Nouveau format! PODCAST INTERVIEW Une interview téléphonique
👉 On découvre son histoire, sa singularité.
👉 Un parcours avec de multiples facettes.
👉 Un style musical bien à elle.
👉 Parler de ses créations dont "Disquette" et "vivre".
👉 Les dates et influences à retenir !
👉 On découvre son histoire, sa singularité.
👉 Un parcours avec de multiples facettes.
👉 Un style musical bien à elle.
👉 Parler de ses créations dont "Disquette" et "vivre".
👉 Les dates et influences à retenir !
Catégorie
🗞
NewsTranscription
00:00Welcome to the new episode of the podcast, questions and answers, telephone interview with our
00:10guest today and well it's Gisèle le Pape she's a new artist that I'm pleased to
00:14introduce yourself on social networks hello Gisèle hello I'm very well yes thank you for
00:22your invitation is also a pleasure, a shared pleasure and to also discover
00:27public internet and well your journey is unique as your biography says then
00:31First of all, introduce yourself to us. Well, my name is Gisèle Pape. I am a singer-songwriter.
00:37I also produce my pieces, that is to say I arrange them and I work on the sound
00:43of pieces and I also have a rather visual training so I also do a parallel
00:53a few photos but I mainly do most of my clips, but I try to have
00:59a point of creating a global universe which resembles my music and what I want to express, let's say
01:07So here we are, and so here we are today discovering the career of Gisèle Pape, so your name is
01:15scene it's this one yes but it's my but it's my name in the civil too as we say
01:20very good well there you go it's true that it's nice because there are many artists who there who
01:25who often have a stage name, others who are natural as they say, like you
01:30Yes, that said, I want to say that I have a little regret not having taken a stage name, to be honest.
01:36ah that's true yes I find that well I didn't find any way it's true that I had it's
01:42It's complicated to take a stage name because there's a choice to make and we're afraid of embracing each other
01:47so we would say we have to find a name that is really right and everything but at the same time have a
01:53stage name perhaps also allows you not to stand out but if there is a form of
02:01separation, we will say, of the more artistic life and finally of the artistic character of our person
02:07private so here it is but but maybe I will do other projects with pseudonyms
02:13ah so why not well here we have a scope today here I thought here in this
02:19podcast so it's nice to discover the unique artist that you are like
02:24said your your biography why singular then well in fact I don't really have
02:29chosen is rather what is sent to me very regularly so it is something that I have
02:37because at the beginning when I started to make my pieces I didn't necessarily want to do something
02:41something singular finally I wanted to do something personal but but it's true that quite quickly
02:49I was sent this bag that the pieces were quite unique and had a particular identity
02:55that it was we didn't really know how to classify it that it was there that it stood out a little bit from
03:00what was happening was something that I finally integrated, in quotation marks
03:06and then it's true that it's something in the end that I'm rather happy and proud of because it's
03:11always here perhaps we always seek to produce something a little bit special
03:18a little bit unique so that's something that I finally integrated into the bio but
03:25It's true that many artists try to detach themselves by evoking something that they
03:30have something special about them and that is what makes the difference between each artist
03:35yes well yes after that it's true that we are we are all different and it's true that I think maybe
03:40that the public is sensitive when it feels a finally there is a mixture of feeling a little the personality of
03:46the artist and something which gives him a form of sincerity, that is perhaps what also makes the
03:50singularity of a project yes indeed indeed yes that's what retreats towards
03:56something that is specific to us, here is an artistic DNA in any case it is interesting
04:00Well, I think that after that, yeah, there is always, it's to reach people there has to be a
04:04something at the same time I have the impression of personal and universal finally often we say that and that's it I think
04:09that there are people who recognize themselves in this singularity in this somewhat particular universe therefore
04:14Well, I'm happy that it can resonate with other people.
04:18here and precisely a sweet strangeness that you have your path to cross the learning of
04:25the classical organ and explain to us a little bit about this instrument that I imagine you played during
04:30many years, eh, well, yeah, I went to the conservatory when I was little and then
04:34As a teenager, I unfortunately stopped when I got my baccalaureate because I went to study a little
04:40far yes it is it is an instrument that I have I don't know exactly how I came to this
04:45instrument I think I had a brantante which had an electronic organ I think that's the side
04:49to have slightly different sounds the pedalboard a rather complete instrument in fact with a
04:55its quite particular and so I finally tried the teacher I had at the conservatory had made me one
05:03demonstration I admit that I was quite won over, but after me it's really the instrument side that has always
05:08more because I never played for masses or finally the religious side of the instrument myself
05:15don't talk, in any case that's not what interests me, it's the instrument itself that
05:20you who you but the instrument itself there I find it really quite incredible it's true
05:24that there are many monuments on which many artists have been able to play and have had the
05:29chance also to play we also note influences like bac also on the organ yeah
05:34Well, it's true that when you play the organ, you still get a lot of exams and it's true
05:39it's a well it's it's it's a good composer already it's a work is still extremely
05:44vast but it's true that I was quite touched by everything, by the fugues, in particular because it's
05:50It's a somewhat horizontal writing style that I've always liked and I think that's reflected a bit
05:55in my way of composing but I think that the influence is true that I heard it after having
06:01made a few pieces in fact I didn't think about the organ at all when composing but in fact that's where
06:05we see that what we have also gone through influences us a little in the long term and so
06:11I recognized afterward the influences of the organ in my pieces, it's true that it's beautiful
06:17The organ is magnificent whether you play it with the pedal or with the several stages.
06:22finally it's magnificent and often when people the artists play the organ the composers
06:28they often have you know the partitions which go from left to right which are quite
06:33long it's quite extraordinary that well it's true that unlike the piano it's still a bit
06:38It's more complicated to learn the pieces by heart on the organ because there are still really
06:42two hands plus feet so that makes yeah that can make some pretty big scores but
06:47good and very perfect then Gisèle Gisèle Pape so this singular artist of the song but also
06:53electropop we can say an electropop musical style yes completely especially I think
06:58with this last album here with perhaps some small classical touches indeed and then
07:03We also note in your studies that you studied cinema at the Louis Lumière school.
07:08Yes, it's because I originally wanted to become a shock operator, so to provide the light and the frame on
07:14films and there I made a few feature films as an intern and then I lit some
07:20short films and as a chef hop but it's not in the end I'm not really more in
07:28this universe you are not delayed no I quite quickly switched to live performance because I
07:34I think I needed the moment of the performance to have real presences in front of me, finally I put it aside
07:42microcosm of cinema, I liked it less and I went more towards the dance
07:49theater and then we also leave the concert light but well it touched me much more and this
07:54real presence this moment of the show is something that absorbed me much more
08:00Well, it's true that it's very interesting, it's a world apart, and so we note in your journey several
08:05artistic caps in any case yes well it's true that I've always been a bit between the two the two
08:11areas so here I took a few photos also for my previous album I had taken some
08:15portfolios with photographs that I had taken I had made calendars with images too
08:21and it's true that I think it's a taste for both areas and so I like to link
08:28both and try to bring into the music a visual universe, finally thinking in any case about the universe
08:33visual and see to accompany it with objects that I make that is precisely for the new creation
08:39we'll talk about it in a few moments, so you've changed the visual a little bit in your photo.
08:44your photo at the time of the creation of pebbles today you are a little upside down
08:50Oh yes
08:51so how is it done
08:53to tell the truth
08:54to tell the truth this photo well actually I liked this photo I liked the spontaneous side of this photo it's not a photo that I took
09:01excerpt for press photos
09:05It was really made on the spot.
09:07yeah it was done on the spot it's the same series as the photograph that I use for the cover of the album that's going to be released and that was it I
09:15It's a very spontaneous moment. It was before a concert in Toulouse. There was an armchair in front of a wall, an armchair, a bit like in Gastron Agaf.
09:24I don't know if you see
09:26yes yes absolutely
09:27and in fact I put myself in this chair backwards and we took a little series of photos like that and
09:33and actually I liked her and I
09:35Here I wanted to
09:38to use
09:38Well, I might take more photos of her, but for now, I liked what she gave off, and I also liked this very spontaneous, very light side.
09:46Okay, so that's a little bit of an explanation for this new photo of
09:50of Gisele
09:51So your musical style is hypnotic pop, we can also say electro and experimental.
09:57yeah so maybe less on this album but after that it's maybe
10:01the way I use sounds
10:04which I write about but it's also something that has been sent back to me quite a bit
10:09Afterwards, I listened to a lot of experimental music, so it doesn't surprise me.
10:12neither
10:13Well, that didn't surprise me, but
10:16It's true that it's something
10:18even experimental cinema I have always been interested in forms a little bit
10:21different we are obliged to
10:23to let go of ours a little
10:25our preconceptions and fair
10:27to listen to
10:28just trying to feel things is something
10:31which I actually like
10:33when I am a spectator
10:35It's a position that I like, just don't know
10:37what to expect and actually listen to it can be
10:39very interesting
10:41super weird as super beautiful as very sweet
10:43finally and it is
10:44and so it's when I work on my sounds it's true that there are times I
10:48Here I am a little
10:49I test things, sounds and suddenly when there is a kind of atmosphere that I like
10:53I don't try to think too much if she touches me it's because
10:56hop I want to continue on this and so I try to
10:59make something from
11:01from what I hear what
11:03and yes, here is a factory
11:04full-fledged electro and pop
11:06so it's always interesting and Gisèle Pape
11:09and we come back with a new creation
11:12but first, remind Gisèle a little bit
11:14your musical influences
11:15where are you going to look for them?
11:17It's a bit like what we were saying just now.
11:19yeah well then
11:21Laurie Anderson I think that
11:24remains a fairly central figure
11:26which has lastingly affected me
11:27marked I think she is a composer
11:29American
11:31finally who made an album called
11:33Oh Superman in the 80s
11:35It's a bit of a hybrid between pop and experimental.
11:38And
11:40finally, that's quite minimalist at the same time
11:43and with synths
11:44his electric violin
11:45finally it's something that has me
11:47finally it's something
11:48finally this album actually moves me every time I listen to it
11:51and that's something I really like
11:53and here are bands like Radiohead too
11:55I find that they are still quite durable
11:59I find that I still love them as much
12:01yeah like Creep or like that
12:03Not Surprised
12:04more from Ok Computer
12:06Ah OK
12:07because I think
12:07Yeah
12:08more on the hybrid side precisely
12:11Creep for the album Creep
12:13I think it's The Band album
12:14for me there is a bit too much
12:16pop rock
12:17I am a little less
12:18that's less
12:19my universe
12:21but it's true that everything they started to experience
12:23from Ok Computer
12:25sound mixtures
12:26finally the composition
12:28but it's true that I find that
12:30Well, I don't know if it's a public issue.
12:33but the American public
12:35I feel like it's much more about shapes
12:37a little more experimental
12:38finally a piece like Paranoid, Android
12:40which lasts 9 minutes
12:41and which is still a hit
12:42In France I have the impression that we would not arrive
12:45to do as well
12:47to see that
12:48but there you go and after that I think that after that
12:51with time I also discover
12:53the French-speaking scene
12:54finally people like the Feline
12:55or Dominica
12:56are people who have
12:58Malik Judy
12:59are people that I find extremely interesting
13:01and so I really like music
13:02and after that I listened to a lot of electro too
13:05rather minimal electro things
13:08rather the style of the German scene
13:11All right
13:11and then things like Kratver
13:13finally some things
13:14Here are some beginnings of electro
13:16but which remain
13:17good and perfect
13:19so Gisèle Pape
13:19so is with me in this new episode
13:21from the Question and Answer podcast
13:23an interview we conduct by telephone
13:25and you have the opportunity
13:26and there you have it
13:27to subscribe as well
13:28on these networks
13:29and then also to discover a little bit
13:30this universe
13:31this world apart
13:32and this emerging side too
13:34it's nice
13:35Gisele Pape
13:36well comes out a new creation
13:38who is called
13:38Live
13:39So explain to us a little bit
13:41this new creation
13:42why did you call her
13:43Live ?
13:44Well, because I wanted to
13:45Finally
13:46I wanted to do
13:47a fairly simple song
13:49in quotation marks
13:49but something
13:51with a list of words
13:52In fact
13:52of everything that makes up life
13:55finally like
13:55to grow
13:56to walk
13:57learn
13:57nature too
13:59to like
13:59in the clip yeah
14:01in the clip
14:01there is the idea of
14:02the clip came a little bit
14:04in counterpoint
14:04because precisely
14:06finally the song
14:06is really focused
14:07on this list of verbs
14:09of everything that makes up life
14:11here we go
14:12of what we manage to do
14:13of what we cannot do
14:14of what we would like
14:14which gives us joy
14:17of the sentence
14:18so I wanted
14:18I wanted to express that
14:20and when I thought about the clip
14:22I wanted to bring a dimension
14:23a little more
14:24a little wider
14:26and I used plans
14:27of plants
14:29and seeds
14:29which grow in fast motion
14:30and here it is
14:32where suddenly
14:33beyond human life
14:33we also have life
14:35of nature
14:37plants
14:38plants
14:39Who
14:39finally here it is
14:41that we put into perspective a little
14:42with our human lives
14:43and that's something
14:45There
14:45which is dear to me too
14:46to put things into perspective
14:47finally, no need to put things into perspective
14:48but finally
14:49we felt like
14:50always a little bit too
14:52include the human being
14:53in something
14:54a little bigger
14:55so as not to forget
14:56that we are part of
14:57of the universe
14:57of the world
14:58and perhaps decenter
14:59also a little our look
15:00which is often very
15:01self-centered
15:03about ourselves
15:05and on the human species
15:06so here it is
15:07I wanted with the clip
15:08bring this counterpoint
15:09and this opening
15:11There
15:11the ode a little bit
15:12to nature
15:12to the living too
15:13and to the world
15:14that surrounds us
15:15Yes
15:16yes it's true
15:17that it remains present
15:18it was more present
15:19in my previous album
15:20Pebble
15:21but it's something
15:22After
15:22who anyway
15:24remains present
15:25in what I do
15:26in the last
15:28single too
15:29that I took out
15:30on the shore
15:30but it's something
15:32it's true that
15:33it's also something
15:34of the order of sensation
15:35I think I'm quite sensitive
15:37to the world
15:37that surrounds us
15:38and I find that
15:39it is necessary
15:39to feel
15:42the outside
15:43to feel
15:45our presence
15:46compared with
15:47to the whole
15:48There
15:49and in the future as well
15:50we note sounds
15:51of synthesizers
15:52of voice
15:53percussion
15:53and we invite
15:55to dance
15:55on new futures
15:56possible
15:57as said
15:57your biography
15:58yes it is
16:00This is where we really arrive
16:00in the subject
16:01from this next album
16:04who is therefore
16:04the second
16:05who is called
16:05Floppy disk
16:06and here it is
16:08where most of the pieces
16:09and where the way
16:09where I thought
16:10create this disk
16:11it was really
16:12a little in reaction
16:13I think
16:15to a species
16:17of gloom
16:17ambient
16:18and periods
16:19of doubt
16:20a little general
16:21with all the same
16:22a social context
16:23quite complicated
16:24great inequalities
16:26and it is
16:27where I was wondering
16:28really but what future
16:29we will have
16:30and what future
16:31we would like
16:33and in fact
16:34in the end
16:35I wanted
16:37Really
16:37find something
16:38very positive
16:39in these questions
16:40and here it is
16:41and instead of
16:42to treat
16:43of fate
16:44In any case
16:44or to be
16:45in pessimism
16:46I wanted
16:48to be
16:49much more
16:50in optimism
16:51and to refocus
16:51precisely on
16:52if we get closer
16:54if we create
16:55of the link
16:56of the link
16:56what future
16:57we can
16:58consider
16:59and suddenly
17:00I found this
17:01very stimulating
17:03finally almost
17:03In fact
17:04as an artist
17:05we will say
17:06on the world
17:07today
17:08there is also
17:08these issues
17:09yeah i think
17:10that
17:11it's true that
17:12everyone
17:12was crossed
17:13by these
17:14last two or three years
17:15in a way
17:16quite different
17:17and my reaction
17:18I think it was
17:19on the contrary
17:20rather than saying to oneself
17:21In fact
17:21we can also
17:22do lots of things
17:23we can also rethink
17:24we may be
17:24at a pivotal moment
17:25where on the contrary
17:26we could rethink
17:28things
17:28and I think myself
17:29it forced me
17:30to tell me
17:30but what is
17:31important to me
17:31In fact
17:32how I want
17:33to make music
17:34what music
17:34I want to do
17:35what do I want
17:36to tell
17:36in my music
17:37In fact
17:37and what I had
17:38want to tell
17:38it was on the contrary
17:39it was hope
17:40these were possibilities
17:42it was
17:42it was something
17:44from going
17:45forward
17:46In fact
17:47and create things
17:48and that's it
17:49that I wanted
17:49to put
17:50in this album
17:51electro-experimental
17:53hypnotic pop
17:54and we see elsewhere
17:55a difference
17:55a path
17:56quite particular
17:57exactly
17:58that you are going through
18:00between each creation
18:01that you realize
18:02over many years
18:03In any case
18:03Yeah
18:04I think there is
18:05an evolution
18:05well then
18:06there is an evolution
18:07personal
18:08there is also
18:08a musical evolution
18:10it's true that
18:10It's true that I
18:12I like to experiment
18:14and suddenly
18:15I don't want to
18:15to redo twice
18:16the same disc
18:17and so
18:18I evolve
18:19from disk to disk
18:21and then after
18:22the context
18:24my private life
18:25and then
18:25the context
18:27common
18:28Finally
18:28social
18:29and politics
18:30outside
18:31make that
18:32I also have
18:33want to talk
18:34of things
18:35more direct
18:36In fact
18:36and so
18:37this album
18:38is a little more
18:39I think anchored
18:39and a little more direct
18:40than the previous one
18:43but it's true
18:43that it corresponded
18:44to a desire
18:45to address topics
18:46who are dear to me
18:48that it is
18:48exactly
18:49the question of the future
18:51the question of the body
18:52women
18:52things like that
18:54that I want
18:56which are themes
18:57who are dear to me
18:57that I wanted
18:58really to approach
18:58here are some themes
18:59who are dear to their hearts
19:00to Gisèle
19:01the pope today
19:02my guest
19:03in this new episode
19:04podcast
19:05questions and answers
19:06on social networks
19:07Thank you very much Gisèle
19:08for accepting my invitation
19:09we really went around
19:11a little bit
19:11on your story
19:12your journey
19:13your creations
19:14and your biography
19:15it was very interesting
19:16what did you think about it
19:17SO ?
19:18THANKS
19:18it was the first interview
19:21for the album release
19:22I think we have
19:24well spoken
19:26of the subject
19:27and the whole
19:29of everything
19:29In any case
19:30here pop
19:30experimental electro
19:31poetry too
19:32words that sublimate
19:33both intimate
19:35nature
19:35but also also
19:36We
19:37what we are
19:37Gisele Pape
19:38so to find
19:39on social networks
19:41creation live
19:42and then we find you
19:43mainly on Instagram
19:44and Facebook too
19:45Exactly
19:46here we go by
19:48your YouTube channel
19:49and it's interesting
19:49you go
19:50have one last question
19:51you launch into the future
19:52on many clips
19:53musical too
19:54with different stories
19:56also inside
19:56Yes, well, here I come
19:58to get out of it
19:59right there
20:00last Friday
20:01that one
20:02it's called
20:02On the shore
20:03and there
20:03it's a clip
20:04maybe who joins
20:05a little more
20:06the previous album
20:07because it's a piece
20:08which is a little more dreamlike
20:09and there I did the same
20:10I made a music video
20:11so with
20:12with small animals
20:14who are in the woods
20:16elements of nature
20:17and it's a song
20:19who speaks of the
20:20of the transformation
20:21feelings
20:21after a
20:22There
20:23when relationships change
20:24after a separation
20:25and how we can
20:25stay present to the other
20:26In
20:27by accepting that things
20:29actually move
20:30And
20:30and as for the
20:32as if to live
20:33I wanted to put it back in context
20:34in something
20:34bigger
20:36and of
20:36and to say to oneself
20:38that it is also
20:38finally here it is
20:39our way of being
20:40and open up to the world
20:41and of
20:42who is here
20:44which perhaps allows
20:45to stay in motion
20:46and stay in shape
20:47of
20:47finally moving forward
20:49and to accept that things
20:51that things move
20:52constantly
20:52There
20:53a message of hope
20:54to stay ahead
20:55and in the world
20:56as we live
20:57but also positive
20:58and that is very important
20:59while listening
21:00here is this beautiful music
21:01Thank you very much Gisèle Papa
21:03Well, thank you very much
21:05for having accepted
21:05this invitation
21:06and then there you go
21:07with my pleasure
21:08we wish you
21:08great outings
21:09and then also beautiful concerts
21:10It's true that it's quite interesting too
21:12well thank you very much
21:14Thank you in any case
21:15here is the podcast
21:16question answer
21:17to be found on social networks
21:19don't hesitate to go see Gisèle
21:20on Facebook and Instagram
21:21as we said
21:22and then also
21:23with his new creations
21:24go see also
21:25on the YouTube channel
21:25it's very interesting
21:26thank you
21:27and then we meet up
21:28on the next episode
21:29with a new one
21:30or a new artist
21:31to discover
21:31and also there too
21:33a new story
21:33see you soon
21:34Subtitling Canadian Broadcasting Corporation
21:36Subtitling Canadian Broadcasting Corporation