00:00Welcome to Fast Talk with Boya Bunda, and welcome to Fast Talk with Boya Bunda.
00:27Thank you to all the listeners of Dizzy Dolby.
00:31Welcome to the program.
00:33Chang Susan! Chang Susan!
00:35Yes, Tito Boy!
00:36Have we started?
00:37Yes, we've been here for a while.
00:39Huh?
00:40Good afternoon to all of you.
00:42We've been here for a while, Tito Boy.
00:43Are you kidding me?
00:44We've been here for a while.
00:46Is our guest here?
00:47For a while.
00:48Chang Susan, it's nice that you didn't tell me.
00:51No, Tito Boy, I was able to shoot.
00:52We were able to shoot earlier.
00:54Why are you doing these things on your own?
00:56Why didn't you tell me that the guests are here?
00:59Let's just call Tito Boy.
01:01Let's go, Tito Boy.
01:02Let's go, Tito Boy.
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04:15Martin, what makes you happy?
04:44What makes you afraid?
05:03What makes you angry?
05:13What makes you cry?
05:27What makes you fall in love?
05:41John, what makes you happy?
05:55I love that.
05:56That's happiness for me.
05:58What makes you afraid?
06:02Being alone and death.
06:07Yeah, it's really very fearful.
06:09John, what makes you angry?
06:20John, what makes you cry?
06:26John, what makes you fall in love?
06:53Kindness.
06:56I don't want to do this anymore.
07:02Very good.
07:03Very good.
07:04Very good.
07:05Very good.
07:06Let's talk about...
07:07Wow, I mean, you can actually do that?
07:11You can actually cry just by going into the lines?
07:15Or that was Luna?
07:17No, because when you say something or a phrase,
07:21it has to come from your experience.
07:25You have to put something from a slice of your life.
07:29So that will make the line more realistic.
07:32But that's talent.
07:33Because for others, it takes a while.
07:36It takes a process.
07:38But you're just brilliant.
07:42Martin, you're with Lolong, right?
07:44Yes.
07:45Julio and Ivan?
07:47Yes.
07:48Right?
07:49Yes, Julio and Ivan.
07:51I have a question for you, Martin.
07:53I know you're one of the most talented actors of your generation.
07:58I said one, two, and many more awards.
08:02But isn't it that in Lolong, your characters are interconnected?
08:08Yes.
08:09Isn't it that John Australia's work is scary?
08:12I already worked with Tito John in The Panty Sister.
08:15He's my father.
08:17I watched it.
08:18I'm very comfortable with Tito John.
08:20But at the same time, even though it's my second time working with Lolong,
08:24there's still anxiety.
08:26Because Tito John, when you're excited, you have to keep up.
08:29I mean, you really have to...
08:31No, you'll really be left behind.
08:33You can't let yourself go.
08:34Yes.
08:35You can't not think.
08:37You have to find the fine tune that will balance the scene.
08:42Like Julio here, he's the cold villain.
08:45So for me, to create a contrast,
08:47what Ivan does here is hot-headed.
08:50He explodes.
08:52He has a mental breakdown.
08:54Meanwhile,
08:55Tito John is very cold, intimidating, and scary.
09:00I'm the more outgoing.
09:02So when we're in a scene, the contrast is good.
09:06John, is it natural for you to mentor young actors who are willing to learn?
09:17I guess, yes.
09:18But...
09:19You have to be asked.
09:21Yes, it's necessary.
09:22I don't invade someone if they need help.
09:27No.
09:28I need to feel that they're open
09:31or they want to get an idea from me.
09:34But if not,
09:35I won't try to invade someone's space.
09:46The thing with you,
09:47I don't know, Martin, if you would agree.
09:50Both when you do external acting
09:53and when you become very quiet,
09:55you're both scary.
09:57In a good way.
10:00Because there are some actors
10:02who are effective when they do external acting.
10:08You deliver that.
10:09But when you have your cold, quiet moments,
10:14the intensity is the same.
10:16How do you achieve that?
10:19What I'm thinking now, Tito Boy,
10:22maybe it's the same for our family.
10:26We have that kind of intensity in the house
10:29that even if you don't talk,
10:31sometimes when you know that your parents are angry,
10:34your mother, your father,
10:36even if you don't talk,
10:37you're excited.
10:38What will he say when I get home?
10:40Or even if he doesn't talk,
10:41what will he say later?
10:42You know, like that.
10:43So, maybe it's the way I raise my family
10:46how we express our emotions
10:48to the elders,
10:52to my parents.
10:56Because that's how they experience it.
10:58You go back to your family,
11:00you go back to your story.
11:02Martin, let's do fast talk.
11:05But you do fast talk as Ivan.
11:09As Ivan?
11:10Yes.
11:11As Ivan, not Martin?
11:12Yes, not Martin.
11:13Okay.
11:14As Ivan and Martin,
11:15as Martin, as Ivan,
11:16with Martin and Ivan,
11:18it's up to you.
11:19Okay.
11:21Cute or handsome?
11:23Handsome.
11:24Sexy or hot?
11:25Sexy.
11:26Smart or smart?
11:27Smart.
11:28Smart or stupid?
11:29Stupid.
11:30Good or bad?
11:31Bad.
11:32Part of your body that makes you proud?
11:33Eyes.
11:34Part of your body that makes you insecure?
11:36Height.
11:37Filipino actor that you admire?
11:39Dennis Trillo.
11:40Filipino actor that you fear?
11:42Mr. John Arcelia.
11:44Do you feel good when you're bonding?
11:46Relaxed.
11:47Do you feel boring when you're bonding?
11:49Tired.
11:50Do you feel excited when?
11:52I crush on you.
11:53Do you feel hot when?
11:55Naked.
11:56Your showbiz crush?
11:58Lizelle Lopez.
11:59Wow.
12:00Guilty or not guilty?
12:01Accepting an indecent proposal?
12:04Guilty.
12:05Guilty or not guilty?
12:06Liking older women?
12:07Guilty.
12:08Guilty or not guilty?
12:09Having an affair with an artist?
12:11Guilty.
12:12Guilty or not guilty?
12:13Having a rejected role?
12:15Guilty.
12:16Lights on or lights off?
12:17Lights on.
12:18Happiness or chocolates?
12:19Happiness.
12:20Best time for happiness?
12:22Every morning.
12:23Ten years from now, who is Martin Del Rosario?
12:26I want to be like Mr. John Arcelia.
12:34When you accept projects, what is the principal consideration?
12:38Money or quality of the movie?
12:41And in life, what is the law?
12:45Is that love or money?
12:48These are the answers to the return of Fast Talk with Boy Abunda.
13:02We are back here at Fast Talk with Boy Abunda with Martin Del Rosario and Mr. John Arcelia.
13:08John, it's our turn to do Fast Talk.
13:11Oh wow.
13:13You can do it the way you want to do it.
13:15Cold.
13:17Don't forget, every day.
13:29Intimidating or accommodating?
13:31Accommodating.
13:33Ignorance or a lot of knowledge?
13:36A lot of knowledge.
13:40Both.
13:41A thick face or a soft heart?
13:42A soft heart.
13:43A big project or a big talent fee?
13:46A big project.
13:47A lot of awards or a lot of money?
13:50Both.
13:51If you were a cat, how would you meow?
13:55I love it.
13:56If you were a dog, how would you cry?
13:59Cry?
14:00Cry.
14:02If you were a cat, how would you get angry?
14:06Wow.
14:07An artist you dream of being with?
14:09Wow, Robert De Niro.
14:11You should.
14:12An artist you're nervous about?
14:17Let's pass that one.
14:19Guilty or not guilty?
14:20You complained to TEN.
14:23To TEN?
14:24Yes, to TEN.
14:25Not guilty.
14:26Guilty or not guilty?
14:27You complained to TALENT FEE.
14:28Not guilty.
14:29Guilty or not guilty?
14:30You're chosen in a project.
14:33Guilty.
14:35Guilty or not guilty?
14:36You're rich.
14:37You're very rich now.
14:39Guilty.
14:43Lights on or lights off?
14:44Lights on.
14:45Happiness or chocolate?
14:47Happy happiness.
14:48Best time for happy happiness?
14:50Anytime.
14:51I'm good because?
14:53I'm the son of my mother and father.
14:59Let's talk about you as professional actors.
15:02For example, you're offered a project.
15:05What are the principal considerations for these two?
15:09Quality or money?
15:12Martin.
15:13For me, it's quality.
15:17For me, it's more important to have good roles.
15:20My dream is to be a good character actor.
15:23To be as successful as Uncle John right now.
15:26For me to do that, I need good projects
15:29where I can showcase my talent.
15:30For me,
15:32I'll wear the hat of a manager.
15:34I'm a talent manager.
15:36For example, if you're my talent,
15:38Martin, John, this is how it is.
15:40In this project,
15:41this is an exaggeration,
15:43but you pay a lot.
15:47Sometimes,
15:48I talk to my talents.
15:51This is not a talent feed.
15:53This is almost an adventure,
15:55an experimental film.
15:56But the writing is perfect.
15:59And the director is also perfect.
16:01That's how we managers are.
16:03So given that context, John,
16:05when a project lands,
16:07a script lands on your lap,
16:09what are your considerations?
16:11You know, Uncle Boy,
16:12I'll be practical.
16:14I always make sure
16:16that my script is equal
16:19and my price is equal.
16:20I don't allow for quality
16:23without financial gain.
16:26I don't allow for financial gain
16:28without quality.
16:29As long as my management can handle that,
16:31that's my standard.
16:33But,
16:34if I have to sacrifice something,
16:35it's money.
16:37It's really money.
16:38My comment on that,
16:41you've earned it.
16:44I would guess
16:45that your power is not always like that.
16:48Yeah.
16:49But you take on that journey
16:51to earn
16:52and to be able to achieve that balance.
16:54Yeah.
16:55I sacrifice when I'm told
16:57that this is what I really want.
17:00It's okay.
17:01It's okay.
17:02Sometimes,
17:03it might be a cue.
17:05But if the project is really good,
17:07Uncle Boy,
17:08in real life,
17:09is that money or love?
17:10Just quickly.
17:12Right now, it's practical.
17:13It's like money.
17:16That's nice.
17:17Money or love?
17:19That's always my principle.
17:21I fight for both.
17:23But if there's one you can give?
17:25If there's one I can give,
17:30it's not because
17:32love develops.
17:33You know what I mean?
17:36I don't know.
17:37But you know what?
17:39You can't die of starvation.
17:42Even if you love each other,
17:43you can't.
17:44Life is hard.
17:46Let's invite everyone to Lolong.
17:47Martin, please.
17:48Dear listeners,
17:49watch out for Lolong Gabi-Gabi Puyang
17:51Mondays to Fridays
17:53after 24 hours.
17:55Yes!
17:56Just like what Martin said,
17:57don't forget to watch
17:59everyday
18:00Lolong 2,
18:02Bayani ng Bayan.
18:04Night Eye, please.
18:05Can I say something?
18:07I'm inviting you to watch
18:09my play,
18:10Anino sa Likod ng Pan.
18:12It's my first time on stage.
18:14I hope you'll support me
18:15March 1 to March 23
18:16at PETA FIET.
18:17Thank you very much.
18:19To our 5,200 people
18:21here in the studio,
18:23let's give a round of applause
18:25to Martin Del Rosario
18:27and Mr. John Arcilia.
18:31Night Eye, thank you very much
18:33for continuing
18:34to help us
18:35in our daily lives.
18:37Be kind,
18:38make your nana proud,
18:39and say thank you.
18:40And do one good thing a day
18:41and make this world
18:42a better place.
18:43Goodbye for now.
18:44God bless.
18:45Voice of La Carmela de Boracay,
18:46thank you.
18:47Dr. Steve Margon.
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