00:00You know, in scenes like this, you've got to be okay
00:02with how ugly it might be,
00:03because you really got to be vulnerable.
00:05So I just try to go in willing.
00:06I think a lot changed for me personally
00:09in filming this scene.
00:11Hi, I'm Moses Ingram, and this is another take.
00:16Hit it, baby.
00:18This scene is just after Cleo has found out
00:21that the one thing she thought might save her will not.
00:25I think this is Cleo's moment of, I don't care.
00:31We shot this from so many different angles,
00:34and it got really wild, actually.
00:37There's a moment in shooting almost at the end of the day.
00:41I'm dancing, I'm dancing, I'm dancing.
00:43The camera is down in there with us,
00:45and me and the camera collide right in my eye,
00:49and everything stops.
00:50You know when it's so bad, you, like, got to wait to cry?
00:54Alma came over, she was like,
00:55I'm so sorry to ask you, do we keep going?
00:58And I was like, we got to keep going.
01:00We moved the wig down and put some makeup on
01:03to cover the swelling,
01:04and we got some of the best shots of the night.
01:09I was really supported by the dancers that were around.
01:12They were really wonderful people who were patient,
01:15you know, very professional,
01:16knowing that I'm not a dancer, I am a mover,
01:19and supporting me through the choreography
01:22and telling the story in the body as well.
01:24You know, in scenes like this,
01:25you got to be okay with how ugly it might be,
01:27because you really got to be vulnerable.
01:29So I just try to go in willing.
01:30I think a lot changed for me personally
01:33in filming this scene.
Comments