00:00It's an emotionally difficult scene. I just prepare. I think that breaking down the scene,
00:06my character's objectives, figuring out what she wants, that actually merits personal life
00:12experiences to be able to have an anchor, those things really help. I had this really emotional
00:16scene coming up with Erica Christensen, and she's because Angie, she's unbelievable, and I'm like,
00:22I just want to be toe-to-toe to her, toe-to-toe to her. So I'm going to breathe, I'm going to listen,
00:26and I'm going to just do this great writing, because the writing on the show is fantastic.
00:31That's kind of my process. I read it, I say it out loud, and then they put a camera on me,
00:36and that's it. I just think of what key points I want to hit, where I want to punch it, and just
00:41the beats that I think it should hit, and then I just try to apply that on the day and just go for
00:45it. I get my lines down before we do it. I don't like to do them too early. I usually like to look
00:49at the lines right before when I get to work that morning, the lines that I have for that day,
00:54unless it's like a big monologue or something, but I just like to do it just so it's more fresh,
00:57and it doesn't come like I'm just being robotic and saying these rehearsed things. I want to,
01:01I want to still keep a little bit of a spontaneity to it, to make it a little more realistic, so
01:06that's what I do.
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