- 4 months ago
CON LAS HORAS CONTADAS - D.O.A., 1950, Full Movie, Spanish, Cinetel
Category
🎥
Short filmTranscript
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00:05:40Paula, por favor.
00:05:44Mírame, Paula.
00:05:51Vamos.
00:05:53¿Por qué me haces esto, Frank?
00:05:55¿Por qué no eres sincero conmigo,
00:05:57como yo lo soy contigo?
00:05:59¿Tienes que irte?
00:06:01Tengo que irme, cariño, sé lo que estoy haciendo.
00:06:03Está bien, vete, vete a donde quieras.
00:06:05Puedes irte al infierno, me da igual.
00:06:07Paula.
00:06:11Lo siento, soy...
00:06:13Soy una estúpida.
00:06:15Déjame.
00:06:18¿Podemos bajar al bar de Eddie a tomar una copa?
00:06:22De acuerdo, ¿por qué no?
00:06:27Hola, Eddie.
00:06:28Hola, Paula.
00:06:29Hola, Eddie.
00:06:30Tráenos un par de cervezas frías.
00:06:32Muy bien.
00:06:33Hola.
00:06:34Sentémonos.
00:06:39¡Ah, qué alivio!
00:06:41¿Qué pasa?
00:06:44Ah, qué alivio.
00:06:46El aire acondicionado hace que me sienta mejor.
00:06:48Me gustaría tenerlo en la oficina.
00:06:50Haría el trabajo más agradable.
00:06:52También podrías decir, no me preocuparé el resto de la semana.
00:06:54Hoy he ganado en dos carreras.
00:06:56¿Y en cuántas has perdido?
00:06:58Eso no se pregunta.
00:07:00¿No es un poco temprano para vosotros?
00:07:02Hace mucho calor.
00:07:04Me gusta ver eso.
00:07:13Ah.
00:07:21Frank.
00:07:23¿Me llevarás contigo?
00:07:27Dime, ¿lo harás?
00:07:30Estoy atosigándote.
00:07:32¿Atosigarme, dices?
00:07:36Puede que necesites unos días para estar solo.
00:07:39Quizá nos convenga a los dos.
00:07:41Sé lo que está pasando en tu interior, Frank.
00:07:43Eres igual que cualquier otro hombre.
00:07:45Tienes la sensación de estar atrapado, encerrado.
00:07:48Y no sabes si eso te gusta o no.
00:07:50Paula.
00:07:52Seré honrado contigo, no puedo dejar de ser honrado contigo.
00:07:55Escúchame, preocupa tanto tu felicidad como la mía.
00:07:58Sé que tuviste una mala experiencia, lo sé perfectamente.
00:08:00Pero no sabes el daño que eso puede hacer, Paula.
00:08:02Y la mujer siempre sufre más que el hombre.
00:08:06Yo no quiero que sufras.
00:08:09Quiero evitarlo a toda costa, no quiero verte sufrir.
00:08:15¿Quieres escuchar música?
00:08:17De acuerdo, Frank.
00:08:21¿Tienes un par de monedas, Eddie?
00:08:23Sí.
00:08:25No te molestará, ¿verdad?
00:08:27No, no darán los resultados hasta dentro de media hora.
00:08:39Desearía que ya estuviésemos casados.
00:08:44No, no voy a atosigarte más, Frank.
00:08:46Ve a San Francisco.
00:08:48No me gusta, pero estoy convencida de que debes ir.
00:08:52Quiero que estés muy seguro, Frank.
00:08:54Si lo nuestro es verdadero, y estoy segura de que lo es,
00:08:57juntos tendremos algo realmente maravilloso.
00:08:59Si no lo es, deberíamos darnos cuenta lo antes posible.
00:09:03Créeme, si pudiera detenerte ahora, no lo haría.
00:09:34¿Sí, señor?
00:09:35Me llamo Bigelow, tengo una reserva.
00:09:37Sí, señor.
00:09:42Aquí está, señor.
00:09:43Oh, me llamo Bigelow, tengo una reserva.
00:09:45Es esta, señor. Están en la sexta planta y con vistas a la bahía.
00:09:48Gracias.
00:09:49¡Chico!
00:09:50Esto le ayudará a disfrutar de su estancia, señor Bigelow.
00:09:53Es una vía sobre cómo divertirse en San Francisco.
00:09:55Oh, gracias.
00:09:56De nada, gracias.
00:09:57Venga.
00:10:00¿Siempre está eso tan animado?
00:10:02Esta semana hay una convención y hoy es el último día.
00:10:04¡Chico!
00:10:06Nunca está aquí cuando la necesitas.
00:10:09¿La 517?
00:10:11Gracias.
00:10:12Tiene un recado, señor Bigelow.
00:10:14Ha habido una llamada para usted desde Banning,
00:10:16de una tal Paula Gibson.
00:10:18Oh, gracias.
00:10:19De nada, señor Bigelow. La 618.
00:10:21Por aquí, señor.
00:10:22Adiós.
00:10:33Por aquí, señor Bigelow.
00:10:48¿Necesita usted algo más?
00:10:49Oh, sí.
00:10:50Tráigame un Manhattan y un paquete de hojas de arita.
00:10:53Sí, sí.
00:10:54Gracias.
00:10:55¿Señor Bigelow?
00:10:56¿Señor Bigelow?
00:10:57¿Señor Bigelow?
00:10:58¿Señor Bigelow?
00:10:59¿Señor Bigelow?
00:11:00Traigame un Manhattan y un paquete de hojas de arita.
00:11:01Sí, sí. Gracias.
00:11:02Ah, y...
00:11:03Deje la puerta abierta.
00:11:07¿Telefonista?
00:11:08Quiero hablar con la señorita Paula Gibson, en Banning, California.
00:11:12Sí, eso es.
00:11:13Espero.
00:11:18¿Diga?
00:11:19Hola, Paula.
00:11:20¡Oh, hola, Frank!
00:11:21¿Cómo ha ido el viaje?
00:11:22Bien. Muy bien.
00:11:23¿Estás pasando fatal, espero?
00:11:25No, pues no sé.
00:11:26Acabo de llegar.
00:11:27How can I help you?
00:11:29Hello! What was that?
00:11:31There's a convention and the hotel is full of representatives.
00:11:34Jerry Edison found out you were out and he asked me to go out with him.
00:11:38Really? And what did you tell him?
00:11:39I'm thinking about it.
00:11:41And you called me to tell me that?
00:11:43I inform you that this call is strictly professional, Mr. Bigelow.
00:11:46Did Mr. Phillips, Eugene Phillips, from Los Angeles, call you?
00:11:49No.
00:11:50He will. Today he has called three times.
00:11:52He said he wanted to get in touch with you and that it was extremely urgent for you to locate him.
00:11:57What did he want?
00:11:58I don't know, but he seemed very mysterious and quite agitated.
00:12:03Phillips, Phillips, have we had any dealings with him?
00:12:06No, unless you've hidden it from me. I've looked through all the files.
00:12:12Tell him you haven't located me. I'm supposed to be on vacation.
00:12:16Is that what you told me?
00:12:17And that's what I told him.
00:12:18But the gentleman didn't seem to understand your mood the way I do.
00:12:22And he insisted a lot that he talk to you before it was too late.
00:12:26Tell him you've tried to get in touch with me and you haven't succeeded.
00:12:29He won't want to talk to me.
00:12:31I told him I was your personal secretary, but I guess he didn't think it was personal enough.
00:12:36So I told him I could locate you there tonight.
00:12:38Call him again. If it's as important as he says, he'll give you the job.
00:12:42If not, he'll have to wait until I get home.
00:12:44Wow, we're in a good mood tonight.
00:12:47All right, I'll do it.
00:12:51Frank.
00:12:52Yes?
00:12:55Actually, I don't know how to say this.
00:12:58Say what?
00:13:00What I mean is that nothing you do should make you feel guilty.
00:13:09Of course.
00:13:11Thank you, Paula.
00:13:14I'll call you tomorrow.
00:13:16Goodbye.
00:13:17Let's go.
00:13:43Leave it there, please.
00:13:47Keep the change.
00:13:48Thank you very much.
00:13:49How long has this been going on?
00:13:50This has been a madhouse all week.
00:13:53I thought you were with them.
00:13:55No, no, I'm just on vacation.
00:13:57Why would everyone come to San Francisco to relax?
00:14:02Excuse me.
00:14:04Hey, I'm sorry to bother you, but would you mind if I used your phone?
00:14:08No, no, go ahead.
00:14:09I'm in the room across the street. One of the guys is using my phone and he's got it for free.
00:14:14I just want to call downstairs.
00:14:15Yes, thank you.
00:14:18Room service?
00:14:20Today has been a good day for sales.
00:14:22Have you done any business?
00:14:23I'm not working.
00:14:24I'm Mr. Haskell from 617.
00:14:26Yes, that's right.
00:14:27Can you send us three more bottles of bourbon and two of whiskey?
00:14:31Yes, very good.
00:14:32And also more ice, yes?
00:14:35Yes, thank you.
00:14:37Are you here alone?
00:14:38Yes, I just got here.
00:14:39Well, have a drink with us.
00:14:40Well, I don't want to bother you at your party.
00:14:42Oh, nonsense.
00:14:43It's not a party.
00:14:44It's just that some of the guys are euphoric.
00:14:46You know, a few drinks and a few girls.
00:14:49It's not a party.
00:14:50Come on.
00:14:51Come on, come on.
00:14:52Come with me.
00:14:53I know what it's like to be alone in a strange city.
00:14:55My name is Sam Haskell.
00:14:57And I'm Frank.
00:14:58Frank Bigelow.
00:15:00It is said that they have never been far from their homes.
00:15:02Yes.
00:15:05Friends, a moment of attention.
00:15:07I want to introduce you to Frank Bigelow.
00:15:11Miss Jen Carlyle.
00:15:12Hello.
00:15:13Hi, Phil Wells.
00:15:14The most beautiful shopping manager we have in San Francisco.
00:15:16Oh, very good.
00:15:17I'm sorry.
00:15:18Don't think I believe you, Marlene.
00:15:20She's saying that from coast to coast.
00:15:22Anyway, it's nice to hear it.
00:15:24I'm George Cadwell.
00:15:25I'm glad to meet you, sir.
00:15:26Bigelow.
00:15:27Bigelow, yes.
00:15:28Have business been good?
00:15:29He's not here for business.
00:15:30Oh, well.
00:15:31Why don't you bring him a drink before he dies of thirst?
00:15:34A little bourbon?
00:15:35Good idea.
00:15:36Right away.
00:15:38Of course, Mr. Wallace.
00:15:39Yes, of course.
00:15:40Yes, Mr. Wallace.
00:15:41I need at least a week in Cleveland to visit my clients.
00:15:44I imagine I won't be able to be in Philadelphia until the 17th.
00:15:47Eddie, leave the phone.
00:15:48I want to introduce you to Mr. Bigelow.
00:15:50Hello.
00:15:51He's your boss.
00:15:52He's been trying for an hour to justify his expense note.
00:15:54As soon as he grabs every dollar, he'll say they won't print any more.
00:15:57Yes, Mr. Wallace.
00:15:58I'll be out of here first thing in the morning.
00:16:00Yes, sir.
00:16:02You have to make wavy movements with your body.
00:16:08How's it going?
00:16:09I'd be teaching him for two years.
00:16:11I'm sure he wouldn't be able to do it.
00:16:13I thought he was already an expert.
00:16:15She's Huey and Harry Prentice.
00:16:16Hello.
00:16:17Nice to meet you.
00:16:18Where did you find her?
00:16:19At a dance marathon.
00:16:22Hey, friend.
00:16:23Can you dance the rumba?
00:16:24A little, but I'm a little rusty.
00:16:26Let's try it.
00:16:27It won't be worse than with him.
00:16:29Hey, what do you think?
00:16:35You do it very well.
00:16:37My wife is a good dancer, Mr. Miguelo.
00:16:40Oh, yes.
00:16:43Hey, I thought we were going out tonight.
00:16:46Is that what you call showing off the city?
00:16:48It's true.
00:16:49We've brought you to all the stores in the city.
00:16:51It's not to stay in this room later.
00:16:53This is my last night, and I want to have a little fun before I become a housewife again.
00:16:59I have the impression that if this continues like this, our commissions will disappear in one night.
00:17:03And you will come with us, Mr. Miguelo.
00:17:05Oh, no, thank you.
00:17:06I have to unpack my suitcase and have dinner.
00:17:08Oh, no, I won't let you escape.
00:17:10Once I find a man who knows how to dance, I won't let him get away.
00:17:16The Fisherman
00:17:35The Fisherman
00:17:38The Fisherman
00:17:40The Fisherman
00:18:04Fantastic!
00:18:05It's the best concert I've ever heard!
00:18:07Fantastic, really fantastic!
00:18:11Fantastic!
00:18:14They're good, huh?
00:18:16You can't see or hear that anywhere.
00:18:32Make the storm explode, my friend!
00:18:40Make the storm explode, my friend!
00:18:46Very good!
00:18:50Give me more strength!
00:18:51Keep going, keep going, keep going!
00:18:53Come on!
00:19:10Fantastic!
00:19:21I have to dance, I have to move!
00:19:27Would you like another drink, Frank?
00:19:29No, thank you.
00:19:31Excuse me.
00:19:32Where are you going, Frank?
00:19:33Excuse me.
00:19:34You've had too much to drink.
00:19:41The man who knows how to dance
00:19:48Bourbon with water and no ice.
00:19:50A very quiet place, huh?
00:19:52I should see it in an hour or so.
00:19:54It's when they really get drunk.
00:19:56Who's the blonde?
00:19:59It's a regular customer.
00:20:01She loves swing.
00:20:02What did you say?
00:20:03It's not the day she loves swing.
00:20:05It means she's into music, and I can't help but bear this sound.
00:20:09They're fantastic, they love music. I like Gael Lombardo.
00:20:14He's euphoric, the music is driving him crazy.
00:20:16She lands!
00:20:18Don't bother, I love to fly.
00:20:22Do you know if she's alone?
00:20:23Yes, high society, she always comes alone.
00:20:25She drives a big convertible, wears a vison coat,
00:20:27knows everyone and always comes alone.
00:20:36Give me another glass, Len.
00:20:39How are you, Jenny?
00:20:41Hello.
00:20:46Hello.
00:20:47Hello.
00:20:48I love this bar, it's perfect.
00:20:50Can I invite you?
00:20:52Of course, thank you. Give me a drink, Len.
00:20:54Len, I left the drink at the other end of the bar.
00:20:58My name is Jenny, and you?
00:21:09Frank.
00:21:10I don't think I've ever seen you before.
00:21:12I've never been here.
00:21:19This isn't mine, I had bourbon.
00:21:21It is, you saw how I put it on.
00:21:25Give me another glass.
00:21:27As you wish.
00:21:28Listen to that piano, feel those notes.
00:21:34You don't enjoy this, do you?
00:21:36I can live without it.
00:21:38And why did you stay?
00:21:40I don't know.
00:21:41I bet you that I know, you're alone in the city.
00:21:44With me you don't have to follow any protocol.
00:21:47I like good company.
00:21:50There are some people I'd like to avoid.
00:21:53Can't we get out of here?
00:21:55Let me think about it.
00:21:57What if we go somewhere else?
00:22:00Let's meet later.
00:22:05Okay.
00:22:06Where?
00:22:20Call this number, I'll be there later.
00:22:23They have a sensational orchestra.
00:22:26See you later, Jenny.
00:22:28Goodbye.
00:22:49Goodbye.
00:22:55Leave it, telephone operator.
00:23:02I'll leave a light on in the window.
00:23:05Sweet dreams, Paula.
00:23:19Good night.
00:23:49Good night.
00:24:15Room service.
00:24:20Come in.
00:24:27I'll be right out.
00:24:28Yes, sir.
00:24:31Can I sign, sir?
00:24:32Yes, of course.
00:24:33May I?
00:24:34Come in.
00:24:38Here you are.
00:24:39Thank you, sir.
00:24:40Anything else?
00:24:41No, thank you.
00:24:46Caballero.
00:24:47Yes, sir.
00:24:50Take this.
00:24:53Is something wrong, sir?
00:24:55No, just take it.
00:24:56I can't even look at it.
00:25:00Are you feeling well, sir?
00:25:02Yes, of course.
00:25:04I guess I overdid it last night.
00:25:07I need some fresh air.
00:25:09Of course.
00:25:10Thank you, sir.
00:25:19Good night.
00:25:20Good night.
00:25:49Medical Building.
00:26:19I'm glad to hear it, doctor.
00:26:20I was worried.
00:26:21Don't let a small stomach ache worry you.
00:26:23It could be a change of weather.
00:26:25It's not exactly a pain.
00:26:26It's hard to describe the feeling.
00:26:28Maybe it's because of the drink I had last night.
00:26:30Maybe I drank too much.
00:26:32Let's take another look at that throat.
00:26:36You can get dressed.
00:26:37I'm going to look for the results of the tests we did.
00:27:02Mr. Bigelow, this is Dr. Schaefer.
00:27:04Hello, doctor.
00:27:05Nice to meet you.
00:27:06Have a seat, Mr. Bigelow.
00:27:08According to the information we've been given,
00:27:10you're not married, Mr. Bigelow.
00:27:12That's right.
00:27:13Do you have any relatives, friends, or acquaintances in San Francisco?
00:27:16No, I don't know anyone in San Francisco.
00:27:18Where do you live?
00:27:20Why are you asking all these questions?
00:27:22You're very sick, Mr. Bigelow.
00:27:23What?
00:27:24But you told me I was fine.
00:27:26Yes, I know.
00:27:27But my preliminary examination has not revealed your true condition.
00:27:30You speak as if it were something very serious, doctor.
00:27:32Extremely serious.
00:27:33I want you to understand that we wouldn't tell you anything like that
00:27:35unless we were absolutely sure.
00:27:37All right.
00:27:38Get ready for a hard blow, Mr. Bigelow.
00:27:40Come on, doctor.
00:27:41What are you trying to tell me?
00:27:43One of the C's reveals the presence of a toxic luminous substance.
00:27:46What is that?
00:27:47A poison that affects vital organs.
00:27:49Poison?
00:27:50I have no other alternative than to tell you.
00:27:52Your body has absorbed enough toxin to make it irreversible.
00:27:55I wish there was something we could do.
00:27:57What do you mean, what do you wish?
00:27:59Nothing can be done, believe me.
00:28:01This is one of the few poisons of its kind for which there is no antidote.
00:28:05This is fantastic!
00:28:06It's the most ridiculous thing...
00:28:07Mr. Bigelow!
00:28:08You don't have much time left.
00:28:11What do you mean?
00:28:13One day, maybe a week, two at most.
00:28:15It's hard to predict it exactly.
00:28:17This is impossible!
00:28:19No, I can't believe it.
00:28:21They've made a mistake.
00:28:22That's it, it could be a mistake.
00:28:24I need an answer.
00:28:25Is Dr. Schaeffer an authority in toxicology?
00:28:27There is no possible mistake.
00:28:29Do you realize what you're saying?
00:28:31They're telling me I'm dead.
00:28:33How are they going to explain to me in a few words that I'm running out of life?
00:28:37I don't even know them.
00:28:38Why would I believe them?
00:28:39Calm down, Mr. Bigelow.
00:28:41We want to offer you all the help we can.
00:28:43Help? Who wants your help?
00:28:44Who wants anything from you?
00:28:45You're nothing more than a couple of frauds.
00:28:47And what I think is that you're both crazy.
00:28:49That's it, you're crazy!
00:29:05Where is the doctor?
00:29:06He can't come in.
00:29:07Tell me, where is he?
00:29:08Calm down, he can't come in now.
00:29:09Doctor! Doctor! Doctor!
00:29:11What's going on here? Who are you?
00:29:13Doctor, find out if I have a luminous poison.
00:29:18Come in, please.
00:29:26Of course you have it.
00:29:29Your system has already absorbed it.
00:29:32Are you sure?
00:29:33Are you absolutely sure?
00:29:35There can't be a mistake.
00:29:42Here you have it.
00:29:43The poison is luminous in the dark.
00:29:45There is no doubt, Mr. Bigelow.
00:29:48I don't feel sick, Mimi.
00:29:50My stomach is just a little upset.
00:29:52Maybe it's not as serious as you think, doctor.
00:29:54That's typical.
00:29:55Strong spasms will occur suddenly and in a matter of hours.
00:29:59Part of the poison is absorbed to a lesser degree,
00:30:01and you last a while.
00:30:03And then...
00:30:04Then what?
00:30:07Tell me the details, doctor.
00:30:09There are several factors involved.
00:30:11The person's organic system, the amount consumed,
00:30:13they are conditional.
00:30:14Go on.
00:30:15He won't feel very bad for a while.
00:30:17Then it will happen suddenly.
00:30:19One day, two days, a week at most.
00:30:26One day...
00:30:28Two days...
00:30:29Now you can't do anything.
00:30:31If he had come earlier, he would have had a stomach wash.
00:30:34But he's been doing it for hours.
00:30:36At least 12, isn't that right?
00:30:38I don't know.
00:30:39You don't know?
00:30:40No.
00:30:41You don't know?
00:30:42No!
00:30:43It wasn't an accident.
00:30:44It was someone who knows how to use it.
00:30:46That wax is insipid and odorless.
00:30:48Someone put it in an alcoholic drink.
00:30:50I was drinking last night.
00:30:52I'm going to process your admission to the hospital.
00:30:55Of course, you'll have to notify the police.
00:30:58This is a homicide case.
00:31:00Homicide?
00:31:01I don't think you understand, Mr. Bigelow.
00:31:04He was murdered.
00:31:12Put me through to the police station.
00:31:14Homicide department.
00:31:33A film by
00:31:38A film by
00:31:43A film by
00:31:48A film by
00:31:53A film by
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