- 9 months ago
DULCE EVOCACION (Beyond Tomorrow, 1940, Full Movie, Spanish, Cinetel) HD
Category
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Short filmTranscript
00:00:00Dulce vocación.
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00:05:10It's a ridiculous nonsense.
00:05:13Yes.
00:05:16And the liquors?
00:05:17Of peppermint and malt cream.
00:05:20Don't forget the brandy for Major Chadwick.
00:05:24Yes, Excellency.
00:05:26Joseph, do you remember our last Christmas in St. Petersburg, just before the war?
00:05:32Yes, Excellency.
00:05:34Here, Joseph, Rostesvoth and Christoph.
00:05:37It's passive, Excellency.
00:05:41Oh, the order of Stanislaw, for me?
00:05:46You have been a great friend for accompanying me to America, Joseph.
00:05:51That was no longer my Russia without you, Excellency.
00:06:01Joseph, when I had jewels and lands and palaces,
00:06:08I was an arrogant and distant woman.
00:06:12When they took absolutely everything from me, except life,
00:06:17I learned that the way to be really happy is to serve others who need you.
00:06:25So don't feel sorry for me or for what I lost.
00:06:30Come on, the guests will arrive soon.
00:06:33Yes.
00:06:34And everything has to be ready.
00:06:35Madame Antonia!
00:06:36Yes, Mr. O'Brien.
00:06:37Could you please make me a tie?
00:06:40You know, I'm completely useless for this kind of thing.
00:06:44And the table, oh, it's magnificent.
00:06:49You are the best of all.
00:06:53Yes, those were really good Christmas.
00:06:59What we need, George, is a troop of grandchildren.
00:07:03Yes, making noise with their maracas, may God deliver me.
00:07:08Merry Christmas, anyway.
00:07:10Merry Christmas, dear Mr. O'Brien.
00:07:13I don't know what to say.
00:07:15I can't speak.
00:07:16I can't speak.
00:07:17I can't speak.
00:07:18I can't speak.
00:07:19I can't speak.
00:07:20I can't speak.
00:07:21Feliz Navidad.
00:07:22¡Feliz Navidad!
00:07:23Buenas noches, caballero.
00:07:24¡Listos vos crees!
00:07:26Eso es para Pascua.
00:07:28¡Oh, pero qué torpe soy a veces!
00:07:30¡Feliz Navidad, querida mía!
00:07:32¡Está usted espléndida, Madame Tania!
00:07:34Gracias, Mayor Chadwick.
00:07:35Y aquí está su regalo.
00:07:37¡Qué caja tan grande!
00:07:39Me pregunto qué podrá ser.
00:07:51Creo que tengo que sentarme.
00:07:58Vaya, pensábamos sorprenderla, pero no dejarla sin sentido.
00:08:01George, trae un poco de puenche para el brindis.
00:08:04Vamos, Madame Tania, arriba.
00:08:06Veamos cómo le queda.
00:08:08Eso es.
00:08:11Es precioso.
00:08:15Pero no podrá darme tanto calor como el que me han dado ustedes
00:08:20hace muchos años.
00:08:25Está robia.
00:08:27Y no me diga que eso no significa a su salud.
00:08:30Tienes razón.
00:08:31Fache está robia y feliz Navidad.
00:08:33¡Feliz Navidad!
00:08:34¡Feliz Navidad!
00:08:37Y no se crea que va a cenar en su habitación.
00:08:40¡Cenará en la mesa!
00:08:41Allí estaré.
00:08:43Y ahora tengo cosas que hacer.
00:08:46Los invitados son muy distinguidos,
00:08:48y como anfitriona he de hacer que todo esté perfecto.
00:09:12Un telegrama, señor.
00:09:13Gracias.
00:09:16Gracias.
00:09:21¿Qué pasa ahora?
00:09:23Los Van Ryder no pueden venir.
00:09:27Qué raro en el último momento.
00:09:29Un imprevisto y un enfermo en la familia.
00:09:31Un enfermo en la familia.
00:09:33No debiste haberles dicho que yo estaría aquí.
00:09:38No seas ridículo, George.
00:09:40No tuviste nada que ver con ello.
00:09:42¿Ah, no?
00:09:43Puedo oírles.
00:09:45George Dale Melton.
00:09:47¿No es ese el tipo que estuvo involucrado en el caso Shreve?
00:09:51Absuelto por falta de prueba.
00:09:53Por el amor de Dios, George.
00:09:55No seas tan sensible.
00:09:57Eso es algo del pasado y está olvidado.
00:09:59Claro, no te autoalagues pensando que alguien se acuerda.
00:10:04Y seré sincero.
00:10:05Me alegro de que los Van Ryder no vayan a venir a cenar.
00:10:09Él cuenta los mismos chistes que contaba hace 20 años.
00:10:12Y ella se tiñe el pelo.
00:10:13Creo que ahora va de rosa a gamba.
00:10:18La verdad es que no sé por qué les pedí que vinieran.
00:10:23Nuestro problema es que no vivimos.
00:10:27Demasiado trabajo y poca diversión.
00:10:30No dedicamos tiempo a los viejos amigos.
00:10:33Sí, pero ya quedan vivos muy pocos de esos viejos amigos.
00:10:37Es cuestión de buscar nosotros.
00:10:40Lo que deberíamos hacer es...
00:10:43Lo que deberíamos hacer...
00:10:47Venga, tómate una copa.
00:10:53Desgracias para nuestros críticos.
00:10:55Y para nosotros, Feliz Navidad.
00:10:57Feliz Navidad.
00:11:10Feliz Navidad.
00:11:16Debería haber algunas almas solitarias en esa multitud.
00:11:19Eres un sentimental.
00:11:23Tengo una idea, Chal.
00:11:25Sacad una tarjeta, amigos.
00:11:27¿Qué se te ha ocurrido ahora?
00:11:29Estas son las carteras de regalo que sobraron.
00:11:31Y en cada una hay 10 dólares.
00:11:33Meted vuestras tarjetas de visita.
00:11:34Las tiraremos por la ventana.
00:11:36Podrían traernos a alguien para cenar con nosotros.
00:11:38¿Desconocidos venidos de la calle?
00:11:40En Nochebuena no hay desconocidos.
00:11:43Además, es mejor que estar aquí mirándonos las caras como tres búhos viejos en una rama.
00:11:48Apuesto a que no devuelven ninguna.
00:11:50Acepto esa apuesta.
00:11:52Una cena en Piers para todos nosotros.
00:11:54Y paga el perdedor.
00:11:55Ya lo has oído, Chal.
00:11:56Eres testigo.
00:11:57Estupendo. Así no puedo perder.
00:11:59¿Hasta cuándo esperaremos?
00:12:00Venga, no nos cerraremos a las 7.
00:12:08San Antonio, traenos un alma honrada.
00:12:14Con apetito.
00:12:21Primero tiraré la mía.
00:12:28¿Ya no está?
00:12:30Ahora tú, Chal.
00:12:35No veo nada sin mis gafas.
00:12:38Bien, ahora vas tú, George.
00:12:40Vamos, vamos.
00:12:41Tírala.
00:12:46Dudo que encontremos a nadie que merezca la pena.
00:12:49Será mejor que cenemos y luego vayamos al club para jugar una partida de bridge.
00:12:53Tranquilo, no va a volver nadie con ellas.
00:12:57Eres hombre de muy poca fe, George.
00:13:00Aléjate de la ventana, romperás el encanto.
00:13:09Vaya, una cartera nueva.
00:13:12¿Tiene dinero?
00:13:13Diez dólares.
00:13:15George Dale Melton, vendido en Tiffany's.
00:13:19Lo echará de menos el dinero.
00:13:21Aquí tiene, Robbie.
00:13:22Gracias, señora.
00:13:23Feliz Navidad.
00:13:24Tienes un corazón de oro, con el dinero de otros.
00:13:28Te aseguro que la expansión territorial de Inglaterra tuvo un significado muy distinto.
00:13:33No importa cómo lo mires, un robo es un robo.
00:13:36Un robo, vamos.
00:13:37Eso es demagogia.
00:13:38Inglaterra llevó la civilización a los salvajes.
00:13:41¿Qué era Australia cuando estaba habitada por los aborígenes?
00:13:45La convirtió en un continente floreciente con peso propio.
00:13:48Y obtuvo sus beneficios naturalmente.
00:13:50Los obtuvo todo el mundo, incluso la propia Australia los obtuvo...
00:13:56La prueba está en que no hay un palmo del imperio británico impasible al ver ondear nuestra bandera.
00:14:07Y es más, has de saber que...
00:14:09¿Quieres parar ese ruido?
00:14:11¿Ruido, dices?
00:14:12¿Qué crees que hacéis vosotros dos?
00:14:14Acabaréis cavando trincheras en el pasillo.
00:14:17Sí, pero me niego a admitir su punto de vista tan parcial.
00:14:20¿Parcial?
00:14:21Vamos, Alan, siempre lleva la contraria por sistema para fastidiar.
00:14:24¿Qué?
00:14:29Bien.
00:14:30Me parece que me debes una cena, O'Brien.
00:14:33¿Eso parece?
00:14:36Pero también es posible que no.
00:14:45Buenas noches, joven.
00:14:46Buenas noches, señor.
00:14:47¿Han perdido aquí una cartera?
00:14:49Sí, sí, pasa.
00:14:50¿Cuál es?
00:14:51Digo, me llamo O'Brien.
00:14:53Pues es suya.
00:14:54Y dentro hay diez dólares.
00:14:56¿Diez dólares, sí?
00:14:57Aquí tiene, señor.
00:14:59Bien.
00:15:00Feliz Navidad.
00:15:01Espera, espera.
00:15:02Quédate y tomaremos una copa de ponche.
00:15:04Bueno, yo...
00:15:05Venga, venga.
00:15:06¿Cómo te llamas, joven?
00:15:08James Houston, señor.
00:15:10Houston.
00:15:11Es usted muy amable.
00:15:13Menos mal que ha venido.
00:15:14¿Cómo?
00:15:15Lo digo por haber recuperado mi cartera.
00:15:17Adelante.
00:15:18Señor Melton, señor Chadwick, este es el señor Houston.
00:15:21Buenas noches.
00:15:22Encantado de conocerle.
00:15:23El señor Houston encontró mi cartera y ahora tomará una copa de ponche.
00:15:27El señor Houston encontró mi cartera y ahora tomará una copa con nosotros.
00:15:30¿Qué vas a tomar, chico?
00:15:32Lo mismo que esté tomando usted, señor.
00:15:34Estoy tomando ponche verrón y huevo.
00:15:36¿Quieres más, Chad?
00:15:37Un poquito.
00:15:38¿Y tú, George?
00:15:39No, gracias.
00:15:40Tengo que cuidar mi espalda.
00:15:42Aquí dentro sí que se nota que es nochebuena.
00:15:45Un fuego muy bonito.
00:15:47Le pondré otro tono.
00:15:48Deje que lo haga yo, señor.
00:15:54No hay nada como un buen fuego.
00:15:56En mi tierra los hacemos con frecuencia.
00:16:01¿Así que eres del oeste?
00:16:02De Texas, señor.
00:16:04Vaya, yo soy de Oklahoma.
00:16:06De Okla...
00:16:07¡Qué sorpresa!
00:16:09¿Qué tal, vecino?
00:16:12El mundo es un pañuelo, ¿verdad?
00:16:14Toma, siéntate.
00:16:16Gracias, señor.
00:16:17Chad, gracias, Michael.
00:16:18¡Feliz Navidad!
00:16:19¡Feliz Navidad!
00:16:20¿Llevas aquí mucho tiempo?
00:16:22Desde septiembre.
00:16:24Participé en un rodeo en el Madison Square Garden.
00:16:28Decidí quedarme y ver esto mejor.
00:16:31Llevo demasiado tiempo, supongo.
00:16:33Ahora trabajo en una tienda para poder volver a Texas.
00:16:36La cena...
00:16:37Sí, sí, sí.
00:16:38¿Ibas a alguna parte a cenar, tal vez?
00:16:40No.
00:16:41No, señor.
00:16:42No iba a ningún sitio en particular.
00:16:43Solo estaba paseando.
00:16:46Nunca había estado fuera de casa en Navidad.
00:16:48En vista de que no ibas a ninguna parte,
00:16:50¿por qué no cenas con nosotros?
00:16:52Es usted muy amable, señor, pero...
00:16:54No puedo...
00:16:55Compréndelo, Michael.
00:16:56No es nada divertido para un joven
00:16:58cenar con tres viejos carcamales como nosotros.
00:17:01Bueno, vaya.
00:17:03Si lo dice así, no creo que...
00:17:06No creo que pueda negarme.
00:17:08Mayor Chadwick,
00:17:09esta joven dice que ha encontrado su cartera.
00:17:13Sí, por supuesto, por supuesto.
00:17:17Buenas noches.
00:17:19Buenas noches.
00:17:20¿Es usted, señor Chadwick?
00:17:21Pues sí.
00:17:25Creo que es costumbre describir los artículos perdidos.
00:17:28Sí, tiene razón, por supuesto, por supuesto.
00:17:32Bueno, es una cartera,
00:17:34una cartera cuadrada,
00:17:36con mi tarjeta dentro.
00:17:38¿Había dinero?
00:17:40Pues sí.
00:17:46Sí, diez dólares.
00:17:48Aquí tiene.
00:17:49Sí, sí, gracias.
00:17:50Muchas gracias.
00:17:51No hay de qué.
00:17:52Feliz Navidad.
00:17:53Espere, espere un momento, por favor.
00:17:55No se vaya.
00:17:56Acérquese al fuego.
00:17:57Hace frío afuera.
00:17:58Prepara un ponche caliente para la joven George.
00:18:01Entrará en calor.
00:18:02¿Cómo se llama?
00:18:03Jill Lawrence.
00:18:04Yo me llamo James Houston, señorita.
00:18:06Encantada, señor Houston.
00:18:09Sí, el señor Houston, la señorita Lawrence.
00:18:11Vuelve a poner los dos servicios.
00:18:13Creo que el señor O'Brien sí tendrá invitados
00:18:16para cenar esta noche.
00:18:18Sí, excelencia.
00:18:20La última vez que tomé ponche fue en mi casa de New Hampshire.
00:18:23¿New Hampshire?
00:18:24¿No pasará la noche buena con su familia?
00:18:26No, había pensado ir al cine.
00:18:29¿Por qué no se queda a cenar con nosotros?
00:18:32Muchas gracias, pero no puedo.
00:18:34¿Por qué no?
00:18:35¿Ha cenado ya?
00:18:36No, pero he almorzado tarde.
00:18:38La cena está servida.
00:18:39No se hable más.
00:18:40Vamos allá.
00:18:41No aceptamos un no por respuesta.
00:18:43Vamos.
00:18:44Todo está previsto.
00:18:45Se trata de un pequeño juego.
00:18:47Ahora se lo contaré todo.
00:18:49Los tres vivimos solos e hicimos una apuesta
00:18:51y uno de nosotros ha perdido.
00:19:17Your rank of wealth possessing
00:19:21ye who would now bless the poor
00:19:25shall yourselves be blessed.
00:19:32Sí, chicos, sabes cantar.
00:19:35Eh, chicos, subid.
00:19:36Queremos un poco de música aquí arriba.
00:19:38Sí, vamos.
00:19:39Nos pasaremos frío.
00:19:40Sí.
00:19:42I dream of Jeannie with the light brown hair
00:19:51Born like a vapor on the summer air
00:20:00I see her tripping where the bright streams play
00:20:09Happy as the daisies that dance on her way
00:20:17Many were the wild notes her merry voice would pour
00:20:24Many were the blithe birds that warbled them o'er
00:20:35I dream of Jeannie with the light brown hair
00:20:48Floating like a vapor on the soft summer air
00:21:08Hijo mío, tienes una gran voz.
00:21:10Es un verdadero artista.
00:21:12No es nada especial.
00:21:14Solía cantar estando en el rancho.
00:21:16Venga, cantemos todos.
00:21:17Sí.
00:21:18Sí, buena idea.
00:21:19Joseph, Alfonso y Catherine, venid aquí, venid.
00:21:22Vamos a cantar.
00:21:23Sí, vamos.
00:21:24¿Qué os parece Jingle Bells?
00:21:25¡Jingle Bells!
00:21:26Oh, jingle bells, jingle bells, jingle all the way
00:21:31Oh, what fun it is to ride in a one-horse open sleigh
00:21:35Jingle bells, jingle bells, jingle all the way
00:21:39Oh, what fun it is to ride in a one-horse open sleigh
00:21:43Jingle bells, jingle bells, jingle all the way
00:21:46Oh, what fun it is to ride in a one-horse open sleigh
00:21:50Jingle bells, jingle bells, jingle all the way
00:21:53Oh, what fun it is to ride in a one-horse open sleigh
00:21:57Jingle bells, jingle bells, jingle all the way
00:22:00Oh, what fun it is to ride in a one-horse open sleigh
00:22:04Jingle bells, jingle bells, jingle all the way
00:22:08Oh, what fun it is to ride in a one-horse open sleigh
00:22:39¿Le aseguro que ese abrigo no es mío?
00:22:41Sí, es tu abrigo.
00:22:52Tienes un buen sastre.
00:22:57Yo...
00:22:58Yo...
00:23:06Buenas noches, señora.
00:23:28Son unos jóvenes estupendos.
00:23:30Ese chico me recuerda a David.
00:23:34¿Creí que ibais al club a jugar una partida de bridge?
00:23:37Por favor, no presumas.
00:23:40Mira el irlandés.
00:23:44Me voy a la cama.
00:23:46Buenas noches.
00:23:47Buenas noches, George.
00:23:48Buenas noches.
00:23:52Un tipo duro. Le ha dado al chico su mejor abrigo.
00:23:58Fundación Wayne. Clínica Infantil.
00:24:02Bien, ya hemos llegado.
00:24:04No me puedo creer lo que ha pasado.
00:24:07Yo tampoco.
00:24:09Puede que estemos soñando.
00:24:14¿Sabes?
00:24:15No me sorprendería nada ver a Santa Claus
00:24:18con sus renos bajando del cielo y su trineo cargado de juguetes y a ti.
00:24:23Oh.
00:24:26Hola, amigo.
00:24:29Se llama Gallagher.
00:24:31Es el caballo del agente Johnson.
00:24:33Le encanta el azúcar.
00:24:35Que me aspen. Es increíble.
00:24:38Lo último que esperaría en Nueva York
00:24:40es ver a una chica dando el azúcar a un caballo.
00:24:42Buenas noches, señorita Lorenz.
00:24:43Oh, buenas noches, agente.
00:24:45Este es el señor Houston.
00:24:46Encantado.
00:24:47Estaba admirando su caballo.
00:24:49Sí, he criado a muchos allá en Texas.
00:24:51Es bonito, ¿verdad?
00:24:52Sí, señor. Muy bonito.
00:24:53¿Qué le da de comer? ¿Avena?
00:24:55Sí.
00:24:56Sí, se nota.
00:24:57Hace tres meses que no me subo a un caballo.
00:24:59Antes prácticamente vivía encima de uno.
00:25:02Me encantaría poder montarlo.
00:25:05Lo siento, amigo.
00:25:07Pero si el sargento me cogiera dejando a alguien montar mi caballo,
00:25:10me vería pateando las calles a través.
00:25:12Sí, lo comprendo.
00:25:13Bueno, es estupendo haber vuelto a ver uno.
00:25:16Es un animal precioso.
00:25:23¿Se ve algo?
00:25:25¡No hay nadie!
00:25:37¡Eh! ¡Se acerca el sargento!
00:25:52Buenas noches, sargento.
00:25:55Buenas noches. ¿Algún problema?
00:25:58No, claro que no.
00:26:00Hace una noche preciosa, ¿verdad?
00:26:02¿Qué?
00:26:03Mira la nieve. Me encanta la nieve.
00:26:05Hace que la Navidad sea más bonita, ¿no cree?
00:26:07Estaba...
00:26:08Sí, buenas noches.
00:26:09Sargento, ¿le importa si le hago un par de preguntas?
00:26:12De acuerdo. ¿Qué quiere?
00:26:15¿Ha estado alguna noche?
00:26:17Sí.
00:26:19De acuerdo. ¿Qué quiere?
00:26:21¿Ha estado alguna vez en Texas?
00:26:23Nunca he estado en el sur del país.
00:26:25Oh, es una pena. Debería viajar, ¿sabe? Es muy interesante.
00:26:28Sí, tal vez lo haga algún día.
00:26:30Sargento, ¿le gustan los niños?
00:26:33¿Qué remedio? Tengo seis hijos.
00:26:35Oh, no me diga, ¿sabe? Yo tengo 20.
00:26:37Claro, ¿qué?
00:26:38Me refiero a la clínica. Trabajo ahí.
00:26:40Ah, ya.
00:26:42Oh, Dios.
00:26:43Buenas noches. Ha sido un placer charlar con usted.
00:26:46Casi nos pilla.
00:26:50Hola, Texas.
00:26:52¿Ha disfrutado el paseo?
00:26:54Ha sido genial.
00:26:57Vaya.
00:26:59En cuanto a ti, Johnson...
00:27:01Sí, señor.
00:27:03Feliz Navidad.
00:27:06Lo mismo le decía a usted, sargento.
00:27:11¡Feliz Navidad!
00:27:16¿Qué más haces, aparte de darle azúcar a un caballo?
00:27:18Soy una especie de profesora de jardín de infancia.
00:27:21Procuro que los niños convalecientes aprendan y se diviertan, así se recuperan antes.
00:27:25¿Tengo que ponerme enfermo para ir a tu clase?
00:27:27Ya eres demasiado mayorcito para eso.
00:27:31No quiero que te vayas aún.
00:27:34Te veré mañana a las tres.
00:27:37Buenas noches.
00:27:39Buenas noches.
00:27:42¡Jimmy! ¡Tu abrigo!
00:27:47Muchas gracias por dejar que me lo pusiera.
00:27:49No hay de qué.
00:27:53Buenas noches, vaquero.
00:27:55Buenas noches, maestra.
00:28:01Toma.
00:28:16FUNDACIÓN WAYNE CLÍNICA INFANTIL
00:28:32¿Cómo están sus hijos, señora Brown?
00:28:34Muy bien, pero el pequeño tiene sarampión y el mayor tiene papeles.
00:28:38Siento oír eso.
00:28:39Es una pena que sí.
00:28:40Sí, lo es. ¿Quiere azúcar?
00:28:42Sí, por favor.
00:28:43¡Hola!
00:28:44¡Hola! ¡Feliz Navidad!
00:28:46Bienvenido.
00:28:48¡Vaya, si está aquí el gran jefe Zeus con la cara pintada y todo!
00:28:52¡Vamos, únase a la fiesta!
00:28:54¡Hola!
00:28:55¡Hola! ¿Y tú quién eres?
00:28:56Soy Mary, de cuatro años e irlandesa.
00:28:59Yo soy Michael, tengo 64 y también soy irlandés.
00:29:02Y yo también.
00:29:03¿Y eres irlandesa también?
00:29:04Yo.
00:29:07Y entonces, el elefante dijo con su fuerte y enorme trompa...
00:29:14Yo debería ser el rey.
00:29:19¡La, la, la, la, la, la, la!
00:29:40No va a haber una tarde aburrida en toda la semana.
00:29:43Vamos a celebrar la Nochevieja con Jimmy y Jim en el Hotel Waldorf.
00:29:49¡Feliz Año Nuevo!
00:29:52La fiesta fue un gran éxito.
00:29:54Volvimos a casa a las cuatro.
00:29:56Estuvimos durmiendo todo el día.
00:30:00Llevamos a Jimmy y a Jim a su primera ópera.
00:30:04Se cogieron de la mano.
00:30:05La voz de Jimmy sigue siendo nuestra favorita.
00:30:11¡Cumpleaños de Chad!
00:30:13¡Fiesta sorpresa!
00:30:14George hizo un gran discurso.
00:30:16¡El viejo Galápago!
00:30:19Anoche fuimos todos a un partido de hockey sobre hielo.
00:30:22Esta noche jugaremos a los bonos.
00:30:27¡Se han caído todos!
00:30:29¡Puedes apostar por ello!
00:30:30¡Ha dado en el blanco!
00:30:32¡En el blanco!
00:30:34¡Madam Tania!
00:30:35¿Dónde va usted?
00:30:36¿No tengo que recoger las botellas?
00:30:39¡Eso ha estado muy bien!
00:30:40¿No tengo que recoger las botellas?
00:30:42¡Jimmy, vamos!
00:30:43¡Jim, te toca!
00:30:50¡Toma!
00:30:51¡Coge mi chaqueta!
00:30:52¡Os enseñaré cómo se juegan los bolos!
00:30:54¡No seas fanfarrón!
00:30:55¡Deja al chico!
00:30:56¡Dispara a matar!
00:31:01¡Apartaos!
00:31:02¡Ahí va el campeón!
00:31:06¡Uno, dos, Jim!
00:31:42¡Jim!
00:32:00¡Nunca les había visto divertirse tanto!
00:32:03¡Os doy las gracias a los dos!
00:32:07Las pruebas de la nueva aleación estructural
00:32:09para la obra de Pittsburgh
00:32:10comienzan hoy a las 14 horas.
00:32:12Sugiero que vengan en avión.
00:32:14Aeropuerto de East Tilford.
00:32:18¡Ah, chicos!
00:32:19¡Lo hemos pasado muy bien juntos!
00:32:20¡Adiós!
00:32:21¡Adiós, Jenny!
00:32:22¡Adiós, Jenny!
00:32:23¡Adiós!
00:32:25¡Eres la hija que siempre quise tener!
00:32:27¡Venga, vámonos ya!
00:32:28¡Adiós!
00:32:29¡Un buen viaje, señor!
00:32:30¡Adiós, Madam Tania!
00:32:31¡Adiós!
00:32:32¡Buen viaje, mayor!
00:32:33¡No estoy fuera mucho tiempo!
00:32:34¡Les estaremos de menos!
00:32:35¡Sí, vuelvan pronto!
00:32:36¡Y usted cuídese mucho!
00:32:37¡No vaya muy a menudo por la bolera!
00:32:39¡Señor O'Brien!
00:32:40¡No pueden ustedes, por favor, coger el tren!
00:32:45¡Ya empezamos!
00:32:46¡Supongo que preferiría que fuéramos en una diligencia!
00:32:49¡No se preocupe!
00:32:51¡Estaremos de vuelta muy pronto!
00:32:53¡Adiós!
00:32:54¡Adiós!
00:33:08¡No deberían haberse ido en avión!
00:33:11¡No se preocupe!
00:33:13¡Estarán bien!
00:33:15¡Adiós!
00:33:17¡Oh, un grande!
00:33:18¡De nada!
00:33:19¡Vamos, cariño!
00:33:20¡Vamos, Galagher!
00:33:21Ahm...
00:33:22¿Té o café?
00:33:23¡Café!
00:33:24¡¡Café!!
00:33:25¡Oh, ya no!
00:33:26¡Ese tipo de lengua es raro!
00:33:27¡¿Café?!
00:33:28¡Oh, no, no, no!
00:33:29¡Café!
00:33:30¡Ah, cáfé!
00:33:31¡Café, café, café!
00:33:32¿Vamos, galagher?
00:33:33¡Ah, cáfé!
00:33:34¡Café!
00:33:35¡Sí, sí!
00:33:36¡Capítulo, capítulo!
00:33:37¡Capítulo!
00:33:38¡Sí!
00:33:39¡Capítulo!
00:33:40Cariño...
00:33:41¡Café!
00:33:42¿Café de café?
00:33:46Dogs?
00:33:48Yes.
00:33:50Cats?
00:33:54Sugar and cream?
00:33:56Brussels sprouts?
00:33:58Oh, it's a shame.
00:34:00But it's the only one you've failed so far.
00:34:02In the other tastes, we match.
00:34:06You know,
00:34:08I had the hunch that something would hold me back in New York,
00:34:10and it was you.
00:34:12Do you have someone in Texas?
00:34:14Oh, yes.
00:34:16Do you like her?
00:34:18Oh, I'm crazy about her.
00:34:20You should tell me more about her.
00:34:22How is she?
00:34:24Well, she's...
00:34:26pretty.
00:34:28She has hair like yours.
00:34:30Brown eyes.
00:34:32I guess she's crazy about you, too.
00:34:34Oh, yes.
00:34:36Every time I come home, she runs to the door to welcome me.
00:34:38What do you think she'll say about me?
00:34:40I don't know.
00:34:42She'll probably say...
00:34:46You were talking about your old mare.
00:34:48Yes.
00:34:50How many men do you have in your life?
00:34:52Oh, not many.
00:34:54Who?
00:34:56Just Mr. Chadwick,
00:34:58Melton, O'Brien, and you.
00:35:02As soon as I have a decent job,
00:35:04we'll get married.
00:35:06Jimmy, you just asked me to marry you.
00:35:08What?
00:35:10And...
00:35:12you like it, don't you?
00:35:14Of course I do.
00:35:18A newspaper, my friend?
00:35:20No, not now, son.
00:35:28I'm worried about that thing
00:35:30about the schools in Brussels.
00:35:32Oh, Jimmy.
00:35:34Let's change them for spinach.
00:35:36Okay.
00:35:38Let's go.
00:35:50We had hopes
00:35:52until an hour ago.
00:36:00I knew
00:36:02I'd never see them again.
00:36:08Somehow,
00:36:10I knew it.
00:36:38Joseph!
00:36:40Can you hear that?
00:36:42What, Your Excellency?
00:37:08Fill up the tobacco can, Joseph.
00:37:34And bring the hot brandy
00:37:36like every night.
00:37:46I know you're here.
00:37:50I can't see you
00:37:52or touch you,
00:37:56but I know you've come home.
00:38:06I've missed you.
00:38:22He hasn't seen us.
00:38:26Now I remember.
00:38:28We were flying.
00:38:32There was a storm.
00:38:34The peak of a mountain.
00:38:36We crashed.
00:38:38Yes.
00:38:40Everything turned black in an instant.
00:38:42And then we showed up here.
00:38:48I feel great.
00:38:50How are you, Chad?
00:38:52Great.
00:38:54Light as air.
00:38:56My glasses.
00:38:58They're gone.
00:39:00It seems
00:39:02I don't need them.
00:39:06So this is it.
00:39:08Yes.
00:39:10It's just going from one room to another.
00:39:12And your back.
00:39:18Look at him.
00:39:20My feet don't hurt anymore.
00:39:22And I can see through you, George.
00:39:24You've always been able to.
00:39:26And now you believe
00:39:28in the immortal soul of man?
00:39:30Maybe it's a coincidence
00:39:32that we came here
00:39:34to spend a while together.
00:39:36Just a while.
00:39:38And then what?
00:39:40You won't be afraid, Chad.
00:39:42No.
00:39:44It's just curiosity
00:39:46about what will come next.
00:39:48We'll find out in due time.
00:39:50Are we still a society?
00:39:52I'd say we're unemployed.
00:39:54Me too.
00:39:58Don't be ridiculous.
00:40:00You can't have three godparents.
00:40:02Who says I can't?
00:40:04Why can't I have three godparents?
00:40:06Joseph, do you know why I can't have three godparents?
00:40:10What's going on, Joseph?
00:40:12He hasn't found out yet.
00:40:24Jimmy!
00:40:30Jimmy!
00:40:36It can't be, Jim.
00:40:38It can't be.
00:40:48Good evening, ma'am.
00:40:50Madame Tania!
00:40:58They loved you both.
00:41:02They loved you very much.
00:41:04They were very good to us.
00:41:08We were friends.
00:41:12We're together thanks to them.
00:41:14We came to tell you...
00:41:18Oh, Jim.
00:41:22Jimmy.
00:41:26Oh, poor things.
00:41:28They came to tell us they were getting married.
00:41:30It's strange to see them from here.
00:41:34There's no pain for us,
00:41:36except for their concoction.
00:41:38Everything seems very blurry
00:41:40and very distant.
00:41:42But I feel all their love.
00:41:46Madame Tania.
00:41:48Madame Tania.
00:42:06In the library.
00:42:08In the library.
00:42:30The desk.
00:42:38The desk.
00:42:46For Jimmy and Jim.
00:42:58What's going on?
00:43:00It's just a couple of bonuses
00:43:02so they can get married.
00:43:04You shouldn't have.
00:43:06You still owe us dinner
00:43:08for the last time you made a mistake.
00:43:14Dear Jimmy and Jim,
00:43:16accept this gift and be happy.
00:43:18I can see in your eyes
00:43:20that this is how it will be.
00:43:22May God bless you.
00:43:24May God bless you.
00:43:34Only Michael would do this
00:43:36for a couple of strangers.
00:43:40You're not strangers.
00:43:44You've filled a great void
00:43:46in his heart.
00:43:50But...
00:43:52You'll need this.
00:43:54No, Jimmy, thank you.
00:43:56My situation is unbearable.
00:44:02Can I do something for you?
00:44:06Maybe, Jimmy,
00:44:08you can come and live here
00:44:10for a while
00:44:12so that we can have someone
00:44:14to take care of again.
00:44:18It would be an honor, Madame.
00:44:22You should go.
00:44:24You'll have a lot to talk about.
00:44:48I swear I can see them up there.
00:44:50So can I.
00:44:54Excuse my intrusion,
00:44:56but are you familiar with the men
00:44:58who lived here?
00:45:00They were our friends.
00:45:02You could tell me
00:45:04how they were.
00:45:06They were eccentric.
00:45:08That's not true.
00:45:10I wouldn't say that.
00:45:12They were very good.
00:45:14I work for the Daily Press.
00:45:16Our readers want topics
00:45:18like this.
00:45:26Are you looking for me?
00:45:28This is the story
00:45:30for the weekly show
00:45:32about the Daily Press.
00:45:40I'd like to thank you
00:45:42and Miss Lawrence
00:45:44for coming to my office
00:45:46to tell me about the show.
00:45:48I think you should go,
00:45:50Madame Tanya.
00:45:52Jim,
00:45:54maybe they'll let you sing.
00:45:56You just need a chance.
00:45:58You're right.
00:46:00Opportunities don't come
00:46:02every day.
00:46:04What's wrong with Jim?
00:46:06He says they want her, too.
00:46:08I'd be very nervous.
00:46:10Go over there and see what they say.
00:46:12If they let you sing,
00:46:14you'll be rich.
00:46:16You'll be able to buy a huge ranch.
00:46:18Madame Tanya will live with us.
00:46:20We'll live happily ever after.
00:46:22I still think she'd be better
00:46:24in Texas on the ranch.
00:46:26I agree with Michael.
00:46:28He's got talent.
00:46:30Why not take advantage of his voice?
00:46:32Why not?
00:46:34What's wrong with being a singer?
00:46:36The world needs music,
00:46:38just like buildings and bridges.
00:46:40Do whatever you want,
00:46:42as long as you're happy.
00:46:44My name is James Houston.
00:46:46I received a telegram from Mr. Berrett.
00:46:48I'll tell him he's here.
00:46:54Mr. Berrett,
00:46:56Mr. Houston is here.
00:46:58Arlene Terry,
00:47:00guest artist at the WRC.
00:47:02Mr. Houston, you can come in.
00:47:04Thank you very much.
00:47:06Hello.
00:47:10Aren't you going to pick it up?
00:47:14I hope I haven't caused any trouble,
00:47:16Miss Terry.
00:47:18That's all right.
00:47:20Where have I seen you before?
00:47:22Probably in the paper.
00:47:28Wow, Texas.
00:47:30Are you going to sing live?
00:47:32I hope so.
00:47:34I'd like to hear you sing.
00:47:36My phone number is here.
00:47:38Good luck.
00:47:40Thank you, Miss Terry.
00:47:56Where's my phone?
00:47:58Here, use this one.
00:48:04Oh, Jimmy, really?
00:48:06Yes, they're going to pick me up live tonight.
00:48:08Yes, I'm going to sing.
00:48:10Oh, honey, I know you'll do a great job.
00:48:12Can you call Miss Terry and tell her?
00:48:14I have to go practice.
00:48:16I mean, rehearse.
00:48:18Yes, I'll pick you up
00:48:20when I'm done
00:48:22and we'll celebrate.
00:48:24Goodbye, honey.
00:48:26I'll sing for you.
00:48:28Goodbye, and good luck, honey.
00:48:30Goodbye, and good luck, honey.
00:48:34Rachel!
00:48:36She's going to sing!
00:48:38Sing?
00:48:40Yes!
00:48:42Oh, not him, I mean Jimmy.
00:48:44He's going to sing tonight at seven thirty
00:48:46at the VRC.
00:48:48I'm going to tell everyone.
00:48:50Is my wife here?
00:48:52No, she's over nine years old.
00:48:54This is a children's hospital.
00:48:56Hello, Mom.
00:48:58Mom, I...
00:49:00Yes, Mom.
00:49:02I called to give you
00:49:04a big surprise.
00:49:06Yes, I want you to tune in
00:49:08to the VRC at seven thirty
00:49:10New York time tonight.
00:49:12Yes, I...
00:49:14What?
00:49:16Oh, no, Mom.
00:49:18I don't need it.
00:49:20But, Mom, isn't it cold enough for that?
00:49:22Oh, God, Mom.
00:49:24People don't wear that in New York.
00:49:26Yes.
00:49:28Don't forget, Mom.
00:49:30Seven thirty tonight.
00:49:32Yes.
00:49:34Goodbye, Mom.
00:49:42Do you mind?
00:49:44No, it's all right.
00:49:48Mrs. Terry's residence.
00:49:50Who's calling?
00:49:52No, she's not here right now.
00:49:54I don't know when she'll be back.
00:49:56I'll tell her Mr. Huston called.
00:49:58Hello.
00:50:00Hello, Mrs. Terry.
00:50:02I'm Jimmy Huston.
00:50:04Yes, we met at the radio station.
00:50:06Remember?
00:50:08As you told me there,
00:50:10I'm calling you because
00:50:12I'm going to go live tonight
00:50:14at seven thirty.
00:50:16Yes, singing.
00:50:18It must be good, because Berrett is very demanding.
00:50:20Yes, of course I'll hear you.
00:50:22Thank you for letting me know.
00:50:24Goodbye, Mr. Huston.
00:50:38It sounds pretty good.
00:50:40Pretty good?
00:50:42It's very good.
00:50:44I'm going to start rehearsing
00:50:46as soon as Tony Marshall returns from Florida.
00:50:48Poor Tony.
00:50:50He'll end up singing in a wheelchair one of these days.
00:50:52Don't worry.
00:50:54They've made him another lift.
00:50:56He's still got his hook.
00:50:58How about we have dinner?
00:51:00It's eight to four.
00:51:02Eight to four?
00:51:04Wait a minute.
00:51:06There's something I want to hear.
00:51:08I almost missed it.
00:51:14Let's get drenched in moonbeams
00:51:18The blossoms of romance
00:51:22Need showers to start
00:51:26Don't shelter your heart
00:51:29It's raining dreams
00:51:33I heard the thunder crash
00:51:37The moment we kissed
00:51:41And now that we've kissed
00:51:44It's raining dreams
00:51:48I saw the lightning flash
00:51:52And light up the skies
00:51:56Or was it your eyes?
00:51:59It's raining dreams
00:52:03We're caught in a moon shower
00:52:08With no place to run
00:52:11So why should we run?
00:52:15Let's get drenched in moonbeams
00:52:19The blossoms of romance
00:52:23Need showers to start
00:52:27Don't shelter your heart
00:52:30It's raining dreams
00:52:38It's raining dreams
00:52:41We're caught in a moon shower
00:52:45With no place to run
00:52:49So why should we run?
00:52:53It's raining dreams
00:52:57We're caught in a moon shower
00:53:01With no place to run
00:53:05So why should we run?
00:53:08Why should we run?
00:53:12Why should we run?
00:53:16Why should we run?
00:53:20Why should we run?
00:53:24Why should we run?
00:53:28Why should we run?
00:53:32Why should we run?
00:53:35Why should we run?
00:53:38Why should we run?
00:53:41Why should we run?
00:53:44Why should we run?
00:53:47Why should we run?
00:53:50Why should we run?
00:53:53Why should we run?
00:53:56Why should we run?
00:53:59Why should we run?
00:54:02Why should we run?
00:54:05Why should we run?
00:54:08Why should we run?
00:54:11Why should we run?
00:54:14Why should we run?
00:54:17Why should we run?
00:54:20Why should we run?
00:54:23Why should we run?
00:54:26Why should we run?
00:54:29Why should we run?
00:54:32Why should we run?
00:54:35Why should we run?
00:54:38Why should we run?
00:54:41Why should we run?
00:54:44Why should we run?
00:54:47Why should we run?
00:54:50Why should we run?
00:54:53Why should we run?
00:54:56Why should we run?
00:54:59Why should we run?
00:55:02Why should we run?
00:55:05Why should we run?
00:55:08Why should we run?
00:55:11Why should we run?
00:55:14Why should we run?
00:55:17Yes?
00:55:19I'm sorry, Dr. Brown is out on duty.
00:55:47La, la, la, la...
00:55:52I'm an artist, Joseph. I'll sing in a show, with great music.
00:56:01Yes, sir. You'd better go to sleep, it's past three.
00:56:04I'm fine, Joseph.
00:56:13Good night, Joseph.
00:56:14Good night, sir.
00:56:17La-la la-la laaaa
00:56:22Why not? Who wouldn't celebrate?
00:56:25It's a good opportunity.
00:56:27Yes, it's an opportunity to mix with people without scruples.
00:56:31Who will end up turning him into a fool.
00:56:34He will drink too much and laugh too much.
00:56:36He will lose the north.
00:56:38Don't be exaggerated, George.
00:56:40In my opinion, he will give a lot of joy to people.
00:56:43Ah, he's a good boy. And he's in love with a great girl. She'll keep him in her place.
00:56:50It's natural to be born innocent, but to die with a pure heart is a gift.
00:56:57Don't lose faith, Michael. You'll need it sooner or later.
00:57:03Ah, you always look at the bad side of things.
00:57:43George Dale Melton
00:57:53George Dale Melton
00:58:00George, no matter what you've done, if you regret it, no one will be able to use it against you.
00:58:05If you just said you're sorry, George...
00:58:09What I did had to be done.
00:58:13I have no regrets. I never had any.
00:58:17And I'd be a hypocrite if I said I'm sorry.
00:58:38George Dale Melton
00:58:42George Dale Melton
00:58:46George Dale Melton
00:58:50George Dale Melton
00:58:54George Dale Melton
00:58:58George Dale Melton
00:59:02George Dale Melton
00:59:05George Dale Melton
00:59:09George Dale Melton
00:59:13George Dale Melton
00:59:17George Dale Melton
00:59:21George Dale Melton
00:59:25George Dale Melton
00:59:29George Dale Melton
00:59:33Houston, the lucky one.
00:59:36The young Texan is awarded for his musical comedy.
00:59:50Come in.
00:59:57I'm sorry, darling, I can't see you tonight.
01:00:00I have to rehearse. I'll call you tomorrow. Jimmy.
01:00:15I can't see you tonight. I'll work this afternoon. I love you, Jimmy.
01:00:20I love you, Jimmy.
01:00:27My life hasn't been exactly a road of roses.
01:00:30My parents got divorced.
01:00:32At 14, I was on a stage.
01:00:35And then a bad marriage.
01:00:38It's been very hard.
01:00:42I guess Santa Claus can't take it all, Jimmy.
01:00:49Sit down, Jimmy.
01:00:54Sometimes I feel the need to be with someone normal.
01:00:59Someone who really loves me.
01:01:02The way a woman wants to be loved.
01:01:08She's very smart.
01:01:10Smart like a cornered fox.
01:01:13Every move, every word is calculated.
01:01:18Someone who really loves me.
01:01:20The way a woman wants to be loved.
01:01:24And swallowing it all like a teenager.
01:01:29I've made a terrible mistake.
01:01:31You have to help me, Chad.
01:01:33You have to help me save that boy.
01:01:37Chad.
01:01:39I heard something.
01:01:42Of course you heard it. I've been talking to you non-stop.
01:01:48The old horn.
01:01:51The last position.
01:01:58It's for me, Michael.
01:02:00Dad.
01:02:01Dad.
01:02:04David.
01:02:06Dad.
01:02:08David.
01:02:10David.
01:02:14This is my son, Michael.
01:02:17My son, David.
01:02:21I thought I'd never see you again.
01:02:23We all thought that.
01:02:25I came for you, Dad.
01:02:27Come on, tell me.
01:02:29How is it?
01:02:30How do you want it to be?
01:02:35I remember the old position in Simla.
01:02:38But without the rain, of course.
01:02:43We were happy there.
01:02:45A great country.
01:02:50A splendid regiment.
01:02:53Good horses.
01:02:56Good sports.
01:02:58Good men.
01:03:01So that's how it is.
01:03:03Everyone gets what they want.
01:03:06Come on, Mom's waiting for us.
01:03:11Mom.
01:03:16Good luck, Michael.
01:03:19Goodbye.
01:03:20No, no, it's not goodbye, my friend.
01:03:24We'll see you soon.
01:03:26Right, David?
01:03:28Of course, Dad.
01:03:31Good luck, Michael.
01:03:33Good luck.
01:03:45THE END
01:04:16THE END
01:04:21Don't cry, Ginny.
01:04:24Don't cry, darling.
01:04:26It's no use.
01:04:29Let out your Irish rage.
01:04:32You're prettier than her.
01:04:35And sweeter.
01:04:37And younger.
01:04:40You're going to stay there and let her win.
01:04:45Don't let her do that.
01:04:51If it's worth loving him, it's worth fighting for him.
01:04:56Go with him.
01:04:59And when he sees you, his heart will remember you.
01:05:03Put on a nice dress and go find him.
01:05:07Go now, Ginny.
01:05:10And good luck.
01:05:15Good luck.
01:05:22Sometimes...
01:05:23I love the sound of the roof.
01:05:25I miss the meadows.
01:05:26The stars.
01:05:27The silence.
01:05:29The sound of a dog barking in the distance.
01:05:33Do you like horses?
01:05:36My father practically lived on the racetrack.
01:05:38I often went with him.
01:05:41When I was ten, I knew the names of all the races in the country.
01:05:45Don't tell me.
01:05:48You know, you're a really wonderful girl.
01:05:54You think so?
01:05:56I'm just a peasant.
01:05:58I don't know why you've been so kind to me.
01:06:01I think I'm in love with you.
01:06:03And you know that, don't you?
01:06:06Don't open.
01:06:07Arlene!
01:06:09My ex-husband.
01:06:10Drunk as always.
01:06:11Arlene!
01:06:13Let me in!
01:06:14No.
01:06:15You'd better go out the back.
01:06:17I can't leave like this.
01:06:19I don't want any trouble.
01:06:20Tomorrow I could appear in all the press.
01:06:22Think about the show.
01:06:23But I can't leave you here with...
01:06:24Believe me, I know how to treat that man.
01:06:26Please.
01:06:30Are you sure you'll be okay?
01:06:33Jimmy.
01:06:35Let's go out for a few days.
01:06:37I need to rest.
01:06:38And you too.
01:06:39Before the rehearsals.
01:06:42What about Mr. Hoover?
01:06:44I'll tell you what happened.
01:06:46Go home and pack your bag.
01:06:48I'll call you when I'm ready to go.
01:06:53Open the door!
01:07:03I knew it.
01:07:09You're Houston, aren't you?
01:07:12That's right.
01:07:15You haven't been out the back door for a long time.
01:07:21He doesn't want to see you.
01:07:27I'm sorry.
01:07:28I'm sorry.
01:07:29I'm sorry.
01:07:31Get out.
01:07:35Okay.
01:07:37You'll get to know her.
01:07:54Hello, Jimmy.
01:07:56Hello, Ginny.
01:07:58I was worried about you.
01:08:00I just wanted to make sure you were okay.
01:08:03I'm fine.
01:08:05I've been very busy.
01:08:08I wanted to talk to you, but...
01:08:11I haven't had a minute of my own.
01:08:24You look great, Ginny.
01:08:27You look great, too.
01:08:29I'm sorry I didn't go to see you.
01:08:32I understand.
01:08:35Oh, Jimmy.
01:08:36I'm so happy about your success.
01:08:39It's just what I wanted for you.
01:08:49It all happened so suddenly, Ginny.
01:08:53Maybe later, when things have calmed down...
01:09:11I'd better go.
01:09:13Goodbye, Jim.
01:09:14Good luck.
01:09:15Good luck.
01:09:21Jimmy, if you ever feel down,
01:09:23if people don't treat you well,
01:09:25if you're tired,
01:09:26don't forget we're friends.
01:09:28Let me know if you need me.
01:09:46Nonsense.
01:09:47Go after her.
01:09:48Don't let her go.
01:10:03Yes?
01:10:05Oh, hello.
01:10:06I've spoken to Huber.
01:10:08Everything is ready.
01:10:09We can meet on Tuesday.
01:10:10Isn't that great?
01:10:11We'll have three days.
01:10:13I'll pick you up in 20 minutes, okay?
01:10:15Of course.
01:10:17Goodbye.
01:10:43If it's something important,
01:10:45you can find me at Pinewood Inn.
01:10:47But only if it's important.
01:10:51If you don't stop bothering me,
01:10:53I'll lock you up in a prison.
01:10:55Arlene, I just wanted to tell you
01:10:57that I might make a reappearance.
01:10:59Marshall has a project.
01:11:01He'll give me the first paper
01:11:03if I can get out of this.
01:11:05And, well, I can't do it alone.
01:11:07They're going to give you a first paper?
01:11:09Yes.
01:11:10You don't believe me?
01:11:11Look at yourself.
01:11:13I knew you wouldn't care.
01:11:16I know there's another man now.
01:11:20There's always been another man.
01:11:25But no one has loved you like I have.
01:11:29Arlene.
01:11:31Arlene, I...
01:11:32Get your hands off me.
01:11:33But, Arlene, please.
01:11:41Madame Tanya,
01:11:42I'm worried about Jimmy.
01:11:44It's not good for him to go around
01:11:46with that Arlene Terry.
01:11:48Nothing good will come out of this.
01:11:50There will only be problems.
01:11:52I'll do everything I can to stop him.
01:11:56There she is.
01:12:11I'm Arlene Terry.
01:12:12Is Mr. Huston ready?
01:12:15I'll go see him.
01:12:24Goodbye, Madame Tanya.
01:12:25Jimmy, please don't go.
01:12:29What's the matter? You look worried.
01:12:31I am.
01:12:32That girl.
01:12:33Those stories in the press.
01:12:35That's just advertising.
01:12:37It doesn't mean anything.
01:12:39Jimmy,
01:12:40a man can ruin his life for a woman.
01:12:42I know our friends wouldn't want you
01:12:44to go out with that girl.
01:12:46Why?
01:12:47She's a good person.
01:12:49She hired me for her show.
01:12:51We both want to get some rest
01:12:53a few days before the rehearsals.
01:12:55Jimmy,
01:12:56Mr. Melton lost everything.
01:12:58His home, his family, his reputation,
01:13:01for a woman like that.
01:13:03You make it sound much more serious
01:13:05than it really is.
01:13:07Don't worry.
01:13:08I'll be fine.
01:13:09I'll be back on Tuesday.
01:13:11Goodbye.
01:13:28What was that?
01:13:29The luggage.
01:13:30What's the matter?
01:13:31You look nervous.
01:13:33Do I?
01:13:34Tell me,
01:13:35do you believe in hearts?
01:13:37Sometimes.
01:13:38Why?
01:13:39I have the strange feeling
01:13:41that we're going in the wrong direction.
01:13:43In Texas, when I saw that,
01:13:45I used to turn around.
01:13:47You were born for the stage, Jimmy.
01:13:49You're also superstitious.
01:13:51Are there superstitions in the show?
01:13:53You don't know how many.
01:13:55Hundreds of them.
01:13:56Madame Tania has premonitions
01:13:58and she's not usually wrong.
01:14:00Is that the nasty old woman
01:14:02who opened the door for me?
01:14:05It's not nasty,
01:14:06it's just that she's suffered a lot.
01:14:08You know,
01:14:09I shouldn't have left her
01:14:11like I did.
01:14:12Nonsense, Jimmy.
01:14:13You shouldn't be living in that old house
01:14:15with a couple of stupid servants.
01:14:17You should have your own apartment
01:14:19to do whatever you want.
01:14:21I'll find you one.
01:14:25Is it too windy for you?
01:14:27Stick to me.
01:14:29You're so good, Jimmy.
01:14:31Maybe you don't think that
01:14:33until you get to know me better.
01:14:35Why not?
01:14:36I have a lot of old-fashioned ideas.
01:14:38You'll soon forget about them.
01:14:40We'll have a great time in the country.
01:14:42We'll go for a ride,
01:14:44we'll ride a horse,
01:14:46we'll roast chestnuts in the fire,
01:14:48without admirers or autograph hunters.
01:14:50There aren't many people around
01:14:52at this time of year.
01:14:54I'll have you all to myself.
01:15:00How far is the inn?
01:15:02About seven kilometers.
01:15:04Where can I have a drink?
01:15:06There, around the corner.
01:15:08Fill it up. I'll be right back.
01:15:10Yes, sir.
01:15:12I'll be right back.
01:15:31Are you feeling better?
01:15:33A little.
01:15:35I don't know what's wrong with me tonight.
01:15:37I feel very strange.
01:15:39Come on, cheer up.
01:15:42Dinner will be served, Miss Terry.
01:15:44Good.
01:15:46Food is what you need.
01:15:48A lot of food.
01:16:12Michael.
01:16:14Michael O'Brien.
01:16:18Here I am.
01:16:24It's time, Michael.
01:16:27Already?
01:16:31Yes, already.
01:16:34I can't leave yet.
01:16:36Why?
01:16:39I only call each person once.
01:16:43But I can't leave Jimmy.
01:16:45He needs me.
01:16:48Problems arise.
01:16:50I got him into this.
01:16:52I have to get him out.
01:16:55You will have to wander
01:16:57among the shadows of the earth
01:16:59for all eternity.
01:17:02I can't go now.
01:17:04I can't.
01:17:09It's up to you, Michael.
01:17:35It's a great pleasure for me
01:17:37to announce, ladies and gentlemen,
01:17:39that we have here tonight
01:17:41two very distinguished personalities
01:17:43from Broadway, Miss Arlene Terry
01:17:45and Mr. James Houston.
01:17:52Stand up and greet.
01:17:54Come on, it will be good for the show.
01:18:01If we insist enough,
01:18:03perhaps Mr. Houston will sing us a song.
01:18:34A doctor, an ambulance, quickly!
01:18:39Sponge.
01:18:42It's close to the heart.
01:18:44Let's try to get it out.
01:18:46There is a chance of a million.
01:18:49Measure the blood pressure, nurse.
01:19:04Jimmy.
01:19:06Mr. O'Brien.
01:19:09Jimmy, why didn't you listen to me?
01:19:11I tried to warn you.
01:19:15Jimmy.
01:19:21Jimmy.
01:19:24Jimmy.
01:19:27Jimmy.
01:19:30Jimmy.
01:19:34Jimmy.
01:19:56You shouldn't cry for me like that.
01:20:00She loves you, Jimmy.
01:20:04But what happened to me? Tell me.
01:20:08You were too young and impulsive.
01:20:12And success came to you too soon.
01:20:14And that woman...
01:20:18She's dead.
01:20:21She had no soul to survive.
01:20:30Jimmy.
01:20:33I'm sorry.
01:20:38If I could tell you...
01:20:42Sometimes we make mistakes that have no remedy.
01:20:47It's my fault, Jimmy.
01:20:50Not yours.
01:21:04Michael.
01:21:06Michael O'Brien.
01:21:09You're back.
01:21:12Your mother would never leave us alone if we didn't come back for you.
01:21:18If you don't want to ask too much, could you do me a favor before we leave?
01:21:24I'm going to the hospital.
01:21:27I'm going to the hospital.
01:21:30I'm going to the hospital.
01:21:33Could you give the boy another chance?
01:21:37He's a good boy.
01:21:39And he's learned his lesson.
01:21:41Give him another chance to live.
01:21:45So be it.
01:21:48Let him come back.
01:21:51Come with me, O'Brien.
01:21:54You're the most stubborn soul I've ever seen.
01:22:03I love you.
01:22:17The operation was a success.
01:22:26Michael.
01:22:30George.
01:22:32George.
01:22:37What happened? How did you get here?
01:22:41I walked a long way through the darkness.
01:22:44Darkness is a terrible thing, Michael.
01:22:47I thought about you and Chad.
01:22:50About your faith, your loyalty and your friendship.
01:22:53And then the bitterness began to evaporate from my heart.
01:22:58I saw a light.
01:23:00I was able to follow it.
01:23:02And it brought me here.
01:23:05Sometimes we have to go into the dark before we see the light.
01:23:13For him, there is no greater joy than a heart that sees the truth.
01:23:19Michael.
01:23:22Michael.
01:23:27Michael.
01:23:32Es mi madre.
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