'Neath the Arizona Skies is a 1934 Western film directed by Harry L. Fraser and starring John Wayne. The story follows Chris Morrell, a cowboy who becomes the guardian of Nina, a young Native American girl. Nina is the heir to a $50,000 oil lease, but to claim it, her missing father must be found. As Chris and Nina search for her father, they face danger from outlaws led by Sam Black, who are determined to steal the oil claim. With thrilling action, heartfelt moments, and John Wayne’s early cowboy hero persona, this film is a staple of 1930s Western cinema.
Credits:
Director: Harry L. Fraser
Producer: Paul Malvern
Starring: John Wayne, Sheila Terry, Shirley Jean Rickert, George "Gabby" Hayes
Screenplay: Burl R. Tuttle
Cinematography: Archie Stout
#NeathTheArizonaSkies1934 #JohnWayne #ClassicHollywood #WesternFilm
Credits:
Director: Harry L. Fraser
Producer: Paul Malvern
Starring: John Wayne, Sheila Terry, Shirley Jean Rickert, George "Gabby" Hayes
Screenplay: Burl R. Tuttle
Cinematography: Archie Stout
#NeathTheArizonaSkies1934 #JohnWayne #ClassicHollywood #WesternFilm
Category
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Short filmTranscript
00:00The End
01:59Uncle Sam has a nice, tidy little sum for you, John.
02:03The earnings and interest on your oil lands
02:05amount to just $4,000.
02:08Sign your name right here.
02:26Oh, Chris Morrell, step up here, will you please?
02:29Hello, Nina.
02:39The money from Nina's mother's oil land
02:42is amounting to quite a pile,
02:45about $50,000 right now.
02:48If you can locate Nina's father
02:49and get a signature to these documents,
02:52then Nina will still remain the ward
02:54of the United States government,
02:56but you will be her guardian legally.
02:58Well, that ought to be simple enough.
03:00Or, if you can bring evidence or proof
03:02that her father is dead,
03:04then that will clear the situation.
03:06Well, I've got a pretty fair idea that he's still alive.
03:09Well, what did you find out?
03:22The half-breed kid's worth $5,000 right now.
03:25And if Chris Morrell locates the kid's father
03:27and he signs the papers the agent gave him,
03:29as her guardian, Morrell gets $50,000.
03:32Oh, he does.
03:33That is, if he gets to the kid's father
03:35before we get to him.
03:49Where are we going, Daddy, Chris?
03:51We're heading north.
03:53Why are we moving away?
03:54I'd like to hear.
03:56See if we can find your real daddy.
03:58And if we can, we may be able to scrape up enough money
04:01to send you away to school.
04:03But I don't want to go to school.
04:05I want to be a cowboy like you.
04:08Oh, girls can't be cowboys.
04:10Can too.
04:12I can ride as well as you can.
04:15But you still can't be a cowboy.
04:17Oh, come on.
04:18Come on.
04:19Come on.
04:20Come on.
04:21Come on.
04:22Come on.
04:23Come on.
04:24Come on.
04:25Come on.
04:26Come on.
04:27Come on.
04:28Come on.
04:42What do you want?
04:43I guess you know what we want.
04:45There's no use of beating around the bush.
04:47We came here for Nina, and we're willing to offer you
04:50a fair proposition for her.
04:52If that's all you came for, you might just as well leave
04:55right now.
04:56Now, don't get hostile, Chris.
04:58You know as well as we do that Sam Black runs things
05:00in these parts.
05:02When he sends us out to get the girl, we're going to get her.
05:05Besides, he's been mighty good to you, offering to cut you
05:08in on that oil money.
05:09Well, anyway, she isn't here.
05:12And you can tell Sam Black from me that she's left this part
05:15of the country for good.
05:17And you can also tell him that if he'd had the nerve to come
05:20himself instead of sending you renegades, that I'd have shoved
05:22that off her right down his throat.
05:24Now, come on.
05:25Get out of here.
05:26All of you.
05:27We'll get out.
05:28Maybe she ain't here.
05:29But we're not giving up that easy.
05:30We're watching you, and we're watching the place.
05:32So don't think you're getting away with nothing.
05:34Can I come out now, Daddy Cliff?
05:35Oh!
05:36Get her!
05:37Come on!
05:38Come on!
05:39Come on!
05:40Come on!
05:41Come on!
05:42Come on!
05:43Come on!
05:44Come on!
05:45Come on!
05:46Come on!
05:47Come on!
05:48Come on!
05:49Come on!
05:50Come on!
05:51Come on!
05:52Come on!
05:53Come on!
05:54Come on!
05:55Come on!
05:57Come on!
05:58Get him!
06:02Come on!
06:03Come on!
06:04Come on!
06:05Let's get him!
06:11Come on!
06:20You!
06:21Come on!
06:24Come on.
06:42Look out.
06:45It's me.
06:46What's that?
06:47He's gone.
06:48Get some away from us.
06:50We better get Sam Black and go after him.
07:20We better get Sam Black.
07:50We better get Sam Black.
08:20We better get Sam Black.
08:50We better get Sam Black.
09:20We better get Sam Black.
09:22We better get Sam Black.
09:24We better get Sam Black.
09:26We better get Sam Black.
09:28We better get Sam Black.
09:30We better get Sam Black.
09:32We better get Sam Black.
09:34We better get Sam Black.
09:36We better get Sam Black.
09:38We better get Sam Black.
09:40We better get Sam Black.
09:42We better get Sam Black.
09:44We better get Sam Black.
09:46We better get Sam Black.
09:48We better get Sam Black.
09:50We better get Sam Black.
09:52We better get Sam Black.
09:54We better get Sam Black.
09:56We better get Sam Black.
09:58We better get Sam Black.
10:00We better get Sam Black.
10:32There's these tracks.
11:02There's these tracks.
11:32Shorty, you stay with the horses.
11:54The rest of you scatter around that ticket.
12:38Come on, boys.
12:43Sam's got him.
12:46Hey, fellas, I got him.
12:49I got him.
12:52Come on, boys. Sam's got him.
13:32I thought you said you got him.
13:35I had him all right.
13:37But I guess he got away.
13:43You guess he got away?
13:44He sent that kid on alone while he stayed here to cover the trail.
13:48And that kid means 50,000 bucks to us.
14:02A little bit.
14:04I said you got to cover him.
14:06I said you got to cover him.
14:08He went to cover him.
14:10He went to cover him too.
14:12He went to cover him.
14:14I played him.
14:20Old man!
14:21He went to cover him!
14:23Let's go.
14:53Get out and see if you can round up them horses.
15:23I'll see you next time.
16:23Is this the Moor Ranch?
16:26Used to be, but it's mine now.
16:29Well, maybe you could tell me where to sign Buttonmore.
16:32Eat here.
16:34Oh!
16:40You ain't going nowhere.
16:44Let go of that youngster, Vic.
16:46You better hollering for kitchen help.
16:48Well, here it is.
16:50Well, what are you doing here?
16:52Daddy sent me to find Buttonmore, and he said he'd take care of me.
16:58We'll take care of you, all right.
16:59Go on, get in the house.
17:00Now, you let her own.
17:02If she's going to help me, I'll take care of her.
17:04All right.
17:15You ain't scared of me, are you?
17:16I'll take care of you.
17:17I'll take care of you.
17:20I'll take care of you, come on.
17:25Oh, you mean worry none about him as long as I'm here.
17:27Come on, let's go in the house, huh?
17:29Ha, ha, ha.
17:30Ha, ha, ha.
17:31Now, now, there ain't nobody here but you and me.
17:55He-he-he, he-he-pego there.
17:57Now there.
17:58What's your name, honey?
18:00Me and him, or else?
18:03Is your pop's name Chris?
18:05Yes.
18:06Do you know him?
18:07Yeah, I used to.
18:10How come he ain't with you?
18:12Sam Black and his gang were after us, and we only had one horse.
18:18And Daddy Chris told me to get on there and ride him and, and...
18:30Oh, Mr. Norton, would you order that boulder calico for me?
18:37I will, Miss Clarence.
18:38And you haven't seen my brother Jim, have you?
18:40No, I haven't.
18:41Oh.
18:42I thought if he were in town, he might want to ride back with me.
18:45Goodbye.
18:46Goodbye.
18:47Goodbye.
19:16Uh!
19:22I'll meet you at your ranch.
19:52What's the matter?
19:53What's the matter?
19:54What's the matter?
19:55Where did he go?
19:56Where did he go?
19:57Who was he?
19:58Tell us.
19:59I've been robbed.
20:00A fellow with a checkered shirt, a black hat, and he had a black handkerchief across
20:13his face.
20:14Yes, yes, sure he was.
20:15Sure he was.
20:16No, I tell you, I can't be mistaken.
20:19He had a checkered shirt and a black hat.
20:22Well, he took $6,000 from me and stuffed it into a gunny sack.
20:25Well, which way did he go?
20:26Well, I don't know which way he went.
20:49I don't know which way everything oh.
20:51Aren't they wanna let you go?
20:53No.
20:54That's it.
20:55No, imagine it was him.
20:56Well, the ai to me?
20:57Out of rave and Risk of our Hy遊izens.
20:58That's right.
20:59Yeah, I want them back and forth and back to school here.
21:00But the threat doesn't always want to do it again.
21:02Yeah?
21:03There is Find lands logos.
21:04That's right.
21:05What do they think?
21:06It's going anywhere to do it?
21:07People waiting.
21:08New accidents is something is so empty.
21:09Yes, there is a thing that's empty.
21:10We're going to mess with people, but you're going to talk a little bit away now.
21:11What's right?
21:12You're going to go on a fucking map of your house.
24:28וק Moor.
24:29Why?
24:30Little handsome.
24:31tour from the river valley.
24:32Bud Moor?
24:33Yes.
24:34I used to ride with him with him in the panhandle.
24:35Do you know him?
24:36Yes.
24:37He's my brother.
24:39That is, he was my brother.
24:41I don't quite get you.
24:43Bud's dead.
24:44Oh.
24:46He was killed in a range war last year.
24:48Oh, I'm sorry.
24:50I got a shock at first but I guess you can be used to anything.
24:55Oh, did Bud ever mention my name, Chris Morrell?
25:00Are you Chris Morrell?
25:02Why, he used to say you were the best friend a man ever had.
25:05I guess that's putting it pretty strong, ma'am.
25:09Clara.
25:11Come on, let's go up to my place and change that shirt.
25:14There'll be a lot of people looking for it.
25:16Yes, ma'am.
25:17I mean, Clara.
25:25Nina's mother was a full-blood Osage.
25:28She married a good-for-nothing white man who left her two months before the kid was born.
25:34His mother died.
25:55Hello, Clara.
25:56Chris, this is my brother Jim.
26:01I'll make you some coffee before you go.
26:03Thanks ma'am.
26:04I mean Clara.
26:05I'm my brother Jim.
26:07I'm going to have a coffee before you go.
26:09Oh, thanks ma'am.
26:10Uh, I mean Clara.
26:12What's your name?
26:13I'm sorry, ma'am.
26:14I'm sorry.
26:15I'm sorry.
26:16I'm sorry.
26:17You're sorry.
26:18I'm sorry.
26:19But, you're sorry, ma'am.
26:21Oh, I'm sorry.
26:22I'm sorry.
26:23Ah, I mean, Clara.
26:38Oh, you're Jim.
26:40What about it?
26:42Nothing, only I came to for a minute when you changed shirts with me at the creek.
26:49Well, why don't you tell her?
26:51Well, in the first place, because it'd break her heart.
26:55In the second place, because snakes like you usually die of their own poison.
27:04What was that noise?
27:06Why, Jim was showing me his gun and it dropped out of his hand.
27:11Have some coffee, Jim?
27:13Not now.
27:15Later.
27:15I'm glad to have met you.
27:23Same to you.
27:40How do you like Jim?
27:41Well, some men are like books, written in a strange language.
27:48And that makes it awfully hard to read them.
27:51I hope I wasn't wrong in reading you, Chris.
27:53Oh, no, ma'am.
27:55Well, you were telling me about Nina just before Jim came in.
27:59Oh, uh...
28:01Well, Nina...
28:02That guy recognized you.
28:04He knows you pulled that job at the express office.
28:06I told you not to stop.
28:08Well, I thought it'd be a good way to hang it on him and be busting it clear.
28:11Where's the money?
28:12The old Honest Dunk?
28:13Let's go get it.
28:15In order to protect her interest, we started out to find Nina's father.
28:21Sam Black and his gang figured that she was worth a lot of money.
28:24Luckily, I got the best of them and stampeded their horses and made a getaway.
28:31Well, I guess I'd better be going.
28:38Oh, no, you better take this one.
28:40Jim's.
28:42Oh.
28:45You'll bring Nina back, won't you?
28:47I sure will, Clara.
28:48Thanks a lot.
29:10Goodbye, Chris.
29:11Hey, kid.
29:12Come here.
29:41What's your name?
29:42Nina Morrell.
29:43Nina Morrell?
29:44Yes, sir.
29:45Daddy Chris is my daddy.
29:47How come?
29:48He rode in looking for Bud Moore.
29:51Vic made her stay.
29:54I didn't know Chris was a squaw man.
29:57He ain't another.
29:58What do you mean?
29:59She ain't his kid.
30:00She's your kid.
30:02Oh, I know.
30:03I know.
30:04I know.
30:05I know.
30:06I know.
30:07I know.
30:08I know.
30:09I know.
30:10I know.
30:11I know.
30:12I know.
30:13I know.
30:14I know.
30:15I know.
30:16How do you know?
30:17Chris and me was there when she was born.
30:19For two days after, when your wife died.
30:21Come here, kid.
30:22I want to talk to you.
30:39I'll bet that's the bunch that belongs to Sam Black and his gang.
31:09I want to talk to you.
31:10I want to talk to you.
31:11Yes.
31:12I wish I had something to put on my dog.
31:14That's your Thor.
31:15Well, it was your fault for letting Morrell stampede the horses.
31:18Now go find them.
31:19Well, where'll I go?
31:21I don't know of any place around here to get horses.
31:24I don't care where you get them.
31:25Get them.
31:26What are you doing?
31:27I'll get them.
31:28Go on.
31:29Go on.
31:30Go on.
31:31Go out.
31:32Go on.
31:33Go on.
31:34Go on.
31:35I'll get theARD.
31:36Go on.
31:37Go on.
31:38Go on.
31:39Go on.
31:41Go on.
32:26Hey, you boys, wait a minute, hey, wait a minute there, them's our horses, who's ours, Sam Black and the boys, Sam Black, that's the man I want to see, oh, come on, we're camp right over yonder.
32:56You're looking for a half-breed kid named Nina Morrell?
33:24You said it.
33:25I got her.
33:26What's the idea?
33:27I'll exchange if you count me in.
33:30For how much?
33:31Ten thousand and...
33:32What's the an for?
33:34Chris Morrell's scalp, do you know him?
33:36Yeah.
33:37Where do I find him?
33:38Clara Moore's homestead.
33:40I'll show you how to get there.
33:41You're on.
33:42Good.
33:44You cut me in for ten thousand and bring this scalp of Chris Morrell to my ranch, and I'll turn the kid over to you.
33:50Where's your place?
33:51Here.
33:52I'll show you how to get from the Moore homestead to my ranch.
33:54Why, Matt Downing, you're all bothered.
34:07Chris Morrell.
34:09I know from what the kid said you couldn't be far away.
34:12Well, is she all right?
34:13Where is she?
34:14At the bird ranch.
34:15Used to be Bud Moore's.
34:18Dad's there, too.
34:19Her dad?
34:20Come on, I'll tell you all about it on the way.
34:38It's a cinch.
34:40All right, I'll be seeing you.
34:42Come on, fellas.
34:5050-50 on that money for the kid.
35:04Sure.
35:06But we're going to split that express money first.
35:20We're going to split that up.
37:38Vic got me.
37:39Vic Byrd?
37:41He maybe robbed the express office.
37:44And he got the money.
37:47Do you know where he went?
37:49Yes.
37:51To the ranch.
37:53To get your kid.
37:56To give her to Sam Black.
38:01Please don't tell my sister about me.
38:04Get him into a doctor, quick.
38:06And bring the sheriff back, we...
38:14Oh, where's Chris Morrell?
38:20He's gone.
38:21Where?
38:21I don't know.
38:23Take a look inside.
38:24She might be lying.
38:37There's nobody inside.
38:39All right.
38:40You're riding with us.
38:41Maybe you can remember where he went.
38:44Look out, now.
39:05Look out, now.
39:08Hold on.
39:09You got to.
39:10Hold on.
39:11Hold on, that, ooh, he's a regular old sunfish, this horse is.
39:15Hold on.
39:20Now down, you better get it.
39:24What's the idea?
39:25What?
39:30Wait, she...
39:32She's my kid, Vic.
39:33I just found it out.
39:35My kid.
39:36Yeah?
39:37Well, she's worth 10,000 bucks to me.
39:41What do you mean?
39:43I told Sam Black I'd turn her over for 10,000.
39:55Well, you're out of luck.
39:57She's worth more than that to me.
40:03You better change your mind, Tom.
40:07You heard me.
40:11Come on.
40:12Come on.
40:31You keep your hands off my kid.
40:33I ain't taking orders from you.
40:35I ain't taking orders.
40:39Daddy!
40:40Daddy!
40:41Chris!
41:05Sam Black and his gang.
41:08Look out, Crimson!
41:35They won't get my kid.
41:37Who told you she was yours?
41:38Matt told me.
41:39And Vic told me about Sam Black and his gang wanting her.
42:05I didn't see her.
42:12This is how it was.
42:14You're welcome.
42:15And you're welcome.
42:16I'm just 마ciped.
42:20I'm just gone.
42:23I'm just going to come back here now.
42:24I'm just going to play with you.
42:26Let's go.
42:28And...
42:30You're welcome.
42:33Let's go.
43:03Let's go.
43:33I got an idea without us taking any more chances.
43:49Entry.
43:54Hey!
43:59Hey, fellas!
44:04One left.
44:11Fellas!
44:13Hey, you!
44:15Hey, you fellas!
44:20Hey, there!
44:22Straight to the woman for the kid!
44:26How about her?
44:28It's a little bit better!
44:34Here!
44:38Hey, fellas!
44:39What's the matter with you, you deep?
44:42I think you're the woman for the kid.
44:44Did you get it?
44:45No!
44:46Not in a million years!
44:50Don't worry little partner I wouldn't give you up for anything
45:20I'd like to try me for the woman
45:42Sure you're on cut off with your hands in the air and we'll send the woman at the same time
45:56There's one cartridge left, but I'll get an idea
46:16Come on
46:18Come on
46:24Be sure and use that last bullet right
46:32Come on
46:36Be sure and use that last bullet right
46:42Come on
46:44Come on
46:48Am
47:44Keep going, Clara, no matter what happens.
48:14Let's go.
48:15Let's go.
48:16Let's go.
48:17Let's go.
48:18Let's go.
48:19Let's go.
48:20Let's go.
48:21Let's go.
48:22Let's go.
48:23Let's go.
48:24Now, rush them.
48:25Now, rush them.
48:55Help!
49:05Help!
49:07Help!
49:11That kid's coming!
49:13No, no, he's not!
49:23That kid's coming to me!
49:25No, no, he's not!
49:43I was!
50:11Where's Nina?
50:12Black hookers!
50:42Black hookers!
51:12Black hookers!
51:42Black hookers!
51:44Black hookers!
51:45Black hookers!
51:46Black hookers!
51:47Black hookers!
51:48Black hookers!
51:49Black hookers!
51:50Black hookers!
51:51Black hookers!
51:52Black hookers!
51:53Black hookers!
51:54Black hookers!
51:55Black hookers!
51:56Black hookers!
51:57Black hookers!
51:58Black hookers!
51:59Black hookers!
52:00Black hookers!
52:01Black hookers!
52:02Black hookers!
52:03Black hookers!
52:04Black hookers!
52:05Black hookers!
52:06Black hookers!
52:07Black hookers!
52:08Black hookers!
52:09Black hookers!
52:10Black hookers!
52:11Let's go.
52:41Let's go.
53:11Let's go.
53:41Let's go.