- 11 months ago
For the finale, the ladies—Rej, Esme, Viki, and Andeng, revisit the journey of ‘O, Mare Ko.’ Hear their behind-the-scenes stories, how the show started, and how their bond grew beyond the screen.
For more O, Mare Ko Full Episodes, click the link below:
https://www.youtube.com/playlist?list=PL_UmNDDvymmDZsleALA5Qymq0iScXPfnl
'O Mare Ko' is a drama-comedy that centers on the lives of four women—Joey, Kathy, Sylvia, and Maritess, who navigate the complexities of love, friendship, and personal aspirations. Watch the episodes of ‘O Mare Ko’ starring Lorna Tolentino, Gina Alajar, Sandy Andolong, Amy Austria
For more O, Mare Ko Full Episodes, click the link below:
https://www.youtube.com/playlist?list=PL_UmNDDvymmDZsleALA5Qymq0iScXPfnl
'O Mare Ko' is a drama-comedy that centers on the lives of four women—Joey, Kathy, Sylvia, and Maritess, who navigate the complexities of love, friendship, and personal aspirations. Watch the episodes of ‘O Mare Ko’ starring Lorna Tolentino, Gina Alajar, Sandy Andolong, Amy Austria
Category
😹
FunTranscript
00:30Good evening, everyone!
00:33Finally!
00:35This is it?
00:37This is it!
00:39You guys are exaggerating!
00:41This is it?
00:43Explain why we're all lined up in a line?
00:45You may be wondering
00:47why we're not showing you a scene
00:49but we're here.
00:51We're here to show you
00:53what's really happening
00:55at the Vivian Montes.
00:57You're all invited
00:59Here we are, live.
01:01We're talking to you.
01:03No, we're explaining.
01:05Go ahead.
01:07Our show today is different.
01:09It's a different show.
01:11Because that's the truth.
01:13We'll admit it to you.
01:15This is the final episode of
01:17Mariko.
01:19But before we continue,
01:21we'll still be together for an hour.
01:23We'll explain to you.
01:25Maybe you'll be interested to know
01:27how this group
01:29and this show started.
01:31Now, I'm giving Gina an alarm.
01:33Elkie, tell us how
01:35Mariko was conceptualized.
01:37That's what Amie said.
01:39It started with the idea
01:41that we'll be together
01:43in a comedy show.
01:45It's a party, right?
01:47It's your birthday, Gina said.
01:49No, it's not.
01:51It's a GMA party.
01:53It's a GMA party.
01:55After the party,
01:57we went to Macari.
01:59Yes.
02:01Together with
02:03Ms. Reggie Magno.
02:05After a year,
02:07it stopped.
02:09Until it became
02:11a cartoon.
02:13Meaning, no one moved.
02:15After a year, your birthday,
02:17January,
02:19we met again
02:21this time with
02:23Malu Fagar, Gina Marisa Tagasa,
02:25Reggie Magno, and the four of us.
02:27We discussed
02:29and put on paper
02:31what Mariko's concept was.
02:33Malu called
02:35and told you that
02:37four girls
02:39are interested in the concept.
02:41We said,
02:43okay, go.
02:45She said, no, but they're offering
02:47to produce it.
02:49The four of us got excited.
02:51Because what we want
02:53is to act.
02:55We don't want to hide
02:57that we're going to produce.
02:59We don't want to hide
03:01that we're going to produce.
03:03But then,
03:05Ms. Fagar said,
03:07I think it's about time
03:09that you become artists.
03:11You have a different level
03:13to enter
03:15in this industry.
03:17So, we started
03:19a meeting.
03:21At first, with Mr. Joey Abacan,
03:23who's the one responsible
03:25so that
03:27the show will continue.
03:29So that
03:31the reality
03:33will become a dream.
03:35After that, we had meetings
03:37about the production.
03:39The first thing we did
03:41was to find a name for the production.
03:43Luna Vu Ang Vera,
03:45meaning V for Victoria,
03:47E for Esmeralda,
03:49R for Regina,
03:51A for Alexandra.
03:53Those are our real names.
03:55Yes, Esmeralda.
03:57Victor, Regina,
03:59Alexandra.
04:01Okay. What does Vera mean?
04:03Because when we're looking,
04:05we need a meaning.
04:07So, you're our initials.
04:09I have a meaning.
04:11Truth and faith.
04:13Truth and faith.
04:15That's why it became Vera.
04:17Then, the director thought
04:19who's the director.
04:21That's it.
04:23Soxy Topacio.
04:25That's good.
04:27What's the requirement?
04:29It has to be fast and good.
04:31Because it's directed by Soxy.
04:33And there's love.
04:35And there's love.
04:37It's directed by Soxy Topacio.
04:39We can also abuse that.
04:41The patience is long.
04:43Yes.
04:45So, now,
04:47we want to show them
04:49the first season of
04:51OMARIKO, right?
04:53We'll refresh the past.
04:55Yes, and here with us
04:57in the first season,
04:59Rikki Davao,
05:01Luke Mejari,
05:03Amy's husband,
05:05AJ,
05:07AJ Eigenman,
05:09Denise Loren,
05:11JM Dizon,
05:13Lani Tapia,
05:15Gagay.
05:17And of course,
05:19our very good friend,
05:21Kalimang Mare,
05:23Kumpare,
05:25Fanny Serrano.
05:27So, let's watch
05:29some scenes or many scenes
05:31from season 1 of
05:33OMARIKO.
05:35Let's celebrate our marriage.
05:37Yeah.
05:43You deserve to be happy.
05:55Baby.
06:07Baby.
06:19Baby.
06:33Of course.
06:37Of course.
06:45Three ports.
06:47That's okay.
06:49Four condominiums.
06:51One house in Blue Ridge.
06:53Jewelry shop.
06:55One gasoline station.
06:57Is that okay?
06:59You should know
07:01his real name,
07:03Spider-Man.
07:05Hey!
07:17I believe in the saying,
07:19Keep up the good work.
07:31Yes!
07:33Yes.
07:37Yes.
07:39Omari.
07:41Omari.
07:43Omari.
07:51Omari.
07:53Omari.
07:55In the first season,
07:57we showed our
07:59little wackiness,
08:01but at the end,
08:03we still cried.
08:05We're still serious.
08:07But then,
08:09people said
08:11they want to see us
08:13in an all-out comedy.
08:15Because they know
08:17we're all good at crying.
08:21So, in the second season,
08:23we did an all-out comedy.
08:25Yes.
08:27It's an all-out comedy.
08:29It's called situational comedy.
08:31Or sitco.
08:33Here,
08:35people want to see
08:37people falling,
08:39people falling,
08:41people getting wet,
08:43people getting wet,
08:45people getting wet,
08:47people getting wet,
08:49people getting wet,
08:51people getting wet,
08:53people getting wet,
08:55people getting wet,
08:57people getting wet,
08:59people getting wet.
09:01It's a real life.
09:03So, it won't change us.
09:05They want to see us
09:07in a wacky way.
09:09So, watch our
09:11scenes in the second season
09:13that we call an all-out sitcom.
09:15You're so mean to us!
09:17They're thinking
09:19that we're crazy.
09:21They're thinking
09:23that we're crazy.
09:25I got impacted quickly
09:27because I wanted to escape
09:29from my boyfriend.
09:31I'm just kidding.
09:33I'm not that crazy.
09:35What did I do to you?
09:37You?
09:39You didn't do anything to us.
09:41But you did to my niece, Clara Maria.
09:43It's a big sin.
09:45You won't see her
09:47if you don't mix
09:49your skin with your bones.
09:51Wrong!
09:53It's not skin, it's bones.
09:55What?
09:57How?
09:59You look like a woman.
10:01That's why
10:03from now on,
10:05I'm going to imitate her.
10:07Why aren't you talking?
10:09You're a virgin.
10:11Why are you laughing?
10:13It's embarrassing.
10:15A lot of boys are waiting for you.
10:17Really?
10:27We trusted you.
10:29We thought you're a good person.
10:31This is what you're going to do to us?
10:33We're going to call the police.
10:37You're good.
10:39Gaga said that you're the stupidest
10:41in the world.
10:43I got lost.
10:45I'm excited.
10:47How much did Vicky pay you?
10:49I'll double it.
10:51True friendship
10:53is priceless
10:55when it helps.
10:57Get out of the way.
10:59Watch your mouth!
11:01There's a carpet.
11:03What's this?
11:14Nina.
11:16Don't say that.
11:18You can feel
11:20what I'm feeling, Andeng.
11:23Andeng!
11:25You're so good
11:27to have harmony in the house.
11:29Is that so?
11:31Why? What happened?
11:33It's like
11:35a cockroach
11:37came to me.
11:39Where's our new neighbor?
11:41What's inside?
11:43Meat. Are you sure?
11:45Yes, look.
11:51I forgot.
11:57I'm here.
11:59Ando.
12:01Ando.
12:03Roger.
12:05Esmeralda.
12:07Esmeraldo.
12:09Aldo.
12:11Aldo.
12:13My name is Louis.
12:15You're saboteurs.
12:17Saboteurs?
12:19You don't want to be saboteurs?
12:21Saboteurs.
12:23Madam.
12:25Madam.
12:27Madam.
12:29Madam.
12:31Madam.
12:33Madam.
12:35Later,
12:37we'll make you pay for this.
12:39No.
12:43Madam, no.
12:45That's our second season.
12:47If you noticed,
12:49we're all about sexy.
12:51But in the second season,
12:53we're all about sexy.
12:55Our dream in this show
12:57is to wear sexy clothes.
12:59But we're not wearing them.
13:01Actually,
13:03we're not wearing bikini or bathing suits.
13:05We didn't plan to go out of town
13:07to Boracay or Matabungay.
13:09We're all wearing bikini.
13:11It's the first time ever you'll see us wearing bikini.
13:13It didn't happen.
13:15Because we ate a lot
13:17during our twin taping.
13:19Hey, tell us about our stories.
13:21Like,
13:23when LT got sick
13:25at 10 o'clock PM.
13:27It's not 10, it's 12.
13:29It's not 10, it's 12.
13:31It's not 10, it's 12.
13:33It's 12.
13:35We're all looking at him.
13:37I can't remember the line.
13:39When it's 12 o'clock,
13:41I'm a blank.
13:43But later on, in the second season,
13:45he's still doing it.
13:47Because it's an all-out comedy.
13:49That's why he's still doing it.
13:51If you forget, you can do it.
13:53We have extra time.
13:55I don't understand
13:57Sandee.
13:59You know,
14:01people will notice that.
14:03They'll say,
14:05why does Sandee always tuck your butt?
14:07I said, I don't know.
14:09You're always like that.
14:11What about Amie?
14:13Isme, is that you?
14:17Because it's Esmee's role.
14:19Yes.
14:21She's innocent, right?
14:23She's really innocent.
14:25She's internalizing her role.
14:27She's internalizing her role.
14:29That's why when she's not on the scene,
14:31sometimes, she gets carried away.
14:35She gets carried away.
14:37That's what we're saying.
14:39Esmee.
14:41She gets carried away.
14:43It's a shame that she's still beautiful.
14:45Anyway, Reg, what can we say about her?
14:47Gina.
14:49Go ahead.
14:51In the first season,
14:53you were the one who said
14:55that you were really harassed.
14:57It was really hard for you
14:59because you went through a lot of work.
15:01I enjoyed both seasons.
15:03It's just that I was really
15:05ragged in the first season.
15:07Reg was really ragged,
15:09but she liked it.
15:11Oh, Mare.
15:13Oh, Mare.
15:21Oh, Mare.
15:23Oh, Mare.
15:25I have a scene there,
15:27the monologue,
15:29where I explain
15:31why I didn't have children.
15:33I did everything.
15:35It's hard to attack
15:37because it's comedy
15:39and that's what's hard to catch,
15:41the drama, Gina,
15:43because you still
15:45have to be serious
15:47and at the same time,
15:49you're not crying,
15:51but people are still laughing
15:53at you.
15:55Do you know the feeling
15:57that even if you don't like it,
15:59but they force you,
16:01then they force you
16:03to accept it
16:05because you can't do anything.
16:07You have to accept it.
16:09Do you understand what I mean?
16:11I realized
16:13that we've been together
16:15for 11 years.
16:17We've been married for 11 years.
16:19I did everything.
16:21I did biorhythm,
16:23I did fertility pills,
16:25I did circus,
16:27I danced in Ubando,
16:29I did yoga, I did feng shui,
16:31but no, we still didn't have children.
16:33Then,
16:35you know,
16:37he's getting hot.
16:39He wants to be the mother
16:41of someone else's child.
16:43I feel like he's getting hot.
16:45Because all the scenes
16:47or all the episodes
16:49have
16:51my character,
16:53a little bit of me
16:55or Esmeng
16:57that's always
16:59shown.
17:01Esmeng's character
17:03is always
17:05naive,
17:07true,
17:09out of nowhere,
17:11he'll answer
17:13the questions.
17:15For example,
17:17they said that
17:19Jeneline Mercado
17:21said,
17:23we need to give her a lesson.
17:25I answered,
17:27a lesson?
17:29What kind of person are you?
17:31Something like that.
17:33We need to teach that kid
17:35a lesson.
17:37Lesson? Does that mean he'll study?
17:39You're so kind.
17:41No, let him be free.
17:43Right, let him be free.
17:45The scene with Gina,
17:47we were drinking
17:49a little wine,
17:51and I told her
17:53my sentiments,
17:55I told her that
17:57when I saw Dave there,
17:59I wanted to be his wife.
18:01I wanted to
18:03take care of him.
18:05That means
18:07he's always hopeful that
18:09Dave will come back.
18:11I'm sorry, Andi.
18:13I just wanted to tell you that...
18:15I know what you're going to say.
18:17I heard that.
18:19And you heard
18:21what I'm going to say.
18:23I've never loved
18:25another man in my life
18:27other than Dave.
18:31I'm not ready
18:33to lose him.
18:35Even if he's not with
18:37his children,
18:39as long as he's there.
18:41After that scene with Gardo,
18:43Reg cried.
18:45Reg said,
18:47I just want a hug.
18:49A hug from a friend.
18:51Can you hug me?
18:53That's all.
18:55After that episode,
18:57a lot of people
18:59gave me feedback.
19:01Mostly,
19:03single women also.
19:05They shared
19:07the sentiments of Reg.
19:09They shared
19:11the loneliness of Reg.
19:13It's like you're so affected.
19:17Because,
19:21I just want a hug.
19:25A hug from
19:27someone who loves me.
19:29That's all.
19:31That's all.
19:35Hug me.
19:37Please.
19:39Even if it's just a hug from a friend.
19:45It's so annoying
19:47to be alone.
19:49It's so dramatic.
19:51It's more relaxed.
19:53The situations
19:55became more wacky.
19:57It became more chaotic.
20:01We changed
20:03Andeng's character.
20:05He became
20:07a neat freak.
20:11Every time a problem arises
20:13or a situation he doesn't know how to handle,
20:15initially,
20:17what happens is he's very clean.
20:19He's always clean.
20:21That's his outlet.
20:23Andeng became like that.
20:29He doesn't think much anymore.
20:33He doesn't take
20:35a backseat with Dave.
20:37Because,
20:39he understands more
20:41because they're in the same boat.
20:43Actually, my character
20:45didn't change much.
20:47But he became more stupid.
20:49It was hard for me
20:51to develop him
20:53to have
20:55the fee
20:57to be fee.
20:59The F to be F.
21:01Instead of F, P,
21:03there's an O,
21:05and V to be V.
21:07To have him
21:09to speak English,
21:11there's an effort.
21:13We have a pronouncement.
21:15Go ahead.
21:17For the sake of everybody.
21:19Announcement.
21:21Since they're together,
21:23and it's an all-out comedy,
21:25Reg became
21:27a barangay captain.
21:29From being an events coordinator,
21:31he became a barangay captain.
21:33He's still strong.
21:39But he's more astig.
21:41He's more astig in the second season
21:43because
21:45she deals with the barangay.
21:47Hernate. Reg!
21:49Hernate!
21:51Ay! Barangay chairman!
21:53Ay! Barangay chairman!
21:55Congratulations.
21:57Congratulations.
21:59I had a lot of scenes
22:01that I really enjoyed.
22:03Especially the ones where I was in costume.
22:05The ones where
22:07I became a mother,
22:09I became a cat,
22:11I became...
22:13There.
22:15Romeo and Juliet.
22:17I was frustrated
22:19because I couldn't do Humpty Dumpty.
22:35When you're laughing
22:37and no one's laughing,
22:39it's really corny.
22:41And when you're in a drama,
22:43you want to make people cry
22:45but they don't cry.
22:47It's okay, they'll accept it.
22:49But it's hard.
22:51It's hard to make people cry
22:53so it's effective for the heart.
22:55It's hard to make people laugh
22:57so they'll laugh.
22:59It's about timing.
23:01Not just yourself,
23:03but as a whole.
23:05Comedy is harder
23:07than drama.
23:09It's easier
23:11to make people cry
23:13or cry
23:15than to make people laugh.
23:17It's hard to make people cry
23:19but it's also hard to make people laugh.
23:21When you're crying,
23:23you have to be natural
23:25to affect your audience.
23:27When you're making people laugh,
23:29you need the presence of mind,
23:31the wit, the gift,
23:33the timing.
23:35It's hard for me.
23:37You know,
23:39there are people you can touch.
23:41When it comes to making people laugh,
23:43you don't know if you're laughing
23:45or they're laughing
23:47because they know you.
23:49It's different.
23:51It's hard to be a comedian.
23:53That's why I'm really
23:55jealous of comedians.
23:57The best comedians
23:59were Lepatchi,
24:01Chichay, Tugo, Pugo,
24:03and other kinds.
24:05Yes, Kachupoy.
24:07They had different
24:09timing
24:11and tempo.
24:13Even though the lines
24:15were not in the script,
24:17they were all good.
24:19When I was young,
24:21I watched a lot of
24:23comedy movies.
24:25I was really entertained.
24:27Up to this day,
24:29I still watch it
24:31and I still laugh.
24:33The comedy of the day
24:35was different.
24:37They were all good.
24:39Gladys Guevara.
24:41I watched her
24:43on live shows
24:45and on TV.
24:47She was different.
24:49Even on live shows,
24:51she was more all-out.
24:53But, you know,
24:55she didn't
24:57offend other people.
24:59And
25:01I like her
25:03because she laughs at herself.
25:05I think
25:07that's her
25:09charisma.
25:11She makes
25:13herself laugh,
25:15her own mistakes,
25:17her own foolishness.
25:19Who else but the king of comedy,
25:21Dolphy.
25:23Of course, she's my nephew
25:25and cousin
25:27because she's
25:29the one
25:31I look up to.
25:33Even when I watch
25:35her old movies,
25:37you'll see
25:39a lot of things you can learn from her.
25:41She's very simple.
25:43Even in a very simple situation,
25:45her attack is very simple.
25:47You'll laugh.
25:49It's hard to do.
25:51Of course, Uncle Dolphy,
25:53the other
25:55institutions.
25:57Of course, Uncle Vic Soto.
25:59He's really good.
26:01As for the ladies,
26:03Sinida Blanca.
26:05I can say that
26:07I like the times
26:09of the day or the comedians
26:11because of their comedy.
26:15Like Mangnano,
26:17it's really comedy.
26:19This time,
26:21she's different because
26:23to make you laugh,
26:25you need toilet humor
26:27or a mix of
26:29vulgarity to make you laugh.
26:31Not like before,
26:33no vulgarity, no toilet humor.
26:35They're good.
26:37They're comedians.
26:39That's what you'll see in real comedians.
26:41This is another
26:43knowledge
26:45that I can add
26:47to myself.
26:49Imagine, I learned to act.
26:51I learned to direct.
26:53I learned to produce.
26:57In all three of those,
26:59in all aspects
27:03of the industry,
27:07I can say that I'm very, very blessed.
27:09I learned a lot
27:11in producing
27:13Omariko.
27:17In decision-making,
27:19in handling
27:21production,
27:23it's a first time for me.
27:25It's new.
27:27It's a
27:29different experience.
27:31The preparation is different.
27:33It's not sudden.
27:35It's not
27:37a sudden agreement.
27:39If you need to go out,
27:41it's better
27:43to have everything
27:45planned
27:47and organized
27:49before you do it.
27:51So that you can
27:53take care of
27:57the product
27:59better than
28:01the first time.
28:03So far,
28:05we've learned a lot
28:07that it's a good
28:09stepping stone
28:11for us to learn about
28:13so many things regarding
28:15production.
28:17That's all.
28:21Although it's nice,
28:23I would rather be a talent.
28:25Why not?
28:27If I have a good concept
28:29and if I have
28:31the money,
28:33I won't save
28:35and I won't
28:37waste it.
28:39I can get everything I want.
28:41I can buy props.
28:43The budget,
28:45the cost,
28:47it's a good show
28:49to produce.
28:51I want to produce again.
28:53Producing Omariko
28:55was such a great experience
28:57that I learned
28:59a lot.
29:01I don't know
29:03about the other Maris,
29:05but it has always been my dream
29:07to produce.
29:09Later on,
29:11we'll use it
29:13to produce another comedy show.
29:15We'll be able to produce
29:17other venues
29:19and avenues
29:21like
29:23the stage,
29:25or whatever.
29:27See you later.
29:43We want to thank
29:45many people.
29:47First of all,
29:49everything has
29:51an end.
29:53There's a beginning and an end.
29:55Omariko
29:57is not an exception.
29:59We started
30:01with a good intention.
30:03I hope you liked
30:05our presentation.
30:07But all good things must end.
30:09It must come to an end.
30:11It's sad,
30:13but we'll say goodbye
30:15to you.
30:17Why is it sad?
30:19Because we won't see each other every week.
30:21But it can still happen
30:23behind the scenes.
30:25But when we're working
30:27at the same time,
30:29when we're together,
30:31it's a different feeling.
30:33What would you miss most?
30:35Food!
30:37I would miss
30:39eating together.
30:41What I would miss
30:43is Sandy's wake-up call.
30:47When we go to the parlor,
30:49she'll say,
30:51I'm going to the parlor.
30:53That's what I'll miss.
30:55Anthony's texts.
31:01Anthony's staff
31:03who's always there.
31:07The big one
31:09who carries everything.
31:11Staff and crew.
31:15Thank you so much
31:17to our cameramen,
31:19producer,
31:21people,
31:23production department.
31:27Let's not forget
31:29our head writer,
31:31Mr. Manny
31:33Castaneda.
31:35Ms. Gina,
31:37Marisa, and the contributing
31:39writers.
31:41Dino Erese and Ms. Edith Asuncion.
31:43Of course, Ms. Malufagar.
31:45Ms. Malufagar.
31:47Mr. Joey Abakan.
31:49Thank you, thank you very much
31:51to all of you.
31:53And to our guests
31:55who invited us.
31:57Because they love us.
31:59That's the labor of love.
32:01Because if we invite them,
32:03we can't pay
32:05their enormous
32:07talent fees.
32:09They did this
32:11for the love of us
32:13for the love of us
32:15and for the love of the friendship.
32:17Okay, let's start.
32:19Do you know him?
32:21He's my favorite actor.
32:23He's very handsome.
32:25He looks like Brad Pitt.
32:27Christopher DeLeon.
32:29You don't know him?
32:31No, not really.
32:33He contributed a lot to our show.
32:35Of course, Rudy Fernandez.
32:37Thank you very much.
32:39You didn't notice him.
32:41When he did the taping,
32:43he was very cute to you.
32:45Because he's not my husband.
32:47He should be my husband.
32:51Thank you very much.
32:53Tears of Cruz,
32:55my friend.
32:57Yes, the ever loyal Tears of Cruz III.
33:01Gardo Versosa.
33:03My lover, supposed to be.
33:05Thank you, Gardo.
33:07Dexter Doria.
33:09Luke Mihares.
33:11My husband.
33:13It's the first time Luke appeared.
33:15Acting, comedy.
33:17Thank you, Luke.
33:19Dion Ignacio.
33:21Mark Heras.
33:23Rainier Castillo.
33:25Yasmin Curly.
33:27Juliana Palermo.
33:29Jenilyn Mercado.
33:31Ding Dong Dancers.
33:33Reggie Curly.
33:35Shara Soto.
33:37I can't read that.
33:39Delayed the cold.
33:41Dave Mercado.
33:43Jake Rojas.
33:45Bingo Isagas.
33:47Mil Nino Garcia.
33:49Jinky Orta.
33:51Rupi Rodriguez.
33:53Alvin Anson.
33:55Jose Manalo.
33:57Wally Bayala.
33:59Nanette Inventor.
34:01Malu.
34:03Chino Rodriguez.
34:13It's greatly appreciated.
34:15The one who made the theme song of Omarico.
34:17Limited edition.
34:19Limited edition.
34:21Thank you very much.
34:23Jandy.
34:25Rafi.
34:27Wally Ventura.
34:29QTV GMA.
34:31QTV GMA.
34:33Missy.
34:35And of course,
34:37Mr. Doug Ventura.
34:39The better half of Miss.
34:41He's always on our taping.
34:43And he brings food.
34:45And he knows
34:47all the financial
34:49status and everything.
34:51And everything.
34:53And last but not the least.
34:55Of course, we will not say goodbye
34:57until we are grateful
34:59and this person is with us
35:01who has helped us
35:03since the beginning.
35:05It's him.
35:07Thank you, Bambi.
35:09Thank you, Linda.
35:11Thank you for being so nice to us.
35:13You know who will be sad
35:15when this ends?
35:17Who?
35:19My mother.
35:21Oh, right.
35:23Schumach.
35:25Thank you, Schumach.
35:27If it wasn't for Schumach,
35:29we wouldn't be here.
35:31Thank you, SM.
35:33Thank you, Arnel.
35:35Thank you, Ronnie Cruz.
35:39Thank you so much
35:41to all of you,
35:43to all the support
35:45that you gave to OMARICO.
35:47We will never forget it.
35:49Please continue to support us
35:51and of course,
35:53all the QTV shows
35:55and GMA shows.
35:57Bye, everyone!
35:59Bye!
36:27Thank you!
36:29Thank you!
36:31Thank you!
36:33Thank you!
36:35Thank you!
36:37Thank you!
36:39Thank you!
36:41Thank you!
36:43Thank you!
36:45Thank you!
36:47Thank you!
36:49Thank you!
36:51Thank you!
36:53Thank you!
36:55Thank you!
36:57Thank you!
36:59Thank you!
37:01Thank you!
37:03Thank you!
37:05Thank you!
37:07Thank you!
37:09Thank you!
37:11Thank you!
37:13Thank you!
37:15Thank you!
37:17Thank you!
37:19Thank you!
37:21Thank you!
Comments