Of Human Bondage is a 1934 American drama film directed by John Cromwell, based on W. Somerset Maugham's novel. The story follows Philip Carey, a sensitive and physically disabled medical student, who becomes entangled in a toxic and self-destructive relationship with Mildred Rogers, a cruel and manipulative waitress. Philip’s infatuation with Mildred leads to a tumultuous emotional journey of obsession, rejection, and ultimate self-realization. The film features a riveting performance by Bette Davis, whose portrayal of Mildred garnered critical acclaim and established her as one of Hollywood’s leading actresses.
Credits:
Director: John Cromwell
Producer: Pandro S. Berman
Starring: Leslie Howard, Bette Davis, Frances Dee
Screenplay: Lester Cohen
Cinematography: Henry W. Gerrard
#OfHumanBondage1934 #BetteDavis #ClassicHollywood #DramaFilm
Credits:
Director: John Cromwell
Producer: Pandro S. Berman
Starring: Leslie Howard, Bette Davis, Frances Dee
Screenplay: Lester Cohen
Cinematography: Henry W. Gerrard
#OfHumanBondage1934 #BetteDavis #ClassicHollywood #DramaFilm
Category
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Short filmTranscript
00:00:00.
00:02:00Yes, monsieur?
00:02:01Could I speak to you for a moment?
00:02:05Well, I've been studying painting with you for some time now.
00:02:10Do you think it's worth my while to go on?
00:02:12Why do you ask?
00:02:14Well, I feel there's no sense in my staying here unless I have talent.
00:02:17If you are not certain about your talent, why did you stay until now?
00:02:21Because all this is so, so beautiful to me.
00:02:24In my youth, it was all so beautiful to me.
00:02:28But now, it is the city of lost illusions.
00:02:31Is your studio very far?
00:02:33No, not very.
00:02:35Let us go there.
00:02:36You will show me what you have done.
00:02:37Yes.
00:02:46Have you any money?
00:02:48A little.
00:02:49Not enough to live on.
00:02:57Then I must tell you, there is no talent here.
00:03:01Merely industry and intelligence.
00:03:03You will never be anything but mediocre.
00:03:06And it is very cruel to discover one's mediocrity only when it is too late.
00:03:12I know.
00:03:15Do you see that?
00:03:16That name does not belong there.
00:03:19It belongs somewhere else.
00:03:20Take your courage in both your hands and make something of your life.
00:03:34Have you anything in mind?
00:03:36Well, you see, I have my limitations.
00:03:42My father was a doctor.
00:03:43I've always been interested in medicine.
00:03:45And if one can't be great, at least one can be of some use to people.
00:03:50The End
00:04:20I don't know why I should have such a thing upon my bird. I don't. I've never had a day's illness in my life. You look at me to know that.
00:04:43It's what we call a winter cough. A great many middle-aged women have it. Well, I've never. That's a nice thing to say to a lady.
00:04:50No one's ever called me middle-aged before. Oh, it's time you got used to it. All the same, you're a nice one, dearie.
00:04:56Unfortunately, I can't say the same for you. Good day, madam. That'll be all now. The rest you come back tomorrow. Get him ready. All right, sir.
00:05:05Are you the boy's father? Yes, sir. What's the matter with you now? You see well enough what the matter is. The boy has a club foot.
00:05:22Oh, uh, Carrie, you better take this case. It's a subject you ought to know something about.
00:05:35It's only for the looks of the thing, you know. I don't find it no trouble. Don't you? That's wonderful. I always did.
00:05:44Oh, that's because you let them go on at you. You seem to be a little slow, Carrie. I think I'll have to instruct the class.
00:05:50There are many varieties of club feet. This is one of the less interesting.
00:05:55Yours would probably prove more interesting. You have telepizaquinus, haven't you?
00:06:00Yes, I believe so. Don't mind taking off a sock, do you, Carrie?
00:06:02No, not at all.
00:06:25Keeps his feet nice and clean, doesn't he?
00:06:26Hmm, yes, just as I thought. Telepizaquinus. Malformation requiring you to walk on the outside of the foot.
00:06:36A very interesting example, I must say.
00:06:39Do you mind if I have a look?
00:06:43Congenital club foot. In simple language, a foot twisted inward. The cause of this twisting is not clear.
00:06:49Hereditary inference plays a part here, as pointed out by Dr. Little, who traces recurring deformity through four generations.
00:06:55Well, then, you've quite finished.
00:07:01I say, old man, I like that.
00:07:04French, isn't she?
00:07:05Yes, she was a model in Paris.
00:07:07You know, I can't for the life of me understand why you gave up painting.
00:07:11I'd rather look at that all day long than at this.
00:07:15Woman, you know.
00:07:16You can tell by the pelvis.
00:07:18Yeah. I like them with a little more...
00:07:24Oh, there's life in the old girl yet. Don't inhale, dearie.
00:07:27I say, I've got to be getting along. It's a little matter of a barmaid at the crown and anchor. And very nice, too.
00:07:35And very nice, too.
00:07:37Cheerio.
00:07:38Funny fellow, isn't he?
00:07:40I say, Carrie, it must have been wonderful having that life in Paris.
00:07:43Well, it was.
00:07:44And do you mean that you really knew all those fascinating women?
00:07:48Well, some of them.
00:07:49I see, you're just the man I'm looking for. I wonder if you couldn't help me.
00:07:52In what way?
00:07:53Well, there's a girl, and I can't get anywhere with her.
00:07:57And you've been to Paris, and all that.
00:07:59I'm sure you could say something that would give me a starter.
00:08:01I'd ask Griffiths, only he couldn't do it and remember whom he was doing it for.
00:08:05Oh, but you're just the man.
00:08:07You know, say something to make her laugh.
00:08:14What?
00:08:15You don't believe it?
00:08:16You are too suspicious.
00:08:23I see.
00:08:29She's marvelous, isn't she?
00:08:31No, she's anemic.
00:08:42You don't suppose she likes that bounder, do you?
00:08:45Of course.
00:08:47Now's your chance.
00:08:48Say something.
00:08:53Well, I see your friend's going.
00:08:55I don't know what you mean.
00:08:57I was referring to the nobleman with the sandy mustache.
00:09:01Has he left you for another?
00:09:05Some people would do better to mind their own business.
00:09:10Why?
00:09:14You have a very nice back.
00:09:16Am I on speaking terms with your back?
00:09:18Woman, you know.
00:09:19You can tell by the pelvis.
00:09:21And that calls himself a gentleman.
00:09:27I apologize.
00:09:29What for?
00:09:30I promised you something charming.
00:09:31And she's turned out to be ill-natured and contemptible.
00:09:34I'm sorry I let you in for it.
00:09:35Oh, that's all right.
00:09:36You don't suppose I care what an anemic little waitress says to me, do you?
00:09:39Well, I do.
00:09:42I must be going.
00:09:44Coming along?
00:09:45No, I think I'll have some more tea.
00:09:47I'll have some more tea.
00:09:58I'll have some more tea.
00:10:00I'm sorry.
00:10:05Anything you want?
00:10:20Yes, if you don't mind, I'd like to talk to you.
00:10:23Um, filthy weather, isn't it?
00:10:27Makes no difference to me.
00:10:28I have to be here all day.
00:10:30Oh, don't talk like that.
00:10:31I only wanted to say something pleasant.
00:10:33Well, say it.
00:10:35You know, you have a lovely smile.
00:10:38You should use it more often.
00:10:40Now, don't go spooking me.
00:10:42A girl that works hard all day like I do
00:10:44don't have much reason to smile.
00:10:47Perhaps I can find a reason.
00:10:50Will you let me try?
00:10:52Well, I don't know whether I will or whether I won't.
00:10:55Well, I hope you'll decide you will.
00:10:57I don't know.
00:10:58I hope you'll be right back.
00:10:58I'm not sure.
00:10:59I don't know.
00:10:59I don't know.
00:11:00I don't know.
00:11:00I don't know.
00:11:01I don't know.
00:11:02I don't know.
00:11:02I don't know.
00:12:03Like that, and that, like so.
00:12:09Like so.
00:12:39Like that, it's a nice little hand.
00:12:40Excuse me, won't you?
00:12:49Yeah, yeah.
00:12:50How do you do?
00:12:51You seem to be in a great hurry.
00:12:52Well, I've been waiting ten minutes.
00:12:56I didn't know you could drop.
00:12:58Didn't you?
00:12:59That meant to be me.
00:13:00Looks like you, doesn't it?
00:13:01Well, if you look at it that way.
00:13:02Tea?
00:13:03I didn't know you could drop.
00:13:04Didn't you?
00:13:05That meant to be me.
00:13:06Looks like you, doesn't it?
00:13:07If you look at it that way.
00:13:08Tea?
00:13:09You are a strange sort.
00:13:10I say, will you dine with me sometime?
00:13:11And we'll go to the theatre.
00:13:12I don't mind.
00:13:13When will you come?
00:13:14I'm off Thursdays.
00:13:15All right, shall we say Thursday?
00:13:16Seven o'clock, Victoria Station.
00:13:17All right.
00:13:18I'll meet you in Victoria in the second class waiting room.
00:13:24Thank you, sir.
00:13:25Thank you, sir.
00:13:28You are a strange sort.
00:13:30I say, will you dine with me sometime?
00:13:31And we'll go to the theatre?
00:13:32I don't mind.
00:13:33When will you come?
00:13:34I'm off Thursdays.
00:13:35All right.
00:13:36Shall we say Thursday?
00:13:37Seven o'clock, Victoria Station.
00:13:38All right.
00:13:39I'll meet you at Victoria in the second class waiting room.
00:13:45All tickets, please.
00:13:46Show your tickets.
00:13:47All tickets, please.
00:13:48Show your tickets.
00:13:49All tickets, please.
00:13:50Show your tickets.
00:13:51All tickets, please.
00:13:52Show your tickets.
00:13:53All tickets, please.
00:13:54Show your tickets.
00:13:55All tickets, please.
00:13:56Show your tickets.
00:13:57All tickets, please.
00:13:58Show your tickets.
00:13:59All tickets, please.
00:14:00Both trains, fast forward 19.
00:14:02All tickets, please.
00:14:03Show your tickets.
00:14:04All tickets, please.
00:14:05Show your tickets.
00:14:06All tickets, please.
00:14:07All tickets, please.
00:14:09All tickets, please.
00:14:10All tickets, please.
00:14:12All tickets, please.
00:14:13All tickets, please.
00:14:14All tickets, please. Show your tickets.
00:14:18All tickets, please. Show your tickets.
00:14:22All tickets, please. Show your tickets.
00:14:26All tickets, please.
00:14:30Boat train, platform 19. All tickets, please.
00:14:38Well, I thought you were never coming. I like that!
00:14:42You're keeping me waiting. I almost went home.
00:14:46I was in the second-class waiting room. I thought you said you'd be there.
00:14:50Now I say. Is it likely I'll sit in the second class when I could sit in the first?
00:14:54For a gentleman of brains, you don't use them, do you?
00:14:58Perhaps not. Anywhere you're here, so it's all right, isn't it?
00:15:02Certainly do make a girl feel important to you.
00:15:06I love that music.
00:15:10Whenever I hear it, I think of you.
00:15:14How pale you are.
00:15:18How strange, how cold.
00:15:22You are going it.
00:15:26Do you always order champagne?
00:15:30No.
00:15:32Then why'd you do it now?
00:15:34I was hoping it would make you more friendly.
00:15:40Do you think it will?
00:15:42Do you think it will?
00:15:44Well, there's one thing I can say for you.
00:15:48A gentleman in every sense of the words.
00:16:12A gentleman in every sense of the words.
00:16:18May I see you again?
00:16:20I don't mind.
00:16:22Doesn't it make any difference to you?
00:16:24No.
00:16:26You don't take me out, someone else will.
00:16:30I'll say goodnight here.
00:16:42Won't you stay for a moment?
00:16:44No.
00:16:45Why not?
00:16:46Why?
00:16:47People would think I don't know what all.
00:16:50I'll say goodnight here.
00:16:52Won't you stay for a moment?
00:16:53No.
00:16:54Why not?
00:16:55Why?
00:16:56People would think I don't know what all.
00:16:58Why not?
00:16:59Why?
00:17:00People would think I don't know what all.
00:17:28Why not?
00:17:30Why not?
00:17:32I'm so happy,
00:17:47I love that music.
00:18:03Whenever I hear it, I think of you.
00:18:07Whenever I hear it, I think of us.
00:18:17I've never danced with anyone who danced like you.
00:18:47I've been looking for you all my life.
00:19:12You don't seem to have much to do with your time.
00:19:14I should be studying.
00:19:16Then why don't you?
00:19:17Well, I'd rather see you.
00:19:19Any of the girls notice you're waiting for me?
00:19:22I don't know.
00:19:23Why, what difference does it make?
00:19:24They all laugh at you, you know.
00:19:26Do they?
00:19:27Why?
00:19:28They say you're in love with me.
00:19:36May I call you Militant?
00:19:38I don't mind.
00:19:39Look here.
00:19:40Don't say that any more, will you?
00:19:42Why not?
00:19:43Well, alternate, I'll call you Mildred.
00:19:45And you call me Philip, will you?
00:19:46I think of it.
00:19:47I, um...
00:19:48I'm a little awkward at this, but...
00:19:49Will you kiss me goodnight?
00:19:50No.
00:19:51Oh, Mildred.
00:19:52Will you come to the theatre with me on Saturday?
00:19:53I don't mind.
00:19:54You're sure they're for Saturday?
00:19:55Certainly.
00:19:56I don't mind.
00:19:57You're sure they're for Saturday?
00:19:58Certainly.
00:19:59I'm a little awkward at this, but...
00:20:01Will you kiss me goodnight?
00:20:02No.
00:20:03Oh, Mildred.
00:20:04Will you come to the theatre with me on Saturday?
00:20:07I don't mind.
00:20:17You're sure they're for Saturday?
00:20:18Certainly.
00:20:26My name is Mildred.
00:20:40Emile Mildred.
00:20:41We should know each other.
00:20:42Why?
00:20:43Well, we are both interested in the same thing.
00:20:46Thing?
00:20:47My dear young man, you are so, uh...
00:20:50so, uh...
00:20:52artistic.
00:20:53You, you should be more...
00:20:56like so.
00:20:58Thanks.
00:20:59Thanks very much.
00:21:00That's, uh...
00:21:01That's all right.
00:21:02Hip change?
00:21:08Oh, what time should I see you?
00:21:11Oh, I forgot to tell you, Philip.
00:21:12I can't go.
00:21:13Why not?
00:21:14Me aunt's ill.
00:21:20Oh.
00:21:21Oh.
00:21:29What's the sense in that?
00:21:30You don't suppose I want to go by myself, do you?
00:21:33I only got them for your sake.
00:21:35Well, you needn't go on about it.
00:21:37You're spying on me.
00:21:38I always thought you was a gentleman with every sense of the word.
00:21:52Are you going out with Miller?
00:21:53No.
00:21:54Well, what if I am?
00:21:55I can go out with him if I want to.
00:21:56Can't I?
00:21:57He's keeping you waiting, isn't he?
00:21:58Well, I'd rather wait for him than if you wait for me.
00:22:00Won't you change your mind?
00:22:01I'll get some more tickets and we'll...
00:22:02No.
00:22:03Violet.
00:22:04Violet.
00:22:05Sweet Violet.
00:22:06Sweet Violet.
00:22:07Stop him to bun.
00:22:08Well, what if I am?
00:22:09I can go out with him if I want to.
00:22:10Can't I?
00:22:11Violet.
00:22:12Sweet Violet.
00:22:13Stop him to bun.
00:22:14He's keeping you waiting, isn't he?
00:22:15Well, I'd rather wait for him than if you wait for me.
00:22:18Violet.
00:22:19Sweet Violet.
00:22:20Stop him to bun.
00:22:21Violet.
00:22:22Sweet Violet.
00:22:23Stop him to bun.
00:22:24Violet.
00:22:25Want you change your mind?
00:22:28I'll get some more tickets and we'll...
00:22:29No.
00:22:30Violet.
00:22:31Sweet Violet.
00:22:32Drop him to bun.
00:22:34Violet.
00:22:35Violet.
00:22:37Violet.
00:22:38You keep looking for him the way I look for you.
00:22:41Violet.
00:22:42Violet.
00:22:43Violet.
00:22:45If you don't come out for me tonight,
00:22:46you will never see me again.
00:22:48Good riddance to bad rubbish.
00:22:50Violet.
00:22:51I can't be there.
00:23:21Come on, let's go!
00:26:38Yes, thank you.
00:26:44And so do I.
00:26:46What do you mean?
00:26:48I'm sorry.
00:26:51I didn't mean...
00:26:53You're a bit too superior for me, my fine young friend.
00:26:55Hm?
00:26:56Mildred.
00:26:57Of course you don't like me. I'm a cripple.
00:27:02Oh, Bill, just that.
00:27:03Oh, yes, I've filled it all along.
00:27:06Foolish.
00:27:10My hat, silly.
00:27:12You are clumsy.
00:27:27You're off your nut. You don't know what you're doing.
00:27:30What sort of practice can you expect to have with a wife like that?
00:27:33I don't know. Let me ask you something.
00:27:35Why do you want to marry this girl?
00:27:39Because I'm so in love with her.
00:27:43Oh.
00:27:47Oh.
00:27:57That ring with the little design is very popular, sir.
00:28:00We celebrate many of them. They're 30 shillings.
00:28:05Thank you, sir.
00:28:07Hello.
00:28:08Were you surprised by asking you to take me to dinner tonight?
00:28:12I was delighted.
00:28:14Were you?
00:28:15Yes.
00:28:16Why?
00:28:17Oh, I don't know. You've been so sweet of me all day,
00:28:19and I've got something to ask you, and it makes it so much easier for me.
00:28:23It makes it easier for me, too.
00:28:26I've something to tell you.
00:28:27No, no, no. Let me tell you first.
00:28:32There it is.
00:28:36I want you to marry me.
00:28:38I'm so sorry, Philip.
00:28:40That's just what I was about to tell you.
00:28:43I shouldn't have waited so long.
00:28:45The fact is...
00:28:48I'm going to be married.
00:28:53Are you?
00:28:55To whom?
00:28:56A man I know.
00:28:58He earns very good money.
00:29:01Yes, I'm...
00:29:02I'm sure of it.
00:29:04Now, you won't go on about it, will you, Philip?
00:29:09All right.
00:29:10I'm getting on.
00:29:11Twenty-four.
00:29:13It's time I settled down.
00:29:15The gentleman earns seven pounds.
00:29:16Whitney's got good prospects.
00:29:18Well, this is goodbye.
00:29:20I hate to eat and run, Philip, but...
00:29:22Well, I have an engagement.
00:29:24I'm going to the theatre with the gentleman I'm going to marry.
00:29:26He's got ready to marry.
00:29:27I'm going to marry him.
00:29:28And we'll marry him.
00:29:29I'm going to marry him.
00:29:32Well, I'm going to marry him.
00:29:33I'm going to marry him.
00:29:34I'm going to marry him.
00:29:35All the ladies, soldiers of the day, love me tonight, if you're coming here.
00:29:53Love me tonight, all the ladies.
00:29:57Love me tonight, ladies, soldiers of the day, if you're coming here.
00:30:02Love me tonight, all the ladies.
00:30:05All the ladies, soldiers of the day, love me tonight, if you're coming here.
00:30:11Love me tonight.
00:30:15All the ladies, soldiers of the day, if you're coming here.
00:30:19Love me tonight.
00:30:21All the ladies, all the ladies, soldiers of the day.
00:30:24THE END
00:30:54Have you seen her since?
00:31:12No
00:31:12Well, London is the largest city in the world
00:31:16And you know the cure for one woman
00:31:18Another
00:31:19Right-ho
00:31:21Nora
00:31:32You don't read such junk, do you?
00:31:36No, I write it
00:31:37What?
00:31:39That's how I earn my living
00:31:40I didn't earn
00:31:42Successful?
00:31:44Very
00:31:44I have an immense popularity amongst kitchen maids
00:31:47And they think me so refined
00:31:49Let's not talk about that
00:31:55Let's talk about us
00:31:59Nora
00:32:12You're not really fond of me, are you?
00:32:17Clever boy
00:32:18You ask such foolish questions
00:32:21Oh, my dear
00:32:22It never struck me that you could be
00:32:23Pleased
00:32:25Delighted
00:32:26And so proud
00:32:28And so happy
00:32:28And so
00:32:29So grateful
00:32:30I wish you hadn't been in love with
00:32:33What was her name?
00:32:36Mildred
00:32:37Because if she hadn't treated you so abominably
00:32:41It wouldn't have taken you so long
00:32:43To understand how I feel
00:32:44I saw you
00:33:04I wasn't very quick
00:33:07Let's go out and play
00:33:09Not until you've passed that exam
00:33:39Tell me, darling
00:33:46What do you get out of this?
00:33:49You'll never know
00:33:50Afraid you don't get much fun with me
00:33:53I wish
00:33:55If only I could take you dancing
00:33:58I know how you love it
00:34:01Philip, it's very silly of you
00:34:03To be so sensitive about your foot
00:34:04You know, other people don't think about it
00:34:07Nearly as much as you do
00:34:08They notice it when they first see you
00:34:11And after that, they forget all about it
00:34:12You know, I only speak of it
00:34:18Because I love you
00:34:18And I don't want it to make you unhappy
00:34:21Now, will you please stay here
00:34:25And go on cramming for that exam
00:34:27There's a lady to see you, sir
00:34:41Oh, is there?
00:34:42I shouldn't have let her in
00:34:43But she was that upset
00:34:45I just
00:34:45Nora
00:34:46What do you want?
00:34:55I don't think I'd ever see you again
00:35:02I don't think I'd ever see you again
00:35:03I don't think I'd ever see you again
00:35:07What's the matter?
00:35:14He's left me
00:35:15Emo
00:35:17Oh, has he?
00:35:23Yes
00:35:23I'm going to have a baby
00:35:27Well, why don't you sit down
00:35:47I suppose you want him back
00:35:58He'll never come back
00:36:00Why not?
00:36:02He just won't, that's all
00:36:04If you're his wife, he has to provide for you
00:36:06He won't give me anything
00:36:09Even if he did, I wouldn't take it
00:36:16Why not?
00:36:18Nora, what's happened?
00:36:20I've still got me pride
00:36:21That's something, isn't it?
00:36:27Have you got any money?
00:36:30No
00:36:30Well, you'd better get yourself a place to live
00:36:35After that, we'll see what can be done
00:36:38Oh, Philip
00:36:40You're always so good to me
00:36:42That's why I knew I could come to you
00:36:44Now, look here, Mr. Miller
00:36:52I'd like to know what you intend to do about Mildred
00:36:55I?
00:36:56What you expect me to do?
00:36:58Well, I expect you to take care of her
00:36:59You married her, you know
00:37:00I?
00:37:02I married Mildred?
00:37:03Ah, I'm married to
00:37:06Stephen 1
00:37:10Well, all the same
00:37:17I'd still like to know what you intend to do about it
00:37:19Me?
00:37:21I can do nothing
00:37:22One man cannot solution the problem of the unmarried mother
00:37:25Why didn't you tell me?
00:37:37I just couldn't
00:37:39Well, brace up
00:37:43Everything will be all right
00:37:55Philip
00:38:05Do you still
00:38:09Like me?
00:38:15Really?
00:38:18Strange as it may seem
00:38:19I always have
00:38:20I suppose I always shall
00:38:22I did everything I could
00:38:25To make you love me
00:38:26I thought you were incapable of loving anybody
00:38:29It seems horrible to think that
00:38:33That you were willing to sacrifice everything for that man
00:38:36I'm awfully sorry, Philip
00:38:37I shall never forget you wanted to marry me
00:38:55Philip
00:38:57Yes?
00:39:01You've been so nice to me
00:39:03I'll do anything you want
00:39:08Will you?
00:39:11Why?
00:39:12Why, I owe it to you
00:39:13Oh, do you?
00:39:17You're not angry?
00:39:25No
00:39:26Then will you stay and have some dinner?
00:39:34Yes, if you want me to
00:39:36Of course, Philip
00:39:38Nothing could like me more
00:39:40Just a moment
00:39:42I'll have everything ready
00:39:43Come on
00:39:56I'll have everything ready
00:39:57Come in.
00:40:26Hello, darling.
00:40:27Nora, how did you happen to come?
00:40:33Just passing by.
00:40:37I wanted to rub my nose against your door.
00:40:43Philip, why haven't I heard from you?
00:40:47I was just going to write.
00:40:49Why haven't you come to see me?
00:40:51Well, I've been busy.
00:40:53Why so silent?
00:40:59Well, you see,
00:41:01Nora, I've got something strange to tell you.
00:41:07You've been so good to me, it only makes it harder.
00:41:12Philip, what's wrong?
00:41:13I'm sorry. It's just over.
00:41:17You mean you don't care for me anymore?
00:41:21I'm afraid so.
00:41:23What have I done?
00:41:24Nothing.
00:41:25You've been wonderful to me.
00:41:27It's just that I...
00:41:28Of course, I knew you never loved me as much as I loved you.
00:41:37Yes, I'm afraid that's usually the case.
00:41:40There's usually one who loves.
00:41:43And one who is loved.
00:41:45Oh, it's always the same.
00:41:47If you want a man to be nice to you, you have to be rotten to him.
00:41:52If you treat a man honestly, you...
00:41:54Philip, there's someone else.
00:42:05Yes.
00:42:08Who is she?
00:42:10Mildred.
00:42:12She's come back.
00:42:15After all she's done,
00:42:19how could you?
00:42:21That's what I'd like to know.
00:42:22Just as though you were bound to her in some way.
00:42:29Yes.
00:42:30As I am to you.
00:42:33As she was to Miller.
00:42:36As every human being is.
00:42:39To something or other.
00:42:52Funny-looking little thing, isn't it?
00:42:57I can't believe it's mine.
00:42:59No, if you'll excuse me.
00:43:09So glad it's over, darling.
00:43:12You've been so good to me, Philip.
00:43:14From now on, things will be different.
00:43:16Now, you will take good care of her, won't you?
00:43:26That I will, Mum.
00:43:31Good day.
00:43:32Good day.
00:43:32Good day.
00:43:37I know you don't like it, Philip.
00:43:39I can't do anything else if I'm going to work.
00:43:42No, I suppose not.
00:43:45But be sure and go over on Sundays
00:43:46and see the baby's properly taken care of.
00:43:49I will.
00:43:53What are we going to do this afternoon?
00:43:56I asked Griffiths to come over.
00:43:59Oh, did you?
00:44:01Why?
00:44:02Well, I know you find him amusing,
00:44:04and I, I'm always afraid of boring you.
00:44:15Hello, hello, hello.
00:44:17Sorry I'm late.
00:44:19Had to get rid of a girl.
00:44:21Why didn't you bring her along?
00:44:22Oh, I'm not interested in my girl.
00:44:24I'm only interested in other men's girls.
00:44:27Do you like me?
00:44:34Really, I'm too hungry to know.
00:44:37But I think I like you lots.
00:44:39I'd like you a lot more if you got him
00:44:41to take us out to dinner tonight.
00:44:43And if you do, I'll tell you some funny stories.
00:44:44And you'll laugh and think you're having a wonderful time.
00:44:46What will he do?
00:44:48Oh, pay the bill.
00:44:50What's that, Bill?
00:45:05Your missus?
00:45:05I'm sorry.
00:45:06I thought it was your sister.
00:45:07Good night, Philip.
00:45:35Good night, Philip.
00:45:37Just a moment.
00:45:53Are you in love with Mildred?
00:45:55I?
00:45:58So that's what you've been so funny about, huh?
00:46:01Why, my dear old boy, I...
00:46:02It doesn't matter to you, Harry.
00:46:04You've got so many women.
00:46:04Don't take Mildred away from me.
00:46:09But my dear old boy, she's nothing to me at all.
00:46:13Nothing at all.
00:46:13Nothing at all.
00:46:14You like it, Philip?
00:46:27Very much.
00:46:33So nice of you to give it to me.
00:46:36What are you thinking about?
00:46:46You were having quite a flirtation with Griffiths last night.
00:46:49Yes, I was, wasn't I?
00:46:52As a matter of fact, well...
00:46:53I'm sort of in love with him.
00:46:55Well, I'm not surprised.
00:46:58Why, what do you mean?
00:46:59Well, Griffiths is good looking.
00:47:01He's amusing.
00:47:01He says the kind of things that make you laugh.
00:47:03Ah, thank you not to make fun of me.
00:47:04You're a bit too superior for me, my fine young friends.
00:47:06Oh, good heavens, Mildred.
00:47:07I wasn't making fun of you.
00:47:08Well, you certainly don't act if it's serious.
00:47:10Well, I don't think it is.
00:47:11Oh, you don't, eh?
00:47:11Why not?
00:47:12Because Griffiths isn't in love with you.
00:47:13How do you know?
00:47:14I asked him.
00:47:15Would you like to read a letter I got from him this morning?
00:47:28I've been up all night thinking about you.
00:47:31And I've just sent for a special messenger who will take this to you in the dawn.
00:47:37You've no notion of the time I had with your friend last night.
00:47:41He kept asking me if I love you, and of course, what could I say?
00:47:47He'll doubtless tell you all this, so I'm making sure that you...
00:47:56Well, I won't help it if I love him, can I?
00:48:03No, I suppose not, but...
00:48:05Then what's it going on about?
00:48:06Nothing.
00:48:08Only I was fool enough to think that you cared for me.
00:48:11I do, Philip.
00:48:12As a friend.
00:48:15Not in any other way.
00:48:18But you do care for Griffiths in the other way.
00:48:23But you're...
00:48:24You're rather cold.
00:48:25That sort of thing doesn't mean anything to you.
00:48:30That's what you think.
00:48:33Oh.
00:48:41There's no use going on about it, Philip.
00:48:44Said yourself I couldn't help it if I'm in love with him.
00:48:54Well, if there's anything else to be said, say it.
00:48:56That's a nice dress you have on, Mildred.
00:49:02I couldn't afford it, but I paid for it.
00:49:06You have a nice apartment.
00:49:07I couldn't afford it, but I paid for it.
00:49:09If you're a gentleman, do you think you'd throw what you've done for me in the face?
00:49:12Do you think it matters to me whether I'm a gentleman or not?
00:49:15If I were a gentleman, you don't suppose I'd care for a cheap bug a little...
00:49:20I'm sorry, Philip.
00:49:23I didn't want to end this way.
00:49:29Harry's waiting for me.
00:49:31What do you intend to do?
00:49:33We're going to Paris.
00:49:36Get out.
00:49:38Get out.
00:49:39Get out.
00:50:09Get out.
00:50:26Get out.
00:50:30I've moved three times.
00:50:32And each time this woman's hounded me down.
00:50:36I don't like to do this, but...
00:50:38All right, sir, I'll move on.
00:50:41Come on, young lady, you can't stay here.
00:50:43Come on now.
00:51:08Look here, Cary, Mildred and I are all washed up.
00:51:10That's too bad.
00:51:12If you'll excuse me, I'm due in the ward.
00:51:35Anything interesting, Cary?
00:51:37I was just thinking what an unusual name you have.
00:51:41It's a very old Yorkshire name.
00:51:43Once took a day's riding to cross our estates.
00:51:45And here I am in a charity hospital
00:51:47because my father loved fast women and slow horses.
00:51:51How the mighty are fallen!
00:51:57Hello!
00:51:58Hello, Father.
00:52:00This is my daughter, christened Maria del Sol.
00:52:02Her mother always called her Sally.
00:52:04This young man is a student here.
00:52:06He's been very nice to me.
00:52:08And with some inducement, he might be nice to you.
00:52:10Now, Father,
00:52:12Father's particular genius is saying the wrong thing.
00:52:14He thinks it's fun to embarrass me.
00:52:16It is!
00:52:17Why don't you try it sometime, Cary?
00:52:18I will if I get the chance.
00:52:19You shall have it.
00:52:20You're coming to see us the first Sunday I'm home.
00:52:22Oh, yes, please do.
00:52:36Oh, yes, please do.
00:52:52What a quaint house.
00:53:05Yes, it is, but it's not very sanitary.
00:53:08Sanitation be hanged.
00:53:09Give me art.
00:53:10I've got nine children, and they thrive on bad dreams.
00:53:14Look at that now.
00:53:16I am, with great admiration.
00:53:17Shall I bring the ale, Father?
00:53:23Right, my girl.
00:53:23The sooner the better.
00:53:27I hope you didn't have the table in here on my account.
00:53:29I'd have been quite happy to have had dinner with Mrs. Affleynier and the children.
00:53:32Oh, no.
00:53:33I always take meals by myself.
00:53:35I like these antique customs.
00:53:38I don't think women ought to sit down at table with men.
00:53:41Oh, don't you?
00:53:41Why not?
00:53:42It ruins conversation.
00:53:46I'm sure it's very bad for them.
00:53:47Puts ideas in their heads.
00:53:49And women are never at ease with themselves when they have ideas.
00:53:53You sound like the voice of old England.
00:53:55I am, sir.
00:53:56And it's this fine old Yorkshire pudding that gives me strength to carry on.
00:54:01Now, stop getting up and down like a jumping jack every time she comes into the room.
00:54:04She doesn't want you to make a fuss about her, do you, Sally?
00:54:07And she won't look at rude if you sit still while she waits on you.
00:54:11She don't care to hang for chivalry, do you, Sally?
00:54:15No, Father.
00:54:15You speak quietly while I eat the young man so boldly.
00:54:22Yes, Father.
00:54:24You know what I'm talking about, Sally?
00:54:26How could I, darling?
00:54:28You're so clever.
00:54:30Don't stand behind my chair in order to make eyes at him.
00:54:34Better get Philip some more ale.
00:54:35Let us thank God for simple pleasures, a good appetite, roast beef and beer.
00:54:55I was married to a lady once.
00:55:01Good heavens.
00:55:03Never marry a lady, my boy.
00:55:05Oh, really?
00:55:06Why?
00:55:06Because a lady has a point of view, a personality and an individuality.
00:55:11All to double you with.
00:55:13Hang it all you want a waifu, and cook your dinner, and look after your children.
00:55:17Don't you think so, Sally?
00:55:19Father, I think you'd talk the hind leg off a donkey.
00:55:22Well, it's clean fun.
00:55:23Now, Sally, wait it on me, I'll wait on you.
00:55:26Take my chair here.
00:55:27While I fetch you and the young man some cheese.
00:55:30Thank you, Father.
00:55:31What do you think of us?
00:55:35You don't know what this means to me.
00:55:37You see, I practically never had any family.
00:55:39This is almost the only place I've ever known that's had the quality of, of home.
00:55:45Don't you think we're a little queer?
00:55:48Everyone's queer but me and thee.
00:55:51And sometimes thee is a little queer.
00:55:55Well, thank you, Father.
00:56:03It's no use mooning over our Carrie.
00:56:06Sally never kisses a gentleman until he's been here twice.
00:56:14You must ask me again sometime.
00:56:17Do it yourself.
00:56:20Why don't you come next Sunday?
00:56:36¿Por qué?
00:56:43It's very beautiful.
00:56:54You make sure you come next Sunday.
00:56:57Good night.
00:56:58Good night.
00:56:58Bye.
00:56:59Bye.
00:57:00Bye.
00:57:02Bye.
00:57:05Bye.
00:57:06May I walk to the station, will you?
00:57:13No.
00:57:13Why not?
00:57:15It's too late, and you're a child.
00:57:17I'm 20.
00:57:18Let's talk it over when you're 30.
00:57:36Did you hear what I said, old man?
00:57:39Yes, I heard.
00:57:41Sorry if I brought up a painful subject,
00:57:44only I thought you'd be interested to hear about Mildred.
00:57:47Sorry she's had such a bad time.
00:57:49I gave her all I could, but you know me, always stony broke.
00:57:53I thought perhaps you'd want to...
00:57:55I can't do anything.
00:57:57Got another cigarette?
00:58:00I don't blame you.
00:58:02I wouldn't have told you, only she asked me to give you her address.
00:58:07Gave you a bit of a jolt, I can tell you,
00:58:08seeing her lugging that baby around and asking for something to eat.
00:58:12She has the baby with her?
00:58:14Yes.
00:58:15It's not difficult to imagine her next step.
00:58:36I don't know.
00:58:43Baby, all right?
00:59:09I'm very grateful to you, Philip.
00:59:14If I could afford it, I'd have given you a place of your own.
00:59:18As it is, you're welcome to my room.
00:59:21I don't know what will become of me and...
00:59:24and baby.
00:59:25You hadn't taken us in.
00:59:27Oh, you'd have got on, I expect.
00:59:30You've always been much nicer to me than I deserved.
00:59:34I'm beginning to realise how silly I've been.
00:59:37Well, you couldn't help how you felt.
00:59:39Let's not talk about it, shall we?
00:59:42I don't feel like that now.
00:59:45Okay, Mildred.
00:59:46Let's have no misunderstanding about this.
00:59:49The reason you're here is because...
00:59:50I know.
00:59:52Because you once liked me enough to want to marry me.
00:59:58Yes.
01:00:00Well, at least I can cook for you and keep your flat clean.
01:00:04maybe some day you'll...
01:00:10you'll feel better about me and...
01:00:13things will be like they used to be.
01:00:20Oh, thanks.
01:00:21I'll smoke it later.
01:00:26Well...
01:00:27good night.
01:00:29Good night.
01:00:33Good night.
01:00:57The landlady came up with me.
01:01:27The landlady came upstairs a little while ago, she said.
01:01:30Mrs. Carey, she said.
01:01:32How can you stand it?
01:01:36Well, what's the matter with them?
01:01:38They're indecent.
01:01:39Disgusting, I calls it.
01:01:41They have drawings of naked people about.
01:01:44You want to know what I think?
01:01:46I've half a mile to take them down myself.
01:01:49You do nothing of the kind.
01:01:52I love those pictures, Mildred.
01:01:56I love them for what they were meant to be.
01:01:59What happened to it?
01:02:06Hmm? What?
01:02:08The way you used to love me.
01:02:11Oh, I don't know.
01:02:13I was disappointed so often and hurt so much.
01:02:17Besides, what difference does it make, anyway?
01:02:20Nothing, only...
01:02:22I don't know.
01:02:23Remember how you got when I was so cold to you?
01:02:24Getting me that way.
01:02:25You're so cold to me.
01:02:26No one else is there.
01:02:28No one else is there.
01:02:29No one else is there.
01:02:33No one else is there.
01:02:35No one else is there.
01:02:37Oh, my dear.
01:03:23He's not in love with anybody.
01:03:53Where were you?
01:04:17What are you doing up?
01:04:19I couldn't sleep.
01:04:23Hadn't you better put on something warmer?
01:04:27Oh, I'll be all right.
01:04:31Just let me stay here.
01:04:35Phil.
01:04:37Phil, I love you so.
01:04:39Oh, nonsense.
01:04:41Tisn't.
01:04:43I can't live without you.
01:04:45Please get up.
01:04:47You're making a fool of yourself and a fool of me.
01:04:49Oh, Phil, please.
01:04:51I can't get on of this.
01:04:53I can't get on of this.
01:04:55I can't get on of this.
01:04:57Nonsense.
01:04:59You haven't anywhere to go.
01:05:01Stay here as long as you like.
01:05:03But with the definite understanding...
01:05:05You're not.
01:05:06I can't get on of this.
01:05:10I can't get on of this.
01:05:12Nonsense.
01:05:13You haven't anywhere to go.
01:05:14Stay here as long as you like.
01:05:16But with the definite understanding...
01:05:18You disgust me.
01:05:34Me?
01:05:36I disgust you.
01:05:38You.
01:05:40You.
01:05:42You.
01:05:43You.
01:05:44You're too fine.
01:05:46You won't have none of me.
01:05:49But you'll sit here all night looking at your naked females.
01:05:52Mildred.
01:05:53You cared.
01:05:54You dirty swine.
01:05:56I never cared for you, not once.
01:05:58I was always making a fool of you.
01:06:00You bored me stiff.
01:06:01I hated you.
01:06:02It made me sick when I had to let you kiss me.
01:06:05I only did it because you begged me.
01:06:07You hounded me.
01:06:08You drove me crazy.
01:06:09And after you kissed me...
01:06:11I always used to wipe my mouth.
01:06:13Wipe my mouth!
01:06:15But I made up for it.
01:06:16For every kiss I had to laugh.
01:06:18We laughed at you.
01:06:19Miller and me and Griffiths and me.
01:06:21We laughed at you.
01:06:22Because you was such a mug.
01:06:24A mug.
01:06:25A mug.
01:06:26A mug.
01:06:27You know what you are.
01:06:28You gippy-leg monster.
01:06:29You're a cripple.
01:06:30A cripple.
01:06:31A cripple.
01:06:32A cripple.
01:06:33A cripple.
01:06:34A child!
01:06:35A cripple.
01:06:36A cripple.
01:06:37A cripple.
01:06:38A loving it.
01:06:39You love these things.
01:06:40You love what they were meant to be.
01:06:44Well here's...
01:06:46what they were meant to be.
01:06:48You want to be!
01:07:06You want to be a duck!
01:07:18This will take you through medical school!
01:07:48You're leaving?
01:07:52Why?
01:07:54My money's gone.
01:07:56What do you intend to do?
01:07:58Oh.
01:08:00Anything.
01:08:04Before you go out into the world,
01:08:06don't you think we ought to try and do something about that foot?
01:08:08Think it'll do any good?
01:08:10I'll know better tomorrow.
01:08:12I'll know better tomorrow.
01:08:14How are you, Philip?
01:08:16I'm all right, Sally.
01:08:18How's the foot?
01:08:20Well...
01:08:22Let's try, shall we?
01:08:24All right.
01:08:26Careful now.
01:08:28Oh.
01:08:32Oh.
01:08:34Oh.
01:08:36Oh.
01:08:38Oh.
01:08:40Oh.
01:08:42Oh.
01:08:43Oh.
01:08:45Oh.
01:08:47Oh.
01:08:49Oh.
01:08:51Oh.
01:08:53Oh.
01:08:55Oh.
01:08:57Oh.
01:08:59Oh.
01:09:01Oh.
01:09:03Oh.
01:09:05Oh.
01:09:07Oh.
01:09:09Oh.
01:09:11I'm sorry. Nothing today. All situations filled. Nothing today. No experience. How do you? Nothing today. All situations filled. Sorry. No vacancy. Nothing today. No opening. Nothing. Nothing. Nothing. Nothing. Nothing. Nothing. Nothing. Nothing. Nothing.
01:09:41Nothing. Nothing.
01:10:11Nothing.
01:10:26Why haven't you been to see us? I don't know. I've had things to do.
01:10:33Well, you've been putting on weight. I'm sure you haven't. Why do you say that? The way you look.
01:10:39Oh, that's only my look. I'm afraid it's more than that. I sent you a note last Sunday and when you didn't answer I went round to your room. Your land lady said she had to put you out.
01:10:53Hello, Philip.
01:10:54My dear fellow, by peer raid signal my daughter just communicated to me confirmation of our suspicions. As you know, I've been on the beach most of my life. In fact, in Tahiti I was president of the Beach Combers Union. And as such I should like to inquire into your amateur standing.
01:11:22Where have you been staying?
01:11:24Where have you been staying?
01:11:25Oh, anywhere.
01:11:26Why didn't you come here? False modesty, I suppose. Now stop being an Englishman. When a man's on his opposite time, he came down to earth. We want you here with us.
01:11:38Well, I...
01:11:42Thanks very much, but I...
01:11:43Don't talk trash. You've got to stay here until you get your bearings. And I want no more fine talk about it. It's all arranged.
01:11:50Well...
01:11:51Well, here goes my amateur standing. I... I really have no place to go. It's awfully good of you.
01:12:03Nonsense! As you know, the house is completely unsanitary. You'll probably wind up with some foul disease.
01:12:08Now let him alone, Father. I want to talk to him.
01:12:11Well, I suppose youth must be served, but I must say I'm sick and tired of serving it. Nine of them.
01:12:22Will that do?
01:12:23Looks as if it might.
01:12:24Wouldn't be a very nice night to be out.
01:12:31Not very, no.
01:12:35It's going to be jolly having you here.
01:12:37I... hope I shan't have to stay very long.
01:12:40You do? Why?
01:12:41I can't go on like this, you know. I need a job.
01:12:44That's right. Father and I discussed that.
01:12:46There isn't much you've overlooked.
01:12:51I have to sew that on, too.
01:12:53And father has a job for you.
01:12:55Has he where?
01:12:56Where he works.
01:13:23You walk all right now.
01:13:53I saw you in the window.
01:13:58Well, I never thought you'd come to that.
01:14:04You're very hoarse.
01:14:07Throat sore.
01:14:10You haven't forgotten your doctorate, have you?
01:14:13No.
01:14:15Because that's what I want to see you about.
01:14:20And I go to a doctor.
01:14:23Well, there's the free hospital.
01:14:27I have all them students staring at me.
01:14:33What seems to be the trouble?
01:14:35Well, I cough all the time.
01:14:40Let's have a look at your throat.
01:14:41Look at your throat.
01:14:43What do you think about the girl being beautiful?
01:14:46It's not that you're just going to be beautiful.
01:14:50You've just been to kiss you.
01:14:53Got it, but never mind.
01:14:55They're still going to go into my condition yet.
01:14:58I'm going to take you to the girl's decision.
01:15:01You're going to have to go.
01:15:04You're not going to try to hang out.
01:15:07You're not going to talk to me.
01:15:09You're going to have to stay there.
01:15:12It's not my lungs, is it?
01:15:32Where's the baby?
01:15:35She died.
01:15:37Last summer.
01:15:40Oh.
01:15:41You might say you're sorry.
01:15:42I'm not.
01:15:43I'm very glad.
01:15:50I'm afraid I can't help you much.
01:16:00Don't leave me, Philip.
01:16:02I know I've dreamed you shocking.
01:16:04But don't leave me.
01:16:05Not yet, please.
01:16:07There's no one I can go to.
01:16:08You're the only one that's ever treated me like I was human.
01:16:12You're a gentleman, Philip.
01:16:14The only one I've ever met.
01:16:23The things you need.
01:16:38The modern era of the world.
01:16:39What's that?
01:16:40Have you seen a black man?
01:16:41The killing was my father.
01:16:42I'm not.
01:16:43I'm not.
01:16:44I've never met.
01:16:45I'm not.
01:16:46I'm not.
01:16:47I'm not.
01:16:48Can you tell him?
01:16:49I'm not.
01:16:50I'm not.
01:16:51I'm not.
01:16:52I'm not.
01:16:53I'm not.
01:16:54I'm not.
01:16:55I'm not.
01:16:56It's our last day.
01:17:06My Sally.
01:17:09My darling.
01:17:14I'm sorry.
01:17:17I'm sorry.
01:17:20I'm sorry.
01:17:23Darling.
01:17:26I was so determined not to let you see.
01:17:29Well, that's sweet of you.
01:17:31To care because I'm going away.
01:17:35I suppose I'm a fool to care, but...
01:17:38it doesn't mean you have to do anything about us.
01:17:41You can't help it just because someone loves you and...
01:17:44you don't love back.
01:17:47Sally, look at me.
01:17:52Darling, do you think you'll always feel like this about me?
01:17:56Yes.
01:17:58I've...
01:17:59I've known it since the first time you came to our house.
01:18:04I thought at first that...
01:18:06that I meant something to you too.
01:18:08Oh, but you did.
01:18:09You do.
01:18:13When I come back, if you still feel the same...
01:18:17will you marry me, darling?
01:18:23Don't you mean if you still feel the same?
01:18:25Well, this is what you might call the irony of fate.
01:18:29Come on now, be quick.
01:18:30Get her out of here.
01:18:31I don't want the likes of her on the ends.
01:18:35Come on now.
01:18:36I don't want the likes of her on the ends.
01:18:38Come on now.
01:18:39You have to wait for the island.
01:18:40Come on.
01:18:41Come on, you come on.
01:18:43I will see my friends.
01:18:45Come on.
01:18:46Come on.
01:18:47Come on, you come on.
01:18:49Come on.
01:18:50Come on.
01:18:51Come on.
01:18:52Come on.
01:18:53I am.
01:18:54I don't want the likes of her on the end.
01:19:04I understand there's an interesting case.
01:19:05Look here, old man. Don't go in there.
01:19:07Why not?
01:19:10If you please.
01:19:11It's no use.
01:19:24Oh, Philip. I'm sorry I'm late.
01:19:27You're not. I'm not going.
01:19:39Oh, Philip. I'm sorry I'm late.
01:19:42You're not. I'm not going.
01:19:54What's that?
01:19:57My wedding present to my wife.
01:20:03When do you intend to marry me?
01:20:06Right away.
01:20:08Thank you, Philip.
01:20:10I beg your pardon.
01:20:13You don't seem very pleased.
01:20:15Well, I am and I'm not.
01:20:17Why?
01:20:19I'm afraid it's only a noble gesture.
01:20:21That's not enough for marriage.
01:20:22No, no, Sally.
01:20:23It isn't just that.
01:20:25Philip, I like you far too much to ever stand in your way.
01:20:54Philip, you're free.
01:20:56Yes, but suddenly, suddenly there's nowhere to go.
01:21:00Taxi, sir.
01:21:02No, thanks, no.
01:21:04I had to be free to realize that.
01:21:06I had to be free to understand that all those years that I dreamed of escape,
01:21:11it was because I was limping through life.
01:21:14Taxi, sir.
01:21:15No, thank you.
01:21:16No, thank you.
01:21:18And because I was bound up with a person who was incredible to me.
01:21:22But that's all over.
01:21:24I'm not limping anymore.
01:21:26My life's all right.
01:21:28Then why don't you go?
01:21:29Because everything that's beautiful to me is right here.
01:21:35Won't you please marry me, Sally?
01:21:38If you like.
01:21:40But don't you want to?
01:21:43There's no one else I'd marry.
01:21:45How about a taxi, sir?
01:21:46What?
01:21:47How about a taxi?
01:21:48Yes.
01:21:50How about a taxi, sir?
01:21:52What?
01:21:53How about a taxi?
01:21:55Yes.
01:22:19How about a taxi?
01:22:20The taxi, sir?
01:22:22The taxi has dropped mood where he sees a bunch.
01:22:23What?
01:22:24The taxi pirate can't beat him around here.
01:22:26That's all over.
01:22:27That's all over.
01:22:28Not crazy.
01:22:29Not a taxi.
01:22:30Not a taxi driver but not like dwa Kong.
01:22:32He's getting on her phone where he фил.
01:22:34He, the taxi driver's getting on her phone.
01:22:35You gotta be here.
01:22:36But great.
01:22:38The taxi driver Til, sir.
01:22:39Ever.
01:22:40So the taxi driver.
01:22:42We'll see.
01:22:44Hell.
01:22:45And why don't you click on his phone.