam?
12:04Pa ne radiš o toj, pa nije se, ja, Pančeta, djevojka, da zagleda muškarce po kafani.
12:09Evo, majko, ne, ja sam okružena primitivci.
12:13Nemoj, nemoj da snerviraš moliti, evo da te smiri.
12:16Čovjek je potpuno normalan i na svom mjestu.
12:20I slobodno, možeš da se dopisuješ nijem, dokle god hoćeš.
12:24Evo, ja se ne bunim. Ne, ne, Bože, začujem. Eto.
12:29Ško tebe, bre, pitaš, šta? Šta ti meni daješ amane, kao ja mogu?
12:36Šta mi daješ zavete, bre, šta pišeš ti meni?
12:39Opet sam lupio.
12:40Pa ko je tebe pitao, zašta? Mi dobre. Alo, saberis. Ćao mjau.
12:45Ćao mjau, i tebe.
12:48Serču, ja da ga mogu.
12:50Da naru ne da mogu, ja mogu šta hoće.
12:52Pa ko, čebo tako.
12:54Ma čao mjau.
12:56Ćao.
12:57Ćao.
12:59Ćao.
13:01Ćao.
13:03Ćao mjau, i tebe.
13:18Hey, how are you?
13:32I'm really good.
13:34You read the numbers?
13:37How do you feel?
13:39Good.
13:41I think you're good.
13:43You're good.
13:45Do you know what you're saying?
13:50Tell me if you have something.
13:53Yes.
13:54Yes.
13:56Yes.
14:00Yes.
14:02Yes.
14:04Yes.
14:05Yes.
14:06Yes.
14:08Yes.
14:09Yes.
14:10Yes.
14:12Yes.
14:13Yes.
14:14Yes.
14:16I think he should have a person to cloak him a little, will he not?
14:21Yes.
14:22I think that it is a person in this space, and I think that is not that woman.
14:28Yes.
14:29Yes.
14:30You can do it.
14:31What do you think?
14:33What? Is it a private girl?
14:35I'm asking you, I'm asking you.
14:37What are you doing?
14:39I'm going to drink wine wine.
14:41I'm calling you, right?
14:43What are you doing?
14:45I'm thinking, what I'm calling you,
14:47you're calling you,
14:49you're calling you.
14:51But when I'm thinking,
14:53you can be your life.
14:55What are you doing?
14:57What are you doing?
14:59You?
15:01I don't see anyone else.
15:03I don't see anyone else.
15:05I'm asking you, I'm asking you.
15:07I'm asking you, I'm asking you.
15:09I don't have anything against you.
15:13Okay.
15:15Tell me why you're calling me Sarah?
15:19I'm asking you,
15:21I'm asking you,
15:23I'm asking you.
15:25I'm asking you.
15:27I'm asking you,
15:29I'm asking you,
15:31I'm asking you,
15:33I'm asking you,
15:35I'm asking you!
15:37That's interesting.
15:39What do you do, Sara?
15:41What do you do?
15:43I'm really happy.
15:45I'm really happy.
15:47You're really happy to talk about me.
15:51We know that we're talking about you.
15:53We know that we're talking about you.
15:55Barbara,
15:57I don't have time to know you,
15:59but I'm going to be talking about you.
16:01I'm going to be talking about you.
16:03Just listen to me.
16:05No.
16:07It's a reminder.
16:09Let's go.
16:11Let's go.
16:13You're nervous, you know?
16:15Let's go to the other side to drink a little.
16:17You don't have to leave.
16:25I'm happy.
16:27What?
16:29You have a better advice.
16:33That's how I thought.
16:35Oh...
16:37Oh...
16:45Oh...
16:46Oh...
16:47I need you to tell me something.
16:49I'm listening to you.
16:50What?
16:51I have to tell you something.
16:54I'm listening.
16:58I went to see myself with the tambour.
17:02What?
17:04I went to fame to see myself with the tambour.
17:09Why did you do this normal?
17:12I did it.
17:13Why?
17:15I couldn't hold it.
17:18Why didn't you hold it? Why did you talk with me?
17:20I sent my message to him.
17:22I sent my message to him.
17:26I sent my message to him.
17:28I sent my message to him.
17:30Yes.
17:32I have to go and speak to him.
17:37Okay.
17:38What happened?
17:40What happened to him?
17:42Excellent.
17:44How does it have been nice to talk about?
17:47Nice to talk.
17:48He says that he is a little, he is a little, he is an endurance of your actions and he would like to play with him in the club.
17:55He would like to have a rest of his role and to be able to strengthen his program in the club and that your actions would have been a excellent way for him.
18:07And how is the conclusion of your daily conversation?
18:11The final is that I think you should have to accept the power of your career.
18:20I think you should have to accept the power of your career.
18:28I think that I have to accept the power of your career as a manager.
18:35I think you should have to accept the power of your career, because we have to remove the power of your career.
18:42In other words, it would be great for your career, and then it would take me to the end.
18:50I don't believe that we hear from you.
18:53On the other hand, I would have to leave you there when I would sing to you.
19:01Yes, the job is the job.
19:04But there is something more important than the job. I won't sing in fame.
19:09I love your role, Olga. I really love it.
19:13But you need to accept that I won't cry and I don't have the right to cry.
19:19There is no chance. I won't sing in fame.
19:23It is important for me, and we need to continue together.
19:26There is something more important than that. I mean, we have some priorities.
19:30And you are my priority.
19:32Not only in relation to the job, but in relation to everything.
19:35And you are my priority.
19:37One, two, three, three, five, five, five, five, five.
19:40To be continued...
20:10I really don't have a start.
20:12I don't want to stay in the city and the city and the city.
20:15Do you have a decision?
20:17First you or I?
20:19Andrija and I have agreed with the rules.
20:22I'm happy to hear you.
20:25I'm happy to hear you.
20:27I'm happy to hear you.
20:30I'm happy to hear you.
20:32It's a big Ali.
20:34Who is it, Ali?
20:37I want a guarantee.
20:42I want an agreement that Prestiž will be able to provide material to Doni
20:48regardless of whether you will get the majority of the council or not.
20:53I think that would be a good start for our partnership.
20:57I'm going to agree with you.
20:59I'm coming to the conclusion.
21:01I understand your request.
21:04So, you agree?
21:06We will make the agreement so that you would like.
21:11I'm not sure that you will make the agreement great.
21:15I'm going to agree with you.
21:17I'm going to agree with you.
21:18My right team will be able to tell you what is possible.
21:28Do you have a good idea?
21:29Do you know what?
21:30You're not a good idea.
21:31You're a good idea.
21:32You're a good idea.
21:33You're a good idea.
21:34You're a good idea.
21:35What is your problem?
21:39What is your problem?
21:41You don't do it, but you have a problem.
21:44You have a problem with me?
21:46You have a problem with me.
21:48I don't know where the idea is going to kill me with Jovane.
21:55What does it mean to kill me?
21:58I think you should know what you're talking about.
22:00I don't know, tell me.
22:02Why did you say, Jovane, that I have your shagrte, Mateo and Lazara, maltretiram?
22:08They are not my shagrti. They are here, understand?
22:12Yes, they are killed from the newspaper.
22:14You don't know if you have killed them or not.
22:17You have to tell me what you have, because you have a job.
22:20Why did you do that?
22:23They are a little ugly.
22:25They are a little ugly.
22:27They are a little ugly.
22:29They are a little ugly.
22:31We really didn't have any problems from the last conversation with you.
22:34Yes, true.
22:35But now we have another problem.
22:37She has a finger on some other hand.
22:39Who is Gabri?
22:43Stefana.
22:45She generally does not hold on to the hospital, but also to Stefan.
22:50What do you do?
22:51What do you do?
22:52We are ready.
22:53We are ready.
22:54We are ready.
22:55We are waiting for him.
22:56We are waiting for him.
22:57What is that?
22:58It is not his job.
22:59It is not his job.
23:00It is not.
23:05Okay.
23:06What are you doing now?
23:07Are you some fighters for the real workers here?
23:12We are not.
23:14We are not.
23:15Of course, we are not.
23:16It is hard to look at how he looks like Stefan.
23:19I mean, Stefan is very nice to us.
23:23And then...
23:24Is that what Stefan says on the planet?
23:27He does not say anything.
23:29What do you say?
23:30Just sit and listen.
23:35Okay.
23:36Let's see what I can do for this.
23:40Okay.
23:41Do you want him to be a little bit?
23:43Okay.
23:44What are you doing?
23:45What are you doing?
23:46You are a protector of some unhappy people.
23:49You are Robin Hood.
23:50You are a true advocate.
23:52Listen, call me as you want.
23:54You are not talking about the previous question.
23:56Is it a lie or a truth?
24:01Okay.
24:02This is great.
24:03Yes.
24:04It is even better than what I thought.
24:07Magda is a very wise woman.
24:09Maybe even more than what we are doing.
24:12Yes.
24:13Yes.
24:14I will start preparing for Magda.
24:16Yes.
24:17Yes.
24:22Yes.
24:23Yes, we will see what we will do with the Vistvon.
24:27Yes.
24:28It is not a problem with us.
24:30We should only be a professional.
24:32And the rest is to Magda.
24:33Yes.
24:34And the problem is to sell 10% of the money.
24:36Yes.
24:37Yes, we have to sell 10%.
24:38But we have made a good deal.
24:39Yes, maybe too.
24:40Yes, too.
24:41Yes.
24:42Yes.
24:43Yes, I think that everything is so easy.
24:45Yes.
24:46Yes.
24:47Yes.
24:48Yes.
24:49Yes.
24:50Yes.
24:51Yes.
24:52Yes.
24:53Yes.
24:54Yes.
24:55Yes.
24:56Yes.
24:57Yes.
24:58Yes.
24:59Yes.
25:00Yes.
25:01Thank you everyone.
25:02Yes.
25:05Thanks a lot.
25:11Yes.
25:12Yes.
25:13Isn't that efficient for me is playing Deriva Zupoma to Shegrity.
25:14Yes.
25:15Yes.
25:17Yes.
25:22Yes, yes.
25:25Thank you, everyone.
25:27Vitomir, you know.
25:29Look, you don't know how a company works.
25:33No, I don't know.
25:35I'll explain the hierarchy of a company.
25:37I'll explain it.
25:39I'm behind Lazar and Matea.
25:42I'm completely right when I don't have enough time
25:45to give them a job.
25:47I'm behind Stevano.
25:49I'm behind Stevano.
25:51I'm behind Stevano.
25:53God bless you.
25:55I don't think you're frustrated.
25:57Aha.
25:59Aha.
26:00Okay.
26:01Thank you for that.
26:03And you won't be able to marry a company.
26:07Nobody.
26:09And you won't be able to live here.
26:11You won't be able to tell them.
26:13Listen, if you have some private frustrations,
26:15you'll be able to get them to another place,
26:17and not here in this company.
26:19I don't understand.
26:21I'm going to get them to get them to another place.
26:25What do you want to tell us?
26:27What do you want to tell us?
26:29I want to tell you that
26:31if we perform this conversation
26:33that we have made,
26:35in the perspective,
26:37Dona, as a magazine,
26:39What do you want to tell us?
26:41I want to tell you that if you continue this agreement
26:46that we have made,
26:49in perspective, Donna, as a magazine,
26:53gets a lot of value.
26:56What is wrong?
26:59If Donna gets a value,
27:01then they get out of their actions.
27:04Yes?
27:05And?
27:06Do you think we need to get out of the trade?
27:09No, I don't think we need to get out of the trade
27:12or whatever else.
27:14But I think we need to change the price.
27:17The price is now higher.
27:19Yes, but the price will not increase over the night.
27:21It will not over the night,
27:23but in perspective, it will be.
27:25I'm not sure that we need to get out of the trade.
27:28Of course, we need to wait.
27:30Okay, we need to wait,
27:32but I think we need to wait.
27:34I think we need to get out of the trade.
27:36I think we need to get out of the trade.
27:38We need to get out of the trade.
27:41That's right.
27:43That's right.
27:44That's right.
27:45That's right.
27:46That amount of material
27:48that we need to get out of the prestige
27:51should be relaxed by our employees.
27:55Okay.
27:56That's why we have done the work from Magde
27:58is really great,
27:59but I don't know what we need to do
28:01if we can't get out of it
28:02and get out of it.
28:03That's what we need to think about
28:04if we need to get out of it.
28:06That's right, Andrej.
28:07What do you want to say to us?
28:09I want to explain to you
28:11the logic of the trade.
28:13If we sell the usual car,
28:15we have a car car,
28:17we have a car car,
28:19we have a turbo-punyator,
28:21we have a car car,
28:22and we have a car car,
28:23and we have another car car.
28:24We will see where we will get out of it.
28:26Let's get out of it.
28:30That's great, Devojka.
28:33Do we remember she was going to get out of it?
28:35Yes.
28:36And she's sort of charismatic.
28:39Yes.
28:40That's not done.
28:41We'll wait for the job to explain it.
28:43Do you want to see that?
28:44No, no.
28:45Yes.
28:46I was going to tell you about it.
28:47Just start calling.
28:48Yes.
28:49Do you hear that?
28:51She's a machine cookie.
28:54Yes.
28:55Now it's clear.
28:57What?
28:58I saw the panchette before a few days.
29:01She had a phenomenal wardrobe.
29:03I asked her who she was doing.
29:05And now I'm tied with two and two.
29:07You think that is Mina's wardrobe?
29:09Who else?
29:10Maybe.
29:11Maybe.
29:12You know what kind of wardrobe?
29:14The panchette is amazing.
29:15Yes.
29:16Yes.
29:17I saw it.
29:18I saw it.
29:19I saw it.
29:20I saw it.
29:21I saw it.
29:22I saw it.
29:23What?
29:24What?
29:25What?
29:40Come here, Mr. Kapitza.
29:42Come here, come here.
29:44Come here, old man.
29:46No, don't ask me.
29:48I don't ask you.
29:49You don't ask me.
29:50You don't ask me.
29:51You don't ask me.
29:52You don't ask me.
29:53I didn't have a drink.
29:55What do you do, Nikola?
29:56What?
29:57What is the same thing?
29:58I've lost everything.
29:59Then all of a sudden.
30:00You're right.
30:01You're right.
30:02You're right, you did not finish it.
30:04You're right, give me a little nap.
30:06You're right, come here.
30:07You're right.
30:08Here.
30:09You're right.
30:10You're right.
30:11I'm sure I'm done with this, but I'm not wrong.
30:14but I was surprised...
30:16I was asking for the first flight,
30:19and then I was asking for the receipts,
30:21and they were not ready,
30:22so I was asking for the rest.
30:24What are you doing?
30:26Don't you open your hands,
30:29and I'll just get your hands down.
30:30What's the product?
30:31What's the pudding for a panchette?
30:34Opa!
30:35What's the problem?
30:36How did you do that?
30:37What's the problem?
30:38I was shocked by the guy in the cafe.
30:41He was a mystery,
30:42And he gave me a pudding to bring me.
30:45What is that?
30:51Do you know what you think about your head?
30:54I don't know.
30:56It's clear how you are always happy with this manchetin.
30:59But we never see him.
31:01Let's see.
31:02That's what you're talking about.
31:03Yes, yes.
31:04Do you know what you're talking about?
31:05Do you know what you're talking about?
31:12Hrana
31:30Hey, is that right?
31:32Hey I have bowl!
31:34What else?
31:35There's just all here.
31:36Hey, why is Bobo ca having to ride his bike?
31:38Well guys,
31:40I'm spending douche.
31:41I'm a doctor. I was asked for a food from Dona, but I didn't have it.
31:46Okay, now I understand.
31:48I don't know what to do in the studio.
31:51I wouldn't have been able to survive until the end of the month with what my parents left.
31:54I really like to drive to the village.
31:57I'm sorry for you. I don't like to drive to Gužvi.
32:00I'm going to drive 200 kilometers away.
32:05What are you doing?
32:06I'm not doing it, I'm doing it.
32:08I'm going to see if I can do it.
32:11Why don't you ask me?
32:12One of them.
32:13One of them?
32:14Yes.
32:15Okay, I didn't send Stevana a message.
32:17It's useless.
32:18You're sending it, okay?
32:19What about Stevan?
32:20It's not a matter of our internist.
32:23Where is the Vanja?
32:25Where is the Vanja?
32:27I'm going to go to the third council.
32:31See you.
32:32I thought you were coming home.
32:33I don't know.
32:34I'm going to ask you.
32:35I'm going to ask you.
32:36I'm going to ask you.
32:37Why don't you ask me?
32:38I don't know.
32:39I can ask you.
32:40I'm going to ask you.
32:41Let me ask you.
32:42I'm going to ask you.
32:43Go, go.
32:45Go.
32:46Go.
32:47There is no.
32:49This is definitely for the sentence.
32:51Yes.
32:52Hey.
32:53Hey.
32:54Hey, welcome.
32:55Hey, hi.
32:56Hey, hi.
32:57Hey, hi.
32:58What are you watching?
33:00I'm watching these mini photos. I mean, the devil is amazing.
33:04Really? I don't have a connection.
33:08I don't have a connection.
33:10I don't know, it's not photogenic.
33:14It's not even nice.
33:16I don't have a connection.
33:18I don't have a connection. I don't have a connection.
33:22I don't have a connection.
33:24Okay, whatever you want, I'll decide.
33:28Let's see.
33:30Let's see.
33:32Let's see.
33:34Let's see.
33:38What was this?
33:40This would be love for me.
33:44Why would Natalija be love for me?
33:50I think Vitomir is in the middle of the night.
33:53And Natalija is not exactly the same.
33:56Do you understand?
33:58Oh, that's a Spanish series.
34:00Literally.
34:02Let's see, I'm going to stay on my bed.
34:06Let's see.
34:08Let's see.
34:10Let's see.
34:12Let's see.
34:21Do you understand what I'm asking?
34:22I don't know. I will simply end up.
34:25You end up?
34:27You know what?
34:29It seems that you're mad,
34:31that I'm the same person,
34:33not the likes of my wife.
34:35Where were you, mother?
34:37Look at me a little better man.
34:39I don't like a man who is making pudding.
34:43I'm sure he's making pudding.
34:45I don't like it.
34:47He's very deeply hurt.
34:49You know, my heart is hurting.
34:51Sorry, sorry.
34:53It's a little better when you think about it.
34:55I'm sure you're making pudding.
34:57I'm sure you're in Tripovo.
34:59I think you're in Tripovo.
35:01Yes, I'm in Tripovo.
35:03Yes, yes.
35:05You don't like a man who can make a good taste.
35:08I'm sure I can do it.
35:10I'm sure I can do it.
35:12I don't have a chance.
35:16Oh, here are our lucky ones.
35:20Where are you from now?
35:22What happened?
35:24What?
35:26What?
35:28You smell something like this.
35:30What is this?
35:32What is this?
35:34What is this?
35:36What?
35:38What?
35:40What?
35:42What?
35:44What?
35:46What?
35:48What?
35:50What?
35:52What?
35:54What is this?
35:56What do you want?
35:58What?
36:00What?
36:02What?
36:04What?
36:06What?
36:07What?
36:08It's Putin's light. What are you doing?
36:12You're welcome.
36:31That's it.
36:34Did you survive?
36:36I don't know. Did I not have to survive?
36:40Listen, if it was necessary or not,
36:42Anja is the biggest guest in the company.
36:45Yes.
36:47I don't know. I don't know if it was okay.
36:51I didn't leave it.
36:53That's what I tell you.
36:55Well, it's true.
36:57That's what I tell you.
36:59You know I'm famous.
37:00It's great.
37:01Yes, but I'm happy to be here.
37:03We really have a great guy.
37:04I'm happy to be here.
37:06I'm happy to be here.
37:07I'm happy to be here.
37:08I'm happy to be here.
37:10Okay.
37:11Yeah, I'm happy to be here.
37:14I'm happy to be here.
37:15You're welcome.
37:16I don't know what you eat, it's super, super atmosphere, tip-top.
37:20That's it.
37:21I'm happy with you.
37:23Yes, yes, they are really correct.
37:26I'm not quite a long time ago, but now I'm really all in the way.
37:30It's the most important thing, just to not be able to do it.
37:33No, when there is a job, it's a little problem.
37:36Because I'm going to go to the fridge and the store,
37:39I'm going to bring them all the time.
37:42Everything is great, it's going for a while.
37:45Hey, listen, can I go to the fame?
37:48I'm going to do the other thing today.
37:51I'm in the evening, I'm going to change my colleague.
37:53Come on, come on.
37:54Well, we were talking about it.
37:56Let's go to the 11.00 and drink beer.
37:59See you in the evening.
38:00See you in the evening.
38:01See you in the evening.
38:02See you in the evening.
38:03See you in the evening.
38:04See you in the evening.
38:05See you in the evening.
38:15See you in the evening.
38:32I don't know.
39:02Yes.
39:04Hey.
39:06Hey.
39:08I'm sorry?
39:10No, I'm sorry.
39:12I'm sorry.
39:18I wanted to ask you something about Alex.
39:26Hello, doctor.
39:28Hey, Angela.
39:30Is it a new patient?
39:32No.
39:34No.
39:36No.
39:38Is it still a few minutes?
39:40Yes.
39:42What's that?
39:44I wanted something to ask you.
39:46No.
39:48No.
39:50No.
39:52No.
39:54No.
39:56No.
39:58No.
40:00No.
40:02No.
40:04No.
40:06No.
40:08No.
40:10No.
40:12No.
40:14No.
40:16No.
40:18No.
40:20No.
40:30No.
40:32No.
40:34No.
40:36No.
40:38No.
40:40No.
40:42No.
40:44No.
40:46No.
40:48No.
40:50No.
40:52No.
40:54No.
40:56No.
40:58No.
41:00No.
41:02No.
41:04No.
41:06No.
41:08No.
41:10No.
41:12No.
41:14No.
41:16No.
41:18No.
41:20No.
41:22No.
41:24And here I am.
41:26Now I'm looking.
41:28What do you think?
41:30I'm looking at Diana Erskine.
41:32Who?
41:44My heart.
41:50What is it? What are you doing?
41:52What are you doing?
41:54I'm looking at it.
41:56I'm looking at it.
41:58I'm looking at it all.
42:00How stupid?
42:02What are you saying?
42:04What do you think?
42:22I'm looking at it.
42:24I'm looking at it.
42:26I'm looking at it.
42:28What are you talking about?
42:30What are you talking about?
42:34Tell me, what is related to Alex?
42:43I would like to tell you something more about what he loves.
42:49What he loves?
42:52Yes, that's a weird question.
43:04What do you mean?
43:07Well, in the first place, you bring yourself to me.
43:10And you can't wait for yourself yourself alone.
43:13Tell me, do you do this for me?
43:17Delimitally, yes.
43:19You're loving it, yes?
43:35Ciao.
43:36E, ciao.
43:38Gde si bio?
43:40U Fejmu, na pivu, posle posla.
43:44S kim?
43:45Sa Lazarom iz Dona.