- 8 months ago
برنامج يستضيف شخصيات فنية ثقافية إعلامية وصناع محتوى يعرض على قناة العالم سورية
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TVTranscript
00:00If we did this experience, we didn't have to hear about it.
00:04It was about 55 people who had been killed in the 70s in the heart of the country.
00:12They killed the Israelis, but they gave them a person to go to Beirut and tell them what they did here.
00:18Yesterday, they came from the Arab people to kill you.
00:20There were all kinds of eggs in the age of 12 or 13.
00:23I know from the age of the age of 12.
00:25One time he took a baby and said to people,
00:28I was a kid who ate an egg for a baby and I was like, I'm a man.
00:31So I made an competition in my mind.
00:33I made an interview with you.
00:34You're doing it in the second time.
00:35You're doing it in the first time.
00:37I'm a black man.
00:39All the details are so happy you come here.
00:43You put your hands around.
00:47You're close.
00:48I put your hands on the heart and finish the heart.
00:52You're close.
00:54You're close.
01:28I'm within the video.
01:30I think with a person
01:32who is showing up on performance,
01:35he speak whenever he comes in
01:37a conversation with you.
01:39There was a very, very full time
01:42echoing
01:58I don't know why I felt like I wanted to tell you this feeling to tell you why did you leave this issue to the Lebanese?
02:10I did it and I found it in a good way.
02:16Thank you very much.
02:46Thank you very much.
05:24It was the first thing I had in the cinema Granada in the cinema, in the cinema.
05:29Now, from that time, I went to the hospital.
05:32When I knew that the way of the hospital, I was going to focus on biology and genetics.
05:37I taught you 12 years.
05:39So I knew that this is what I want to do.
05:42This person used me to ask, why is this hospital?
05:46Because he is also alive, and you are also a part of the Lebanese.
05:51He lived in the history of Lebanon, especially in the country,
05:56and especially in the history of the country.
06:00What is your feeling today?
06:05It was not about the abyss, but it was the development of the population.
06:12We were in the war, and we were able to gather the people around us.
06:19We had the same followers around us, and it was once in the history of Lebanon,
06:22it became a member of the also- pubs that of the Caribbean had to focus on the media.
06:26It started to be a long time.
06:28It started to be a long time ago.
06:30It probably continued to be a long time.
06:32It started to be a long time ago and then it started to make theWorld War Wolves and the Middle East.
06:35It started to carry the bus.
06:36It started to carry the bus, the taxi, the bicycle, the bus, the bus.
06:39It started to carry on the bus.
06:40It started to carry on all the construintes.
06:41The whole thing is to be able to do the work, and the most help in this work is that we were feeling very important.
06:53At the time we had a lot of war, and we did not have a war.
07:00The war was to destroy the war, but the war was to have a very strong war in the heart of the BBC.
07:10.
07:40.
08:10.
08:39.
09:09.
09:39.
10:09.
10:39.
10:41.
10:45.
10:47.
10:49.
10:51.
10:53.
10:55.
10:57.
10:59.
11:01.
11:03.
11:05.
11:07.
11:09.
11:11.
11:13.
11:15.
11:17.
11:19.
11:21.
11:23.
11:25.
11:27.
11:29.
11:31.
11:33.
11:35.
11:37.
11:39.
11:41.
11:43.
11:45.
11:47.
11:49.
11:51.
11:53.
11:55.
11:57.
11:59.
12:01.
12:03.
12:05.
12:07.
12:09.
12:11.
12:13.
12:15.
12:17.
12:19.
12:21.
12:23.
12:25.
12:27.
12:29.
12:31.
12:33.
12:35.
12:37.
12:39.
12:41.
12:43.
12:45.
12:47.
12:49.
12:51.
12:53.
12:55.
12:57.
12:59.
13:01.
13:03.
13:09.
13:11.
13:13.
13:15.
13:16.
13:17.
13:19.
13:21.
13:22.
13:23And if you're interested in biology, you're sure you're interested in something that I love.
13:27So we did that.
13:29And at the time, there was a very difficult competition.
13:35They didn't take a lot of students, and then they would be interested in 4 years.
13:40They would take a lot of 4 years.
13:42But they would be able to learn.
13:44And I went to biology and biology.
13:48But I created one who created genetics.
13:51But they didn't have a lot of students here.
13:54They didn't have a lot of students here.
13:56Because they love math.
13:58They have a lot of students.
14:01But when I started studying, I discovered the future.
14:05And I discovered the future.
14:07And I discovered the future.
14:09And I realized that when I got into the war,
14:14we created a great place in the world.
14:17It was a great place in the world.
14:19Got to
14:26books.
14:28And the art is so sweet.
14:30And the art is so sweet.
14:32And the art is so good.
14:33And the art used記念 on the natural universe is the chapter of bacteria.
14:36Also, there was a major and complex a iOS class.
14:38that I did a concurement.
14:41I got to learn from the second time.
14:43In fact, I was able to learn from the past.
14:45I was not able to learn from where the family was.
14:47I was able to learn from them, but I was able to learn from them.
14:50So I finished with them and started to turn.
14:52I started to turn from a circle to a circle.
14:54Because it was close to the subject.
14:55I was able to learn from them.
14:57I was able to learn from those who were the first ones.
15:00Because I was able to learn from the biology of biology,
15:01even if I was certain.
15:03I was able to know how to be the best person.
15:07I'm going to get rid of it and I'm going to get rid of it.
15:11I'll get rid of it.
15:13At the time I know, with that I was going to get rid of it here and here, I shot him, I shot him.
15:21I shot him and threw him off the clock.
15:23But he was going to get rid of me and he was crying.
15:27And I was going to get rid of it because I knew how the woman killed her, because he was fighting for love.
15:33He was going to get rid of me.
15:36I was not sure why I had this anger.
15:41I had to leave it.
15:44I was going to leave it.
15:46I was going to leave it.
15:48I was going to leave it for 18 years.
15:50I didn't want to get rid of it.
15:53I knew that all the girl had to leave my family.
15:57I wanted to get rid of it and get rid of it.
16:00I had a feeling very strong that I was going to get rid of it.
16:03But when he was going to see the first work of his family, he was going to get rid of it.
16:09And he was going to change his mind to 180 degrees.
16:11And that's how it happened.
16:13After this death, did he change the scene or not?
16:17He changed the scene because we made a decision to get rid of it.
16:21He changed the scene.
16:23He changed the scene.
16:24He changed the scene.
16:26And it was so big, though he needed to do it.
16:28He loved himself a lot.
16:29Especially when he wanted to get rid of it.
16:30. . . . .
17:00We were at West Hall.
17:02We were at West Hall.
17:04I decided to tell him that we were going to take it to the home of the car.
17:10The car was in West Hall.
17:12They didn't see what happened.
17:14They said, I saw you, but I'm going to go for a car.
17:20They said, I'm not going to go.
17:22They said, I'm going to put you in the car.
17:24We're going to put you in the car.
17:26We're going to put you in the car.
17:28We're going to put you in the car.
17:30We're going to put you in the car.
17:32We're going to put you in the car.
17:34We left him.
17:36Who's sitting there?
17:38My mother, two of my sisters, and my sister.
17:42My sister, who was afraid of me.
17:45My sister.
17:47My sister.
17:49My sister.
17:51My sister.
17:53My sister.
17:55My sister.
17:57My sister.
17:58My sister.
17:59My sister.
18:00My sister.
18:01My sister.
18:02My sister.
18:03My sister.
18:04My sister.
18:05My sister.
18:06My sister.
18:07My sister.
18:08My sister.
18:09My sister.
18:10My sister.
18:11My sister.
18:12My sister.
18:13My sister.
18:14My sister.
18:15My sister.
18:16My sister.
18:17My sister.
18:18My sister.
18:19My sister.
18:20My sister.
18:21...
18:28...
18:32...
18:37...
18:39...
18:44...
18:47He was on a road trip.
18:49He was on a road trip.
18:51Everything happened in my life.
18:53Everything happened in my family.
18:55After that, I went to work.
18:59He knew that he fell.
19:03And now I'm going to tell him,
19:05that he fell in love with him.
19:09He didn't have to move.
19:11He didn't have to move.
19:13He didn't have to move.
19:15He didn't have to move.
19:17Now, I was the first time in my life
19:19I saw the government
19:21and I saw it.
19:23I felt like it wasn't on the ground,
19:25but on the sea.
19:27God said, God said,
19:29God said,
19:31I said,
19:33I said,
19:35I said,
19:37I said,
19:39I said,
19:41I said,
19:43I said,
19:45I said,
19:47I said,
19:49I said,
19:51I said,
19:53I said,
19:55I said,
19:59I said,
20:01I said,
20:03I said box.
20:05Time to get out of theian.
20:07.
20:14.
20:22.
20:27.
20:30.
20:35.
20:36.
20:37.
20:47.
20:49.
20:50.
20:51.
20:52.
20:54.
20:56.
20:57.
21:00.
21:02.
21:03.
21:04.
21:05.
21:06I'm going to work with him and I'm going to go to my family and family to talk and take news.
21:12It's not just like that, he was like a door he fell out.
21:16He remembered everything that he would know, everything that he would know.
21:19Everything that he would know, everything he would know, everything that he would know.
21:23Everything that he would know.
21:24I mean, there was a lot of moments that he didn't forget.
21:27It was so hard.
21:28You were talking about it.
21:29Yes, of course.
21:30And it became a fear, it became a fear.
21:34It's a very nice idea, and maybe from here we can understand why this is created by the murder of the women's family.
21:45At this time, the society and the society is very rough.
21:51At the end, it looks like the female female in the film between the women and the women.
21:59That's why it's a lot of money to you.
22:01I would like to ask you, because of the burden of the love and the peace and the peace
22:08in the Holy Quran, it says,
22:11and I tell you, God bless you.
22:13And I say, God bless you.
22:14It means that it is impossible that the religion and the world are being persecuted.
22:21In the future, people love the peace, love the peace, love the voice, love the voice.
22:28Why they had been closed, why with the mizena, the nettbees and the awkwardness in all the areas?
22:35Why were they still there? In the past, they were there again.
22:38After that, the times of the war, the peasants went to the crum, in the 해석,
22:43with what was called the cocky.
22:45They came to the crum, and every child was a curse,
22:51that she began to inflammatory, having stehen-up, having a couple of disso,
22:55And they begin to get angry and get angry.
22:58So that's why the men who usually want you to see more than men,
23:07are in the early days they love art.
23:10And in the early days they deal with it.
23:14So they say they're not in the right way.
23:17And the right way is that you're with the beauty and the truth.
23:21And from the time, what do you think of the men?
23:24I don't like to talk about it.
23:27I don't like to talk about it.
23:28Why did they all have these men who were angry and angry and angry?
23:32Because they used to talk about the nature.
23:37So in the nature, the men were to defend and defend the beauty and the art.
23:45Now I can tell you why I understood this feeling when we remember the day of the day.
23:51You're talking about the men who are talking about love and the art.
23:56And these are very beautiful.
23:59Let's say that in our general generation,
24:01or the generation that we know,
24:03do you think you're going to return to the image of the day of the day of the day of the day of the day of the day of the day of the day?
24:10Thank you very much.
24:11It's not necessarily as a political issue or as a political issue, but as a political issue.
24:19Thank you very much.
24:21We have a question.
24:23We have a lot of questions.
24:25We have a lot of questions.
24:26We have a lot of questions.
24:28I'm very satisfied, because the experience began with the history and with people.
24:35When you want to return to an image of the day, you can't look at the experience.
24:40I'm sure it's the experience of the unique experience in Lebanon.
24:44Because if you don't live in a single tree, if you don't have to die, you will die.
24:50If you don't have to die and you have to use it as a text or a synopsis,
24:55if you were 100% of your body, you will find something from your soul.
25:00The same thing I told you about this video is the first time you see it.
25:04You will see it, you will love it, you will say what is the message, what is the synopsis, what is the synopsis.
25:08But go to the story, look at the story, it's not there.
25:11And if there is a new story, a new story?
25:12No, but you have to do other things from the same school and the same soul,
25:20and the same soul, and the same soul in the relationship with the real facts and the miscarriage of it.
25:26And that's what I did in the last couple of years, which is jogging.
25:28It happened for 10 years, I was driving to the world, and I was taking three world devices,
25:34and it was a lot of space, I said, what is the secret?
25:37I said, the secret is the secret, the secret is the secret, the secret is the secret that you love people.
25:41And the secret is the secret that you have to do with the secret, and the secret is the secret.
25:49And the secret is that you have to do with the secret and the secret, and the secret is the secret.
25:56This is what happened.
26:01After 10 years, I was doing a lot of work in the past,
26:07from two weeks I had been working in the city,
26:09and now I have a big job in the Sikilya and Roma and the Naboli.
26:14After the work of the Sikilya, it was very large,
26:17but it was very large and wide in the world.
26:21There is no space for him,
26:22unless he's not going to be able to get a lot of work.
26:25This is what you learned from the book.
26:27And this is what you think.
26:29It may not be necessary to do the same work.
26:33It may not be necessary to do the same work.
26:35But on the same path.
26:37We are going to look at the same level.
26:39And the nice thing that I found from the book.
26:41And what was the secret from the book.
26:43That the book.
26:45The stories.
26:47The stories.
26:49The stories.
26:51They are special.
26:53In a simple way.
26:55But in a simple way.
26:57And the people.
26:59Right.
27:01The love.
27:03A little bit.
27:05You are married.
27:07You are married.
27:09You are married.
27:11You are married.
27:13You are married.
27:15You are married.
27:17You are married.
27:19How did you get married?
27:21What did you sozial pulling back into the act?
27:23To the woman.
27:25As I was married.
27:27He was the section.
27:29He was very Rabbit.
27:31He came to the council.
27:33He was known.
27:35He was known as I was concerned.
27:37His archive.
27:38He is different.
27:39His photo is different.
27:40He is something that went by.
27:41He.
27:42It is a special.
27:43It is a special area.
27:45He is not disturbed to me.
27:47and they never get hurt with all the experiences
27:50and stop the streets and go to, for example,
27:53to the east of the Arden,
27:55living a month with the students, for example.
27:58Until then, they had a project of the streets
28:01the most famous one who stopped the streets
28:03and was in the streets.
28:05People were looking at the streets
28:07and were looking at the streets
28:08from the streets of Beirut
28:10to the streets
28:11and they were looking at the streets
28:13and they took them on the streets
28:15. . .
28:45And they bring a very important thing, for example, to Antoine-Kerbage, or to keep an eye on them.
28:50They told me, I don't believe in them.
28:53They're very generous, they bring them.
28:56I don't have a smithar or a smithar.
28:59They said, I don't want you to help us.
29:01They told me, if you want to do a job, you will do it.
29:04They told me, if we don't know, we'll do it.
29:07They told me, if you want to do it, let us start.
29:10They start and they show you around the night, night, night.
29:13They say that, they say that.
29:15So they have eyes.
29:16They see their eyes.
29:17They have an eye on the news.
29:19They're going to get out.
29:20They see their eyes.
29:22They say, come on, come on, come on.
29:24Finally, they didn't find a feeling that they're going to walk in the shadows.
29:28They're going to fight.
29:29And the people who are going to get out.
29:31They're going to get out.
29:33They started, they did a job.
29:37They told me, I don't know how many people were going to do it.
29:41They were in the air, in the air, in the air.
29:44They were in the air.
29:45They were still in the air, in the air.
29:47They stood up to the air.
29:49They were in the air.
29:50They were in the air.
29:52The air.
29:53The air.
29:53That's what we're talking about.
29:54What? In 75?
29:56They had a little bit of a deal.
29:58They discovered that they could be able to...
30:02And when there was a person named Abdel Latifah,
30:08he became a believer,
30:11he came back with the other people.
30:15He discovered that he was a believer,
30:17and he was a believer that he was a believer.
30:19I was known about these things and I love these things.
30:27I saw how I did deal with my family.
30:29Everything was cut and cut and I wanted to change and I wanted to change.
30:33So I left my eyes to see that there was an assistant who would like to use the classroom and have a lot of pressure.
30:42But I didn't look at him, I didn't see him.
30:47It was a good thing.
30:49Even when I was working with him, I didn't even look at him.
30:55I didn't see him, but I didn't see him.
30:59We did the first work that was normal.
31:03There was another work that was more than before.
31:06But then I didn't know what happened with him.
31:10I didn't get into the details of him.
31:14But suddenly, I asked him to see him.
31:20That's it.
31:21And he said, yes, yes, yes, yes.
31:23Okay, okay.
31:24There's something I'm afraid of.
31:26There's something, yes, yes.
31:27There's something, yes, yes.
31:28There's something, yes, yes.
31:29There's something, yes.
31:30There's something, yes.
31:31What happened?
31:32Back when I came to Burdan and I went to Burdan and there was a glass of water.
31:38I remember that I was in Unesco and I was running out of here.
31:42So I hit, hit, hit, hit and hit.
31:44I just saw him.
31:46I said, there's something strange in this world.
31:50I said, but I had a friend who was holding his hand and said, I want to get married, what do you think?
31:56That's the first word.
31:59I felt that my head was like, that I felt that my head was like, that I felt that my head was born.
32:05I said, this is a man, a man, a man, a man, a man.
32:10He was married and had a baby.
32:13He was more than 20 years old.
32:15He was a man.
32:17I mean, according to my family, there's everything there.
32:21Everything there is.
32:22There's a lot of those having in the Doors.
32:24He was not allowed.
32:25He had a pastor and he stayed with them for a long time.
32:28He said, I was about to go and ask him from my side.
32:32If you bring your hand, I'll give them you.
32:34I knew you wouldn't have to happen to you.
32:36So he went and went and said, he's other kids, he's going to bury his head, he's leaving his head, he's holding him, he's holding his head and his head.
32:41So he stayed and he was forcing him, and he was doing it.
32:43I was a little nervous.
32:45I was nervous.
32:47We were able to get married after 8 years.
32:51After that, we didn't see working.
32:55After that, we met him.
32:57He left his family in 1982.
32:59He was killed in our house.
33:01He was injured and he was injured.
33:03He went to Canada.
33:05We were in the situation where the war was a disaster.
33:07We knew that the people of the people
33:09were being a peace for the children.
33:11Also, with the parents I loved his family.
33:15I saw her a lot in prison.
33:17And she went to that child.
33:19And the only way she died, she died.
33:21And finally, she said to me,
33:23you're going to be able to listen to them,
33:25and you're going to listen to them.
33:27So she made her decision.
33:29I told her to come in with her.
33:31.
33:33And with that, she served as an error in the hospital,
33:35but they didn't see them.
33:37It was so important to listen to them.
33:39She said to me, I said to you, I said to you.
33:40He took me with him, put me to the other side, and he said, we have a problem with a problem.
33:46He said, in the end, he said, well, you're going to talk about the first time.
33:49He said, well, you're going to talk about the first time.
33:51He said, well, you're going to ask me.
33:52If you don't want to, I'm going to marry my daughter.
33:55He said, well, there was a problem.
33:58It wasn't the case.
34:00That's how it was.
34:02We're going to talk a lot about your relationship with the first time.
34:05But let's take a small break.
34:08Let's take a small break.
34:31Look, there are groups that say,
34:36where are you going to go?
34:38The Israeli army is being attacked by this society.
34:41Can you imagine what happened in the society?
34:44At the same time in the city,
34:49it was introduced in several times
34:50with a threat and a threat to the public.
34:53But if you know,
34:54the changes that are happening in our society are very dangerous.
35:01The Lebanese fan, Hanan Al-Haj Ali, welcome to you again with us in the podcast.
35:13Before the break, we were talking about your relationship with your husband, the Lebanese fan, Roger Al-Saf.
35:19I was talking about a lot about the beginnings of the fan and the natural development of the fan.
35:26Mr. Roger Al-Saf, I was talking about the people who created a different path in the field.
35:39I was talking about the experience of writing the first one, how to create a different path in the field.
35:50so many people who want to be a safe place,
35:52they go to the center of the area and they have to get them into the area.
35:58Many people who want to be safe,
36:02they go to the center of the area of the area.
36:08This is the center of the area of the area.
36:12It's a very scary thing for us to be scared.
36:18But that's not a very good thing, but for example,
36:23it's a story of Yihiyah Ghaber,
36:25with a lot of pain and a lot of pain,
36:28he said that he was also a part of the relationship with his relationship with Ruger,
36:31and he also had a part of the relationship with Ruger.
36:33When he was in the relationship with Ruger,
36:35he said that he had to write.
36:36And finally, he came back to the relationship with his wife.
36:38He had this pain.
36:39He had his own problems.
36:40And he had his own problems.
36:41And now, in his name, he was also a problem.
36:44He was also a problem with his own problems.
36:46I think it's a big deal.
36:50But in any experience, it's just a good thing.
36:56And it's true.
36:58It's true.
37:00It's true.
37:02It's true.
37:04It's true.
37:06It's true.
37:08It's true.
37:18It's true.
37:20It's true.
37:22It's true.
37:28It's true.
37:30And they're able to use their tools.
37:32And they're able to use their tools to use their tools.
37:38And they're able to use their tools.
37:40And they're able to use it.
37:42But, God Almighty, there's a first language.
37:44And there's a language that you use.
37:46They don't shoot it or they don't shoot it.
37:50So it's not always that the people who's close are not frustrated.
37:56I showed you the exception.
37:57No, I'm not sure.
37:58The opposite is that the street is the most close to people.
38:02I'm sure I'm going to say that why there are a lot of things that are close to people,
38:07despite that it was recognized, and especially in the Arab society, that it is necessary.
38:11You know, there's a job like Zohaddan.
38:14Either you go to the folklore of folklore,
38:17which is trying to get the goods, but it's not safe,
38:20or you go to the experience of the charity and the experience of the people.
38:25And it's not that it's difficult to think of the world.
38:28It's difficult to think of the world.
38:31If we do it for Shakespeare, it's difficult to do it, and it's difficult to do it,
38:35and it's more difficult to do it.
38:37This kind of street is close to people from the worst things.
38:41It's the problem.
38:42It's the problem from the worst things.
38:44And this is not the case.
38:46There's many experiences.
38:48If we found out a lot of experiences, it will grow and grow.
38:53But there's a lot of experiences from the same way.
38:56Because they're difficult to do it.
38:58It can be too many things from the world.
38:59But there's no Hudders in the world.
39:00It's difficult to do it.
39:01So that's why.
39:02Is it certain that you're good at all?
39:03You're good at all.
39:04You know you're good at all.
39:05You know you're good at all.
39:07Yeah.
39:08People understand, whether you're good at all.
39:10You're good at all.
39:11You know you're good at all.
39:14or you're going to do something like that, or you're going to do something like that.
39:18When you return, you're going to return to the reality.
39:21We're not going to take the reality as we're going to go.
39:23We're going to go to the book, or we're going to write it, or maybe we're going to have something else.
39:28Until if you return to the book and you change it,
39:31you know that the view of your view is going to be a view of the view.
39:34It's going to be a view of the view.
39:36It's not that way.
39:37There's not a lot of experience in this way.
39:40And it's not just from the beginning.
39:42The culture of the Arab society has come from this issue.
39:46People are going to feel that there are some experiences that they live in.
39:51But if we're talking about the first time of the world,
39:54in the culture of Lebanon, Syria, and in the Arab countries,
39:57in the culture of the world, in the culture of the culture, in the culture, in the culture of the culture,
40:02in the culture of the culture, in the culture.
40:02The most important thing is that the culture of the culture is going to be a little bit on the side of the culture.
40:08Yes.
40:09Or the culture of the culture.
40:10What is the reason?
40:12Is it the reason that these things are difficult today?
40:17Or is it that these things are not necessary today?
40:21Even if they are in the eyes of the culture, they feel that they are wrong?
40:25Because people, as I told you, what do you want to give them?
40:28Especially when there's something that they talk about us, they talk about us.
40:31But the answer to this issue is not only related to the culture.
40:35That every political, political, and political, and political, and political,
40:42but the time you get to be confused, you start to be confused.
40:45ببلشوا اهل السلطة يلهوا العالم بحالون
40:49كل مرة بيخترعوا من السبب يلهون فيه
40:53و بصيروا يفقروا
40:54ولما يفقروا و يتعذبوا ينقهروا و حروب و مجازر
40:59من ازمة ازمات ازمة
41:01بصيروا انو بدن يروحووو
41:04ن idiots ant v net
41:07اناا اكتسو هالزر متل ما بقدروا قدروا Holy
41:08انو يجب عليموا هذه الفاتحة
41:10التركية
41:12واليالله
41:13. . . . .
41:43The one who lost the time,
41:45I mean, there was a lot of
41:47testimonies, such as
41:48like,
41:49Reymond Jibbara,
41:51and Reymond Jibbara,
41:53and Reymond Jibbara,
41:55and Reymond Jibbara,
41:57and the music,
41:59and the music,
42:01but the one who lost the time
42:03during the 12 years,
42:05was the Vaudeville.
42:07I loved you,
42:09and I loved you,
42:11and I loved them
42:13and the music,
42:15and the music,
42:17and the music,
42:19and the music,
42:21and the music,
42:23and so on.
42:25Now, it's not important for us to have a lot of movements,
42:27and the Vaudeville,
42:29in all the world,
42:31but everyone was able to do the Vaudeville.
42:33So, the 90%
42:35of the work that you lost
42:37is only for the violence and the violence
42:39or the collapse of the world
42:41which starts to come back and get a little bit
42:45we're not able to get there
42:47but if you look at the entrance, the entrance is now
42:50in Lebanon, in Beirut
42:52you feel more than 30.30
42:55but to the music, the music, the music, the music, the music
43:00the comedy, it's not the wrong, the comedy, it's not the same
43:03or the drama, or the comedy
43:05But I'm going to bring the people to the road
43:09Why do we reach after a while?
43:12Because it's going to lead the direction
43:15It's going to bring a lot of time
43:19I'm not going to bring a lot of time
43:21But it's going to bring a lot of time
43:22And on the things that I don't want to do
43:27And I don't want to do a lot
43:30And the people are going to do that
43:32Because they're going to do that
43:33Because they're going to do that
43:34So what happens if you give something important
43:36And you want to, not to give a lot of time
43:39Not to give a lot of time
43:40You want to go on the table
43:41And you'll turn on something
43:42And you'll come back to the house
43:43And you'll never miss them
43:45But I'm trying to provide a lot of time
43:47So I don't want to agree
43:49But I don't want to supply my money
43:49There is a lot of time
43:50There are a lot of money
43:52Is that you're at the moment
43:54Or is that you have to talk about it
43:56Can do it or give it to some people
43:58Step into it
43:59You can't say it
44:00There's a lot of time
44:02To understand it
44:02Because there are some people
44:03You have to understand it
44:04the Christian and wisdom. And the thought can be able to identify it in a way you can
44:07deliver it. Like you did with my mistakes. If you do not do a similar thing about
44:13Syria from the U.S.-S.S.R. it's like asking. Do you have a
44:20influence on how a philosopher does he have? did he make you feel so guilty? Yes. Why not
44:23we haven't seen a lot of tax on me today? 100% on me on me. I'm going to say
44:28And I'll tell you, the most important thing is the Ziyad El-Rahbani, which is not normal, the music, and the books, and the epithets, and the epithets.
44:42I saw the language of the young people and put it in the original pieces of the epithets, in the epithets, in the epithets, and in the epithets.
44:53Do you know?
44:55Um.
45:25and they will be able to get them to the same thing.
45:29The small one will stay in the same way,
45:32and they will stay in life,
45:34and they will stay in the same way.
45:37And you are from the small one.
45:39May Allah.
45:40Because you are also from the artists,
45:43I would say, in our past,
45:45you don't want to make a film,
45:47that you can make a film,
45:49that you can make a real film,
45:50but unfortunately,
45:51the most important thing that is today
45:53The first thing is that there are also experiences that you can trust.
46:00In the beginning of the years, when I was in the 70s, I started in the 70s.
46:09The 70s.
46:10Yes, in the 70s.
46:12I chose this.
46:14I chose this.
46:16It was a tough time.
46:18Is there anything you want to do with this or not?
46:24No, no, no, no.
46:26I think that if I was teaching a doctorate,
46:32and I learned 12 years ago,
46:34if I was teaching a lot,
46:36then I'm going to teach you.
46:38And with the training, you have to be with you.
46:40Because when I started teaching,
46:42I was a kid in my life.
46:44I was a kid.
46:46I was a kid,
46:48but I was thinking about it that life was a good thing.
46:52So between the other people and the other people,
46:54and the other people,
46:56the other people,
46:57and the other people.
46:58And when you're doing it,
46:59you have to take a job.
47:01And you have to do it.
47:02Every day there's a lot of monotony.
47:04There's no reason.
47:06There's adrenaline that goes through your heart,
47:08there's a lot of pain.
47:10I'm going to put my heart in my heart,
47:12and I'm going to get out of my heart
47:14and I'm going to get out of my heart.
47:16It was not your mood.
47:18It's going to feel sad.
47:19It's aoque devastating.
47:20When something I see as an end
47:22when I'm done,
47:23I'm feeling like an important Mai,
47:26as always.
47:28It is the fact that everything else
47:29is the same thing I can do,
47:31and when I do one another,
47:33it's all free to get out of my heart,
47:34I feel like I'm just a happy person, and I keep the last three and a half, I'm capable of doing a good job.
47:42I'm feeling a little more, because the amount of blood and adrenaline in the body doesn't feel like it starts to finish.
47:49I feel a little bit.
47:50A little bit, regardless of the physicality, you need to get a lot of physicality.
47:54There is something that keeps you, keeps you, keeps you, keeps you, keeps you.
47:58Is there any relationship with your body?
48:00Yeah, and I'm going to say that I haven't been able to do the work that I also had to teach.
48:14I have to teach I did a lot of research on this.
48:18I was a three-year-old member of three communities.
48:21I have three major communities in the most important areas.
48:23The most important areas in Lebanon.
48:24The most important areas in Lebanon.
48:25I think it's a very important thing.
48:55. . . . .
49:25It's a good thing.
49:27But it's a good thing.
49:29It's a good thing.
49:31When I came back to the hospital,
49:33it's a good thing.
49:35But it's a good thing.
49:37And it's not a good thing.
49:39And so you're thinking about the mother of the mother?
49:43Do you like this?
49:45Why?
49:47If he comes from the people,
49:49I'm sure he loves it.
49:51And what does he come from?
49:53I just want to listen to the viewers
49:55who are joining us.
49:57One of the most important things.
49:59In 1979,
50:01it was the beginning of the story
50:03of the 1936
50:05and the story of her.
50:07That's right.
50:09In 1982,
50:11I shared with you
50:13at the beginning of the story.
50:1581
50:1781
50:1983
50:21and one was
50:23after the story of the time.
50:2797
50:29And this is also
50:31another one of the answers that we've done.
50:33Yes.
50:35And then
50:38one of the years
50:40from 2016
50:42We're talking about 9 to 9 years.
50:46And after that.
50:48After that.
50:50We're talking about 4 characters.
50:544 characters.
50:564 characters.
50:58One of them.
51:00One of them is you.
51:02But one of them is you.
51:04This is the media.
51:06No.
51:08Now I'll start talking about her.
51:12Yes, what am I?
51:14Haran Sharana.
51:18Those are what theplains every day,
51:20I actually.
51:22I'm messing with her.
51:24I needнимity, like when The masculine gave his body to pusher,
51:28every time he gave his body to muy bonito,
51:32he needed wiped away.
51:34. . . . . .
52:04. . . . .
52:34I was thinking about the
52:37peccadilly.
52:39Everything was a very good idea.
52:42But at the same time, I was
52:45down to the tree with a small tree,
52:49and I got to the tree,
52:51and I got to see a tree.
52:52I was looking for a tree,
52:54and I got to the tree.
52:55The tree is the first time I showed up.
52:58It's a nice and beautiful thing.
53:01I got to return to the house
53:03From the time to the time.
53:04And you were doing it.
53:06You were doing it, you were doing it.
53:08You were not doing it.
53:10There was a day at home, I was looking at this thing.
53:14I was doing it and I said,
53:16Oh God, this is a very beautiful monologue if you put it on the street.
53:20What's that?
53:21Because of my family, we have a few people who have called the Amr and the Jirans.
53:26At the degree of the Peace, the village of Beirut.
53:30Very beautiful people.
53:31So, there was people, the people, the house, they come to him.
53:35So, I said, we wanted to be in 2015.
53:38We wanted to do something to do with you.
53:41I said, no, no, no.
53:43But you know, there's a monologue.
53:45I think I'm a good thing to do with something.
53:48I said, it was really good.
53:50It was really good, not just a good thing.
53:51I said, what was this?
53:53We wanted to go.
53:54Of course, it was just monologue.
53:55It wasn't in the business.
53:57We did it, we did it.
53:59And the answer to this monologue was great.
54:04He wrote about it, and the people were talking about it.
54:08And there was a way to do it.
54:11It was Arabic, but he lived in Belgium.
54:14And he had a very popular culture called Mohsen.
54:18So, he came to me and said,
54:19Hanan, who gave me a great idea,
54:20didn't you like me to do it?
54:22He said, no, no.
54:23He said, did you like me to do it in Belgium?
54:28He said, sure.
54:29He said, that's how it was.
54:29So, we started to do it in Belgium, in Belgium, in Belgium.
54:32I took five years.
54:34I love the work of the people.
54:36I used to work with people.
54:37A lot of young people.
54:39From them, Abdullah Al-Kafri, Dramatürich.
54:41He was the director of the initiatives.
54:45From them, Eric Duneo.
54:46And he was very close to him.
54:50I was raised.
54:51He left the book for five times.
54:54And every time after a time.
54:55This is true.
54:55And I think for the first time in my life,
54:59I'd do this change.
55:00I offered my experience,
55:01and I asked thought about it like anything.
55:03I offered my art.
55:05And I can start my art.
55:06What do you want?
55:07Until we reached the year 2016, we gave it and didn't have anyone to give it to the
55:13ticket for the ticket.
55:15I didn't give it to the ticket to the ticket, because we considered it in 2021 and we had
55:22to be forced to get the ticket to the ticket.
55:26If we were to get the ticket, we would take it to the ticket.
55:29النص طبعا المسرحية كمان يوصف بالجرأة خاصية انك انت عم تقدميك
55:33خانقولك يا سيدة محجبة وبقلب مجتمع عربي. آآ وبالفترة
55:39الاخيرة بعتقد كمان سببلك بنوع من الهجوم عليك. آآ من بعد تسعة
55:45سنين نجاحه. آآ هذا الغريب بعد تسعة سنين فجأة. طلع مجموعات
55:49تكفيرية آآ تبعت تقول وينه افخاي ادرعي ناطق باسم الجيش
55:54الاسرائيلة يضب لهالزمديقة. تخيل شو صار فيه هريان
55:59بالمجتمع. بالوقت اللي المسرحية هي ذاتها بنفس المدينة
56:04تقدمت عدة مرات بحماس واشياء منقطعة النظير. بس لتعرف
56:09التحولات اللي عم بتصير من مجتمعاتنا قديش خطيرة. طبعا
56:14هالشي ما اثر علي ولا بيأثر على المسرحية. بس بيان قديش في
56:18آآ اخطار وبين قديش آآ هالشي عم بيعمل ارهاب لا ادارة
56:27الجامعات لا ادارة المدارس اللي عم تستقبلنا. طلاب بين
56:30بعضون عم يخلفون. اغلب اللي بينتقدوا اصلا ما بيكونوا
56:33شايفين المسرحية. ما شايفينها ما شايفينها ولا بيعرفوه
56:37واصلا حطوا مقطع انه هيدا مقطع آآ يعني كفر بينما هو
56:41المقطع هو ابتهال حول الكعبة. آآ يعني الناس لا بتقرأ ولا
56:46بتسمع بعض الناس طبعا. آآ فايه آآ هي المسرحية بالاساس
56:51بغض النظر هيدا الشي ما قالوا علاقة بجرأة المسرحية. جرأة
56:55المسرحية هي بي آآ بي آآ بي آآ بإسرارة على كمان مرة على
57:03اخبار المسكوت عنه. آآ يعني قصص هالنساء. ضلك عم الخبرية. هي
57:08قاسم مشترك. لو ما انا قدمتها على المسرح ما كان حدا بيسترجيح
57:12احكي عنه. افدا. لانه. آآ حكايات اشكالية وبتمس بما
57:20اسميه مثلث برميودة المحرمات. محرمات السائدة يعني. المغلوطة.
57:25المجتمعية. اللي هي الجنس والدين والسياسة. حتضلك مع الشبهة
57:30وازا انت ما بتحكي عن اشياء تسترجي تحكي عن اشياء اساسية
57:36وتقول عن المسكوت عنه وتحكي قصص ناس مغبونين مظلومين. طبع شو
57:42بدك تحكي. انا بالنسبة لي هيدا خياري. هيدا خياري. البيئين
57:45حريني عملي شو ما بده. بيختار لك تكتبي تجربتك. ولا بتعتبر
57:50انه كل شي ممكن انت تفكري فيه عم تقولي لي من خلال
57:53مسرحياتك. من خلال مسرحياتي من خلال مقابلاتي من خلال آآ واشي
57:58يبقى وقت بكتبها يعني انا ادعى وقت الى آآ محافل عربية
58:01ودولية. ووقات بينطلب مني بتجربتي يعني. بس طبعا ما
58:06حطيتها بكتاب. لانه انا اكتر عم وقت العم بنشر عم بنشر اشياء
58:12اما الى العلاقة بالادارة الثقافية والسياسة الثقافية
58:16واما الى علاقة بحفظ الذاكرة الفنية والمسرحية. لانه عنا
58:20نحنا ببلادنا متل ما انت بتعرف في سفر يعني ما في مراكز
58:25ارشيف تحفظ يعني رجاع الساب ويعقوب الشدراوي وكلهم هودة
58:31الكبار بس يموتوا ما بيبقى شي من اثارهم لا فيديوات لا
58:36كتب لا. فانا مهووسة بهالشي واشتغلت مدة خمسة سنين قدرت
58:42تحفظت القرس اهم مسرح لبيروت اسمه تياترو بيروت. للاسف كنا
58:48حابين نحكي عنه اكتر. وصدقا في كتير كمان الاسئلة كنت حابب
58:53اسألك اياها ولكن الحديث معك ممتع ومالي قلب بصراحة قاطعك. آآ
58:58الفنانة اللبنانية حنان الحاج علي. سعيد جدا باستضافتك معنا بدا
59:03بدلش البودكاست. ان شاء الله تكون هيك القابلة مريحة بنسبة لك.
59:06حاسي حالي قاعدة بالبيت او على خشبة مسرح حدو. هاد شي بسعدني.
59:12بكل سرور. وانا واصل كمان انه اللي عم بيشوفونا كمان رح يحسوا
59:15نفس الشعور. شكرا. اهلا وسهلا فيك. يا هلا فيك.
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