00:00signal
00:01on my car
00:02and
00:03people
00:04saw me
00:05so I was very
00:06beautiful
00:07and
00:08so I was
00:09looking for
00:10acting
00:11and
00:12I was
00:13happy
00:14but
00:15the
00:17masses
00:18are
00:19intellectual
00:20or philosophy
00:21they don't
00:22understand
00:23they need
00:24physical
00:25level
00:26when
00:27I
00:28had
00:30to
00:31sit
00:32and
00:33I
00:34said
00:35that
00:36I
00:37will
00:38sit
00:39and
00:40sit
00:41there
00:42I
00:43got
00:44a
00:45play
00:46I
00:47played
00:50and
00:51performed
00:52it
00:53and
00:54I
00:55and he also wrote the script of the Ardhsatya.
01:03So he suggested that this is the role of Ramashiti,
01:11that this is the role of Ramashiti.
01:15And he also said,
01:17I would suggest that I would never take the director,
01:22because this is the role of Ramashiti.
01:25But I would never know if I would take it or not.
01:29But in the end, Govind Ji took me,
01:33and then I went to the Ardhsatya,
01:36and then I came to the film industry.
01:40Sarashiji, tell me something.
01:42How much does your film life influence your personal life?
01:46The film line,
01:49which is my personal life,
01:51which is my own life,
01:53has no effect on me.
01:55As we go to the house,
02:00as we move on to the house,
02:03I keep my profession outside of my house.
02:07And after coming to the house,
02:09I become a Marathia.
02:12And I will leave the culture in the house.
02:14And when I do the film industry,
02:16I will leave it on the house and from that time,
02:18I will leave it on the side of my house.
02:22I will leave it on my house.
02:23So the field of being a professional,
02:25because it's my profession,
02:26myalongate is under the chair,
02:30I will buy money,
02:31so I am the person who's in the house with their problems.
02:32That's why I do my work sincerely.
02:37Like if a person works in his house or does his work,
02:44then it doesn't mean that he thinks about 24 hours of his work.
02:48In the same way, the work of the film is 8 hours.
02:53After that, I will completely forget it.
02:57।
03:06after coming home, it also remains on my head.
03:12If you have seen your recent film,
03:15how much time does it keep your impression on you?
03:24No, I don't.
03:25I don't see my own films.
03:28I've seen three or four films.
03:32I've seen it before.
03:34I've seen it before.
03:36I've seen it before.
03:38I've seen it before.
03:40And I've seen it before.
03:42I've seen it before.
03:44Here, I've seen it before.
03:46What has the reaction to the people?
03:49When my character comes to,
03:52what do they think?
03:54What do they react?
03:56People tell me that I can imagine.
03:58But I've seen it myself.
04:02तो नित्त कुशन यह राखे स्क्राइए क्योंकि 25 साल करने के बाद अवर थैट्र में सेकडोंश psychos करने के बाद और लेक्षिन
04:15लेने के बाद एक अन्दाज आ गया है कि में जब काम करता हूं तो मैं काम लोड पिुस द्रयायच्जिव किस अगया क्य आ करेंग र cold-
04:27this idea is that it would be a doubt that the idea is acting
04:32when it comes to acting.
04:34So, this idea is why it is acting.
04:36In commercial Hindi film,
04:38this idea is that it would be a doubt.
04:41If someone said that it would be reaction to me,
04:44then it would be a doubt that I would try to see it.
04:48But now, it's just that I have thought and knowledge
04:54I am very confident, because if I don't have any chance to do this, I will tell you something, your performance which has been very appreciated by the masses,
05:19how have the people interacted and how have you interacted with them?
05:29People interact, like I was going to Kali, my car stopped on the signal and some people saw me.
05:40I was very beautiful, I was wearing a beautiful girl, wearing a dress, wearing a dress, wearing a dress.
05:47I started acting and I was very proud of myself.
05:52and I have said that it is good or bad I don't know.
06:01But one thing is that people strongly react strongly.
06:06The fact is that if we react to our acting,
06:13it is good that they are good at some place.
06:19But the reaction is that when we go to the outdoor location,
06:30there are many people react to it.
06:35The film is called by the name,
06:40we call it, we call it, we call it,
06:42we call it, we call it.
06:44The real reaction is what happens.
06:51The reaction is that people are very involved in the film.
06:56We think that people are very involved in the film.
07:00We think that people,
07:03in their mind,
07:05in their time pass,
07:07in their day-to-day conditions,
07:09in their day-to-day conditions,
07:11we will see a film in their mind.
07:14But this is not the case.
07:16People want something,
07:17they want something,
07:19they want something,
07:20they want something about it.
07:22They react.
07:24Because,
07:26we have also worked in commercial films.
07:32And now,
07:34I want to say,
07:36that,
07:38that,
07:40that,
07:42that,
07:44that,
07:46that,
07:48that,
07:50that,
07:52that,
07:54that,
08:08commercial filmes
08:10they don't understand
08:12intellectual or philosophy
08:14they don't understand
08:16physical
08:18level
08:20everything needs
08:22mother
08:24mother
08:26mother
08:28mother
08:30people
08:32people
08:34don't
08:36don't know
08:38they know
08:40what is wrong
08:42so happy
08:44this is a very difficult
08:46work
08:48life at home
08:50basically
08:52what are your likes
08:54dislikes
08:56and what do you fear most
08:58something you think
09:00you are a tough villain
09:02on screen
09:04I
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12:58I
13:00I
13:02my brother, my brother, my brother,
13:04he told me that you don't want to do this role.
13:09What was your reaction?
13:12No, that's why she asked me to ask me.
13:16After asking me to ask me,
13:19this is a very different thing.
13:21If someone comes to me spontaneously,
13:23I will listen to someone.
13:25But if someone comes to me,
13:27I will listen to someone.
13:29I don't want to ask anyone.
13:32That's it, okay.
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