Mumbai, May 20, 2025 (ANI): In an exclusive interview with ANI, Veteran actor Suresh Oberoi shared about his journey in films and Struggle to Success from Mumbai.
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00:00Your voice, your work, your films always inspire us a lot.
00:06Thank you so much for taking out so much time for us.
00:09When did you first think of becoming an actor?
00:11In college, Hyderabad, Andhra Pradesh.
00:15Please tell us a little about your journey.
00:18No, I was interested since I was 7 years old.
00:23My mother, father, my mother had given me a lot of music and dance at home.
00:32And every family member had to take a hobby and a sport.
00:38So I was a swimmer and I used to do a little drama at home.
00:44I used to play the violin. I chose music.
00:49Then I stopped playing the violin and took up guitar.
00:52And when the school was over, I took up tennis.
00:57While doing this, at the age of 7, I was watching at home,
01:03I had heard somewhere on radio, on All India Radio,
01:08the program of small Nawabs and kids.
01:12I used to watch it every Wednesday or something, I don't remember.
01:16So I reached there.
01:18The house was big, the courtyard was in front and back.
01:22So the dogs and cats used to fight, where should I go?
01:25Sometimes the cat would come from a nearby house and the dog would attack.
01:29So they said, what is your name? I said, Suresh.
01:32Suresh, he was very small.
01:35So I said, what do you do?
01:37Now I didn't understand, so I immediately thought,
01:41I said, I fight dogs and cats.
01:45So I did it very well.
01:48It looked like a real dog was fighting.
01:51So I started from there.
01:54After All India Radio, I did stage in school.
01:57After school, I met a friend in college who was a fan of Dev Anand.
02:03So we used to mimic Dev Anand.
02:07He used to do it, I used to do it.
02:09We used to watch a movie and from start to end, we used to do his dialogues.
02:13We used to do it, he used to do it, I used to do it, he used to do it.
02:18So we used to do it together.
02:21Dev Anand's mimicry, big collars like Dev Anand.
02:24And he used to talk like this.
02:27He used to mimic Dev Anand on stage.
02:31So after that, I thought why not do a professional stage.
02:37So I joined a group.
02:40Everyone liked it a lot.
02:43I invited a lot of people from my family and from Hyderabad.
02:48It was all house full.
02:51I told everyone about myself.
02:53What stage am I on?
02:55Am I a good actor, bad actor?
02:57And okay.
02:59After doing this, I didn't leave my father's shop and house.
03:05I fought with my family and ran away in the film.
03:08Because people said that you mimic Dev Anand very well.
03:12You are very handsome.
03:14And I didn't run away.
03:15I did all my checking.
03:17First, the radio people said that I didn't hear such a voice.
03:20I got the most marks in voice.
03:23After that, I liked it on stage.
03:26There was a photographer in The Taken Chronicle.
03:32He said, come to me.
03:35I will take a picture of you as if you are an actor.
03:38And I will not charge you.
03:40He was impressed.
03:42I don't know why he did it.
03:44God knows.
03:46The stories that are made in nature.
03:49He said, take such good pictures.
03:51I didn't even recognize myself.
03:53After taking those photographs,
03:56I came here.
03:58I had a relative.
04:01He had a friend.
04:03His name was Jagdish Nirola.
04:05He was doing a direct film.
04:07His name was Tanhai.
04:09Rihanna Sultan and Anil Dhawan.
04:11My friends said, what will you do?
04:14Become an assistant director.
04:16You will see everything there.
04:18If someone sees you, he will take you.
04:20I was given a strange suggestion.
04:22Hyderabad is such a small town.
04:24I went there.
04:26I was drinking tea.
04:28I was writing a book.
04:30Continuity.
04:32I was writing a book.
04:34I was clapping.
04:36I did a film in Hyderabad.
04:38Shyam Benegal.
04:40I met Rihanna Shabana.
04:42I met Shyam Benegal.
04:46They saw my play.
04:50But Shyam didn't take me.
04:52He didn't take me in any role.
04:54He didn't give me a small role.
04:56Then a friend said,
05:00I need 20 rupees.
05:04Give me 20 rupees.
05:06I will give you a big idea.
05:08I have been seeing you for so many years.
05:10To become an actor.
05:12I gave him 20 rupees.
05:14He said, you go to a film institute.
05:20There is no other way.
05:22The assistant you are doing,
05:24Shyam won't be able to handle it.
05:28In my class,
05:30My childhood friend,
05:32Mirza Mehmood Beg.
05:34He had come from the institute.
05:36I was confused.
05:38I was late in filling the form.
05:42When my family found out,
05:44that I was filling the form,
05:46I was emotional.
05:48My mother was emotional.
05:50My brothers were emotional.
05:52They decided to get me married.
05:56I couldn't say,
05:58if I don't get admission in the film institute,
06:00I will lose my face.
06:04They said, Eroban had come.
06:06I didn't tell my ego,
06:10that I have filled the form.
06:14There was a written test in Madras.
06:16After that,
06:18When I went to Pune,
06:20for the physical test,
06:24My name was selected in the announcement.
06:26Suresh Oberoi.
06:28I cried a lot.
06:30I didn't know whom to talk to.
06:32My brother and mother were not happy.
06:34I couldn't tell my wife.
06:36My wife was not married yet.
06:38What should I do?
06:40I had a friend, Mehmood.
06:42I waited for him.
06:44The next day, he came home.
06:46On 1st August,
06:48he fixed my marriage.
06:50On 1st August,
06:521974,
06:54I got a letter,
06:56that you have to come.
06:58What should I do?
07:00For three days,
07:02I troubled my wife.
07:04I explained to her,
07:06that I am doing a direction.
07:08She said, I married a businessman.
07:10What direction are you doing?
07:12I said, you are my stubbornness.
07:14Once you listen to me,
07:16I will not ask anything in my life.
07:18She cried a lot.
07:20I went to the railway station.
07:22I gave a telegram to Taneja Sir.
07:26Sir, joining after three days,
07:28not well.
07:30I wrote an essay.
07:32I joined.
07:34Rest is history.
07:36Rest is history.
07:38We used to look for him on Friday, Saturday and Sunday.
07:40If there was a holiday on Monday,
07:42we used to thank God.
07:44At that time, there was a strike.
07:50I was so happy.
07:52I said, let's go on a honeymoon.
07:54With my wife.
07:58You know,
08:00how difficult it was to get train tickets.
08:02Cylinder gas, train,
08:04Indian Airlines plane.
08:06I could not get anything.
08:08I had to stand in the train.
08:10I used to sleep in front of the bathroom.
08:12I bought newspaper to read.
08:14I used to sleep in front of the bathroom.
08:16From there, I used to read newspaper.
08:18I used to sleep in front of the bathroom.
08:20At night,
08:24train used to start at 9pm
08:26and Hyderabad at 6am.
08:28Sunday night,
08:30train used to start at 9 am
08:32and Pune at 4 am.
08:34After that, I met Mr. Sood in Bombay.
08:40He told me that I have a good voice.
08:43I met Mr. Brij Bhushan.
08:45I was very impressed by his voice.
08:56He taught me like a teacher.
08:59He not only taught me how to speak dialogue, but also how to live life.
09:08One day, when I sat like this, he told me,
09:11whenever you meet someone, you should say,
09:14Fantastic, I am very happy.
09:16You should keep this happiness.
09:18Even if it is a lie, you should say this.
09:21I consider him to be my guru.
09:27He helped me a lot.
09:30When did you get your first success?
09:36I came to Bombay on 14th March, 1977.
09:42I found a small room in front of Amitabh Bachchan's house.
09:47It was closed.
09:50There was no balcony.
09:53There was a small bathroom.
09:56There was a bench to cook food.
10:02I didn't know about it.
10:04I rented it.
10:06I wanted to buy a stove.
10:09I told him that I am from a rich family.
10:13My wife is the largest exporter in Madras.
10:18I am the son of a rich family.
10:25It was very difficult for me.
10:29I had to ask for kerosene from the watchman.
10:34I didn't know about it.
10:38I brought some utensils from home.
10:41I used them.
10:43I used to get a bus fare of Rs. 255.
10:47I used to go to Birji.
10:50I had a rent of Rs. 400.
10:52I used to earn Rs. 50 per week.
10:57But I didn't know how to watch movies or taxi.
11:03It was expensive.
11:05After watching the radio, I went to Linda's house.
11:12I wanted to do modelling.
11:15She told me to do one thing.
11:18She said that she will give me a sitting fee.
11:22If the client likes the idea, we will bring a real model.
11:26We will bring a big model.
11:28He doesn't come for sitting.
11:30He used to get a sitting fee of Rs. 50.
11:32I did that.
11:34I went to a recording studio in Varli.
11:43They told me that they will scratch my voice.
11:47They used to call it a scratch.
11:50The next day, I went to meet their cousin.
11:56He was in the film industry.
12:00He told me that the client wanted my voice.
12:05I agreed.
12:07He gave me Rs. 3000-4000.
12:09I hadn't seen the money for so many days.
12:11I went to Linda's house.
12:13The client told me that he didn't want a sitting fee.
12:16He wanted a real model.
12:18He wanted me to give him a sitting fee.
12:20That was the beginning.
12:22One day, two actors from Surinder Nath's family came to my house.
12:29They were looking for me.
12:33My wife said that they were looking for me.
12:37We were standing on the terrace.
12:39There was a room.
12:41It was the owner's terrace.
12:44They came and saw me.
12:46They gave me a big block of glucose.
12:49After that, they gave me soap.
12:52They called it Lifebuoy.
12:54I couldn't stop.
12:57I didn't have a date.
12:59I was so busy as a model.
13:02Either modeling or recording.
13:05I was saving money.
13:07One day, I was walking.
13:12I remember that they asked me where I lived.
13:15I said that I lived here.
13:17They asked me if I had a passport.
13:19I said yes.
13:21My wife was walking with me.
13:23She asked me what I was doing.
13:24I said that I didn't know.
13:25She said that if a film producer asked me to give him a role,
13:28I would take him out of India.
13:30That was funny.
13:32They asked me if I had a form.
13:34I filled it and gave it to them.
13:38In a few days, I went to a studio.
13:42I went to meet Daddu Rajsepi.
13:47I told him to give me a marriage role.
13:50Kamaljeet Singh was coming out of there.
13:52I had met Kamaljeet Singh in the institute.
13:55I didn't join the film institute just like that.
13:58I stayed in Mirza Mehmood Beg's class for two nights.
14:02I saw him.
14:04He is not a God.
14:06My face and his face are not different in the film institute.
14:10I saw that Shailendra Singh was there.
14:13Mehmood was there.
14:14Kamaljeet Singh was there.
14:16Kamaljeet looked very handsome.
14:18He was very charming.
14:20He remembered that he was worried about me.
14:24I got modeling and radio here.
14:27But I didn't get a voice and a face like that in the films.
14:30I told him that I have left a film.
14:33Vinod Pandey has come from London.
14:37He is in the state of Pochkan.
14:39And this is that number.
14:42I didn't put that number in my phone.
14:46We had a coin box.
14:48His number was 561012.
14:51I didn't put that number in it.
14:53I said that if this number is cut, another number will be added.
14:56I talked to him.
14:57He said that you can meet him.
15:00I said that you have a role of a superstar.
15:04I said that I am not like Shammi Kapoor or Rishi Kapoor.
15:09I have a big moustache.
15:11I said that you can come.
15:15He said that when should I come?
15:17I said that you can come now.
15:19Pochkan street from Juhu.
15:21I went home.
15:23I said that I won't go.
15:25I said that it costs 30 rupees for a taxi.
15:27Should I go there, waste time and give an interview?
15:30He said that you should go.
15:33I spent 30 rupees.
15:35I went there.
15:37I held a microphone in my hand.
15:39He said that this is a microphone.
15:41You should say the first line in front of it.
15:44I said that I don't have spectacles.
15:46I said that Hindi is a big accent.
15:49He said that I will read it. You repeat it.
15:52Vinod Pandey read one line.
15:54Hello.
15:56I said that I have an idea of Bhushanji's radio.
16:00I said hello.
16:02It was like a table tennis game.
16:06He was looking at me.
16:08I said that you speak better than me.
16:11I was very impressed.
16:13He said that we will finish the script today.
16:16It was late at night.
16:18I had to go somewhere.
16:21People kept coming.
16:23I said that no, wait.
16:25That night he told me that you are on.
16:28I said that do you have a passport?
16:30He said that yes.
16:32When my grandmother came to know that I have a passport,
16:34she ran to my house.
16:36I said that what should I do?
16:38He said that I have given you the certificate.
16:41I said that where did you give it?
16:43He said that he had given it at some place.
16:46I went to the passport office.
16:48He said that it will take 2-3 months.
16:50I went to him and told him about my life.
16:53I had to take a business class meal.
16:56It was expensive.
16:58When I sat in the British Airways,
17:00I didn't have 5 pounds in my pocket.
17:03I had to play the role of a superstar.
17:05So, I wrote the entire script.
17:10If you ask me about any scene,
17:12I remember that I used to read it.
17:15I used to read the rest of the scenes every day.
17:19One day, Nadeem Khan told me that
17:23when I was doing the scene of Ikshev,
17:26he said that he used to believe in Naseerbhai.
17:30He turned out to be a better actor than Naseerbhai.
17:34Naseerbhai was my senior.
17:36Nadeem used to study with me.
17:38But, Nadeem was in cinematography.
17:43We had different sections in music.
17:45There was Jajaraki Ranjan.
17:50All of them were my classmates.
17:52I couldn't find a stage there.
17:59There was a scene in the beginning.
18:03One day, Pandey called me.
18:06He said that he got a message in London
18:08that he found a stage in the theatre.
18:11He gave me 15 minutes.
18:13He asked me to do the first scene.
18:22Luckily, the stage was empty.
18:26I told him that I had come in front of him.
18:30No one remembered anything.
18:32I started moving my hands in the institute training.
18:36So that it could be edited.
18:38What could I do if I got a clap?
18:39I was looking here and there.
18:41I gave different shots in between.
18:46I liked it a lot.
18:47I enjoyed that film a lot.
18:48I enjoyed it a lot because
18:50it was a wish of many generations.
18:54I wanted to work in a film.
18:56I got the main lead role of a hero.
19:00I enjoyed it a lot.
19:02Which was the first film in Hindi or Bombay
19:05that made you feel that
19:07you can give an autograph to the public?
19:10Lavaris.
19:14My wife was there in the small room.
19:16I had done the film.
19:17I danced in the jungle.
19:19No one saw me.
19:20No one knew that
19:21no one came to the set in London.
19:23No one came to the editing table.
19:25There was no discussion in the conversation.
19:27A new boy came.
19:28No one will talk.
19:30He is sitting there.
19:31We are here.
19:32Back to square one.
19:33We came back here after zero.
19:35My wife used to increase the screen.
19:37She used to increase it a lot.
19:40She read it and said
19:41why don't you call Prakash Mehra?
19:43He will like your voice.
19:44He will call you.
19:46She used to mark
19:48who is making the film.
19:51Prakash Mehra was
19:52three to four minutes away from there.
19:54Kings.
19:55I called him.
19:56He said,
19:57you come.
19:58Which studio?
19:59Rajkumar.
20:00Okay.
20:02He used to watch
20:03Muqaddar and Sikandar.
20:07What do you do these days?
20:09I am doing it on the radio.
20:11I also do it on Amin's radio.
20:13In the studio of
20:14Brij Bhushan.
20:16I also do it in Brij Bhai's studio.
20:19He said,
20:20you do the film.
20:22I said, what?
20:24We used to get one line.
20:25One line.
20:26And I do the whole film.
20:29He gave me the contract.
20:32Muqaddar and Sikandar.
20:35After that,
20:36Prakash was even happier.
20:39Super duper hit picture.
20:41His albums were to be made.
20:43They used to be made in those days.
20:46A scene dialogue of a movie.
20:48Then a little song.
20:50Then a long narration in the middle.
20:55So,
20:57in HMV,
20:59they used to have
21:00big, what do you call it?
21:02LPs.
21:03It used to be bigger than LPs.
21:04Yes.
21:06To make that.
21:07Prakash said,
21:08Amin Saini
21:10was not given a date.
21:11Because his brother
21:13was dead.
21:14Because he was very busy with Horlicks.
21:16So, he said,
21:17do one thing,
21:18Prakash,
21:19go to the assistant.
21:20Amin Saini is not getting a date.
21:21What to do?
21:22How to do?
21:23So,
21:24call me.
21:26He was nearby.
21:27I went.
21:29He said, you do it.
21:30I said, should I do it?
21:33He said, okay.
21:34We went to HMV
21:35with his assistant director.
21:37We both went to HMV.
21:39I think it was near
21:40Times of India office.
21:41It was somewhere
21:42near the station.
21:43Near VD.
21:45Where is the HMV studio?
21:46Wherever it is.
21:50We went there.
21:52Everyone looked at my face and said,
21:54we were going to do Amin Saini.
21:57Who is with them?
21:58How do we make it?
22:00We never knew.
22:01No name.
22:02This man is not famous.
22:04If our HMV is spent,
22:05then we will make it.
22:06How will it sell?
22:08We were talking to each other.
22:10I was sitting.
22:11I was sitting.
22:12With full dialogue.
22:15I was sitting for a long time.
22:17After that,
22:18there was a big mirror.
22:20Behind the mirror,
22:21there was a mic.
22:22In front of the mic,
22:23there was a paper.
22:24On that side,
22:2610 to 12 people were standing.
22:28They were looking at me like this.
22:30They look in the cage.
22:32In zoo.
22:34So,
22:35I was feeling
22:36that they
22:37didn't like me coming.
22:40So,
22:41maybe the assistant said something.
22:42Listen to it once.
22:45So,
22:46I said,
22:47let's record a line
22:48for this.
22:49Let's set it and see.
22:53So,
22:54I said the first line.
22:55Muqaddar
22:56Ka Sikandar
22:57Ek
22:58Laawaris
23:01Slowly,
23:02a man moved back.
23:03The next two lines were read.
23:04The third was removed.
23:06Four more lines were read.
23:07Everyone left.
23:09Okay,
23:10we are happy.
23:13God has given the voice.
23:16Earlier,
23:17they were very angry.
23:18I was feeling it.
23:20I was also nervous.
23:21But,
23:22I did it.
23:23After that,
23:24Laawaris
23:25was also found.
23:26He was also found.
23:27He gave me the film.
23:29After that,
23:30the work continued.
23:35Earlier,
23:36Laawaris was with him.
23:39I did a lot.
23:55I was very fearless
23:56and confident.
24:00They might have felt it,
24:01but I didn't.
24:06Other people might be nervous.
24:08I was never nervous.
24:09People said in front of Dilip Kumar,
24:10that
24:11you stand up
24:12and say the dialogue.
24:15No,
24:16I was a labourer.
24:17I was the main villain.
24:20I was a labourer.
24:25I was a labourer.
24:26I was the master.
24:30So,
24:33I never felt nervous.
24:35I still remember
24:39there was a small bit role.
24:42A heroine
24:43had to do something
24:44by giving an injection.
24:45It was a doctor's role.
24:46I met her somewhere.
24:47I was standing like this.
24:48I don't remember which role it was.
24:50The director's assistant
24:51and I were talking to each other.
24:53Who is this man?
24:55He is not afraid to touch the heroine.
24:57He is giving the injection properly.
24:58Look,
24:59what is this?
25:01They don't know.
25:02In those days,
25:03today,
25:04kids are very smart.
25:06Today,
25:07they don't know.
25:08In those days,
25:09I had this feeling
25:11that
25:12she must be a fairy.
25:13She must be a goddess.
25:15She has gone to Pune to see.
25:16She is a wind.
25:18She is also a human.
25:19That didn't happen at that time.
25:21But,
25:22from where I got admission
25:23in the Film Institute,
25:24there,
25:26every director's son
25:28gave me a role.
25:29So,
25:30my confidence increased so much
25:31from there.
25:33On top of that,
25:34in the radio,
25:35I got the support
25:36of the people.
25:39Then,
25:42my confidence
25:43kept increasing.
25:44Then,
25:46there is a woman,
25:47Dr. Tortoise.
25:49She chose
25:5042
25:51best speaking voices
25:52of the world.
25:54She put me
25:55as 17th.
25:56She is from Asia.
25:58From India.
25:59There is no one else.
26:02So,
26:03I always
26:04believed
26:05that
26:06it is God's gift.
26:07It is God's gift.
26:08What is mine?
26:09It is his talent.
26:11He will give the work.
26:13He will remove it
26:14the day it is needed.
26:16Honestly,
26:17if you work
26:18with his name in mind,
26:19something happens automatically.
26:21You see,
26:22in that film,
26:23once again,
26:24in London,
26:25who told me
26:26to shake hands
26:27and do this and that?
26:28It came from somewhere.
26:30There is knowledge
26:31in nature.
26:32The man
26:33who gave me
26:34the passport,
26:35I got that.
26:36And the passport office,
26:37I still thank
26:38the man
26:39who gave me
26:40the passport.
26:41How did he give it?
26:43When things
26:44happen,
26:45it happens automatically.
26:46Then,
26:47the screen,
26:48coming home,
26:49we didn't buy
26:50newspapers
26:51because
26:52it was expensive.
26:53We used to give
26:54magazines
26:55in small quantities
26:56and return them.
26:58Now,
26:59this was cheap.
27:00We used to buy
27:01screens and
27:03then call me
27:04and say,
27:05Prakash,
27:06come to the line.
27:07Prakashji,
27:08come to the line
27:09and call me.
27:10How automatically?
27:12Step by step.
27:13It seems
27:14as if
27:15someone has
27:16made a screenplay.
27:19Many times.
27:20Many times.
27:24No,
27:25he never
27:26encouraged me.
27:27Yes,
27:28yes,
27:29sit, sit, sit.
27:30And,
27:32I used to wear
27:33polished shoes
27:34and socks
27:35whenever I used to go.
27:38It seemed
27:39as if we were going
27:40to a party.
27:41But,
27:42we didn't get ready.
27:43We used to get impressed
27:44and leave.
27:45Come,
27:46come,
27:47come to meet me.
27:48I want to talk about
27:49the film,
27:50Aitbaar.
27:51You played
27:52a very good role.
27:53My favourite film.
27:54Someone is
27:55waiting for you
27:56even today.
27:57Tell me
27:58some memories.
28:01I miss Mukul Anand.
28:03Mukul was
28:04a very dear friend of mine.
28:07When
28:11in the 80s,
28:12in the 80s,
28:13yes,
28:14when I took
28:15the first flight,
28:16in 1981,
28:17he was
28:18standing
28:19with a
28:20complete script.
28:21Young,
28:22good looking,
28:23came out of
28:24Mukul Anand's gate.
28:25Sir,
28:26I am making
28:27this film.
28:28What will
28:29the law do?
28:30I was so impressed
28:31to see his
28:32Bond script.
28:33Because,
28:34it was a habit.
28:35Here,
28:36in shooting,
28:37dialogues were
28:38written there.
28:39Here,
28:40phone calls were
28:41made.
28:42Here,
28:43in those days,
28:44telex,
28:45I don't know,
28:46fax,
28:47everything was there.
28:48He made
28:49a very good film.
28:50What will
28:51the law do?
28:52After that,
28:53when
28:54the
28:55top
28:56Sharddhan
28:57ji
28:58was
28:59shot,
29:00people
29:01made me
29:02a 100%
29:03villain.
29:04They
29:05didn't
29:06talk.
29:07My
29:08children
29:09used to
29:10watch it
29:11all day.
29:12I was
29:13tired too.
29:14What happened
29:15was,
29:16like,
29:17Achi Vali
29:18was being
29:19made,
29:20Mazdoor,
29:21in the
29:22end,
29:23they got
29:24us
29:25repeated
29:26together.
29:27The
29:28director
29:29was
29:30Amitabh
29:31Bachchan.
29:32I
29:33was
29:34tired.
29:35I
29:36said,
29:37go man,
29:38I am
29:39a performer.
29:40Give me
29:41a performance
29:42such that
29:43I can't
29:44sleep at
29:45night.
29:46What
29:47should I
29:48do?
29:49What
29:50is the
29:51scene of
29:52getting
29:53beaten up?
29:54Go,
29:55get
29:56beaten up.
29:57Go,
29:58get
29:59beaten up.
30:00Go,
30:01get
30:02beaten up.
30:03Go,
30:04get
30:05beaten up.
30:06Go,
30:07get
30:08beaten up.
30:09Go,
30:10get
30:11beaten up.
30:12Go,
30:13get
30:14beaten up.
30:15Go,
30:16get
30:17beaten up.
30:18Go,
30:19get
30:20beaten up.
30:21Go,
30:22get
30:23beaten up.
30:24Go,
30:25get
30:26beaten
30:27up.
30:28Go,
30:29get
30:30beaten
30:31up.
30:32Go,
30:33get
30:34beaten
30:35up.
30:36Go,
30:37get
30:38beaten
30:39up.
30:40Go,
30:41get
30:42beaten
30:43up.
30:44Go,
30:45get
30:46beaten
30:47up.
30:48Go,
30:49get
30:50beaten
30:51up.
30:52Go,
30:53get
30:54beaten
30:55up.
30:56Go,
30:57get
30:58beaten
30:59up.
31:00Go,
31:01get
31:02beaten
31:03up.
31:04Go,
31:05get
31:06beaten
31:07up.
31:08Go,
31:09get
31:10beaten
31:11up.
31:12Go,
31:13get
31:14beaten
31:15up.
31:16Go,
31:17get
31:18beaten
31:19up.
31:20Go,
31:21get
31:22beaten
31:23up.