Έχω Παιδιά Επεισόδιο 53 | EXO PAIDIA EPEISODIO 53
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Short filmTranscript
00:00A few days later...
00:05Keep this and we'll call you in a bit.
00:08Thank you very much.
00:09Did you see the nice pants they have here?
00:11Why do they wear slippers?
00:12They are not slippers.
00:13They are hole slippers.
00:14No, they are shampoos.
00:16They are the best supplements for the patients.
00:18They are anti-inflammatory, they are anti-inflammatory
00:20and they are also waterproof.
00:22Michalis, what do you do in telemarketing?
00:24Why do you know so much about shampoos?
00:25I had written an article about Tony
00:27about the 10 sexiest professions.
00:29Do you really focus on shampoos?
00:31No, I focus on shoes.
00:32What are we doing here?
00:33Are we going to buy rhombs?
00:35Because you should know that I prefer Bertas.
00:37And I prefer Elsa's cap.
00:39No, we are not here to shop.
00:41We are here to give blood.
00:42And what are they going to give us?
00:44They are going to give us juice.
00:45With anthracite?
00:46And flowers?
00:48With calamansi.
00:50Why do we have to do this?
00:52Because every year we have to take exams.
00:54Exams? I haven't read them.
00:56Tassos, I don't mean such exams.
00:58One day, a man or a woman
01:00will come with a very small syringe
01:02that has a small bell on the side
01:04and he will put it in our hand
01:06and he will give us a few drops of blood.
01:08Ok?
01:09Ok, ok, ok, ok.
01:11Not ok at all.
01:12I don't know you.
01:28IN THE NEXT EPISODE
01:50Should we give them away?
01:53We have said this a thousand times.
01:55Why do we have to torture our kids every time we want them to do something?
01:58Why? The dentist gives them glyphosate. The ophthalmologist gives them self-adhesive.
02:02They don't have to take anything in the blood. The juice is a bit toxic. They want something better.
02:06Moth's hair. Marshmallow.
02:08Milk.
02:09And to stop being afraid.
02:11No, my love. I don't think that...
02:13Let's go. And the lemon.
02:18Two kilos of spinach. And I haven't done it with the...
02:21Hero.
02:24Hero.
02:30I did it.
02:32Hero.
02:39I did it.
02:41By myself.
02:42Well done, my love. Hero.
02:44After you have kids, you do heroic deeds all the time.
02:47That's what I do.
02:49I threw joy into the air 22 times and I caught it again.
02:51I took Melis out of the toilet with my bare hands.
02:54Ok. I closed a carrot with three moves with one hand and with the other hand I was holding a coffee.
02:59Very good, but...
03:01I told Tasos to put on his trousers without a scratch.
03:04Ok, I can hear that. Strong.
03:06But I read the same fairy tale for 20 consecutive days,
03:10making exactly the same voices for Voskos, Probatolikos and Yoni.
03:14Well done, my love.
03:16It was really yours, but...
03:18I threw joy into the air 22 times and I caught it again.
03:23Was it green?
03:24A lot.
03:25You won.
03:26I told you so, but I caught Tasos with my bare hands.
03:31You won.
03:32And I lost.
03:36Ok, you're right. Acceptance is a good idea, but...
03:39You're forgetting a detail.
03:41What?
03:42That I hate it every time they take my blood?
03:44Oh, yes. I had forgotten that.
03:47How did you forget that, Michalis?
03:49Two pregnancies in six...
03:50Nothing.
03:51Oh, it's nothing?
03:52Nothing.
03:53It's nothing?
03:54You're telling me that what I hate...
03:56Ok, I'll tell you something. I'll give you blood to end it.
04:01But, as a reward, you'll get a haircut for six months.
04:05Ok.
04:06And ten pull-ups while they say,
04:08measure up to 200 first.
04:10Ok.
04:11And two good-after-sales scratches where, before the scratch touches it,
04:14it shouts...
04:16Like this.
04:17Do you exaggerate it?
04:19That's what I do.
04:20From that company retreat in Gibraltar.
04:24Do you remember waking up with two monkeys in your arms?
04:27Do you remember waking up with a robot in your arms?
04:29Terrible!
04:31Perfect!
04:32Anyway, how are you? What are you doing with your life?
04:35Why did you bring suitcases?
04:37Yes, you know...
04:39An extreme makeover.
04:40No, I want you to host me for a few days.
04:43I broke up with Giannis.
04:44Yes, and I wanted to change the scene a bit.
04:46I left Monaco and I got on the first plane I found in front of me.
04:51And the first plane you found was coming to Greece?
04:54You'll stay as long as you want.
04:55Why did you break up?
04:57Because he was tying his tie with a sock from Windsor.
04:59He left high heels.
05:00He ate gluten.
05:02No, no, guys, I don't want to talk about it.
05:04I just want to get over it.
05:06And the only person I thought could help me get over it...
05:11...was you, Hector.
05:13And you, Anna.
05:15Our honour.
05:16I don't understand how we can help.
05:20So, we'll do everything we used to do with Hector.
05:25Monkeys and robot scoops?
05:27No.
05:28We'll go out.
05:29We'll drink.
05:30We'll...
05:31I'm cutting you off here, Eleonora.
05:33I'm not doing this life anymore.
05:35These belong to the old Hector.
05:37I've changed.
05:38Listen.
05:39We didn't invite you to my birthday party.
05:41You did, but I thought it was a joke.
05:43Not at all.
05:44Now I'm focused on my family...
05:47...spirituality...
05:49...and my hobbies.
05:50Look, this week I'm doing a phalloscopy.
05:53What's that?
05:54What's that?
05:55A column of the Doric Rhythm.
05:57Fantastic!
05:58Can I ask you something?
05:59Did this phallus have a bottle?
06:01Of course, Anna.
06:02You know, as you say, it's very cool that we left it there to breathe.
06:06That's enough.
06:07Bring it here to drink.
06:08Let's breathe a little too.
06:12I don't understand why you're afraid to give blood.
06:14Michael, the fear of blood is one of the most common.
06:17There are others here who are afraid of the 8th number.
06:20The phallus.
06:21When you say others, I mean you.
06:23Yes.
06:24How can you be afraid of the phallus?
06:25It's a cave in the stomach that collects enough pus...
06:28...to wring out a full pullover.
06:30How can you be afraid of the balls?
06:33Come on, dad.
06:34Come on, Michael.
06:35I'm your father.
06:36Yes, dad.
06:37I just said it.
06:38What are you doing?
06:39I'm trying to figure out why Sarah is afraid to give blood.
06:42Why are you still dealing with these stupidities?
06:44Because we have to tell the kids to do a blood test.
06:47The only blood worth giving is the blood for the country.
06:51Let me remind you for the last time that it's 6 and 9 years old.
06:54You remember that.
06:55To see if the kids are okay, you don't need a blood test.
06:59What do you need?
07:00The eyes.
07:01The eyes.
07:02Look at the kids' eyes.
07:04If they're not yellow, green or blue, everything is fine.
07:07Anyway, we've talked too much.
07:11Police!
07:16I don't know how we let her kidnap us like that.
07:19I haven't met her yet...
07:20...and she's the second one to see me.
07:23What do you mean, you haven't met her?
07:25How can you not meet her?
07:26We've only slept for nine hours.
07:29Oh my God! She's getting old!
07:32Eleonora is a bad influence.
07:34What do you mean, bad influence?
07:36She's like a teenager making videos for TikTok.
07:38We gave her to drink Satole Superdek Krapiosikoul...
07:41...and she said, white bottom.
07:43We have to explain to her that our new way of life...
07:46...doesn't correspond with what she wants.
07:49What we have to do is kick her out.
07:51No, she'll think we have a problem with her.
07:53Oh, she'll think, huh?
07:55Yes, maybe you're right.
07:56Should I do it?
07:58You know I can't kick anyone out.
08:01I was talking to a man on the phone...
08:03...who wanted to sell me a water purifier...
08:06...and I ended up buying the whole company.
08:08You're right.
08:09Isn't that your job?
08:11I'll do it.
08:12I think I'm very good at kicking people out.
08:15I've kicked out...
08:16...a baby with business class mothers...
08:19...a cat from a fish tavern...
08:20...a bottle of wine from a satin shop.
08:22Can you kick me out for a headache?
08:26So...
08:27...my super heavy luggage...
08:29...it's time to write...
08:31...about the most sacred subject.
08:33Will you let me write about the value of truth in this day and age?
08:36You don't need my approval to write an essay.
08:39I'm talking about an article, Tony.
08:40Really? You want to write an article about the truth?
08:42Of course, my question is very serious.
08:44What is the truth of our time?
08:46The sacred subject I want you to write about...
08:49...is the only one that concerns me...
08:50...the number one on my list...
08:52...and it's Eurovision.
08:53Wow!
08:54Giorgos Alkeios from Friends, 2010.
08:57Tony, to understand, tell me...
08:58Christos Asnopoulos, 1983.
09:00...that Eurovision is the number one subject.
09:03Elena Paparizou, 2005.
09:05Forget it, I have no idea about Eurovision and I don't want to learn about it.
09:07You have no idea? You don't care?
09:08You don't have a Greek soul?
09:09Are you a pagan?
09:10In a while, they'll tell us that you don't like feta...
09:12...that it's anti-chalcetic...
09:13...that you want to get rid of it.
09:14There are more serious subjects.
09:16For the next week, month...
09:17...maybe three months...
09:18...there is nothing more serious.
09:21The solution is dedicated to Eurovision...
09:23...people want to read about it...
09:25...and you will write about it.
09:27So, you want me to skip a subject?
09:28I'm not listening to you.
09:29I've never seen Eurovision in my life.
09:31Well, because you surprised me...
09:33...here it is.
09:34Your first subject is ready.
09:36The ten worst appearances ever in Eurovision.
09:38Great subject.
09:39Excuse me, have you filled a whole notebook with this subject?
09:42Not just one.
09:43Notebook A...
09:45...notebook B...
09:48...notebook C.
09:51Bye, Maria.
09:52What?
09:53Bye, Maria.
09:54Sarbel, 2006.
09:58I didn't grow up as a fool in the woods...
10:00...who feels the presence of a hunter.
10:01I don't want to write about Eurovision...
10:03...I have no idea about Eurovision...
10:04...and I don't belong to any fan club like you.
10:06Michalis, fan clubs are for hobbyists...
10:08...I don't belong to a fan club.
10:09I am a member of the secret faction...
10:11...of N.O.T.A.S. and G.L.I.T.T.E.R.
10:12An organization of worship and studies of Eurovision.
10:15Stavros, you're doing well.
10:16I'm doing very well lately.
10:17I was nominated for Grand Master of Ceremonies.
10:19If I win...
10:20...I will be given the very same...
10:22...Bessie Argyraki.
10:23I have complete ignorance about Eurovision...
10:25...and apparently about this secret life you live.
10:27Fortunately, Tony...
10:28...wrote me almost the whole first issue...
10:30...to help me.
10:32I don't believe it.
10:33I don't believe that he knows how to write...
10:34...and that he writes such nice things.
10:36It's not possible for me to read what I'm reading.
10:42You're doing well!
10:43The worst song of Eurovision...
10:44...by Sage A.P.O.
10:45Get out!
10:47Eleonora!
10:49Please, have a seat.
10:50I want to tell you something.
10:52Sit where?
10:54I mean, sit down psychologically.
10:56Before you tell me anything...
10:57...I also want to tell you something.
10:58I really want to thank you...
11:00...for putting me in your house...
11:01...and making me feel so comfortable.
11:04Oh, we did something like that?
11:07We should change it.
11:08You changed it!
11:09After a few hours with you...
11:11...I really started to feel like I'm part of the family.
11:14What do you mean you're part of the family?
11:16Our family is complete.
11:18Really?
11:19Yes.
11:20I'm really happy about that.
11:21I'm really happy that I made the family.
11:23Are we in a relationship?
11:24I don't think we understand each other.
11:26No, no, no.
11:27And yet...
11:28...and yet...
11:29...no one else has understood me like you.
11:33Last night...
11:35...you felt my deep pain.
11:38We felt...
11:39...deep...
11:40...pain...
11:41...in general.
11:42Yes, you're right.
11:43I have a lot of pain inside me...
11:44...and the breakup with Giannis made him...
11:46...made him...
11:48...made him explode!
11:51Are you crying?
11:52Eleonora?
11:53Stop crying, please!
11:57Don't be sad for me!
11:59I'm not sad for you.
12:01I'm sad for your couch, Titsos, Iron.
12:06And for the perverted man, Otikakousis.
12:09I'm sorry.
12:10I'm sorry.
12:11I made a mistake.
12:12I'm being silly.
12:14That's why Giannis broke up with me.
12:16No, Eleonora, stop crying, please.
12:18If you want to cry, at least do it with dignity...
12:20...and shed just one tear.
12:25Eleonora!
12:26It's coming out of your nose.
12:27It's more disgusting and disgusting...
12:29...than eating foie gras with your hands, Eleonora!
12:31Stop crying, please!
12:32Stop crying, Eleonora!
12:34What do I have to do to make you stop crying, Eleonora?
12:37Bouzouki.
12:38Now?
12:40What are you saying, you stupid clown?
12:42This is long?
12:43You dare to put Demi in the worst Eurovision song?
12:45Yes, Tony, because it wasn't a song.
12:47It was a firecracker.
12:48A firecracker was the moment you were born.
12:50Tony, Racky G was so ahead of his time...
12:52...that the time hasn't come yet for him to understand.
12:54Man presented a manifest robot of romanticism.
12:58S-A-G-A-P-O.
13:00A code in a functional system of love.
13:02Because it has militantism.
13:04Because love is not a choice.
13:06It's a mission.
13:07It was a suicide mission.
13:08Racky G didn't go to Eurovision to win.
13:10He went there to build a school.
13:12To leave a residence permit.
13:13Man didn't even sing.
13:15He expressed his feelings somewhere in between...
13:18...anxiety for the math competition...
13:20...and boredom in the bus.
13:22He should have had a microphone, but he didn't.
13:25Excuse me for interrupting...
13:27...but isn't Eurovision a global competition?
13:30Australia.
13:31Israel.
13:32Armenia.
13:34Who told you that you have the right to speak?
13:36Yes, Michalis.
13:37If Baby Duck ever goes to Eurovision, we'll invite you.
13:39Can I leave all this here?
13:41Go on.
13:43So, Racky G...
13:45...is worse than that...
13:47...athlete from 2007.
13:49Are you talking about Verka Serduska, the legend?
13:52Man may not have won Eurovision...
13:54...but he won our hearts.
13:56It's the best thing Ukraine has ever presented.
13:58Ruslana is the best thing Ukraine has ever presented.
14:00Not to mention the whole organization.
14:01The wild woman...
14:02...who won our Saki.
14:04Yes.
14:06The truth is that Saki was very much condemned in Eurovision.
14:10He was angry, he was mad, he was mad.
14:14He was a clown.
14:16He laughed at us.
14:17We got him.
14:18The thing is that they were fighting all day...
14:20...instead of helping me write the article.
14:22Is he that mad now?
14:23You can't imagine. They were yelling at each other.
14:25In the end, I left and said goodbye...
14:27...and they both said goodbye.
14:29Yes.
14:30Let them go.
14:32Let me ask you something else, my love.
14:34Are you mentally prepared for tomorrow?
14:39I will give my blood, my soul.
14:41I have thought about everything.
14:43I will go into my room, I will sit on a chair...
14:45...I will put the kids on one side...
14:47...I will give the other hand so they can't see...
14:49...I will keep smiling and I will tell them...
14:51You see, it's nothing.
14:53My love, are you okay?
14:55Yes, I'm fine.
14:56Can I ask you something?
14:57What is it?
14:58The packaging.
14:59Oh, the packaging.
15:00Is there a window there?
15:01Because I see that there is no window inside...
15:03...do you have something hidden?
15:04Mom?
15:05Yes?
15:06Why are you so pale?
15:07Did I touch you without gloves?
15:09Did I freeze you?
15:10No, no, my love.
15:11I'm fine, I'm fine.
15:12I'm just wondering...
15:13...how come you don't have a window...
15:15...in an infirmary?
15:16And in a cell to go to prison...
15:17...they have a window.
15:18Here you don't have one, you didn't put one, you didn't want one.
15:20That's it.
15:21Keep it.
15:22Thank you very much.
15:23You are so light-handed.
15:24I didn't understand anything.
15:26So, guys, come on.
15:27Your turn.
15:28Dad, did you forget something?
15:30What did I forget, my love?
15:31Oh, yes.
15:32Please.
15:33It's not your turn.
15:34It's not our turn.
15:36It's mom's turn.
15:37No, it's not my turn.
15:39Won't you give blood?
15:41Me?
15:43Guys, look.
15:44Mom...
15:45Mom...
15:46...gave a lot recently.
15:47Right.
15:49I gave...
15:52...two years ago?
15:53Yes.
15:54Two years is not so recent.
15:56It would be good to give again.
15:58Oh, yes?
15:59Thank you very much for the advice you asked for.
16:01You obliged us to be well.
16:03Come on, sit down.
16:04Yes, okay.
16:05Wait a minute.
16:06Sit down, my love.
16:07I won't go.
16:08Just before I sit down, I need to go to the bathroom.
16:11Let's go this way.
16:15I don't understand how we got here.
16:18We came out of the door and you fell.
16:20I went to pick you up and I got dizzy and then...
16:23...Ernestos came, the bus driver, and he dragged us here.
16:28This is the most shameful thing I've ever done in my life.
16:31I mean, how did we get to spend another night like this?
16:36You said you were going to talk.
16:38And you didn't tell me what you said.
16:40He didn't leave us alone at all.
16:42I tried to talk to her.
16:44And when I went to tell her, she started crying.
16:47She started crying.
16:49The poor...
16:50The poor?
16:51The poor?
16:52The poor.
16:53Our poor couch.
16:55And our bed.
16:56Our poor bed.
16:57And my pillow.
16:58Poor thing.
16:59Did you give her a law to cry?
17:01Of course.
17:02I went to the hairdresser and put it on my face to protect it.
17:05Hector, I can't fire her.
17:07She's my hairdresser.
17:09Good. I'm taking action.
17:11Well done, Hector.
17:12Fire her.
17:13Throw her out of the account.
17:15I won't throw anyone out.
17:17I'll change her.
17:19Just like I changed her.
17:21I'll be her mentor.
17:23I'm sorry. Are you okay?
17:25You left without telling me.
17:27You're absolutely right.
17:29If I'm absolutely right,
17:31then we should go on vacation for a week without the kids.
17:34Stop it, Michalis. I panicked.
17:36And that's why you ran out of the bathroom window like in the movies?
17:39I didn't run out of the bathroom window.
17:41I said I was going to the bathroom and I left the door.
17:44You didn't even make a heroic exit.
17:46Michalis, listen to me.
17:48I did a thorough research on the internet
17:50and I found out that there's a disease I have.
17:53It's called vagotonic hypothermia.
17:56You even get hypothermia when you see blood.
17:58Are you serious?
17:59Yes, and a lot of people have it.
18:01Let's not tell the kids. They'll be even more scared.
18:03And what are we going to tell them? That I left all of a sudden?
18:05We'll tell them something else.
18:06We'll tell them that you went to the bathroom
18:08and there you found out you didn't have a cell phone battery
18:10and because you wanted to take a selfie and give everyone blood,
18:13you decided to go home to get your charger
18:15and then you couldn't find a cab and stayed here.
18:17What are you saying, Michalis? They won't believe it.
18:19You've already told them, haven't you?
18:20I have. And I also told them that you've already booked a date for tomorrow.
18:23Michalis, I'm going to kill you.
18:24Sara, no. Don't. Think about it.
18:25You're a vagotonic. You can't stand the sight of blood.
18:32One is the choice. Marina Sati.
18:35With the wig and the curly hair.
18:37You could have at least told me a Mariana of Stratiou.
18:39You could have told me a Kate Garvey.
18:41You could have told me a...
18:42a Madog.
18:43What?
18:44Oh, Madog.
18:45Madog, you said, Madog.
18:46The one who wore the leather suit as a bad sequel to Matrix.
18:49The Trinity from Amaliada.
18:50With the ropes that were holding him here,
18:52he was a dead man who had put a cross on his head
18:54so that God would light it up.
18:55However, according to Sara,
18:56the sexiest appearance in Eurovision was Saki's.
18:58He says that his sweat was like
19:00global humidity in high definition.
19:02Yes, we're going to hear from Sara now that she agrees to marry you.
19:04Also, Michalis, if they were sexy assholes,
19:06we would have sent Melissanidis to Eurovision.
19:08So, you don't want Madog?
19:09Sumo Giorgos Alkaios and Opa.
19:11So, he went up on stage
19:13with his stars, with his whites
19:15and he shocked everyone.
19:16He had his little umbrella,
19:18he had a flame on his sandals.
19:20Very nice.
19:21Very nice because
19:22the Easter that he throws oil on the lamb.
19:24His dance was like a bad bachelor party
19:26that ended up in the camp of Rhodes.
19:28If you don't want Marina Sati,
19:30get a good wife.
19:32The girl who was kicked by a 15-year-old girl.
19:34In the ass of the big girl of Tinos.
19:35That's what you saw.
19:36What did you see?
19:37I saw Britney Spears married
19:39to a popular Greek chick.
19:41Like a fruit salad that someone put apples and a little rum.
19:44Your taste is for missing.
19:46I would tell you
19:47to listen to what the worst lyric says
19:48in the history of Eurovision.
19:50Pesakikiliou Sazari.
19:51This is the worst lyric
19:52or maybe it's the
19:53Thane Sanabria.
19:54It's what we want.
19:55We have love, we want love.
19:56Like a fortune cookie
19:57that you get from a fortune cookie.
19:58I hear it and I go up.
20:00Alcohol is free.
20:01One last drink before we fight.
20:03What are you doing?
20:04You drink and then you play it.
20:05It's like a Greek holiday.
20:06I see them and I will raise you.
20:08Shake, shake, shake, shake, shake me a more.
20:10Me a more?
20:11Tony, I will let it pass
20:13because you told me my love.
20:14My love.
20:16Yes?
20:17I did research.
20:18What research for Eurovision?
20:20No, that's why Stavros and Tony do it.
20:22I did research for your passion
20:23and guess what?
20:24It heals.
20:25You just need a little practice.
20:26Really?
20:27What do I have to do?
20:28We will play
20:29the doctor.
20:31What are you saying, Michalis?
20:32Seriously?
20:33The doctor?
20:34What are you, seven?
20:35No, I mean the regular doctor.
20:36And by the way,
20:37did you play the doctor when you were seven?
20:38Obviously.
20:39What did you play?
20:40Pins and needles.
20:41Anyway.
20:42In order to get used
20:43to the idea of blood,
20:46we will practice
20:48with this.
20:49Wait, wait.
20:50Wait, Michalis.
20:51Are you in your right mind?
20:52I will remind you
20:53how to take it out like this.
20:55Okay, let me tell you.
20:56Calm down.
20:57Take a few breaths
20:58and tell me when you are ready.
20:59Okay.
21:00Hide it a little.
21:02Oh, God.
21:06I am ready.
21:07Okay.
21:08Open your eyes.
21:09I opened them.
21:11Okay?
21:12Okay.
21:13Good.
21:14Look at the other one.
21:17I just have
21:18a pencil.
21:19Okay?
21:20We will try
21:21a simple trick
21:22with a simple pencil.
21:27Sara.
21:28I can't keep anything.
21:29I can't get blood.
21:34So, Sara.
21:35This time,
21:36we won't even say
21:37the word you don't want to hear.
21:38We will say
21:39Hello, ma'am.
21:40We just came
21:41to get you some ketchup.
21:49Sara, did you come?
21:50Yes.
21:51It's your mother.
21:52I had to tell you
21:53and I told her to wait.
21:54She is like a night owl.
21:55Come on, mom.
21:56Sara, what did I learn?
21:57I don't know.
21:58Do you want to
21:59criticize me again?
22:00Did you go to give blood
22:01and put it on your feet
22:02out of fear?
22:03Are you serious?
22:04How did you learn that, mom?
22:05We had to talk about something.
22:06I was in a hurry
22:07for two minutes.
22:08Sara, are you afraid
22:09to give blood?
22:10When you have some fear
22:11and you share it
22:12with your own people,
22:13you believe,
22:14you hope,
22:15and...
22:16Yes, mom.
22:17I'm afraid to give blood.
22:18Oh, my sweet girl.
22:19You should know
22:20how much I understand you.
22:21And I am the worst.
22:23Are you serious, mom?
22:24Of course.
22:25It's an unpleasant process
22:26that causes me
22:27a lot of trouble.
22:28Don't you feel cold?
22:29I have neglected you
22:30many times.
22:31Me too.
22:32Sara, the next time
22:33you go,
22:34I will be with you.
22:35I will be next to you
22:36holding your hand.
22:38Thank you, mom.
22:40Unfortunately,
22:41this is how it usually goes.
22:43Yes, mom.
22:44I'm afraid to give blood.
22:4540 years old,
22:46and you're afraid
22:47of your own health.
22:48You went and made us
22:49jealous.
22:50You don't need
22:51a lot of effort, mom.
22:52Anyway,
22:53come on, bye.
22:56Tell me,
22:57how does this woman
22:58always manage
22:59to beat me
23:00with only four attacks?
23:01Does this woman
23:02know Emichali?
23:03Salt.
23:04She increases
23:05my blood pressure.
23:06Every attack
23:07and one bite.
23:08She says good morning
23:09and do you know
23:10what I hear?
23:11You failed as a person.
23:13She's a sniper
23:14critic.
23:15No, she's a Google critic.
23:16You say a word
23:17and she gives you
23:18a million attacks
23:19with a glass.
23:20It's unbelievable.
23:21I haven't managed
23:22anything.
23:23You have managed
23:24not to fail.
23:25What?
23:26Look,
23:27it was only
23:28one small step.
23:30I can't believe it, my love.
23:32The solution
23:33is the nerves
23:34that my mother
23:35gives me.
23:36Exactly,
23:37all the things
23:38she says
23:39irritate you
23:40and prevent you
23:41from failing.
23:42Unbelievable,
23:43isn't it?
23:44Yes.
23:45Tomorrow,
23:46we'll do this
23:47and you'll get blood.
23:48And what's the difference
23:49from the calculation
23:50we did before?
23:51In the calculation,
23:52we look deep inside us.
23:53In eye-gazing,
23:54the other person
23:55looks deep inside us.
23:56Look at me.
23:57What do you see?
23:58I see
23:59green,
24:00blue
24:01and a small apple.
24:02I'll start.
24:03Good.
24:04I see sadness.
24:06I see emptiness.
24:08I see need.
24:10But I also see hope.
24:12Hope?
24:13Yes.
24:14I see strength.
24:15I see freedom.
24:17Hector,
24:18do you really feel all this now?
24:19Yes.
24:20I see
24:21new beginnings.
24:24Hector,
24:25now I've started
24:26to feel
24:27what you're saying.
24:28That means it works.
24:29Tell me,
24:30what else do you feel?
24:31Well,
24:32I suddenly feel
24:33freedom.
24:34And what else?
24:35And I feel
24:36full.
24:37And what else?
24:38And ready.
24:42Where are you going?
24:44We didn't do me.
24:46Tony,
24:47I know we haven't slept
24:48all night,
24:49but I feel
24:50we need
24:51one more rehearsal,
24:52slowly,
24:53to improve it.
24:54Let's go?
24:55Yes.
24:56Do, fa, fa, fa,
24:57sol, fa, sol, fa,
24:58mi, do, si,
24:59mi, mi, mi.
25:00I'm sorry,
25:01what are you doing?
25:02Let's go,
25:03perfect, Michalis,
25:04after days.
25:05We found something
25:06that we agree on.
25:07The best way
25:08to be jealous,
25:09I agree too,
25:10that's it.
25:11You're the only one
25:12who's jealous,
25:13you hairy,
25:14hairy guy.
25:15This is the best
25:16choreography of Eurovision,
25:17the Solfege lesson.
25:18This looks like
25:19a choreography
25:20in a bad review.
25:21We're talking about art.
25:22Yes.
25:23You do the do, re, mi
25:24over there with your hands,
25:25as if you're doing
25:26a meaningful exodus.
25:27Step forward,
25:28step back,
25:29like moonwalks
25:30in Serious 2.
25:31Those of you
25:32who are strong,
25:33listen up.
25:34If Eurovision
25:35was a religion,
25:36this would be
25:37my homeland.
25:38Now that you've
25:39explained it to me,
25:40I see it clearly.
25:41Really?
25:42Do you want to take part
25:43too?
25:44We're missing two people
25:45for the choreography.
25:46Yes, but I can't,
25:47I just came to get
25:48my ticket and I'm leaving.
25:49Bye.
25:50Hey, where are you going?
25:51I want my articles
25:52for Eurovision.
25:53I've already written them,
25:54Tony.
25:55Really?
25:56Yes, I've collected
25:57what you've said
25:58in the last few days
25:59and I've written
26:00them.
26:01My love,
26:02well done.
26:03You didn't bother us
26:04all night.
26:05I think she spent
26:06the night at the hotel
26:07thinking about something
26:08until she fell asleep.
26:09You've changed her.
26:10You've brought her
26:11to the right path.
26:12Maybe we should
26:13throw her
26:14a birthday party?
26:15Great idea.
26:16Let's wake her up
26:17and tell her.
26:18Oh,
26:19what's this?
26:21A note from Eleonora?
26:23It must be a thank you.
26:24Read it.
26:25Hector,
26:26last night
26:27was amazing.
26:28Thank you so much
26:29for everything
26:30you've shown me.
26:31You made me realize
26:32that I wouldn't want
26:33to wear anything
26:34like you.
26:35What?
26:36Life is too short
26:37for us to sit
26:38and talk
26:39and drink matcha
26:40and get addicted
26:41to lactose.
26:42With lactose and bouzouki
26:43it will get even shorter.
26:44I'm leaving for Seychelles
26:45and I wish you
26:46the best.
26:47Write down Seychelles
26:48from our travel destinations
26:49never again.
26:50I'm sorry
26:51for what I did
26:52at your sauna.
26:53At which one?
26:54Which one of the two?
26:56Maybe Eleonora is here.
26:59Hector,
27:01I found my kimono.
27:05Are you ready this time?
27:06Yes, yes, I'm ready.
27:07Give us half a minute.
27:08Again with the ballet?
27:09No, no, no.
27:10One moment, one moment.
27:13Yes, Mrs. Antigoni,
27:14hello,
27:15I'm Michalis.
27:16I'm here with Sarah
27:17and I see that she's wearing
27:18something...
27:19chic.
27:20I would say,
27:21let's talk to her.
27:22Let's start.
27:23Come on, Mom,
27:24I want to tell you
27:25that from now on
27:26I won't wear anything.
27:27Yes, Sarah,
27:28I'll tell you later.
27:29No, Mom,
27:30wait a minute,
27:31don't hang up.
27:32Michalis, she hung up.
27:33Wait a minute,
27:34Mrs. Antigoni,
27:35half a minute.
27:37No, where are you going?
27:38I'm not ready.
27:39Come on, my love,
27:40it's nothing,
27:41you'll see.
27:42Michalis, no,
27:43I'm afraid.
27:44No, no.
27:45Mom, don't be afraid,
27:46I'll do it.
27:47You'll see how easy it is.
27:48Me too,
27:49and Pixie.
27:50Heroic actions.
27:51As a parent,
27:52you should play
27:53the hero every day.
27:56Sometimes,
27:57you feel it
27:58and you do it unconsciously.
28:00And sometimes,
28:01you do it
28:02to lead your children
28:03on the right path.
28:08But what you don't imagine
28:09is that sometimes
28:11heroic actions
28:12can come from your children.
28:20Michalis,
28:21how are Eurovision issues going?
28:23They had the most clicks
28:24we've ever seen.
28:25Of course,
28:26we all agree
28:27on the same message.
28:28Why don't we mention
28:29Paparizou,
28:30who is the only one
28:31who has won?
28:32Really,
28:33why is that?
28:34Stavros says
28:35the winners have already
28:36taken the attention
28:37they deserve,
28:38while Tony says
28:39he preferred Paparizou
28:40when he participated
28:41in Sandik.
28:42Sarah,
28:43did she finally give up?
28:44Yes,
28:45of course,
28:46I couldn't see Tassos
28:47and I couldn't
28:48do it either.
28:49And how did it go?
28:50Very well.
28:51I closed my eyes
28:52and I didn't understand anything.
28:53Yes,
28:54when she says
28:55it's the most
28:56heroic thing
28:57you've ever done
28:58for your children.
28:59No,
29:00of course not.
29:01I've been diving
29:02in the pool
29:03in February
29:04to save Pixie.
29:05I've listened to
29:06Trigonakallanta
29:07for an entire August.
29:08I've been to
29:09a children's disco
29:10at 11 o'clock in the morning.
29:11I've watched
29:12a two-hour
29:13school football match
29:14with Tassos
29:15sitting on the bench.
29:16You've won.
29:20We don't have a problem
29:21with the Greek-Greeks
29:22issue.
29:23Come on, come on.
29:24He'll figure it out.
29:25It's okay.
29:26Yes.
29:27He'll figure it out,
29:28you say?
29:29Yes.
29:30Maybe you're right.
29:31We have to do something
29:32to make him understand.
29:33But we don't have a problem
29:34with the...
29:36Leave...
29:37Leave a note for...
29:40I think I'm going blind.
29:41Where did you come from?
29:43What?
29:44Where did you come from?
29:45Where did you come from?
29:46Where did you come from?
29:47This is for Jordan.
29:49Don't laugh at me.
29:50Where did you come from?
29:52You've told them, haven't you?
29:53You've told them, haven't you?
29:54I've told them.
29:55And I also said that...
29:58Why did I start
29:59with this voice?
30:02If you don't want Marina Sati,
30:03get Kalomira.
30:04The girl who was dressed
30:05like a 15-year-old
30:06and got fucked
30:07by the big bitch?
30:11Ankeos was like the uncle
30:12who throws oil
30:13to the lamb...
30:14to the lamb.
30:15Oil to the lamb.
30:16Oil to the lamb.
30:17He throws oil to the lamb.
30:19On the goat.
30:23On the goat.
30:24On the goat.