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Meet the "godmother of fashion" Bethann Hardison
Brut America
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3 years ago
She was the first Black woman to own a modeling firm, and she advocated for diversity — both on and off the runway.
As the documentary about her life "Invisible Beauty," was presented at the Tribeca Festival, we spoke to the "godmother of fashion" Bethann Hardison.
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Creativity
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00:00
Being a model is great if it's 60s, 70s, 80s, and the 90s.
00:04
Being a model in the 2000 on, I feel sorry
00:08
because it's not like the same as being a model.
00:10
We really were models.
00:12
We brought so much attention to the designer.
00:16
We brought so much to the designer.
00:18
He allowed us to be muses.
00:20
He was inspired by us.
00:22
We could walk, we could go down that runway
00:24
and sell the clothes just the way we wanted.
00:26
For Brute, I sat down with fashion
00:28
and modeling industry titan Bethann Hartsford.
00:31
After her start as a groundbreaking model,
00:33
she became the first black woman to own a modeling firm.
00:36
In time, she's transformed into an unwitting leader
00:39
of the movement for more diversity and inclusion
00:41
in the fashion and modeling industries.
00:43
I remember one editor from Glamour said to me,
00:45
Bethann, do you really think you can make a difference?
00:47
And I just start laughing.
00:53
I've done it before.
00:54
People think that this is all brand new,
00:57
having integrated shows or integration in any general
01:03
when it comes down to either advertising.
01:06
Because there was an agency called Black Beauty,
01:09
they filtered all the black talent out for the advertisers.
01:14
And when I came along, I was working in a garment district
01:17
and I was working from the button factory
01:19
to junior dresses to low-end dresses.
01:22
I came up really growing in that world.
01:24
And it's so cool, it was very cool.
01:27
There were a lot of people of color.
01:30
Most people don't know that, I see,
01:31
because they think that it's been suppressed.
01:34
It's not suppressed.
01:35
Without her existing, then the opportunities
01:37
wouldn't exist for me to do what I love.
01:39
I mean, it's as simple as that.
01:41
The fashion model to me was always the girl
01:43
who wore the designer clothes
01:44
and we supported the industry of designers.
01:47
And then that changed, changed because Calvin Klein
01:50
put the print model onto his runway
01:53
and that became something that everybody else
01:56
As time goes on, finally, the fashion model
02:00
that we would think was a fashion model
02:01
that didn't exist anymore, the girl of color,
02:03
slowly began to do print.
02:05
Regis Parnes came along to develop French Elle here,
02:10
changed everything.
02:11
That was the game changer.
02:13
All of a sudden, Condé Nast and Hirsch
02:14
had to really step it up
02:16
because he was putting girls of color in the magazines,
02:19
on the cover of magazines, and he didn't care.
02:21
And it just changed things.
02:23
I always know, because I've lived life long enough,
02:27
you can change things.
02:29
But in the end of the day, I really realized
02:30
that at some given point, these girls are working.
02:33
Look at this, they got editorials.
02:35
They're going on like locations for Vogue, you know?
02:37
That sort of helped me to start the Black Girls Coalition.
02:40
It was more to celebrate the girls.
02:41
It was, at the beginning, it wasn't about trying
02:43
to do anything about diversity or speaking up
02:47
about the lack of racial inclusion.
02:50
They needed to know that that had never happened before.
02:52
All of them working the way they were working
02:55
had never existed before.
02:56
And then eventually, you know,
02:57
we started to come after commercial advertisers
03:00
because we could sort of see
03:01
that that wasn't a good situation either.
03:05
And as time goes on, you'll see that we had that
03:08
for like maybe from 88 to 93 or four.
03:13
And then by that time, the industry started to change.
03:16
You might need to be your foot against the pedal,
03:20
but you can change things.
03:22
Also, we didn't have casting directors
03:24
and there was no stylist before for designers.
03:25
They did everything in-house
03:27
and that's how models could become muses.
03:30
And once the outside people start to come in
03:32
to influence the industry,
03:34
all of a sudden the black girls, the glamorous girl,
03:37
they all start to leave the runway, leave editorial.
03:42
And that was the beginning of the end.
03:44
That was mid-90s.
03:47
So it took about 10 years
03:50
to bring harsh attention to that.
03:53
Took me a while.
03:55
Alongside co-director Frederique Chang,
03:57
Hardison presented Invisible Beauty,
03:59
a documentary about her life and career,
04:01
exploring how she became a steadfast advocate
04:03
for more diversity, both on and off the runway.
04:07
She's been the godmother of fashion.
04:13
And whether people know or not,
04:15
she has changed the way beauty is defined.
04:19
The title was from a film I was working on prior.
04:21
The storyline I was working on before
04:23
was like an expose of the industry.
04:25
But in time, my film kept sitting in dormant stage.
04:31
So, you know, I just basically decided at one given point
04:36
the film should be about me
04:37
only because other people kept saying,
04:38
I love that idea that you're doing,
04:40
but someone should do a documentary on you.
04:42
And that was the last thing I wanted
04:44
because I was always someone
04:45
who wanted to be behind the camera.
04:46
I'm doing it because I've been asked to do it.
04:49
And I feel a sense of responsibility about it.
04:52
I didn't know I had such a story.
04:54
Once I started seeing the footage
04:55
and I understood what really contributions had been made.
04:59
She is, to me, black history.
05:02
And I tell people, once you meet this person,
05:06
it's gonna change your life, whether you like it or not.
05:10
I really feel like I've gotten it done before I go.
05:15
That's what I feel like.
05:17
Nothing more than that.
05:18
The genius of it is that people respect
05:21
and knew what I was doing.
05:22
And I thought nothing of it.
05:23
It was just like, you pick up the shovel,
05:27
you dig the dirt, you make the hole,
05:28
you put the seed in it.
05:29
That's how I was looking at everything I ever did.
05:31
Everyone's talking about diversity and inclusion right now.
05:34
That directly stems from the work that Bethann did.
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