00:00This is my birthday.
00:02I have my birthday.
00:04Actually, you can go back, you can be 48 minutes.
00:08I can't believe that.
00:10You must stop celebrating.
00:12Is your passport?
00:14Yeah, I can't believe it.
00:16So, I'm sorry.
00:18I'm sorry, I'm sorry.
00:20I'm sorry.
00:22I'm sorry, I'm sorry.
00:24I'm sorry.
00:26I'm sorry, I'm sorry.
00:28I'm sorry, I'm sorry.
00:30I'm sorry.
00:32Hold down.
00:34Stand by.
00:36And rolling.
00:38And action.
00:40I think
00:42Khoya Khoya Chand
00:44is a very beautiful
00:46and lonely story.
00:48And as you said,
00:50it is a different story.
00:52The backdrop of this film
00:54is in the 1950s and 1960s.
00:56a period of a film.
00:58And my favorite film is a film actress.
01:02That's the time of the film actress.
01:04It's also difficult
01:06because actresses were able to do a lot of things.
01:08And there's a chance to do a lot of things.
01:10There's a chance to do a lot of things.
01:12There's a classical dance.
01:14There's a modern dance.
01:16There's a modern dance.
01:18There's a modern dance.
01:20There's a sword fighting.
01:22There's a horse riding.
01:24There's a lot of fun.
01:26There's a lot of fun.
01:28There's lots to do.
01:30Lots of range and scope as an actor.
01:32That's very exciting for me.
01:34It's a romantic story.
01:36It spans about 10 years.
01:40If it starts in 1953,
01:42then in 1965,
01:44we finish the story.
01:46So it's a very, I think,
01:48a grand scope to the film.
01:50It's a very exciting story.
01:52Yeah.
01:54Sorry, you have to wait for the film.
01:56The 50s are the new 30s.
02:00How old is it that you're promoting the stage?
02:0240s.
02:0440s.
02:06So, our director has worked a lot with Bhai Dhar Rahman,
02:20and other actresses.
02:22Our costume designer, Neharika Khan,
02:26spent a lot of time also on the look of the film,
02:28which is very important in a period film.
02:30So there's been lots of research into,
02:32I saw lots of films from that time period.
02:35I studied, you know,
02:37whether it was Meena Kumari or Madhubala or Wahidah Rahman,
02:41or so many people,
02:43and so many films,
02:44so many dances,
02:45so much music from that time period,
02:47just to try and get an understanding of the flavour.
02:53Let's go, feel clear!
02:54Stand by!
02:55Action!
02:59I give my best as well,
03:00anyone in front of me.
03:01It's good, it's bad.
03:03I just believe every human being is born with a certain capacity.
03:06And whatever one does,
03:08one does to their own capacity.
03:11I like to work with people who are serious about what they're doing.
03:14If they're filming,
03:15they don't have their work seriously.
03:16Cut! Cut! Cut!
03:17I feel like I'm not getting someone from now.
03:19I don't have my work seriously.
03:20I don't have my work seriously.
03:21All people try to do their own.
03:23So,
03:24they try to do their own and I do their own.
03:26How are you?
03:27How are you?
03:28Nice to see you.
03:29How's well?
03:30Very good.
03:31How are you?
03:32She's coming.
03:33Greetings.
03:34Greetings.
03:35It's a UNICEF function.
03:36It's awful.
03:37Hello.
03:38Hello.
03:39Hello.
03:40Your mom is a real rock star.
03:41She runs.
03:42She's coming.
03:43She's coming.
03:44She's coming.
03:45She's coming.
03:46Action!
03:48are you ready for the day?
04:04Yeah.
04:06Today, we are taking a few different shots, and we are shooting a small scene in which I am going to go and see the character of Soha, Nikhat, who likes him.
04:32So, I am writing a unique film, and my affair is playing with Nikhat, so I don't feel good if I am wrong.
04:40So, today, I am going to go and say, I am seeing her.
04:44Cut! Okay! Cut!
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