00:00This is a big building, in form of caprices of the gods.
00:16Is it on the top?
00:17Yes, I have even seen the ground here.
00:30For those who have history, there must be conflict.
00:33People want the same thing, they fight themselves.
00:36However, Europe, for historical reasons,
00:39is built at the end of the conflict.
00:41European institutions have been created to make a compromise.
00:44What is a weakness of the European Union,
00:47that is, its complexity,
00:49several institutions,
00:51many political parties,
00:53different nationalities,
00:55everything is made in 24 languages,
00:57on a long tone.
00:58This complexity,
01:00which is a weakness of the European Union,
01:02when we want to make it understand,
01:04suddenly, it will become a force.
01:06Because the complexity is always a good actor of comedy.
01:10The amendment 45, naturally,
01:12the amendment 13,
01:13did not initially hold on the paragraph 13.
01:15Yes, yes.
01:16Noé Debré, he had this feeling
01:27that there was a story to tell.
01:28I, who worked for a long time in the European Union,
01:31I know the walls of European compromises,
01:34that is,
01:35the coups-bats,
01:36the tractations,
01:37the conflicts there can be between judges,
01:39between Etats-members.
01:40And so,
01:41our job of scenarist,
01:42it has been to make up to the surface
01:45the conflict that the public never sees,
01:48but that is well in the European institutions,
01:50and to make a matter of fiction.
01:52Noé,
02:11me and my co-auteurs,
02:13we are very influenced by this vein-là
02:16of American and English fiction.
02:19In the Anglo-Saxon world,
02:21it's much more accepted
02:23that we can laugh
02:24in a human way,
02:25not just through the farce,
02:27but that we can laugh from politics.
02:29New friends,
02:30I'm so happy,
02:31what a day, huh?
02:32Could you give me back my beer?
02:33It's just...
02:35She's trying to kill my mother,
02:36that's it.
02:37I've come with special instructions
02:38from Ingeborg for the presentation.
02:41What are you doing?
02:42I'm giving you special instructions
02:43for I-Contin.
02:44Ingeborg,
02:45so you get a good chance.
02:47It's very, very hard to laugh
02:48at the time of Trump,
02:50first of all,
02:51because he's more burlesque
02:52than what we can imagine.
02:53And I feel like
02:55in series and in politics,
02:56there are cycles
02:57when the reality is too absurd.
02:59All of a sudden,
03:00we want to go back to the series
03:02that speak serious.
03:03And when the reality is too serious,
03:05we want to go into fiction
03:07something more burlesque
03:09or more léger.
03:10I feel like
03:11in Parliament,
03:12we're more on the side of the comedy
03:13or the satire
03:14because we have a lot of tenderness
03:16for our characters.
03:17There are few characters
03:18that we don't save.
03:19We don't try to censor
03:21the European Union
03:22because people are not interested
03:23in that.
03:24But we don't try to make a critique.
03:25I feel like
03:26we try to laugh
03:27with the European Union.
03:30Not to laugh with her,
03:31but to laugh with her.
03:32And you've been by
03:34from the show.
03:35I feel like
03:36I've just said
03:37a lot of problems
03:38about the yester
03:40that the European Union
03:42will be dealing with
03:43and should be
03:43more prolific.
03:45For more information,
03:46please post it in the future.
03:48Please vote on us.
03:49For more information,
03:50please post the break.
03:52Please vote.
03:53If you do not send it,
03:55please post it.
03:56Please vote.
03:57Please vote on us.
03:58Please vote on us.
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