El Actor de Reparto (Yardimci Oyuncu, Suplente) - Murat, que de repente se encuentra sin hogar y sin dinero, mientras piensa qué hacer, se encuentra con los decorados de una serie de televisión en la cafetería "extra" en la que entró por casualidad.
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00:00Thanks for watching the video.
00:30The supporting actor.
01:00The supporting actor.
01:30The supporting actor.
02:01Good morning.
02:01Hello good morning.
02:03I'm Ebren.
02:04I am Murat.
02:05Yaniv will have told you about it.
02:07Hello good morning.
02:09Have you met yet?
02:12They went to bed early last night and I couldn't introduce them.
02:16Murat is from our industry.
02:17What industry are you talking about?
02:22Cinema, obviously.
02:26Evil.
02:27You just make television.
02:31Cinema or TV, what's different about them?
02:33On Turkish television, they show products that are completely fraudulent, and with advertising they try to hypnotize unsuspecting viewers to try to sell them things they don't need, such as electronic devices, fast food, and detergents.
02:51So they're actually in the detergent industry and the like.
02:59Detergent?
03:00Oh, Ebrén, please explain what you're talking about.
03:09The cinema, my friend.
03:12It's basically the continuation of the age-old tradition of telling stories over and over again.
03:21Myths, fairy tales, and novels are the initial motivation for this tradition that has existed for thousands and thousands of years.
03:30If you look at it from that perspective, you'll see that you have nothing to do with it.
03:39It's an interesting point of view.
03:41Well, to hell with what he says.
03:43He woke up very early to think of ways to annoy us and he loves making a fool of himself.
03:47We'd better go, we have to work and it's already very late.
03:51Nice to meet you.
03:53Likewise, Murat. Welcome.
03:54Thank you.
04:00Ebren is an interesting guy.
04:18Although he is a little crazy, but he is a very good person.
04:20It wasn't like that before, but he's been to too many music festivals in the Mediterranean and I think he left his brain there.
04:28Now he listens to very strange music, pure songs with metallic sounds, like suba, suba, suba.
04:34Yes, he is someone interesting.
04:36But I don't think he's completely wrong in what he said, my friend.
04:39How could it not be bad, Murat?
04:41We are not a detergent.
04:42We are actors.
04:44I am a method actor.
04:49I take the character and identify with him.
04:52I think like him, I move like him, and I live like him once the director has given me the role.
04:57Yes, that's all very well, but we are the extras.
05:00What does it matter whether we identify with the characters or not?
05:03You see, you started saying that nonsense too.
05:06Ebrén infected you with that virus.
05:08Let me tell you, you can't be an actor if you continue like this.
05:10I don't want to be an actor at all.
05:12What are you saying?
05:13What of what?
05:14So what do you do on the sets?
05:16I'm going to graduate in electronics, my friend.
05:18Well, I'll graduate in a month or so I'd like to think.
05:21I am an engineer.
05:23I didn't finish school on time and that's why I had to leave home.
05:27I wasn't paid at work.
05:29So I didn't know what else to do.
05:31And so here I am.
05:33I couldn't tell my dad I hadn't graduated.
05:36He filed for bankruptcy last year.
05:38And he's dealing with too much.
05:41And I couldn't be any more of a burden on my poor father.
05:43But I'm going to work for a month and pass my exam so I can graduate.
05:47But what are you doing?
05:50What's the matter?
05:51What, don't you see the sign?
05:53No, I had my eyes closed and didn't judge the distance.
05:57Oh?
05:58Remember the actor who did the walk of confidence on set?
06:01Well, I was trying to see how far I can go with my eyes closed.
06:05That's not confidence, don't be ridiculous.
06:07Plus, he did it in a safe place, he didn't do it in the middle of the street.
06:11Well, but I did it.
06:12It's just that you were talking about so many things that you overwhelmed me.
06:16I feel sorry for you, friend.
06:18Did you at least listen to me?
06:19Yeah.
06:19Forgive me, this has me very tense.
06:24When I pass my exam, the first thing will be to tell my father the truth.
06:28Well, I don't feel sorry for him.
06:29So what?
06:30Well, I'm sorry he doesn't want to be an actor.
06:34Oh, my friend, you are a very interesting guy.
06:37Let me see if you hurt yourself.
06:39Do you have a lump here?
06:41I'm going to put ice on you.
06:42No, I already had that.
06:43When I was a baby I fell and I was left with this lump on my head.
06:47What? So it turned out like this?
06:49Yes, it never disappeared.
06:50But it doesn't look good at all.
06:52What do you mean it doesn't look good?
06:53But just look at him.
06:54Well, it's not visible.
06:55Did the doctor check him?
06:57Can you see it?
06:58No, your hair covers it, but it feels like a big lump if I touch it.
07:01Well, it's normal to feel it when you touch it, but you can't see it.
07:04No, nothing is seen.
07:06I'll believe you.
07:06He's still handsome, don't worry.
07:10I couldn't bring what you asked for, ma'am.
07:13Tell me, do you know which set we're going to?
07:14Yeah.
07:15And do you know how long it will take?
07:19That's what they all ask themselves.
07:22But I'm afraid no one knows the answer.
07:25Sorry, I can't go then.
07:27What do you mean he can't go, but...
07:28I can't.
07:29He can't do whatever he wants.
07:31I already gave the list to the director.
07:33In that case I'm leaving.
07:35It's just that, ma'am...
07:36I can't.
07:37Wait a minute, Mrs. Goldin.
07:38He looks hungover.
07:40Come back, madam.
07:40Ah, here comes my beautiful lady.
07:45Oh, wow!
07:46My dear Mrs. Goldin.
07:48How can you look so beautiful at this time of the morning?
07:50Did you know there are actresses who spend hours putting on makeup to look as beautiful as you?
07:55Come on, come on.
07:56Oh, don't say so many things.
07:58I always talk about you wherever I go.
08:00What do you say about me?
08:01I always say that I hope life gives us Goldin's beautiful and endless energy.
08:06Come on, Uba.
08:06We'll continue talking there.
08:09Sorry.
08:09I won't go.
08:11I've been asking that girl all morning...
08:14What time will we return?
08:16But she just scolds me.
08:18He said I can't leave.
08:19So you'll see how I'm going.
08:21Calm.
08:22It's hard to stay.
08:23But how will a woman as hard-working as you leave?
08:26We would be incomplete.
08:32I have things to do.
08:35And I want to know if we'll be working late.
08:36And he yells at me.
08:37Oh, no.
08:38That's impossible.
08:39She knows she doesn't hear well.
08:41That's why he raises his voice a little.
08:43Let's forget about her.
08:44I'll bring her back in time.
08:45Come on.
08:46I have to leave at five o'clock.
08:48Why do you find out?
08:49Well, let's leave it at four.
08:50But remind me at three and I'll take you home.
08:52Don't worry.
08:53Here I am.
08:53Here is Cervet.
08:54Good.
08:54Listen, I reserved a spot for you.
08:56Come on, get in.
08:57We are waiting for you.
08:59Come on.
09:00Please.
09:01There's no need.
09:02Please come in.
09:03How kind, how kind.
09:04Carefully.
09:04Good.
09:05Thank you so much.
09:06That is.
09:09Very good.
09:10Listen, it's the most important in production.
09:17Come on, friends.
09:18Come on.
09:18No, get in.
09:19That is.
09:20There is room for everyone.
09:25Esra, dear, you have to stay calm.
09:28I know they want you to answer questions you don't have answers to, but people need something.
09:33They need an answer, even if it's a lie.
09:34It doesn't matter what the truth is.
09:37Why's that?
09:37Hey, look, the lady wants to be pushed to jump off the cliff.
09:42He knows what he has to do, but he doesn't dare.
09:46And what can we do for her?
09:47Well, throw it.
09:49That's the best we can do.
09:51Help the poor lady do her thing.
09:53Well, I told him he couldn't go.
09:56But that's not how it's done.
09:57You have to get her to the set.
09:59That's what you have to focus on.
10:01And then you just disappear.
10:03And what happens next?
10:05What's happening?
10:06Rest.
10:08After the break you tell him you're sorry and that this and that happened and that's how you handle it.
10:13Little by little he will forget it.
10:15He won't remember it tomorrow.
10:17This is a loop and it is our duty to maintain it.
10:20Yeah?
10:21Okay, let's go.
10:22Go ahead and I'll play along.
10:24Alright.
10:25Oh, I do look very handsome, don't you think?
10:32Handsome?
10:33Yes, yes.
10:33He's the definition of handsome, my friend.
10:35Where to, where to?
10:38First you have to turn this way.
10:41The service waits for no one.
10:43And we are here waiting.
10:46Sorry, Mrs. Ezra.
10:47Sorry to keep you waiting.
10:49Ma'am, I'm much younger than you, Janine.
10:53Sorry, comrade.
10:54What, what?
10:55Do you really want us to play as comrades?
10:58Do you know how to play, Carlos?
11:01What are you talking to me about?
11:03I won't wait for you again.
11:05Get that face off now!
11:07Get on!
11:07Get on!
11:07Get on!
11:08Get on!
11:08Get on!
11:09Get on!
11:09Get on!
11:10Get on!
11:10Get on!
11:10Get on!
11:10Get on!
11:11Get on!
11:11Get on!
11:11Get on!
11:12Get on!
11:12Get on!
11:13Get on!
11:13Get on!
11:14Get on!
11:14Get on!
11:15Get on!
11:15Get on!
11:16Get on!
11:46Get on!
12:03Here you go.
12:04I apreciate it.
12:07What will they do today?
12:11I'm planning to take...
12:13Yayda!
12:14I'll be right back.
12:16Onur?
12:18Thank you.
12:19Welcome.
12:20How kind.
12:21Fine thanks and you?
12:22Good, too. How's everything going?
12:25I'm just starting here. You know, I don't take just any job. I'm very selective. The script has to be perfect.
12:32Exactly, well done. Besides, almost everything in this industry looks the same.
12:37By the way, I'm new here too. What are you talking about?
12:41The heir to a large company is having a party at his mansion.
12:45The most beautiful and richest girls go, but the protagonist is fed up and tired.
12:50He falls in love with a girl who was a waitress at the party, but she leaves without a trace.
12:56Wow! What a wonderful and original script! Have you ever seen anything like it?
13:03Well, for me it's completely uncharted territory.
13:06And then he goes looking for her in the Slums. He doesn't find her, but his best friend is there.
13:13And he falls in love with her.
13:16Well, he likes poor women. They're his type.
13:20And then what happens?
13:22Then the fiancée hates the poor girl.
13:28He makes her life miserable. He says she's a thief.
13:31But the protagonist's brother meets another poor girl. And he falls in love with her too.
13:39Wait a minute, I got confused, sorry. What production is this?
13:43Carpet seller.
13:45Carpets?
13:48Carpets sounds a little strange.
13:49No. They have a carpet company.
13:53Much of the story takes place there.
13:56I'll tell you that the idea of the script is quite impressive.
14:00How could they have come up with it?
14:01Did they invent the characters and then just have to pair them up?
14:05They would win the award for best script.
14:08You are very clever.
14:10Who are your friends, Yeida?
14:12You didn't introduce us.
14:13These are Murat and Yanip. They're from our agency.
14:16Ah, extras.
14:19Supporting actors.
14:20Supporting actors.
14:21Yes, yes. Supporting actors.
14:23The set is almost ready.
14:25Come on, I'll tell you what to do.
14:28What do you say?
14:30Look, do you see the end of this street?
14:34Are you talking about the first street?
14:36No, the one in the back.
14:39There's the street sign.
14:42Ah, I see the sign, but I don't read what it says.
14:45The last street?
14:47Exact.
14:48You walk straight to the sign, turn left, and wait there.
14:53I'll call you later and you'll come back here.
14:55But until I call you, don't even think about turning around.
14:59Understood?
15:00Yes, but what do you say you're going to call me?
15:05What if you give him a radio, friend?
15:08Good idea.
15:10Give the supporting actor a radius.
15:11Here's your radio.
15:15There you have it.
15:16Wait for me to call you.
15:18But I don't want it to be seen in the scene.
15:20Try to hide it and don't break it.
15:22Oh, how do I do that?
15:24This radius is huge.
15:25Where do I put it?
15:26It's going to be noted.
15:28Then they can give him a backpack.
15:30Great idea.
15:32Give the supporting actor a backpack.
15:33It's delicious.
15:40Thank you.
15:43Very good.
15:45The Z is not ready yet.
15:47Call me when you are.
15:49Don't worry, it will be ready when you arrive.
15:52Now, Yeida, I will explain your character to you.
16:03You have to be behind the camera with me.
16:07When I tell you, you will go to the seller to buy a cimit.
16:12But don't take too long.
16:14Or I'm going to miss you.
16:16One second.
16:17Excuse me.
16:18You haven't explained my character to me.
16:20You did perfect, my friend.
16:23Homer.
16:25Keep the supporting actor.
16:27Put it to work.
16:29Attention, production.
16:30I want the actors to be ready.
16:32Let's rehearse.
16:39What a nice device.
16:41You should also steal a couple of records for us to come buy.
16:45Perfect.
16:46Good.
16:50Spinner Street.
16:54Where did that guy send me?
17:08Good morning.
17:09What's up, buddy?
17:12Did you get lost or what?
17:14No.
17:16They are recording some things.
17:18They sent me here, but they'll call me in a minute and then I'll leave.
17:21Are you a police officer, perhaps?
17:27No not at all.
17:29I'm working at an acting agency.
17:32Yeah.
17:34That's right, Camille.
17:36They are filming a movie in the area.
17:39There are artists and all that.
17:40Oh, wait, wait, wait.
17:47Where are you going?
17:47Look, the camera is pointing this way.
17:49If you come, they might see you and scold you.
17:51Stay there.
17:51Come on, move it.
17:52Come on.
17:54Move.
17:58And who will scold me in my own neighborhood?
18:01No, no, that's not what I meant.
18:08I mean, they are working and we can help them.
18:11That's all, my friend.
18:13Shh.
18:15Don't be intimidated by this guy.
18:17He has two positions.
18:19What charges?
18:20For theft.
18:21And car theft.
18:23Very good.
18:25Very good.
18:26Well, just ignore me, please.
18:28They'll call me back in a minute and never hear from me again.
18:32Stay calm.
18:45What were we up to before that guy came?
18:58Don't worry.
19:02Check the man.
19:04Yeah, yeah.
19:06Come on, calm down.
19:07Twelve strong.
19:08Come on, louder.
19:09Yeah, yeah.
19:10Have some tea.
19:11Yeah, yeah.
19:16His cough again.
19:17Three, two, we continue.
19:39Where the hell is Serjan?
19:53Dude, I told you so.
19:56Tell me again.
19:58He went to work at Rafet's house.
20:01He told me there were a couple of pigeons and went to get them out.
20:05If Rafet finds out, he'll break my bones.
20:08Yes indeed.
20:12Calm down, let's go see the actors.
20:21I want to get you out of this mess, Yeida.
20:24I've always had a good life.
20:25Money, travel, an education.
20:28But there's something about your miserable life that always draws me back to you.
20:31Since the first time I saw you, you haven't been able to leave my mind.
20:42I am capable of giving up everything and everyone for you.
20:46Oh really?
20:53Hey...
20:53She arrived first.
20:56Ladies first.
20:57Can I have two that are crispy?
20:59All cimits are crispy, miss.
21:03They don't see two cimits that aren't crispy.
21:06In fact, let me tell you something.
21:08These cimits are two months old.
21:12Don't try to eat them or your teeth will shatter.
21:15Come on.
21:16Thank you.
21:17Good day.
21:21It comes from Smyrna.
21:22What thing?
21:22People who discriminate if you call them poor
21:28has led a much more honest life than you have led and will lead.
21:33These dusty streets that you're so worried will ruin your shoes
21:36are much cleaner than your conscience.
21:39Get out of here and never come back.
21:41Court!
21:48Excuse me.
21:50But what stupidity.
21:52Look, a rich man comes for her and she refuses.
21:56Dude, why would a rich man come here in the first place?
22:00Even if someone owned a factory in the neighborhood,
22:03he wouldn't even come to his own factory.
22:06And if she lived in this neighborhood, they'd kill for her.
22:11What bothers me most is that they are in our neighborhood.
22:14Did they pay us anything for all the inconvenience?
22:19Whom?
22:20Us.
22:21These programs have very high budgets
22:24and they are using the neighborhood for free.
22:27See?
22:27See?
22:27They also make our work difficult.
22:32Tell me, what job?
22:36Where will you be, Sergian?
22:38I have known the protagonist for years.
22:40He has a motorcycle and loves to rev it,
22:42but I wouldn't do it here.
22:43Friend, Servetus.
22:45Hello, how are you, friend?
22:46What can I do for you?
22:48There's a guy over there.
22:49He wants me to go down that street.
22:50It's dangerous.
22:51What man?
22:52That.
22:53Who, Casanova Honor?
22:54The blond guy with the orange jacket.
22:56Yes, nobody hires that one,
22:58But since this is digital, maybe they did.
23:00What's up with that?
23:01There is nothing good in that direction.
23:02It is very dangerous to turn the corner.
23:04They are all gang members, pickpockets.
23:06Servet, can you come?
23:08Well, it's just that I'm...
23:09Wait for me, I'll be right back.
23:10Servet, let's see what happens.
23:12Everyone to their positions.
23:21I'm sorry.
23:29Go on, take it.
23:32It's over, my friend.
23:42This time it lasted much longer.
23:43I thought you were dying.
23:47Oh, our supporting actor is back.
23:52What were we up to?
23:54Friend, why don't you tell us?
23:56when you stole a racehorse
23:58from the Billifendi racetrack
24:00and took him to the walled city?
24:02It is not the place or the time.
24:05Pay attention.
24:07Take them to Lutfi.
24:08I want 1,500.
24:10Go on, go.
24:11Hello, Dad.
24:31How are you, son?
24:32Fine, thanks.
24:33And you?
24:34Well, fortunately.
24:36Today you had a job interview.
24:38That's why I called you.
24:39How did it go?
24:40Did you go?
24:44Yes, here I am.
24:45Here I am.
24:45Right, right at the job interview, Dad.
24:49You wouldn't believe how big the company is.
24:51There are many people who came to apply for the job
24:54and they are calling us.
24:56May Allah help you.
24:59I hope for good news.
25:02Dad, can I call you later?
25:08They're about to call me.
25:09It's almost my turn for the interview.
25:12Yes that's fine.
25:13Say hello for me.
25:15Oh, and your uncle Jairí sends his regards.
25:19All right, send them my regards.
25:21Have a nice day and may Allah bless you all.
25:23See you.
25:24Bye bye.
25:24Is something wrong?
25:31Hey, why are you lying to your father?
25:33It is a very bad example for the child.
25:36What child are you talking about?
25:37Son, don't be like this guy, okay?
25:56Never lie to your father.
25:58Very bad things happen to people who lie to their parents.
26:03Come on, come in and watch the cartoons.
26:06Runs!
26:07People who discriminate against you if you call them poor have led a much more honest life than you have led and will lead.
26:26These dusty streets you're so worried will ruin your shoes are much cleaner than your conscience.
26:32Get out of here and never come back.
26:36Now the crying!
26:37Now the crying!
26:42Ready.
26:45Three, two, ready, action!
26:47Get out of here and never come back!
26:56Director?
26:59Are you done?
27:00They finished.
27:01Was it flawless?
27:02Of course.
27:04Did she cry?
27:06A tear in this eye.
27:07How did he act?
27:09You did well, ma'am.
27:13Thank you!
27:14They were great.
27:16We're done.
27:17Now let's go to the other street for the next scene!
27:21Move it, guys!
27:21Thank you.
27:22How old?
27:27How old?
27:30I'll introduce you to the main characters in the trailer.
27:33But you haven't called Murat.
27:36He doesn't know we're done.
27:38Which Murat?
27:39The young man you met in the morning.
27:40My friend from the agency.
27:41Ah, right, that one.
27:43I'll radio him to come.
27:45Well, let's go with the actors so you can meet them.
27:47Yes, I'll be with you in a moment.
27:50I'll wait for you.
27:54Jada, I think it was an extraordinary scene.
27:57The actors were very good.
27:59Don't you believe it?
28:00Well, Janip, I don't quite agree.
28:02She had perfect hair, professional makeup,
28:06silicone on her lips and obviously her nose is operated on.
28:10And did you see his clothes?
28:11Where would he get the money to dress like that?
28:14Anyway, your friend was over there,
28:18but I don't think they called him.
28:21Don't worry, I'll call him.
28:23Alright.
28:25See you.
28:26Clear.
28:29Thank you.
28:44Nekmi, have you seen Sir Jan?
28:49Yes, it's over there.
28:50Thank you so much.
28:50Rafael.
28:51What's happening?
28:52Are you no longer selling merchandise?
28:53Not anymore.
28:54They have surveillance everywhere.
28:56They detect us immediately.
28:57You're right.
28:58But Sayuk is still in business.
29:00I can tell him if you want.
29:01Thanks very much buddy.
29:02Tell him to stop by tonight.
29:04Okay, see you.
29:05Thank you.
29:10Hi, friend.
29:12Tell me, what are you doing here?
29:13Ah, we're working on that street.
29:17And they're going to call me,
29:19but for now I have to stay here.
29:22I was almost leaving.
29:23What job?
29:25Is he a policeman?
29:27No.
29:28The man is an engineer.
29:29What does an engineer do in this place?
29:31Dude, we're filming a soap opera on this street.
29:35I'm an actor, well, a supporting actor.
29:37I'm waiting for production to call me.
29:39Pretend I don't exist.
29:40Oh yeah?
29:41There is no one on that street.
29:43Are you lying to us?
29:45What do you mean by that?
29:47I don't even know what it means.
29:49I swear I don't know what you're talking about.
29:51Well, they told me they would call me to leave here.
29:55They, listen, I'm really sorry.
29:58Please excuse me, everyone, okay?
30:00I gave them a headache and I didn't want to do it.
30:02Seriously, I'm leaving now.
30:04And look at the set.
30:10They left.
30:12They left me here.
30:13So excuse me, I took up your time and I'm sorry, I'm leaving now.
30:18Wait a moment, calm down.
30:20First you'll tell us what's going on.
30:22You told them you are an engineer.
30:23And to us, you are a poor actor.
30:25He set a bad example for me.
30:27Shh.
30:28Go inside, go away.
30:29Please believe me, I swear there was a set and that's why I came.
30:33Look, the novel is a stupid story.
30:35It's about the son of a rich man who falls in love with a poor girl and then comes after her to...
30:39Who's going to take a girl from our neighborhood?
30:41No, that's the script.
30:4550, 51, 52, 53, 54, 55, 56...
30:54Wait a minute, what are you doing?
30:55The walk of trust.
30:5758, 50...
30:59Hey, what's up, buddy?
31:02Are you an engineer?
31:03I sell Simits.
31:04He is part of the production.
31:06What's going on?
31:07What production?
31:09Public safety.
31:22I speak 86, 81.
31:24I need reinforcements on Spinner Street.
31:26We found some suspects inside the area of operations, resisting police officers.
31:31I want reinforcements as soon as possible.
31:35Who are trash?
31:36Who do they think they are to question a police officer?
31:39Come on!
31:39Come on!
31:41Sergeant, check the licenses and license plates.
31:44I want search warrants for those two houses.
31:46And report narcotics immediately.
31:48I want IDs on everyone here, right now, fast.
31:51Yes, my captain, right away.
31:52I want your IDs!
32:01Move.
32:03Get out of here.
32:03Get out of here.
32:03Come on.
32:04Come on.
32:05This is what we call catharsis, Yeida.
32:13Feelings reach their peak and explode like a volcano.
32:16Did you see how the actress cried?
32:19But they put something in his eye.
32:22Even I can cry like that.
32:24Although the valuable thing is the feeling.
32:27The ability to convey that to the viewer.
32:30Well no...
32:32Dude, are you in charge?
32:34No.
32:35So who?
32:39Zelma!
32:40Yes, tell me.
32:41These people are looking for you.
32:43Come, Yeida.
32:43Zelma?
33:03Zelma?
33:04Dude, what's up?
33:05What happened to you?
33:07Quick, run.
33:08It's a raid.
33:09But which raid?
33:10As?
33:11Volten.
33:12Those two are police officers.
33:13They caught us on Spinner Street.
33:16You're sure?
33:17That man was selling food a few minutes ago.
33:26Let's go.
33:26There's a warrant out for me.
33:27And against me too.
33:28Yes, we have them for the same reason.
33:43Where have they been?
33:46They didn't respond on the radio.
33:49It's that the street was...
33:50I'm not interested.
33:52We don't have time.
33:54We'll go to the next scene.
33:56Come.
33:56This is your new role.
33:59Look.
33:59Can you see the end of that street?
34:03Clear.
34:03Well, go there.
34:09I can talk to the writers and negotiate a small role for you.
34:12Believe me, you are special and I don't do this for everyone.
34:15Look, Honor, I don't want that.
34:18I want to earn it myself.
34:20If I do what I criticize most about others, I will lose respect for myself.
34:24I see.
34:24All the supporting cast members get in the van because no one is expected.
34:34Thanks for asking though.
34:35It was nice to see you.
34:37I can take you home in my new car.
34:39You don't need to go by van.
34:41I'll go in the truck.
34:43He drops me off right next to my house.
34:46See you.
34:46Bye bye.
34:46Take care of yourself.
34:49Thank you.
34:54It's starting now.
35:00Immediately.
35:11And suddenly, Murat pulled the radio out of his backpack.
35:14Speak 86-85.
35:15He needed reinforcements on Spinner Street.
35:17They are resisting.
35:19You should have seen all their faces.
35:22They disappeared in an instant.
35:24They even left their cars there.
35:26And obviously, I also started acting.
35:29I said yes, my captain.
35:30And I yelled at them to get their IDs out.
35:32And they lost their minds.
35:35I think the confidence walk has changed my perspective on acting.
35:41Honestly, I highly recommend it.
35:44They can't become actors if they weren't born with that gift.
35:47It's a long story.
35:48Leave the quotas alone.
35:54They can't become actors and they weren't born.
35:55They can't become actors.
35:56Depreciation and were not born with that gift.
35:58Thanks for watching the video.
36:28Thanks for watching the video.
36:58Thanks for watching the video.