00:08Do you also think that thinking of the success of the small screen, you did not get the same on
00:17the big screen?
00:17Do you think that was also a mistake that you gave up the small screen to go to the big
00:21screen?
00:21No, where did you go to the small screen from the big screen?
00:30Then you came to the general?
00:33No, after that I did 30 films, then I did Naachi Mayuri, Anubhav, Tidev, Ranubhumi, I don't know who did
00:38it.
00:39After that I came to the television.
01:08You wanted to make a reporter with me.
01:10and at the same time, Anand Mahindrugh said that Jaya Bachchan Ji, I thought it was making sense.
01:15And I felt that it was a work. Whether it was on this wall or on that wall, or on
01:22any other wall.
01:23Like in big films, in a lot of times, Hindustan was watching on television on Sunday movies.
01:30So, where did you see the big ones? Where did you see the big ones?
01:34Where did you see the big ones? I am a big one of the big ones.
01:37People were watching the big ones on a small screen.
01:39The big films on a small screen.
01:41So, the work is that it has to be supported.
01:44The screen doesn't have to be supported.
01:45In big screens, junior artists also work.
01:48And for 50-60 years, they do this.
01:50Yes, yes, yes, yes.
01:52It doesn't matter.
01:53That's why I didn't have any anger or anger.
01:56I worked as an actor.
01:58You were very lucky, because small screen was opening up at that time.
02:01Isn't it?
02:02Absolutely.
02:02It was a big risk, but I had to do it.
02:06I had to do it.
02:06It was a big risk.
02:07That's what I have taken over YouTube.
02:10I had to do it.
02:10People said that YouTube is not.
02:11Why don't you go to OTT?
02:12No, I had to do it.
02:14I had to do it.
02:16I had to do it.
02:22because there is a freedom of working here.
02:26Movers and shaker and shaker tonight
02:30I always see that when you say something about Vajpayee Ji,
02:38you just take on his personality.
02:40It's impersonation.
02:42There is a difference between mimicking and impersonation.
02:46It's called an impression.
02:48So, as actors also, when we look at the artist in our lives,
02:52we see how the character behaves, his disincrecies.
02:56Then, as closely as we can put it, we can put it on the board.
03:00So, we are not mimicking.
03:02We are doing impressions of that character.
03:07In that impression, you do it respectfully.
03:12So, it doesn't matter.
03:15It doesn't matter.
03:16So, it was that time when Atal Ji was there.
03:20Now, shaker tonight, there are new actors, new stories, new events.
03:23So, this is a different thing.
03:24But, sometimes, just an ode to him, a tribute to him,
03:29I will do it once again.
03:31Because many people are saying, you will see Atal Ji.
03:34So, we will do it.
03:35But, basically, this is our show, which I want to tell you,
03:39which has opened them extraordinarily well.
03:42And, everyone will resonate.
03:441.2 million, 1.3 million, straight away.
03:46Yes. So, the total viewing is close to 100 million now.
03:50So, the reals, reals, here, all of them are coming.
03:52So, people are very fast.
03:53So, wherever, wherever, everyone is connected to truth.
03:57And, one voice that is true,
03:59that is connected to each other.
04:03That's why this has happened.
04:04So, I don't call it a show.
04:07I don't call it a talk show.
04:09It's a conversation with that.
04:11It's a moment with my audience.
04:13It's a moment.
04:14It's a moment.
04:14It's not a comedy show.
04:16It's not a comedy show.
04:16A lot of people think it's a comedy show.
04:18It's not.
04:19And, I'm not a host.
04:20I'm an actor.
04:21With a social responsibility,
04:23I want to do this,
04:24I want to do this.
04:28And, because,
04:29I have a land where I am standing,
04:32I can say something.
04:34There is a drama.
04:35And, because they don't have it.
04:37So, I can do those things,
04:39which they want to do.
04:40So, I see two things in their mind.
04:42That's what I want to say.
04:44That's what I want to say.
04:45Or, I wish I can say that.
04:47So, this show is not my show.
04:50This show is very close to my heart.
04:53From the beginning.
04:55And, many people have said,
04:56I want to start this conversation.
04:58I want to start this conversation.
05:00That's how.
05:01Because, there are so many YouTubers,
05:03who have millions and millions of views.
05:05Yes.
05:06But, yours has been very different.
05:08Yours is not just a chat,
05:09but you also talk to your audience.
05:11Yes.
05:11Isn't it?
05:12Like you said,
05:13Agav Chada.
05:15You know that he has ported his SIM card.
05:18Which has gone viral.
05:21So, you say something with very current happenings.
05:25Yes.
05:25You make a comment on it.
05:27Absolutely.
05:27A comment.
05:28Which is very few people.
05:29I mean, no one does.
05:31No one does.
05:31No one does.
05:33No one does.
05:34No one does.
05:34No one does.
05:34No one does.
05:34You used to do it in movers and shakers.
05:37That space was lying in abeyance.
05:38It was lying empty.
05:40And, why did you give it that space?
05:43Because…
05:43Because I had to explore other things as an actor.
05:46Someone asked me,
05:48why did you leave movers and shakers?
05:49So, my answer was,
05:50because I was going to be very good.
05:53I was getting excelling at it.
05:55So, I had to leave it.
05:56Because, once you get the success of that,
06:01then you get complacent.
06:02Then you get the same.
06:03Then you get the same.
06:04Then you get the same.
06:04Then you get the same.
06:05Then you get the same.
06:05You get the same.
06:05You get the same.
06:05So, I have to do it.
06:07But, you know,
06:08Movers and Shakers was an experiment of an actor
06:11who played the role of an irreverent host.
06:15It was my role.
06:16It was a role that I was doing.
06:17I was like,
06:18I don't have to do it.
06:18I don't have to do it.
06:19You can do it.
06:21I do it.
06:22You do it.
06:24So, I saw that,
06:27if you can talk about the comfort of your script,
06:30you can talk about the actor's people
06:32or you need to be prompting or lines.
06:36That was very important for me.
06:39That's why I did it.
06:40And, after that,
06:41I enjoyed it and liked it.
06:44I thought that,
06:45I had had a little bit for my weekend.
06:47I went to the weekdays.
06:48My whole weekdays was prepared for the month.
06:50Then,
06:50I learned,
06:51this is going to be more have to leave.
06:53And, because I didn't have many roles.
06:57I had to do it for a while.
06:58I made many roles for a job,
06:58like I had to do it.
07:01I had to do it.
07:02I did it for a while.
07:03I didn't do it for myself.
07:04I had to do it because I had to do it too.
07:04But,
07:05there was so many pressures.
07:08The pressure,
07:08I had to do it.
07:10I then made too much pressure.
07:11I made a lot of progress.
07:12I had to do it.
07:13And I thought that in today's time, when there is so much smoke, there is a sound that is higher
07:23than the lower voice of this voice.
07:26That means you don't have to be, you don't have to shout to be heard.
07:30Do you feel you are more cut out now for this kind of show than you are for a big
07:37feature film?
07:38No, not at all. It is just a question of opportunity. Otherwise, why wouldn't Akshay Khanna suddenly appear to be
07:47one of the best actors?
07:48He has been here for so long. So long.
07:53It is all about getting the right role, the right opportunity, the right director, the right presentation.
07:59You can see how many actors who were here and there were, who were here and there were, who came
08:05and said that he had worked on.
08:07Like Bobby.
08:08Like Bobby.
08:09Bobby has also worked on the OTPP and on the other side. He also worked on the other side.
08:14He was successful at both sides. So an actor is where he was successful.
08:17And he has been written off.
08:18Bobby has been written off.
08:19He was also an actor. He was not made for any special artist. He was in all parts.
08:23Where he has the right opportunity, this is very important.
08:27So tomorrow, I will get a very beautiful role of films that I am doing.
08:31Like Prakaas Shah, I am doing a big film called Janadish.
08:34If people liked that role, I am very effective.
08:37My job is that. My job is that. My job is that.
08:40It is not that I am going to be a bad actor and here is a good actor.
08:42I am working on both sides.
08:44You were there in Heera Mandi also.
08:46Sanjil Garbansa.
08:48It was a small role.
08:49But you were there.
08:50There are no small parts, only small actors.
08:52Small actors.
08:53I believe.
08:54Yes.
08:55Did you enjoy that experience?
08:58Very.
08:58Very.
09:00It is the wrong people.
09:05It is the wrong role.
09:06It is the wrong role.
09:07You are the wrong role.
09:08You are the wrong role.
09:08You are the wrong role.
09:09You are wrong or you NE who doesn't see any用 of their disappointed job.
09:11It is the wrong role.
09:13That is the wrong role, and that is the wrong role.
09:13What happens?
09:15What happens?
09:15They say, you are wrong role.
09:20It is wrong.
09:21Ghostные ball and obstructions had there isn't much plant because vin ef Kohамguer.
09:27Mixed over.
09:28The length doesn't matter.
09:29It doesn't matter.
09:31So it is too effective than Bobbio de Vil.
09:33that you talked about in a small role, but when the film was finished, it was when it came.
09:37And I said, when will it come, the film will be finished.
09:40And it was so effective that it just resurrected him.
09:44So that bit with a maestro like Sanjay Leela Bhansali was a delight.
09:49It was an absolute delight to work.
09:50And it was a very effective role.
09:51People noticed that I have noticed that I have to be satisfied.
09:55That was enough for me.
09:56And was it nice working in the same show with my son?
09:59Very good. We didn't have any scenes together.
10:04But he played my younger part also and he played his part also.
10:07But he got a lot of appreciation.
10:10And especially that scene that he did with Manisha Kaurala and Richa Chadha.
10:16I remember that Sanjay picked up the phone and called me, which he never does.
10:21He really, you know, he is very miserly with his compliments.
10:28So it was very little.
10:30And he called me and told me that your children have done it.
10:33Everybody was clapping.
10:36So it was, you know, it was, it felt nice.
10:39So Sanjay is the most important thing that he throws things at people.
10:43He didn't see it.
10:44I wanted to see it.
10:46But he didn't get the opportunity.
10:47Because what the Sanjay I saw was somebody who was completely immersed into his work,
11:21who had the finest eye for detailing,
11:23and that's what he was doing.
11:25And if you entered the scene, Sanjay got a mobile pic,
11:28then he got a mobile pic, then he got a chadi pic.
11:31It's not like that.
11:31It's not like that.
11:33It's not like that.
11:34No, no, he's not like that at all.
11:36So you did a lot of actually different kinds of films.
11:38You did a lot of films differently.
11:40Which was so misogynistic actually.
11:42And every day, there are news that the truth is happening with suicide.
11:51The suicide case is not murder.
11:52There are many cases that have been made.
11:56Supreme Court has been broken.
11:59Supreme Court has been broken.
12:01It's a regressive film.
12:03Regressive film is.
12:05But there are people who have been doing this,
12:27I remember that it was a negative role.
12:35I remember that it was a film called Dimple, and it was a film called Dimple.
12:44And then when it comes to mind, the teacher takes a lot of pain.
12:48What does it do? It takes a lot of pain.
12:50At that time it was very small.
12:52When I started fighting, I started to kill him.
12:56I started to kill him.
12:57I started to kill him.
12:59Because I was very quiet in the theatre.
13:03I still remember that moment. Yeah, fun moments.
13:08That's true. Lots of fun moments.
13:10Not that.
13:18It's not that.
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